Moving On . . .

So things changed in Scene Two, too.  The big problems are the time lurch at the beginning and that shift in the middle.  Also this could be shorter . . . . well, you know the drill:

Who’s the protagonist?

What’s his goal?

Who’s the antagonist?

What’s his goal?

What’s the central scene question?

Is it answered?

What expectations have been set up by this scene?

What needs work?

What must be kept?

Go here if you want to play along . . .

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