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Hi Dave: Sometimes it helps to imagine yourself as the frame in a film. What do you need to your reader to notice? Do you want to start wide-angle, or close-up? Then forget being a film director... and pay as much attention to tastes, smells, and textures as you do sound and sight. The more specific the details, the clearer the description.
Thank you K. I guess I have been so involved with the characters getting from end to end and what happens directly to them that my focus is polarised only on them, but obviously as they transit through their landscape or pause for breath the world around them is constantly forgotten. Stepping into the characters shoes will give me a much better perspective of their world.
Thank you for your words of wisdom :).
Oh and by the way, I loved Enemy and am over a third of the way through Outlaw, now if only I could communicate with my cats the way Briel does with Snow (without the headaches) then life would be so much better for it :D.
Thanks again.



All good writers have this ability to create an inner visual world where the words seem to become images,
As an aspiring/struggling writer, I often find it difficult to add in the details such as: backgrounds, scenery, other non-named characters, passersby etc. do you have any tips that could help overcome these stumbling blocks? any advice would be appreciated, thanks.