Igor Goldkind's Blog, page 3
March 24, 2015
After Scrutinizing the Content for Possible Obscenity, Apple Approves My Book for iTunes. Download Friday!
March 27th.
It’s coming!
Filed under: Depression, new poetry, poetry, Transmedia Tagged: Bill Sienkiewicz, Gilad Atzmon, poetry, Riand Hughes, Transmedia
March 23, 2015
p=m√
This moment is dead.
But your life is momentum.
It’s the only life you know:
Everywhere you look
Is exactly where you’ll go.
(Paying attention like a fine,
Sniffing out the muddied footprints of the divine.)
This ticket that you’re riding,
Fare-less and Free,
Is merely the impetus of your Desire
Conserved, unaffectedly
By any other force or sway
Upon your singular trajectory through time.
For Tatiana Iosifovna Doubro who is ejected from planes and recites Pushkin by heart as she is flies through space.
Filed under: Math, new poetry, physics, poetry Tagged: math, Momentum, New Poetry, physics, poetry
March 7, 2015
DEATH PROTECTS US ALL
Illustration by Edward Gorey ©
Death protects us from burning in the Sun
Light that surrounds our momentum,
Or from drowning, faces upturned in the rain.
Decades like minutes whip us by.
But Death will protect us from the sting in the wind,
She’ll huddle us close in the folds of her midnight dress.
And when it’s time to go; 12 bells the toll,
She’ll insure that all her children are aligned and tenderly accounted for.
Filed under: digital insurgency Tagged: Igor Goldkind, New Poetry
March 3, 2015
YES, SHE IS AVAILABLE! OUT NOW APRIL 1st !!!! How Exciting.
I am posting this to announce the official publishing of my book IS SHE AVAILABLE? On April 1st, 2015. the ebook will be available for download on a variety of commercial websites; not least of which is the official website http://is-she-available.com where you will be able to both download the book and pre-order the hardcover edition.
Cover Illustrations by Bill Sienkiewicz; Design by Rian Hughes
Please, tell your Friends.
“Friends”: how strange that word now seems to me given the dilation of its meaning over the past what 5, 10 years? I recall using the word in reference to a small circle of familiar intimacies; varied in nature and personality but common in values and how we choose to pass our time.
Of course now my Facebook tally shows that I have somewhere near 2,000 such Friends, comprised mainly of people I have never met, with whom I have exchanged a few words at best; and yet in that exchange of Words, have widened the circle of that meaning: Friendship.
Which is why I have come to not so much to write poetry (I started when I was 13), as to publish it. In a form that suits it’s purpose: to reach out to as many people as I can, the Friends of my Friends (and their Friends too), through the channels that will reach them across this sea of data, signs and meanings our attention now spans.
But even the word ‘book’ now seems to have acquired a fluidity of meaning that transcends its original reference. My work is a tangible, page-turning book designed by maestro Rian Hughes; an electronic book with music and animation, a CD of 15 music tracks by the musical enfant adorable Gilad Atzmon; a portfolio of art prints and a selection of Poet-T-Shirts, bearing a selection of fine art images and illustrations from my dozen collaborators on this book.
The Revolution in Only 2 Digits by Jeff Christensen © 2014
This ‘Book’ is also a live spoken word/jazz music tour in the US this coming this early summer and a UK tour this Autumn.
I apologise to my Friends who have been hanging on, hearing fragments of news, awaiting the date they can hear less about it and more what it says. I confess, like many things,
it was all my fault.
The Birth of Fire by Margarita Zuniga © 1959
The inception of this project dates back nearly a year to March 2014, when the author/publisher Amy Sterling, after a long dialogue about writing on Facebook, suggested that her nascent publishing company CHAMELEON Publishing Inc. would be interested in publishing my work. Chameleon Publishing Inc. was a new, next-generation publishing company based in Southern California that’s opening new market channels for books with new readers, mainly for and about women. When I first mentioned my sole discrepancy in this area, Amy replied casually with the second greatest compliment a woman has ever paid me: “But your sensibility fits”.
And I’m thankful that it has, because without the efforts of the women who have supported this project, it would not have come to be. From Eleanor Brooks my firm, caring editor, to my daughter Olivia Goldkind-Brooks, to Addie Kaplan my business manager, this vehicle is powered by a uniquely feminine drive. Since the start gun fired, I have been on an unimaginable roller coaster ride of magical serendipity, dazzling disappointments and a severe lack of funds. Don’t let anyone ever tell you that the career of a writer or any artist is easy; sure you have more freedom, but freedom costs what money can’t buy: time, effort and persistence.
WHAT PETER SAID TO WENDY by Wendy Farrow ©2014
I had hoped to announce the publication before Christmas, then the New Year. But the practical demands and hurdles involved in this kind of innovation and creation (thank you, Adobe!), persists with its own priorities, own issues to resolve. I also encumbered myself with the urgency of my mother’s impending demise late last year. I had to unburden myself of the notion that I needed to place a copy of my book in her hand before she passed. It wasn’t practical it wasn’t possible and in the end, it wasn’t necessary.
The personal is always constrained by the impersonal.
Now we are resolved.
THE FARMER AND THE SOLDIER by David Lloyd © 2014
My persistence on this project, (some would add, against all reason), is about to see fruit. Whether the fruit is sweet or bitter (or both) will soon be for others to determine. What I can tell you is that I have put all of myself into this this deeply confessional, personal work. All of my sweat, all of my anger, all of my love, all of my hatred, all of my blood, sinew and bone into the making of this creation. My intent is to connect with you, with your emotions, your experiences and your sense of your self by sharing the most personal in the most universal way I can. I believe, at the depth of our selves, in our own most solitary, private existences is where we find each other gathered, maybe huddled, in the same exact corner.
It will not be to everyone’s tastes, I’m sure. But if you care to take a look you will find a work that endeavors not to entertain, nor offer safe refuge from harsh truths; but rather to be that truth in Word, in Image, in Music and in Movement.
Because . . .
When you stare into the Abyss long enough,
the abyss will stare back at you;
and if your gaze remains unflinching,
the Abyss will speak to you
And this is what it says . . .
THE DARK CLOUD Typographic layout by Rian Hughes
Filed under: books, epublishing, graphic novels, Illustrated books, new poetry, spoken word, Transmedia. multimedia, world jazz music Tagged: Bill Sienkiewicz, David Lloyd, Gilad Atzmon, Glen Fabry, Igor Goldkind, Jeff Christensen, Liam Sharp, Rian Hughes, Wendy Farrow
February 27, 2015
I AM NOT SPOCK
But I was,
Between 11 and 12.
I was a Vulcan
Ruled by Logic
Disdainful of the soft, mere humans
Who surrounded me.
Who had invaded my planet
Polluting my atmosphere with emotions,
With indomitable desires,
With their fear and their envy
And their illogical conclusions.
Filed under: digital insurgency
February 6, 2015
Bubbles
Life goes on without you
and within you:
Round pink pebbles
Polished by the constant flow of
Bubbles that burst like dreams
Just above the stream.
All I am is the movement in between:
The pebbles and the burst-bubble dreams.
Filed under: bubbles, new poetry, poetry Tagged: bubbles, New Poetry, poetry
