Samir Chopra's Blog, page 30

January 11, 2017

Freidrich Hebbel’s ‘Profound Question’

In ‘Notebook 11, February 1817’ from Writings From The Early Notebooks (eds. Raymond Geuss and Alexander Nehamas, Cambridge Texts in the History of Philosophy, Cambridge University Press, New York, 2009, p. 81), Nietzsche cites “a profound question of Friedrich Hebbel” [link added]:


If the artist made a picture, knowing that it would last for ever,

But that a single hidden feature, deeper than any other

Would be recognized by no man living either now or in the future,

To the end of time, do you think he would omit it?


Well? Do you write for an audience or do you write for yourself, to bring ‘a work’ to fruition, whether or not anyone reads it? I write because I like to write; because I like to express, verbally, on the written page, thoughts and ideas that seek expression; because I enjoy watching the written word appear on the page and screen; and so on. But I like readers too–and their responses to what I write can affect what I write, in both form and content. I’d like to think this is not the case, but I’m not sure I’ve always resisted this pressure. I do not disdain the praise and appreciation some readers occasionally send my way; I might even ‘crave’ it, turning it into a stimulus for writing. And of course, I make efforts to secure readers for what I write: I send links to posts I write here to folks who might be interested (and in this desperate world of social media ‘promotion,’ I hope they ‘pass it on’); I participate in marketing efforts for my books; I am disappointed by poor reviews and sales, by the lack of critical attention sent my way by those well placed to ‘promote’ my writings; and so on.


Still, to address Hebbel’s question, which is more narrowly pitched than my question above: I would incorporate that ‘single hidden feature’ into a written work, even if I was sure that it would never be read by anyone till the end of time. This is because, more often than not, I write simply because I want to, because I have convinced myself that I am ‘a writer,’ and thus, I must write as often as possible. Whether or not anyone reads what I write. Bizarrely enough, I do not always hate what I write, and sometimes even do enjoy reading what I’ve written. (Yes, I know, this is terribly arrogant.) The presence of that ‘single hidden feature’  provides, crucially: a sense of completion, because that piece might be ‘incomplete’ without it, and the knowledge that it has found its ‘appropriate’ place within a larger whole, a sensation familiar to all kinds of creators, ranging from those who paint to whose who write computer programs. This could give me all the pleasure I might want out of a piece of writing–readers or not.


Note: Characteristically, Nietzsche precedes the lines quoted above with “[W]ho would doubt that the world of the Greek heroes existed only for the sake of one Homer?” and follows up with “All this clearly shows that the genius does not exist for the sake of mankind; although he is definitely the peak and the ultimate goal of it.”


 •  0 comments  •  flag
Share on Twitter
Published on January 11, 2017 15:48

January 10, 2017

On Not Living In The ‘Real’ America

I live in Brooklyn, in New York City, but I don’t live in ‘real’ America. I’m surrounded by artifice and fantasy; specters and ghosts walk the streets. The sidewalks beneath my feet are insubstantial; it is a miracle they are able to sustain my corporeal weight. The buildings around me have been plucked straight from the pages of comic books; I walk through their walls effortlessly. There is no English spoken here; merely an incomprehensible gibberish consisting of many alien tongues.


Here, no one works for a living; no one has to get up in the morning, or evening, to go to work and earn an honest day’s, or night’s, living. Magic money is automatically deposited into our virtual bank accounts–presumably as a reward for our insubstantiality. We do not pay taxes (state or city or Federal), grocery and utility bills, rent, mortgages, road tolls, parking tickets, subway fares, alimonies, school tuition, and all of the rest. Our lives are expense-free; we do not need to balance budgets.  We do not deal with bosses and workplaces and co-workers; we do not deal with workplace conditions, good or bad. We are never fired; we merely receive the occasional raise.


This is a conflict-free land; there are no disputes, legal, political, or personal. When all is unreal, what could we possibly be quibbling about? Thus, our social and economic interactions with our fellow spirits move along smoothly on friction-free planes, with differing needs and desires effortlessly reconciled with each other.  Solomon would have been an incompetent adjudicator here; there would be no work for him; his skills would rust from disuse.


Our children are fantasies too; they do not possess substantiality beyond our dreams. We do not worry about their welfare, their schooling, their moral and material education. We care little if they go missing for a while; they are not ‘real’ after all. They do not feel pain, and neither do we. We are free from parental anxiety, the greatest blessing of all.


We have few aspirations for our lives; all has been given to us, and our lives consist merely of picking through the goodies, selecting and choosing which clothes to wear, which lunch dates to go on, which movies and which plays to see. We take vacations occasionally, venturing out into the ‘real’ America, but the hard edges of reality drive us–all too soon–back into the welcoming arms of this La La Land.  We cower under the blankets at night sometimes, offering thanks and prayers for not being subjected to reality the way so many of our fellow citizens are, unfairly and cruelly.


Our health is perfect; we do not fall ill, and die. We do not worry about that pain in the chest, that nagging sore that won’t go away. Our families do not have to pay medical bills; they do not have to sit by our bedsides,  cremate us, or lower us into the ground. Grief is besides the point; why mourn for what is not real?


We are uncertain how this zone of fantasy came about, how it managed to separate itself from the mainland of reality. But we do not question our good fate; we merely draw upon our benedictions. And plot, endlessly, to keep reality away from our lives, from this coast, far away in the hinterlands where it belongs.


 •  0 comments  •  flag
Share on Twitter
Published on January 10, 2017 07:11

January 9, 2017

Polonius On The Necessity Of Authenticity And Self-Discovery

A Facebook friend asked on her timeline for some clarification of Polonius‘ famous lines in Hamlet, which he offers as–perhaps sententious–advice to Laertes:


This above all: to thine own self be true,

And it must follow, as the night the day,

Thou canst not then be false to any man.

Farewell, my blessing season this in thee!


[Act 1, Scene III, 78–82]


Polonius here finds the roots of our dishonesty, our moral failures, in our inauthenticity: we are disingenuous in our dealings with others because, fundamentally, we are dishonest with ourselves. We maintain masks and put-on affectations in social interactions; we are comfortable in these maneuvers because we have practiced them with our own selves. We often ignore messages from within that inform us of who might be in favor of something else altogether: perhaps a dimly glimpsed and poorly understood vision of some socially desirable personality, perhaps some aspirational ideal that is not in concordance with our desired ends and aims and our actual capacities and talents.  It is a commonplace wisdom that the telling of one lie facilitates and makes possible the telling of many others. We lie frequently to ourselves about who we are, about what our motivations for an action or utterance are; we then go on to invent self-serving rationalizations intended for consumption by others. So we should expect dishonesty, double-dealing, backbiting, lying, and many other sins in a world whose actors and moral agents are not even honest with themselves; honesty begins at home. Cure a local affliction, much else follows.  Polonius then, is bidding us to do no less than to undertake a project of self-discovery as a means of ensuring greater honesty in our dealings with the rest of the world. Without those efforts we are destined to repeat our ‘local errors’ on a global scale.


Of course, Polonius seems to think that the authenticity we might derive from such discovery will automatically and necessarily authenticate our interactions with others. Of this, I’m not so sure. It seems possible to me that we might invent yet other reasons to be dishonest with others; we might find some of our ends realized by precisely such falseness. Our experiences have many shades and complexities to them; who knows how these might exert compulsion on us? But at least then, in those cases where we are dishonest with others, we will be transparent to ourselves; we will not be able to convince ourselves that we acted honestly when we did not. This has great value for projects of ‘self-improvement’; when we cast a retrospective glance backwards at our lives and sift through its events, looking for points of departure, we will be able to pick out genuine examples of dishonesty on our part, which may then serve as correctives for the future. Someone deluded in their dealings with themselves will already have covered up the past with layers of self-serving dishonesty, thus making correction and emendation impossible.


Unsurprisingly, as always, self-discovery appears fundamental and necessary.


Note: I realize that this is a charitable reading of a character Shakespeare intended to be understood a little less charitably.


 •  0 comments  •  flag
Share on Twitter
Published on January 09, 2017 13:21

January 8, 2017

The Mixed Pleasures Of Attending Our Own Memorial Service

Wanting to attend our own funerals, our own memorial services, is a fantasy with a long and distinguished pedigree. (As is the associated fantasy of wanting to read our own obituaries.) With good reason. If things have worked out well, many of our friends and family members will be there, hopefully all well-dressed. Importantly, we will be the focus of attention, the center-show, at most times. Some folks will occasionally deign to speak to each other on topics that do not directly pertain to us, but we will at least feature front and center in any formal addresses delivered from the podium of choice. Perhaps there will be photographs of us, all showcasing our ‘best sides’ and our best memories; an artful act of editing that will show our lives in the best possible way, constructing a narrative that will suggest all went well, we only made friends, we always looked happy, we went to wonderful places, we ate great food, we did great work–you get the picture (literally.)


And then there is the matter of the eulogies. Ah, what sweet joy. To hear our friends speak glowingly and tearfully about us, to hear them recount tales and anecdotes in which we come off so well, in which even our faults are beautifully incorporated into a larger picture of goodness–who would want to forego such an opportunity? Some of our creative friends might even have produced several drafts of the eulogies they deliver, thus ensuring a carefully crafted final product that will do the most justice to a description of our lives and our virtues. If the logistical details have been sorted out, there will be good food and drink, and once the effects of those kick in, and some of the tears have been wiped away, there will be, among your friends, much merriment and conviviality. We might even hear more stories about ourselves; more clever punch lines that we delivered on many a memorable occasion in the past. It will be the kind of party we often wanted to throw, but were never quite able to pull off; it was too hard to get everyone together in one place. Now, we don’t even have to clean up.


But we should be careful to not tarry too long and we should slip away as the service and the after-party winds down. For we might notice, much as we did as the attendees gathered and talked among themselves as the services kicked off, that our friends and families have lives that will persist and continue even after our deaths; once the service is over, and as dispersals take place in the parking lot and lobby, we will begin to fade ever so imperceptibly from view. The world awaits; we had our turn on the stage, exit left directions have been issued, and now we must depart. To delay our departure will only be to receive further evidence of what we fear most of all: our erasure from this world. Other forms of existence await us hopefully: perhaps as memories and continuing influences in the lives of those we loved. Those will have to do for now. (And ever?)


 •  0 comments  •  flag
Share on Twitter
Published on January 08, 2017 08:42

January 7, 2017

Parental Anxiety And Its True Subject

In ‘What The Childless Fathers of Existentialism Teach Real DadsJohn Kaag and Clancy Martin write:


Why do we put limits on our children? Why is a daughter not allowed to climb that tree or jump across a river?…Why are neither daughters nor sons allowed to run away? Father knows best….virtually all fathers think that they are operating in their child’s best interests, but we have been at this long enough to know, if we are honest or authentic, that most of us protect our children, at least in part, because we are avoiding or coming to grips with our own Kierkegaardian anxiety. The more we argue that it is about the kids’ safety, the more obvious it is that it is all about us. [link added.]


Kaag and Martin’s insight here is available to most parents by the briefest of introspections: examine your feelings as your child comes to harm, or even approaches it; pay close attention; what you are averse to is that terror you experienced when you first let the full range of possibilities that awaited your child fully sink in. ‘Don’t ever do that again!’ we say, but sotto voce, we continue, ‘Because I don’t ever want to feel like that again.’


Interestingly enough, I had an inkling of this aspect of parenthood as a child, when I witnessed my mother’s reaction to my brother after he had injured himself at the playground:


My mother’s face blanched as she saw my brother’s face. But she said nothing as she raced to the medicine cabinet and returning with cotton wool swabs, a mug of water, and some antiseptic solution, quickly got to work. She efficiently cleaned and wiped and medicated. And then, one of her swipes revealed that the blood on the face did not conceal a gouged out eye. My brother had not been blinded; he had gotten away with a cut above the eye.


At this point, my mother slapped my brother. It wasn’t a hard blow; but a stinger across the cheek, nonetheless. My brother, quietly undergoing the patchwork till then, stared back at my mother, astonished and hurt….Watching this little drama go down, I wasn’t puzzled at all. My mother must have been petrified when I had brought my brother home late, a bloody mess. She loved us, powerfully, a love that often racked her with deep fears that we might ever be hurt in any way. But she had suppressed every other reaction of hers in favor of immediately providing succor to him. With the most immediate wounds cleaned and shown to be non-threatening, her relief had combined with the anger she had felt at my brother for subjecting her to that terrible anxiety.  That slap followed. I felt sorry for my brother but I felt for my mother too. I knew why she had snapped. And slapped.


Perhaps I’m overstating the knowledge I possessed at the moment, but not by too much. I was about seven or so years old and I had had ample opportunity to study my mother’s  interactions with us. Her anxiety about us was transparent in action and word; as mine about my daughter is to me now.


 •  0 comments  •  flag
Share on Twitter
Published on January 07, 2017 16:06

January 6, 2017

The Dependence Of Autobiography On Biography (And Vice-Versa)

A few weeks ago, I briefly spoke at a conference hosted in honor of my dissertation advisor’s eightieth birthday. In my talk I offered some personal recollections of having worked with Distinguished Professor Rohit Parikh, his intellectual influence on me, and the various lessons–personal, technical, moral–that I learned along the way from him. As I began my talk, I apologized for what I described as the ‘self-indulgent’ nature of the talk. After all, even though the talk was about Professor Parikh, it would keep me center-stage at all times; I was as much a character as him. The stories I would tell my audience were about him and me; they would describe my passage through my dissertation, my post-doctoral fellowship, and then later, my work as a faculty member of the City University of New York, all the while informed by my advisor’s presence. (And indeed, I found myself telling tales of my first encounter with my advisor, my decision to work on a dissertation topic that spun off from one of his papers, my struggles to become more mathematically proficient, the shaping of my philosophical world-view through the many discussions and conversations we had, and the various insights into mathematical method, the philosophy of Ludwig Wittgenstein, and the nature of logic and knowledge that I gleaned over the years from him. I recalled memorable lines, jokes, profundities; I briefly mentioned our political differences.)


As part of my ‘apology’ therefore, I said that in trying to provide a biography of someone I had interacted with over an extended period of time, it was necessary to provide an autobiography as well. I went on to note that this was not surprising: after all, the recountings of our autobiographies must necessarily call on the biographies of others to be made complete. Our lives are not lived in isolation; they inform, interact with, and impinge upon, many other lives. We form relationships with others; we enter into them, and move on out again; they take us from station to station. The stories of our lives, thus, are also the stories of many others’: friends, lovers, enemies, teachers.


Biography and autobiography are fickle genres of story-telling; they rely on memory, and are infected throughout by all kinds of prejudice. The interaction between the two I describe here shows how these errors may accumulate: my autobiography might distort the biography of others. I might cast myself in a more favorable light, paint myself as more virtuous when contrasted with others; if my autobiography is relied upon as a biographical source for others’ lives, these errors will be perpetuated. In the particular forum in which I was recounting my ‘autobiography’ a converse possibility existed: that I would be corrected by the very person whom I was speaking about; my advisor could have raised his hand at some point and told me that he remembered additional details that I had forgotten, or that I had gotten some quote or location or time wrong.


No man is an island and all that.


 •  0 comments  •  flag
Share on Twitter
Published on January 06, 2017 12:29

January 5, 2017

Oscar Wilde’s Nietzschean Notes In De Profundis

In ‘Suffering is One Very Long Moment‘–part of a series of essays on prison literature–Max Nelson writes on De Profundis–“a letter written by Oscar Wilde during his imprisonment in Reading Gaol, to “Bosie” (Lord Alfred Douglas)”–and makes note that:


Certain passages in De Profundis do seem to credit prison with strengthening and deepening their author’s nature, but only to the extent that, by subjecting him to intolerable, constant, and thoroughgoing misery, it gave him something against which to muster all his creative energies and all his verbal powers. “The important thing,” he writes himself telling Douglas at one of the letter’s turning points, “the thing that lies before me, the thing that I have to do, or be for the brief remainder of my days one maimed, marred and incomplete, is to absorb into my nature all that has been done to me, to make it part of me, to accept it without complaint, fear or reluctance.”


There are two Nietzschean notes at play here.


Nelson suggests that for Wilde, prison has become that form of adversity which enables a kind of ‘overcoming’; it is that zone, that space, within which Wilde is able to express himself through ‘his creative energies’ and ‘verbal powers,’ thus enhancing them, and thus too, enabling a kind of self-discovery or transformation on his part. It is within this space–with its provisions for ‘testing’ him–that Wilde might find out whether he is a ‘noble soul’ or a ‘slave.’ (This is a point made in many forms and locations in Nietzsche’s writings; in the The Gay Science for example, Nietzsche had made note of the relationship between pain and profundity, suggesting that ‘great pain…the ultimate liberator of spirit’ could make us ‘more profound.’)


The Wilde quote that Nelson points to seems to invoke Nietzsche’s ‘amor fati‘: Wilde is determined to integrate into himself his experiences, his fate and to not reject them; these experiences are part of his life, they are matters of record, they have left their imprint, one which must be reckoned with and incorporated into his life’s economy. To walk away from them, to fail to acknowledge them, is to merely initiate pathology: perhaps of repressed memories, sublimated into self-destructive behavior, perhaps of futile, life-wasting rage. We must accept all that is our lot, all that is a component of our lives; to do otherwise is to be inauthentic, to be unfaithful to oneself. Wilde must have been aware that anger and bitterness and resentment could continue to imprison him even after he had left Reading Gaol; the very thought of that continued incarceration of his mind, must have struck him as a terrifying burden for the creative person to carry; it would mean the end of his life, or at least, that component of which mattered to Wilde, its productive, artistic one. Perhaps it might also have occurred to Wilde, even as he wrote De Profundis, that his attempts to integrate his life’s experiences to his notion of himself had already proved creatively and artistically fruitful; after all, it was making him write about that attempt.


 


 •  0 comments  •  flag
Share on Twitter
Published on January 05, 2017 12:43

January 4, 2017

A Theological Lesson Via Military History

In Hell in a Very Small Place: The Siege of Dien Bien Phu (J. B Lipincott, New York, 1966, p. 85), Bernard B. Fall describes the build-up which foretold the grim military disaster to unfold at Dien Bien Phu–the lack of adequate defenses and ammunition, the poor tactical location etc–making note, along the way, of that curious mixture of arrogance, complacency, and overconfidence that infected French military leadership. There were ample notes of worry too, of course, and finally, even of the grim resignation that is often the military man’s lot. The deputy chief of staff of the French commander General Cogny, Lt. Col. Denef had written in an assessment to his commander that “It is too late too throw the machine into reverse gear….That battle will have to be fought on the scale of the whole Indochina peninsula or it will become a hopeless retreat.” As Fall notes:


In transmitting this report…Col. Bastiani, the chief of staff added a note of his which was deeply significant:


I fully agree…in either case, it will have to be the battle of the Commander-in-Chief. I think he must have foreseen the necessary requirements before letting himself into that kind of hornet’s nest.


This was the ultimate excuse of a staff officer: the situation was hopeless, the action made no sense, but there might after all be higher reason for all of this. “The Führer must know what he is doing.” This phrase had been repeated a hundred times over by the German defenders of Stalingrad as they senselessly fought on toward catastrophe.


The analogy that may be drawn with theological responses to the problem of evil is inescapable and irresistible. There is, all around us, misery and suffering and disease and pestilence afoot, all apparently for no good reason. How is this reconcilable with an all-powerful, all-knowing, all-good God? One answer: evil is a ‘local’ disaster, the ‘badness’ of which vanishes when viewed from a broader, all-inclusive, synoptic perspective–the one God has.  From our epistemically limited perspective, we might be surrounded by catastrophes that suggest disorder and untrammeled badness, but zooming back reveals a larger plan within which these seeming disasters fall into place, directed onward and upward by a grand teleological scheme of greater order and good. (The chemotherapy kills healthy and cancer cells alike, but it heals the body. Trust the doctor; he knows best; he will make sense of your nausea, your hair loss, your weakened body. Or something like that.)


So if we are to ‘endure’ these disasters, we must reassure ourselves that someone, somewhere knows what time it is, what the score, the deal, is. Much like the determined soldier marching into battle, ours is not ask why, but to do or die. Our lot, of course, would be considerably improved if we knew why this was all necessary; after all, as Nietzsche had pointed out, “He who has a why to live for can bear almost any how.” For the theologically inclined and the militarily obedient, the ‘why’ is supplied by faith in the benevolence of the Supreme Commander. The rest of us are left to weakly reassure ourselves that this too shall pass. Or not.


 •  0 comments  •  flag
Share on Twitter
Published on January 04, 2017 10:30

January 3, 2017

John Clare On The Transcendence Nearby

In ‘John Clare and the Manifold Commons‘ (Environmental Humanities, vol. 3, 2013, pp. 71-91) Patrick Bresnihan writes,


Clare’s love of the smallest and most trivial details….In its resolute ‘here-and-nowness’…describes nothing more than the most commonplace moments, moments with no higher meaning….the very ordinariness of these moments allows them to resonate with others, to provoke…‘universal feelings.’…the commonplace experiences which Clare evoked….[were] not a finished or neat world of nature but a seemingly infinite series of pictures—of birds, trees, dawns, sunsets—which captured particular moments as they materialized….Clare’s poetry opens up common ground, “a sort of gate into another dimension, a dimension that turns out to be none other than the nowness that is far more radically ‘here’ than any concept of ‘here,’….There is a deep equality to this as human and non-human are all counted as singular entities beyond any particular configuration of roles or functions. It affirms instead the ‘democratic fullness of objects.’:


How beautiful e’en seems

This simple twig that steals it from the hedge

And wavering dipples down to taste the stream.

I cannot think it how the reason is

That every trifle nature’s bosom wears

Should seem so lovely and appear so sweet

And charm so much my soul while heedless passenger

Soodles me by, an animated post,

And ne’er so much as turns his head to look

But stalks along as though his eyes were blinded

And as if the witching face of nature

Held but now a dark unmeaning blank.


Clare was not the first, and certainly will not be the last, poet to find his poetic vision grounded in a sense of the world’s unity, its fractal nature, its ability to contain multitudes within its smallest atoms. Here–in this extract from ‘A Ramble’–he summons up this vision to remind and reassure us that transcendence lurks nearby, in the most ordinary and commonplace of things, in the particulars of the world’s objects, in what might seem in our less sensitive moments, to be mere detritus. Clare warns us against both blind obliviousness to this beauty–which would take it for granted and thus render it dull and meaningless. The world around us, and about us, was not a static, lifeless world to be captured in still images, in theories that froze it, but a world of nested things and the dynamic relationships among them.  Clare urges upon us a self-awareness which suggests that we see ourselves as part of that which surrounds us, indeed, he bids us see ourselves as arising out of, and being grounded in, this world of objects. This recognition is, as mystics have not failed to note, powerfully affective; it may reduce the anxieties of alienation, of the bewilderment that may otherwise be the lot of strangers in a strange land. It forms the basis of the paradigmatic ‘religious experience’; we are ‘rejoined’ with that from which we were originally cast asunder; there is no journey to be made to distant lands; all that we seek is about us and with us at all times.


Note: ‘A Ramble’ may be found in “‘I Am” The Selected Poetry of John Clare, ed. Jonathan Date, Farrar, Straus, Giroux, New York, 2003


 •  0 comments  •  flag
Share on Twitter
Published on January 03, 2017 07:12

December 27, 2016

Drexel University Should Uphold George Ciccariello-Maher’s Academic Freedom

On Christmas Eve, George Ciccariello-Maher, Associate Professor at Drexel University, sent out a tweet which read as follows:


All I want for Christmas is White Genocide


There were no scare quotes around ‘White Genocide’ but the upper-case spelling was an indication that something less straightforward than calling for the genocide of white people was on the cards. (After all, Ciccariello-Maher could have just tweeted “All I want for Christmas is white genocide.’ Think I’m reading too carefully? What can I do–it’s an old habit of mine.) A little investigation–i.e., googling ‘white genocide’–produces the following link as the first hit:


White genocide is a white nationalist conspiracy theory that mass immigration, integration, miscegenation, low fertility rates and abortion are being promoted in predominantly white countries to deliberately turn them minority-white and hence cause white people to become extinct through forced assimilation.The phrase “Anti-racist is a code word for anti-white”, coined by high-profile white nationalist Robert Whitaker, is commonly associated with the topic of white genocide. It has been spotted on billboards near Birmingham, Alabama and in Harrison, Arkansas. [citations removed]


Was Ciccariello-Maher calling for ‘mass immigration, integration, miscegenation, low fertility rates and abortion‘ in particular communities as part of a strategy to render ‘white people…extinct’? I doubt it. (Though I don’t suppose he’d be unhappy with rights for immigrants,  the protection of abortion rights for women, etc.) Given the definition provided above, and given Ciccariello-Maher’s previous tweeting record, which includes many online spats with neo-Nazis, anti-semites, and an assorted army of trolls and deplorables, it is fair to surmise–indeed, it is an inference to the best explanation–that Ciccariello-Maher was cocking a snook at this army of trolls, throwing their term mockingly back in their face; he was, how you say, being satirical.


By way of related example, consider a Facebook status that I put up a a week or so ago:


Our campus safety officer sent us some ‘Holiday Safety Tips’ – you know, the usual, watch your purse and package etc. But no warnings about wearing earplugs for Christmas caroling, or avoiding wassailers like the plague. You may, if you like, consider this the opening salvo or broadside of the War on Christmas. By air, by land, by sea, and sometimes, by social network.


On one reading of my Facebook status, I seem to be declaring–by way of my suggestion that Chrismas carolers and wassailers require safety tips to be sent to those in their vicinity–a ‘War on Christmas’. Inquiring into the provenance of that phrase–which I have capitalized above–shows that it is a favorite of FOX News. I appear to be having a little gentle fun at those who would bemoan the secularization of the holiday season.


I provide this bordering-on-pedantic analyses of Ciccariello-Maher’s tweet, because the investigation I carry out above is in point of fact an elementary one; anyone with a modicum of intelligence would arrive at the same conclusion I did: Ciccariello-Maher was being satirical. But not Ciccariello-Maher’s employers, Drexel University, who in response to a predictable chorus of bleating complaints from a Breitbart-led army of trolls–who also sent many death threats to Ciccariello-Maher–issued a statement of reprimand and concern; disciplinary action might yet be taken against Ciccariello-Maher.


This is a familiar situation: an academic makes an extra-mural political statement; complaints from the butt-hurt issue; university employers, their commitment to academic freedom always shaky, overreact. (The American Association of University Professors operative standards of academic freedom protect precisely the kind of political speech that is at play here.) Moreover, Drexel, by condemning the content of Ciccariello-Maher’s tweet, seems to be taking on the position that it is ‘against’ ‘white genocide’–that is, it is against ‘mass immigration, integration, miscegenation, low fertility rates and abortion…being promoted in predominantly white countries to deliberately turn them minority-white and hence cause white people to become extinct through forced assimilation.’ I doubt Drexel has any such position–so why is it making such a claim?


The larger trend, on display here, is worrying too: as a new administration takes office, and installs Breitbart types in its administration, its faithful crack down on political speech they deem offensive. Drexel University should hold the line and protect the academic freedom of its employees, and not cave in as shamefully as they have here.


Note: The following is Ciccariello-Maher’s statement:


On Christmas Eve, I sent a satirical tweet about an imaginary concept, “white genocide.” For those who haven’t bothered to do their research, “white genocide” is an idea invented by white supremacists and used to denounce everything from interracial relationships to multicultural policies (and most recently, against a tweet by State Farm Insurance). It is a figment of the racist imagination, it should be mocked, and I’m glad to have mocked it.



What I am not glad about is that this satirical tweet became fodder for online white supremacists to systematically harass me and my employer, Drexel University. Beginning with Breitbart. com—formerly the domain of Special Counselor to the President-Elect, Steve Bannon—and running through the depths of Reddit discussion boards, a coordinated smear campaign was orchestrated to send mass tweets and emails to myself, my employer, and my colleagues. I have received hundreds of death threats.


Drexel University issued a statement on the matter, apparently without understanding either the content or the context of the tweets. While Drexel has been nothing but supportive in the past, this statement is worrying. While upholding my right to free expression, the statement refers to my (satirical) tweets as “utterly reprehensible.” What is most unfortunate is that this statement amounts to caving to the truly reprehensible movements and organizations that I was critiquing. On the university level, moreover, this statement—despite a tepid defense of free speech—sends a chilling message and sets a frightening precedent. It exposes untenured and temporary faculty not only to internal disciplinary scrutiny, but equally importantly, it encourages harassment as an effective means to impact university policies.


As my students will attest, my classroom is a free-for-all of ideas, in which anyone is welcome to their opinions, but expected to defend those opinions with argument. I teach regularly on the history of genocidal practices like colonialism and slavery—genocides carried out by the very same kind of violent racists who are smearing me today.


That violent racism will now have a voice in the White House is truly frightening—I am not the first and I won’t be the last to be harassed and threatened by Bannon, Trump, and co.


White supremacy is on the rise, and we must fight it by any means. In that fight, universities will need to choose whether they are on the side of free expression and academic debate, or on the side of the racist mob.



 


 •  0 comments  •  flag
Share on Twitter
Published on December 27, 2016 06:14