Nina Schuyler
Goodreads Author
Born
The United States
Website
Twitter
Genre
Influences
So many! Virginia Woolf, Toni Morrison, J.M. Coetzee, Melanie Rae Thon
...more
Member Since
February 2011
More books by Nina Schuyler…
Nina’s Recent Updates
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Nina Schuyler
rated a book it was amazing
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| The life of the female artist has always been a struggle. Quinn depicts the incredible obstacles that Labille-Guiard faced in 18th-century France. Quinn's research means the specificity of detail and the feeling of immersion in this time period is co ...more | |
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Nina Schuyler
rated a book it was amazing
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| Humor radiates in these stories and also pathos and intelligence and insight and the complicated human that we are. Stix plays with form, which makes this collection full of fantastic surprises. Laugh out loud stories and underneath, the heartbreak p ...more | |
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"What a powerful book. The author has a writing style that immediately draws you in. I love how she develops her characters and makes you interested in them. Climate literature is a new genre to me, but it really is just life. Living in the Bay Area m"
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"This is a pretty amazing book - sort of a collection of linked short stories and also a novel. Some parts are more compelling than others, but taken as a whole, it's one of the more majestic pieces of writing about how our planet is changing, and the"
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"A wonderful selection of short stories that I very much enjoyed. I loved how the characters reappeared in each other’s stories! They gave hope and showed kindness and were super inspiring.
Every story was enjoyable but my favourite was The Object of " Read more of this review » |
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Nina Schuyler
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| Wonderfully inventive and compelling! Jameson weaves the contemporary and the past, swirling around the creatives and how art is made. | |
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“Hanne is stretched out on her back. Faces hover in a circle above her. A boy with big blue eyes. A woman whose front teeth rest on her lower lip. An old Chinese woman wearing all gray, her
face expressionless, as if she’s seen this before, and much worse. Suddenly a man’s face zooms toward her. Beads of sweat on his upper lip. Dark sideburns. Dark nose hairs. His eyes are close-set,
unnervingly so. “Don’t move,” he says, his breath reeking of garlic and cigarette smoke.
An imperative. She tries to sit up, and when she can’t, attempts to understand why she’s on the floor. This is not
where she should be. She knows that. What is she doing here? “She’s bleeding . . . Hurt. A woman.” But nothing hurts. Liquid streams from her nose, down her cheek, pools into her ear. The circle of faces still above her. But she can’t right herself. The
world is tilting. The man with sideburns is squatting beside her.
What does he want? He’s saying something to her. Telling her
something, his horrible breath assaulting her. Get back. She can’t
get her mouth to shout, Move back! She hunts for that perfect moment again, the water, her children when they were young, Hiro, but it is gone.”
―
face expressionless, as if she’s seen this before, and much worse. Suddenly a man’s face zooms toward her. Beads of sweat on his upper lip. Dark sideburns. Dark nose hairs. His eyes are close-set,
unnervingly so. “Don’t move,” he says, his breath reeking of garlic and cigarette smoke.
An imperative. She tries to sit up, and when she can’t, attempts to understand why she’s on the floor. This is not
where she should be. She knows that. What is she doing here? “She’s bleeding . . . Hurt. A woman.” But nothing hurts. Liquid streams from her nose, down her cheek, pools into her ear. The circle of faces still above her. But she can’t right herself. The
world is tilting. The man with sideburns is squatting beside her.
What does he want? He’s saying something to her. Telling her
something, his horrible breath assaulting her. Get back. She can’t
get her mouth to shout, Move back! She hunts for that perfect moment again, the water, her children when they were young, Hiro, but it is gone.”
―
“Every situation, every person has a melody playing, even if you can’t hear it.”
― The Translator
― The Translator
“In Latin, translate comes from translatus, to carry over, to carry across. Something written in language A is carried over into language B. I always imagine a bridge in which language A is traveling over to meet B. Sometimes when I’m translating, the languages blend together in my mind, and when I hear this, what gets carried over isn’t a grandiose idea. The songs merge together and what is brought forth is a new song. Such stunning and mysterious harmony. That probably sounds silly, but it’s the closest I’ve come to believing in something more, something other than this, something of awe that humbles me. Not a god, but a sound.”
― The Translator
― The Translator
Topics Mentioning This Author
| topics | posts | views | last activity | |
|---|---|---|---|---|
The Seasonal Read...:
Summer Challenge 2013: Completed Tasks (DO NOT DELETE POSTS)
|
2503 | 772 | Aug 31, 2013 09:04PM | |
500 Great Books B...:
Decades, Centuries, and Millenia
|
8 | 407 | Dec 06, 2014 09:46PM | |
| Play Book Tag: The Translator by Nina Schuyler - 5 stars | 3 | 15 | Jan 18, 2020 09:11PM | |
| Around the World ...: Joy D's Tourist Plus 2020 | 54 | 104 | Dec 21, 2020 11:52AM | |
| Around the World ...: Joy D's 2020 TBR Takedown | 13 | 103 | Dec 27, 2020 11:00AM | |
| 2025 & 2026 Readi...: Joy D's Book Balcony 2020 | 22 | 386 | Dec 31, 2020 10:19AM |
“Hanne is stretched out on her back. Faces hover in a circle above her. A boy with big blue eyes. A woman whose front teeth rest on her lower lip. An old Chinese woman wearing all gray, her
face expressionless, as if she’s seen this before, and much worse. Suddenly a man’s face zooms toward her. Beads of sweat on his upper lip. Dark sideburns. Dark nose hairs. His eyes are close-set,
unnervingly so. “Don’t move,” he says, his breath reeking of garlic and cigarette smoke.
An imperative. She tries to sit up, and when she can’t, attempts to understand why she’s on the floor. This is not
where she should be. She knows that. What is she doing here? “She’s bleeding . . . Hurt. A woman.” But nothing hurts. Liquid streams from her nose, down her cheek, pools into her ear. The circle of faces still above her. But she can’t right herself. The
world is tilting. The man with sideburns is squatting beside her.
What does he want? He’s saying something to her. Telling her
something, his horrible breath assaulting her. Get back. She can’t
get her mouth to shout, Move back! She hunts for that perfect moment again, the water, her children when they were young, Hiro, but it is gone.”
―
face expressionless, as if she’s seen this before, and much worse. Suddenly a man’s face zooms toward her. Beads of sweat on his upper lip. Dark sideburns. Dark nose hairs. His eyes are close-set,
unnervingly so. “Don’t move,” he says, his breath reeking of garlic and cigarette smoke.
An imperative. She tries to sit up, and when she can’t, attempts to understand why she’s on the floor. This is not
where she should be. She knows that. What is she doing here? “She’s bleeding . . . Hurt. A woman.” But nothing hurts. Liquid streams from her nose, down her cheek, pools into her ear. The circle of faces still above her. But she can’t right herself. The
world is tilting. The man with sideburns is squatting beside her.
What does he want? He’s saying something to her. Telling her
something, his horrible breath assaulting her. Get back. She can’t
get her mouth to shout, Move back! She hunts for that perfect moment again, the water, her children when they were young, Hiro, but it is gone.”
―
“To be yourself in a world that is constantly trying to make you something else is the greatest accomplishment.”
―
―
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