Michael Coveney

Michael Coveney’s Followers (11)

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Michael Coveney


Born
London, England
Genre


Michael Coveney is one of Britain's most respected theater critics and has written about theatre for over three decades, as editor of Plays and Players, and as staff critic on the Financial Times, Observer and Daily Mail. His books include a history of the Glasgow Citizens Theatre and biographies of Maggie Smith, Mike Leigh and Andrew Lloyd Webber. He regularly contributes to the Independent, Guardian, Observer, New Statesman, Prospect and BBC Radio's Front Row. He lives in England. ...more

Average rating: 3.18 · 1,534 ratings · 324 reviews · 18 distinct worksSimilar authors
Maggie Smith

3.05 avg rating — 1,316 ratings — published 2015 — 26 editions
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London Theatres

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4.55 avg rating — 62 ratings4 editions
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Maggie Smith: A Bright Part...

3.90 avg rating — 42 ratings — published 1992 — 5 editions
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The World According to Mike...

3.81 avg rating — 32 ratings6 editions
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Ken Campbell: The Great Caper

3.83 avg rating — 23 ratings — published 2011 — 4 editions
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The Andrew Lloyd Webber Story

3.23 avg rating — 13 ratings — published 2000 — 2 editions
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Cats on a Chandelier

3.40 avg rating — 10 ratings — published 1999 — 2 editions
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The Strategy Gap: Leveragin...

3.13 avg rating — 8 ratings — published 2003 — 8 editions
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Master of the House: The Th...

4.80 avg rating — 5 ratings
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Questors, Jesters and Reneg...

3.25 avg rating — 4 ratings — published 2020 — 3 editions
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More books by Michael Coveney…
Quotes by Michael Coveney  (?)
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“Beverly is undoubtedly a monster. But she is also a deeply sad and vulnerable monster… The whole point about Beverly is that she is childless, and there is a sense in which that grotesque exterior carapace is a mask of inner desolation.”
Michael Coveney, The World According to Mike Leigh

“Edwards Bond's The Worlds (1979), for instance, was first given by amateurs in Newcastle, but its scope was immense, charting the collapse of a successful business operation riddled with strike action, terrorism, kidnappings and long speeches. In one of these, a terrorist defines the two worlds as one of appearance and one of reality. In the first, she says, there is right and wrong, the law and good manners. In the second, which controls the first, machines and power.”
Michael Coveney

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