Chris Sarantopoulos's Blog, page 15

The Grinder

Some of you (if not all of you)  have at one point or another submitted a story to a magazine. Those more experienced may have suggested to you a site called Duotrope. So was I. I’m not a member there, though it’s easy to see how well-built the site is. It’s been a while now since Duotrope started charging money for its service. I’m here to let you know of an alternative submission tracker/magazine database.

I use a submission tracker called the “The Grinder” (you can find it here) . The site is still in beta and it has been on beta since I first used it, almost two years ago. It may look very simple,  if you are used to Duotrope, but it delivers exactly what it advertises. Did I mention it’s free? The owners have been working to maintain it and keep it up to date with as many fiction literary magazines or at least as many as users submit to them. It’s not an easy task, considering the amount of literary magazines out there. Not to mention the ones that come and go. Currently,  the Grinder lists magazines for fiction only, but they are trying to start listing magazines for non-fiction and poetry. It’s still unclear when they will have made such listings available. When I talked to them about it, they said they were working on it. Oh,  yes,  did I mention their support is very helpful? I often suggest magazines to them, and they get back to me within the day with a comment, a redirect (if they had already listed said magazine), or a simple thanks.

How does it work? Simple. Register with a valid email address and start exploring for a suitable magazine. There are two ways to search for a suitable home for your story.

You can either search directly by name (if you know the name of the magazine you’re interested in) or you can make an advanced search. For the latter,  you can set the parameters according to what kind of magazine you’re trying to find (genre, style, type of story, length in thousands of words,  response time, market qualifications, etc). You can also exclude certain magazines,  which is very helpful if one of your stories is already under consideration by a magazine which refuses to read more than one story per writer at any time. Once you click on search, you will get a list of magazines that matches your criteria. Click on the listing you like or think it’s suitable for you and you’ll be taken to a more detailed view. There you will find information about the payment the magazine offers (though that is something you may or may not have set as a parameter for your search),  about the minimum and maximum response time, the percentage of acceptance said magazine has, and a brief note taken directly from each magazine about what they want to read. At the lower half of the page,  a chart will display the amount of acceptances/rejections vs time (in days). The red bars show rejections, their height represents their amount, whereas the green bars indicate acceptances. If you submit something to said magazine, you will see it as a purple dot on the chart, but only after you have listed your submission to the Grinder. Which means you can track your submissions with it. There are links to the magazine’s page, as well as their submission guidelines.

Once you submit a piece to a magazine, make sure to click on Log Submission. If you have already added a story, you can choose it from the drop down menu (“Please select a piece”). If not, you can enter it then (title,  word count etc). That way the statistical information about the magazine will be more accurate for the rest of us :)

At the top of every page in the Grinder to the right, there’s a link that reads My Dashboard. There you can track your submissions, your profile, and your stories. Just click on Manage Pieces, then Add Piece, and you will be asked to enter some information about the story (title, word count, etc). Click Add Piece,  and that’s it.

Obviously I haven’t gone through every available option at the Grinder. I will probably get back on this at a later point with more information and perhaps some images. Perhaps I could contact the moderators and they can provide me with more information about it. I do hope it helps you with your submissions, especially if you’re looking for an alternative to Duotrope (and a free one). If you know any other similar sites, please let me know. I’m thinking of starting a separate page here with resources for writers, and the more submissions trackers or any other kind of resources and tools we have in one place, the better it will be for the readers.

Filed under: Advice, Uncategorized Tagged: short stories, short story, submission, submissions, The Grinder, tracker, writing

Inspirational prompt 14

What do you see here? A playful youth on his way to meet up with his friends? A trip through local history? Or perhaps a portal to another world, one with Knights and Kings and battles? Perhaps something darker? Perhaps he hurries to tell someone of something? An attack? Could it be a simple game of dare between friends to the local ruins?

What drove the kid there? Was he simply testing his new bicycle or trying to get away with stealing it? Let him guide you and tell you his story.

Filed under: Inspirational Prompts Tagged: character, fiction, ideas, inspiration, inspirational prompt, story, writing

The Darkening: getting to know the characters – The girl

Who are you? What are you doing here? Wait, wait, don’t kill me! I just want some food, that’s all. Stay back, don’t come closer. I’ll… I’ll… I’ll stab you, I swear it. The glass will cut you in no time, you hear? Stay back. That’s better. I don’t want to hurt you, but I will if I have to. All I want is some food. Do you have any? Look, I’m not going to hurt you, unless you attack me, okay? What’s that? What’s that in your hand? Is it… is it food? Just that? Half a raw rat? Okay. I’m so hungry. Feels like I haven’t eaten in days.

Why are you looking at me like that? No, I don’t know why I am like that. I just am. Don’t worry, I won’t hurt you. You’re the first person I’ve seen in days. Everything is empty. Not a single soul for miles. What’s going on? I saw houses and farms on my way here, but there was no one living there. It’s as if everyone vanished. I thought this place was empty, was looking for something to eat and a place to sleep. I didn’t mean to scare you.

I came by a house on my way here. It was a big white house, with two rows of windows, all of them smashed though, and the place looked like it was about to fall apart. I went inside, called for help. I was hungry. They had a pen but there were no animals. Some chickens ran around free, but I couldn’t catch any of them. Fast birds. I saw… I saw remains, bones and… and… What happened? On my way here, I saw a wide road, full of rusted cars and everyone in them…

There are big structures to the east, I saw them on my way here. Maybe we could go there and look for food or other surv –

Cannibals? There?

What’s your name? I… I don’t know my name. I can’t remember anything, except the last couple of days. I woke up in the middle of nowhere, and I’ve been walking since then, but nothing before that. As if I didn’t exist. Don’t go! Please, don’t go. Are you the only one left? Why are you afraid of me? What is wrong with me? Are we going to die too? Am I going to die? Are we the last ones? Help me, please!

Filed under: Excerpts, My book characters Tagged: book, character, characters, darkness, fiction, novel, novel writing, post apocalyptic, The Darkening, writing

The Darkening: getting to know the characters – John Piscus

Will anyone read this? Is anyone still alive out there?

My name is John Piscus, and I’m a survivor. The Darkening… I wish I knew more about it, but I don’t. No memory, you see. What I do know is the Darkening claimed the lives of almost every human on the planet by the worst way possible. Stop talking to me! No, no, not you, reader. The two voices in my head. You see, the thing is, I’m crazy. Deranged, mentally unstable, loony, oh yes. Yes, I am, yes, yes, yes. I have two voices lodged in my head. Uh-huh, uh-huh. Two different people talking to me, yapping every single minute of my waking life. One wants me to kill myself, the other to stop at nothing, until as it says, I reach my potential. You think you’re the sole owner of your thoughts? You take it for granted, don’t you? Guess again. You want to make it, to survive? You better make sure you take nothing for granted. Come closer, I want to tell you a secret. Come, come, I don’t bite. Not yet at least. Haven’t turned into cannibalism yet, I’m not like those survivors stuck in what’s left of the cities. Can’t blame them, no food in the cities. But that’s not me. Anyway, here’s the secret; I don’t think the voices are real. No, no, not real. I think one of them is my conscience, the other my survival instinct. Shhh, keep your voice down! They might hear us and start talking to me again. No, don’t ask me about why my conscience has woken. I can’t tell you, I won’t tell you, you can’t make me! Go away! Both of you. Not you, reader. You stay.

What? You don’t know what the Darkening is? Of course, no one left to tell you. The Darkening turned our own shadows against us. No, not shadows, not anymore. What comes out can no longer be called “shadow.” It’s… it’s different. It has substance. It’s alive, malicious, bent on one thing alone; to kill the person it made it. You want to know a fact? It will find you. There’s no escape, there’s no hope. You can’t escape your own shadow. No, you can’t. It’s there, always there. Enough light to cast a shadow, and poof! Your shadow comes to life and you’re dead. Dead, do you hear? DEAD! There’s no escape, there is no hope. Hope is for the weak. Out there, only two things exist; death and fear. You don’t know what fear is, until you realise you carry your own death every step of the way.

The Darkening turned the remaining of us into rats and worms, hiding underground, watching over our backs, constantly looking to the east. If it glows, it kills. No, I will not! My thoughts are my own. Go away! Not you, reader. Anything dark is a good shelter, remember that. If you want to survive, you must have a shelter. Get used to leaving in the dark, for it’s all you’ll ever see. You think it’s easy? Have you ever opened your eyes, and couldn’t tell if anything existed beyond you? Any time where darkness was so pressing, you couldn’t tell if you were awake or asleep? If you had eyes or not? Did you ever stretch you hand in the dark, darkness so thick you thought it had physical substance? That it touched your body, wrapped itself around you, suffocated you? No, reader, you don’t know what fear is until you experience it. You think I’m out of my mind, yes? I am, I told you so. But, you… you don’t know what madness is, until you pry your right to live every single day, not only from the world around you, but from your self. I’m exhausted. So tired. So very very tired.

Shhh! Keep quiet. Did you hear that? I think Raiders are nearby. No, I did not imagine it. It’s Raiders. Can’t you hear them? Raiders! It’s night outside, and they are coming in. Run! They’re inside!

Filed under: Getting to know each other, My book characters Tagged: book, character, characters, darkness, novel, novel writing, post apocalyptic, The Darkening, writing

Inspirational prompt 13

I like black and white images. I don’t know why, but they have a certain appeal to me. Somehow, they seem more authentic. Perhaps it’s because they allow me to recreate a story in my mind of a time I never knew, where things were different, and yet not so different from today. Bottom line is, my imagination gets to run wild. Maybe I’m a person who would have liked to live in the past. Maybe my mind is stuck in the past.

What if the guy sitting at the end of the bar was a mobster? Do you see the look on the employee’s face? What if the employee is looking at the door, at someone who just stepped in? Perhaps your POV character, perhaps a regular, or another mobster. The first guy has his back turned to the entrance. Do you smell a gunfight?

What if the supposedly mobster is in fact a shy guy, a good fellow, who just performed a good deed, perhaps prevented someone important from doing something bad, perhaps saved someone from a mob boss? What if he thought he found the only place where reporters wouldn’t find him and stopped to get a coffee? What if whoever stepped in, is a reporter and if he takes his picture, the gangsters will find him?

What else do you see?

Filed under: Inspirational Prompts Tagged: character, fantasy, fiction, ideas, inspiration, inspirational prompt, inspirational prompts, short stories, short story, writing

Status update

Very little is going on at the moment. Heat is picking up and without A/C, I will soon be forced to edit my manuscript on my phone.

I’m a stressful person, and I can’t help but feel that even the smallest delay from my part will be a near-apocalyptic event in the long run. I’ve already been working on The Darkening for a little over a year (gosh, has it been that long? Time does fly, huh?) and I want to hold an edited version in my hands as soon as possible before someone outside myself sees it. Of course that doesn’t mean said edited version will be the final product. Far from it. But I also have two wonderful people waiting to beta for me (once again, thank you both!) and I really really REALLY want to hear their comments, particularly the negative ones, which are vital for my improvement. It will be a milestone of sorts, an indication I’ve actually produced something tangible, and the entire endeavour has moved forward. It will boost my morale. Working at the same novel for so long has made me feel like I’m in a stalemate. Thank God I don’t work on one solid 300 page long MS, but on separate scenes/chapters, each in their own individual folder. That way I get to see every week how much I have progressed. If not for that, I would have been overwhelmed.

OK, enough ranting and raving. Time for me to get back to work.

Filed under: Uncategorized Tagged: beta readers, book, editing, edits, fiction, novel, revisions, The Darkening, writing, writing problems

10 Overused Words in Writing

Chris Sarantopoulos:

Yes, editing. That’s when writing actually takes place. The following is a list of some overused words we all tend to use. I know I do, especially #3. In my defence, my main character questions his motives and, above all else, his sanity, so it seems only natural for him to express doubt.

Some of the macros I use on my word processor include these words. What about you? Do you use any of these words too often?

Originally posted on Precise Edit's Blog:

All words are good words. Some, however, are overused without adding value to what you write. As a result, they reduce the readers’ interest, make text seem redundant, and cause the writer to appear amateurish.

We have created a list of 10 overused words, based on the documents we have edited over the last 5 years. We don’t recommend that you remove these words from your writing. Instead, we recommend that you become aware of how often you use them and that you revise your documents to limit their use.

1. There
When writers are not sure about the subjects of their sentences, they will often use this word as the subject. This results in weak writing. (For advice on correcting this problem, see our article “Where Is There?”)

Example: “There was no one at home.” This can be revised as “No one was at home.”

2. You
Writers often…

View original 699 more words

Filed under: Uncategorized

Inspiration post 12

Hello people. I woke up this morning, groggy as always, and the moment my bleary eyes landed on my PC, the sentence below came to mind. I usually forget most of the things I come up with in cases such as this, unless I write them down immediately. However, this one remained. I figured I might as well share it with you, and see what stories you can conjure.

On the eve of Kelly’s birthday, unbeknownst to her, she rewove the story in her head, and the world reshaped.

Hope you enjoy it :)

Filed under: Inspirational Prompts Tagged: inspiration, inspiration prompt, novel, short story, writing

Dilemmas

I have a question for you, dear followers. How do you deal with a scene you think will most probably be annoying, if not outright offensive, to your readers?

Here’s my conundrum: The first draft of the chapter I’m editing at the moment, has a scene which I think is too much. By too much I mean too shocking. The scene showed (shows?) a mother with an infant child die to their shadows. In case anyone has forgotten, in the world of The Darkening, the shadows humans make come to life and kill their owners, in a rather gruesome way.

Originally (around last September I think), I had written the scene in a very descriptive way through the eyes of my main character. For both the mother and the infant. Mind you, by ‘descriptive’ I don’t mean graphic. ‘Detailed’ is probably a better word. By the end of it, I realised it bothered me. Because of the baby. Because of what a mother represents. Because of how shocked, whoever the reader, would be. So, I broke my rule about not editing until after the draft was ready, and rewrote part of it. In that new version, I kept the description of the mother’s death, but I intentionally brushed over that of the infant’s. I was still torn between what my main character would actually see (the full detailed version), and what, in a loose way, was politically correct (meaning the censored version).

Several months later, it was time to edit the same chapter this past week, and while rewriting the scene (I’ve rewritten everything, hence the delay in finishing), I decided that even the censored version was too much. Again because of what a mother represents in our culture, in our societies. So I brushed over the deaths completely, and forced my main character, who originally watched the events, to only hear them die instead of seeing them. Now I’m really not satisfied. Usually, the answer to such a dilemma, for me at least, is rewrite everything, choose a different path. BUT! That scene was there to make a point to the reader about the intentions of another character (their deaths are not accidental, someone did it on purpose, you see). I have no doubt the effect will be identical whichever way I write it; the reader will want to actually hurt the bad guys. It’s just that I’m not satisfied. And I know I have to write the story from the point of view not only of the main character’s, but through the lense of a dead world, where no moral values exist. It’s a post apocalypse story after all. I also have to take into account what drives the bad guy to do what he does. The bad guy has reasons for doing what he does, even though it involves something so brutal. But is that a sufficient enough excuse to be descriptive about something that can be shown in a different, less blunt way?

In the beginning of this post, I wrote “how do you deal with a scene you think will most probably be annoying.” This dilemma may very well be in my mind, and not an real problem at all. I’d like to know, however, if you ever had to make such a decision with a scene in your stories. What was your choice based on, and how did you cope with the (probable) outrage of your readers, be it betas, agents, or anyone else?

Filed under: Uncategorized Tagged: dilemma, editing, edits, novel, Plot, rewriting, story, writing

The importance of literary magazines

Ten or so days ago, I submitted a sci-fi cyberpunk short story (damn, that phrase has a lot of S sounds in it) to a professional magazine named Sci Phi Journal. I’ll be honest with you, I really like this story. I like all my stories, they’re like my babies, but this one had something that really clicked with me. Perhaps because of the philosophical implications that most dystopian/post apocalyptic stories have on me. For the record (and this is the hook of the story), it’s the story of a small time crook, who tries to survive in any way possible, in a world where time is the only available commodity and everyone lives to work. Basically, each person is implanted with a timer that shows how much time they have left. Once it goes to zero…

Anyway, at the bottom of said magazine’s submission guidelines, the publisher requests potential contributors to talk about the magazine. The reason for that is there’s no way for the magazine to continue exist and pay professional rates, unless people know the magazine and buy it. And that’s true for every magazine. So, it got me thinking.

Now, there are thousands of magazines out there, most of them short-lived. Which is sad. In fact, one of the magazines I got published is now permanently closed (although in their guidelines they say they are on a hiatus). Which saddened me even more. I couldn’t help but feel a bit guilty in some way. Maybe if I had advertised my work more, maybe if I had done this, if I had done the other, and so on. Bottomline, it’s just sad. I understand it’s how the market works, but that doesn’t mean I have to like it.

So, I was thinking, what would happen if all magazines were to go bust. In a few words as possible, there would be no more places for publication for us aspiring authors. That in turn means, that fewer people would have the chance to perfect their craft, which in turn could either lead to fewer people going after their dream, or that the big traditional book publishers will end up with a slush pile of lower quality. And that will lead to either fewer published books or of poorer quality (assuming they lower their standards to continue publishing a certain book number per year). For some of us (and I include myself in this category), these publishing credits may be the only ones we’ll ever get to see. Quite frankly, I like seeing the byline with my name, don’t you? It’s not a matter of vanity or cockiness. It’s a reward for our efforts on its own, even if we submit our work to a non paying market.

So, I believe it’s important to support magazines (the small ones more than the bigger ones), and through that, the aspiring authors.

Filed under: Uncategorized Tagged: hiatus, magazine, magazines, novel, publishers, publishing, short stories, short story, submissions, writing