Helen H. Moore's Blog, page 997
September 27, 2015
Ronald Reagan’s “welfare queen” myth: How the Gipper kickstarted the war on the working poor








Flying domestically just got that much more miserable for people in these 4 states

The Department of Homeland Security has named New York, Louisiana, Minnesota, American Samoa, and New Hampshire as locations where the residents will be required to use alternative to fly on commercial airplanes.
Although there is no reason given for why these states and regions were singled out, it could possibly be because these driver's licenses – the traditional form of identification used at airports – aren't compatible with new enactments of federal "Real ID" laws. According to Travel and Leisure:
"The new rules will go into effect sometime in 2016 (the exact date has not been announced), and there will be a three-month forgiveness period, during which people with these licenses will be warned that their IDs are no longer valid for flights.
Here’s the breakdown: if you're from one of these states, “acceptable” IDs include passports and passport cards, as well as permanent resident cards, U.S. military ID, and DHS trusted traveler cards such a Global Entry and NEXUS. The TSA will also accept Enhanced Driver’s Licenses, the kind that are currently used to replace passports for travel to and from Canada, Mexico, and the Caribbean. Of the noncompliant states, only New York and Minnesota issue enhanced licenses.
The new DHS enforcement is rooted in the REAL ID Act, passed in 2005 based on the recommendation by the 9/11 Commission that the government should “set standards for the issuance of sources of identification, such as driver's licenses,” according to Department of Homeland Security's brief.

The Department of Homeland Security has named New York, Louisiana, Minnesota, American Samoa, and New Hampshire as locations where the residents will be required to use alternative to fly on commercial airplanes.
Although there is no reason given for why these states and regions were singled out, it could possibly be because these driver's licenses – the traditional form of identification used at airports – aren't compatible with new enactments of federal "Real ID" laws. According to Travel and Leisure:
"The new rules will go into effect sometime in 2016 (the exact date has not been announced), and there will be a three-month forgiveness period, during which people with these licenses will be warned that their IDs are no longer valid for flights.
Here’s the breakdown: if you're from one of these states, “acceptable” IDs include passports and passport cards, as well as permanent resident cards, U.S. military ID, and DHS trusted traveler cards such a Global Entry and NEXUS. The TSA will also accept Enhanced Driver’s Licenses, the kind that are currently used to replace passports for travel to and from Canada, Mexico, and the Caribbean. Of the noncompliant states, only New York and Minnesota issue enhanced licenses.
The new DHS enforcement is rooted in the REAL ID Act, passed in 2005 based on the recommendation by the 9/11 Commission that the government should “set standards for the issuance of sources of identification, such as driver's licenses,” according to Department of Homeland Security's brief.






Ben Carson’s great betrayal: How he ignores history in favor of the Republican Party
"I find black Republicans are treated extremely well in the Republican Party. In fact, I don't hear much about being a black Republican," he said Wednesday at an event in Michigan. "I think the Republicans have done a far superior job of getting over racism."Carson was a Democrat for years, but said he's found the Republican Party to be more welcoming. "When you look at the philosophies of the two parties now, what I have noticed as a black Republican is that Republicans tend to look more at the character of people. And Democrats tend to look more at the color of their skin," he said Wednesday. Ben Carson’s comments are delusional, hypocritical, and vexing. Carson, like many movement conservatives, is a Christian theocrat who wants to weaken the boundaries between church and state in the United States. Carson, like other contemporary American conservatives, fetishizes the Constitution except when he wants to radically alter it: His suggestion that there should be a religious litmus test for office actually violates Article VI. Black Americans are not lockstep or uniform in their political beliefs. Spirited disagreement is central to black American political life. But for Carson to suggest that the Republican Party, with its Birtherism, Southern Strategy of overt and covert racism, and clear examples of “old fashioned” anti-black animus in the Age of Obama, is somehow a force for racial “progress” is an analysis that can only be offered by a person who is possessed of some sort of Stockholm Syndrome or willfully blind to empirical reality. Ben Carson’s pandering to Islamophobia is a violation of the Black Freedom Struggle’s spirit that black folks as unique victims of Power in America have a moral obligation to stand with the weak against the strong. Ultimately, he has rejected the legacy and burden of the Black Freedom Struggle. These are not meritorious acts of radical autonomy or individuality. Rather, they are acts of cowardice and betrayal. But if one rejects the Black Freedom Struggle, what do they replace it with? Black conservatives such as Ben Carson receive head-patting approval from white conservatives. The primary role of black conservatives in the post civil rights era is, as I have suggested many times both here at Salon and elsewhere, is to serve as human chaff and a defense shield against claims that white racism exists—and that today’s Republican Party is an organization whose “name brand” is based on mining white racial resentment, rage, and animus. Ben Carson, like Herman Cain before him, Supreme Court Justice Clarence Thomas, and the panoply of black conservatives trotted out on Fox News and elsewhere to excuse-make for white racism, are professional “black best friends” for the Republican Party. Ben Carson’s rejection of the Black Freedom Struggle and public embrace of Islamophobia is also very lucrative. Black conservatives, like women who reject feminism, gays and lesbians who oppose marriage equality, and Hispanics and Latinos who publicly bloviate against “illegal immigrants,” occupy a very lucrative niche in the right-wing media and entertainment apparatus. In the mid- to long-term, Carson’s black conservative hustle will earn him money on the lecture circuit. In the short-term, Carson’s Islamophobia has garnered at least $1 million in donations to his campaign. Betraying the Black Freedom Struggle is both ego gratifying for black conservatives—they are deemed by the White Right as the “special” or “good” black who is not the like the “other ones”—and financially lucrative. How do Black conservatives such as Ben Carson and Clarence Thomas, among others, reconcile their rejection of the Black Freedom Struggle with the fact that they, as members of the black elite and professional classes, are direct beneficiaries and products of it? They can imagine themselves as the true holders of the flame who are defending Black America’s “real interests” from trickery and deception by Democrats who want to keep black folks on a “plantation”. This is specious and insulting, of course, as such claims assume that black Americans are stupid, dumb, and unlike white folks, have no ability to make rational political calculi about their own collective self-interest. Contemporary black conservatives could also choose to rewrite the last 70 years or so of history--Republicans are the saviors of black Americans for time immemorial; Democrats are permanent enslavers and Klansman. In this imagined world, the Civil Rights Movement, and its won-in-blood-and-death victories -- such as the Voting Rights Act -- is somehow no longer needed. Moreover, protections for Black Americans which acknowledge the unique and continuing threat to their right to vote and full citizenship are somehow condescending and infantilizing. This is the logic of Clarence Thomas in his neutering the Voting and Civil Rights Acts. This betrayal of one of the core tenets of the Black Freedom Struggle is also tacitly and actively endorsed by black conservatives who are members of the Republican Party, because the latter’s strategy and goal for maintaining electoral power in the present and future is to limit the ability of non-whites to vote. My claims here are not at all based on some type of inexorable race essentialism or related fictions of “biological race.” The mantle of the Black Freedom Struggle, the miner’s canary, and the calling to be the moral conscience of a nation, are a function of history, values, political socialization, linked fate, the “blues sensibility”, and “love principle” that have driven black American freedom and resistance in the United States and elsewhere. Black conservatives in the post-civil-rights era are of that legacy while still having chosen to turn their backs on it. And others like Ben Carson, men and women influenced by radical Christian fundamentalism and cultivated ignorance on the historical and contemporary realities of the color line and American politics, are black conservative Don Quixotes, stuck in a fantasy world, fighting windmills, chimeras, and other enemies that do not exist. In their made up world, lies and fantasies are more comforting than hard realities and truths. Ben Carson and other black conservatives may have turned their backs to the Black Freedom Struggle — but it still claims them nonetheless.The Black Freedom Struggle began in America when the first Africans were brought to Florida in 1581. It continued onward through emancipation and reconstruction as black Americans “built a nation under their feet”, resisting chattel slavery, self-manumitting, taking up arms, and then building political and social institutions across the South and the rest of the United States. The Black Freedom Struggle would reach its peak with the Civil Rights Movement and be seared into American public memory with the Great March on Washington for Jobs and Freedom, and iconic speeches by Dr. King and others. The Civil Rights Movement continues today with Black Lives Matter and the centuries-long fight by black and brown folks against police thuggery, for a more equitable society, dignity, and full human rights for all peoples on both sides of the color line. The Black Freedom Struggle inspired other groups—women, gays and lesbians, the differently-abled—in the United States to resist and fight Power. It has also been a source of inspiration for people’s movements around the world. Of course, the individuals who led (and lead) the Black Freedom Struggle are not perfect. They, like all of us, are flawed. Black resistance to white supremacy occasionally (both necessarily and understandably) involved moments of fleeting flirtation with racial chauvinism. And one cannot overlook how political stagecraft and cruel realpolitik tried to erase the leadership role played by gays and lesbians in the Civil Rights Movement--this is a shameful blemish on the radically humanistic and transformative vision of American life offered by that glorious struggle. But in all, the Black Freedom Struggle has been a source of inspiration; black Americans are the moral conscience of a nation. Black America has earned that title even as much as it has been unfairly forced upon it. In that idealized role, black Americans are called to defend the weak against the strong, speak truth to power, and force America to live up to the promise of its democratic creed and vision. This obligation can give strength, clarity of purpose and energy to Black Americans and others who honor that legacy. Being part of a community that is “the miner’s canary” and “moral conscience of a nation” can exact a heavy burden. As such, some black folks have decided that the burden and obligation are too great to carry. Their shoulders are too narrow and weak. Ben Carson, black conservative and 2016 Republican presidential primary candidate, is one such person. Last week, Ben Carson surrendered to xenophobia, nativism, and intolerance when he suggested that Muslims are inherently incapable of being President of the United States because their faith is incompatible with the Constitution. As reported by CNN, in a conversation on Wednesday of this week Carson then suggested:
"I find black Republicans are treated extremely well in the Republican Party. In fact, I don't hear much about being a black Republican," he said Wednesday at an event in Michigan. "I think the Republicans have done a far superior job of getting over racism."Carson was a Democrat for years, but said he's found the Republican Party to be more welcoming. "When you look at the philosophies of the two parties now, what I have noticed as a black Republican is that Republicans tend to look more at the character of people. And Democrats tend to look more at the color of their skin," he said Wednesday. Ben Carson’s comments are delusional, hypocritical, and vexing. Carson, like many movement conservatives, is a Christian theocrat who wants to weaken the boundaries between church and state in the United States. Carson, like other contemporary American conservatives, fetishizes the Constitution except when he wants to radically alter it: His suggestion that there should be a religious litmus test for office actually violates Article VI. Black Americans are not lockstep or uniform in their political beliefs. Spirited disagreement is central to black American political life. But for Carson to suggest that the Republican Party, with its Birtherism, Southern Strategy of overt and covert racism, and clear examples of “old fashioned” anti-black animus in the Age of Obama, is somehow a force for racial “progress” is an analysis that can only be offered by a person who is possessed of some sort of Stockholm Syndrome or willfully blind to empirical reality. Ben Carson’s pandering to Islamophobia is a violation of the Black Freedom Struggle’s spirit that black folks as unique victims of Power in America have a moral obligation to stand with the weak against the strong. Ultimately, he has rejected the legacy and burden of the Black Freedom Struggle. These are not meritorious acts of radical autonomy or individuality. Rather, they are acts of cowardice and betrayal. But if one rejects the Black Freedom Struggle, what do they replace it with? Black conservatives such as Ben Carson receive head-patting approval from white conservatives. The primary role of black conservatives in the post civil rights era is, as I have suggested many times both here at Salon and elsewhere, is to serve as human chaff and a defense shield against claims that white racism exists—and that today’s Republican Party is an organization whose “name brand” is based on mining white racial resentment, rage, and animus. Ben Carson, like Herman Cain before him, Supreme Court Justice Clarence Thomas, and the panoply of black conservatives trotted out on Fox News and elsewhere to excuse-make for white racism, are professional “black best friends” for the Republican Party. Ben Carson’s rejection of the Black Freedom Struggle and public embrace of Islamophobia is also very lucrative. Black conservatives, like women who reject feminism, gays and lesbians who oppose marriage equality, and Hispanics and Latinos who publicly bloviate against “illegal immigrants,” occupy a very lucrative niche in the right-wing media and entertainment apparatus. In the mid- to long-term, Carson’s black conservative hustle will earn him money on the lecture circuit. In the short-term, Carson’s Islamophobia has garnered at least $1 million in donations to his campaign. Betraying the Black Freedom Struggle is both ego gratifying for black conservatives—they are deemed by the White Right as the “special” or “good” black who is not the like the “other ones”—and financially lucrative. How do Black conservatives such as Ben Carson and Clarence Thomas, among others, reconcile their rejection of the Black Freedom Struggle with the fact that they, as members of the black elite and professional classes, are direct beneficiaries and products of it? They can imagine themselves as the true holders of the flame who are defending Black America’s “real interests” from trickery and deception by Democrats who want to keep black folks on a “plantation”. This is specious and insulting, of course, as such claims assume that black Americans are stupid, dumb, and unlike white folks, have no ability to make rational political calculi about their own collective self-interest. Contemporary black conservatives could also choose to rewrite the last 70 years or so of history--Republicans are the saviors of black Americans for time immemorial; Democrats are permanent enslavers and Klansman. In this imagined world, the Civil Rights Movement, and its won-in-blood-and-death victories -- such as the Voting Rights Act -- is somehow no longer needed. Moreover, protections for Black Americans which acknowledge the unique and continuing threat to their right to vote and full citizenship are somehow condescending and infantilizing. This is the logic of Clarence Thomas in his neutering the Voting and Civil Rights Acts. This betrayal of one of the core tenets of the Black Freedom Struggle is also tacitly and actively endorsed by black conservatives who are members of the Republican Party, because the latter’s strategy and goal for maintaining electoral power in the present and future is to limit the ability of non-whites to vote. My claims here are not at all based on some type of inexorable race essentialism or related fictions of “biological race.” The mantle of the Black Freedom Struggle, the miner’s canary, and the calling to be the moral conscience of a nation, are a function of history, values, political socialization, linked fate, the “blues sensibility”, and “love principle” that have driven black American freedom and resistance in the United States and elsewhere. Black conservatives in the post-civil-rights era are of that legacy while still having chosen to turn their backs on it. And others like Ben Carson, men and women influenced by radical Christian fundamentalism and cultivated ignorance on the historical and contemporary realities of the color line and American politics, are black conservative Don Quixotes, stuck in a fantasy world, fighting windmills, chimeras, and other enemies that do not exist. In their made up world, lies and fantasies are more comforting than hard realities and truths. Ben Carson and other black conservatives may have turned their backs to the Black Freedom Struggle — but it still claims them nonetheless.






September 26, 2015
Confronted by my own bullsh*t: I wanted to be the voice of nonviolence for my church after George Zimmerman’s acquittal, but all I could do was cry for all my inconsistencies






Praying at the church of rock and roll: How John Lennon made me a skeptic, Morrissey made me a believer and “Exile on Main Street” never let me down






Can a thinking person still have faith? My skeptical, honest quest for religious answers






Inside the “Stonewall” catastrophe: A dull, miscast, misguided, bloated, schmaltzy and shlocky disaster of a movie
"Stonewall," the newly released movie about the 1969 rebellion that launched the modern gay liberation movement, is so bad it's almost baffling. It seems beyond comprehension that people could take such an electric piece of history and make something this dull, miscast, misguided, badly written, bloated, schmaltzy and shlocky out of it, but director Roland Emmerich and screenwriter Jon Robin Baitz have managed it.
Almost everything about "Stonewall" is terrible. You watch it alternately cringing and howling; the sparsely attended screening I went to was so rocked with laughter that you would have thought we were seeing the comedy of the year.
"Stonewall" caused a great deal of controversy before anyone had seen it, thanks to a trailer that pushed the real-life heroes of the riot—namely, trans people, drag queens, people of color and women—to the side in favor of a made-up white Midwesterner named Danny (played by Jeremy Irvine). Emmerich and Baitz defended themselves, saying that the trailer wasn't representative of the whole movie. Emmerich also said explicitly that the focus on Danny was a way to win straight people over--a strange goal if ever there was one, but a goal that underscores the perverse incentives of Hollywood as well as anything could. Emmerich and Baitz clearly don't know what kind of movie they've made. The representation issues in "Stonewall" are very real, and very glaring—yet another example of the film industry's insistence on pushing white characters to the forefront of its stories, even if they don't deserve to be there. It is Danny who throws the brick that launches the riots, Danny whose cry of "gay power" ignites the crowd, Danny who leads his people into battle.The filmmakers, stuck in a Hollywood bubble, seemed surprised that anyone would have a problem with this. A better rejoinder would have been to make a good movie. But almost every inch of "Stonewall" is wrong.
First, it's so, so long. You feel every one of its 129 minutes, like painful shards of boredom were breaking your mind apart.
The writing is off-the-charts awful. It's as though Baitz reached into a bag marked "clichés," pulled some out at random and pasted them into the script. This is a movie where someone actually says, "Those kids, they've got nothing left to lose." Someone says, "I just want to break things!" about 40 minutes before he goes on to break things. Another character actually declares, "I'm too mad to love anybody right now."
The movie is shot through strange, grimy filters, as though Emmerich was trying to project some of the seediness of the Village through the lens. It just means that you have to squint a bit to see anything clearly. There are also anachronisms so glaring you wonder how they got through the editing process. In one sequence, Stonewall patrons dance to "I'll Take You There," a song that didn't come out until 1972.The biggest problem with "Stonewall," though, is that it's not actually about Stonewall. Any real attempt to explore the politics behind the rebellion are cast aside in favor of creaky soap opera. For some reason, "Stonewall" thinks that what we really need is lots and lots of Danny, the sensitive Indiana boy who rolls into the Village and proceeds to learn a host of life lessons from the assorted rainbow coalition of queer ruffians whose main job in life is to worry about Danny's feelings.
We spend what feels like 17 years on Danny's past in Indiana--his doomed affair with another boy, his awful father's rejection, his plucky kid sister's tearful cries as he leaves the small town life behind forever. It's all so weirdly retro--Emmerich and Baitz have crafted a melodrama as hoary and sudsy as anything made in 1925, let alone 2015. It would all be deliciously kitschy if you didn't sense that all involved thought they were making a profound masterpiece.
This sense of antiquated staginess continues when Danny lands in New York. He immediately meets a group of Lost Boys (and, despite their gender-bending, this is decidedly a boys' movie--women might as well not exist) who, in their theatrical chatter, are more "West Side Story" than anything.
Their leader is Ray, a waifish Puerto Rican hustler. It's been a long time since I've seen an actor and character so thoroughly mistreated by a movie as Ray is by "Stonewall." Actor Jonny Beauchamp brings an appealingly aggressive energy to the part, but he's fighting a losing battle with the script. "Stonewall" is more interested in whether Danny will dance with Ray than with what caused such a seismic event as the eponymous struggle to take place. Ray's default mode is an anguished screech. He spends the whole movie wailing hysterically about why Danny won't love him, and why the world is so down on him. That the main character of color's primary function is to moon over the stupid white kid is galling enough. That the character is supposed to be based on trans pioneer Sylvia Rivera makes it all the worse.
Ray's not the only whiner, though. Everybody in "Stonewall" whines all the time. Irvine, a Brit who brings little to the central role of Danny beyond his looks, has an especially difficult time with all of the mewling, as it exposes just how shaky his American accent is. This is a big problem, because Danny has a lot to complain about. He's thrust into the sort of cautionary tale about what happens when small-town boys go astray that would not be out of place in a conservative movie from the 1950s. You can almost see the trailer: Gasp as a destitute Danny is forced to turn his first trick! (The camera closes in hilariously on his crotch as the strings of doom pierce the soundtrack.) Sympathize as he is led astray by Trevor, a liberal sleaze who just wishes those kids would stop being so angry! (Let's all light a candle for Jonathan Rhys Meyers, lampooned in a thankless role.) Feel the terror when Danny is pimped out to a sadistic, old, cross-dressing queen! (This sequence features the kind of horror-movie gay gorgons that you thought had been left behind long ago.)
So much energy is expended on this bilge that, when the riot actually comes, it comes essentially out of nowhere. Emmerich and Baitz have barely bothered to lay any groundwork for the ostensible center of their film. Stonewall itself is a blip; the real story is whether or not Danny will ever reconcile with his family and make it to Columbia like he dreamed of.
Obviously, there is a great movie to be made about Stonewall. Just as obviously, "Stonewall" is not that movie. Maybe someone will be inspired by the magnitude of its failure to make the kind of film that Stonewall deserves.Oh, and if you want to see a wonderful movie about a gay boy's coming-of-age against a real-life political backdrop, watch "Pride." It is as good as "Stonewall" is bad.






The Milky Way’s missing mass has been partially found







John Boehner’s tears and Pope Francis’ radical challenge: A spiritual leader rises as a political nonentity falls






Mentored in the art of manipulation: Donald Trump learned from the master — Roy Cohn
When the country finally ended Sen. Joseph McCarthy’s secular inquisition—“Have you no decency, sir?” asked one witness—his chief aide said that the witch-hunting Democrat from Wisconsin had been silenced by his colleagues because he “would not observe the social amenities.” In today’s parlance, Roy Cohn might say that McCarthy suffered because he refused to be politically correct.
McCarthy was such an effective tormentor of the innocent that his name became synonymous with character assassination. He was eventually driven out of the Senate. Disgraced alongside his boss, Cohn departed Washington for his hometown of New York City where he became the ultimate political fixer and a terror in his own right. If you needed a favor, or wanted to hurt an enemy, Cohn could do the job. He talked like a make-believe mobster and counted real ones among his clients. Having spent years under the shadow of ethics complaints, Cohn lost his license to practice law in 1986, just before he died of HIV/AIDS, a diagnosis he denied. A gay Jewish man who spewed anti-Semitic, homophobic and racist remarks, he was actually quite charming in his way and left behind many friends. Among them were gossip columnists (like McCarthy, Cohn cultivated them) and two men he mentored in the art of manipulation: Roger Stone and Donald Trump. When Trump was still in his 20s he hired Cohn and began to move in the same circles. Both were members of Le Club, a private hot spot where the rich and famous and social climbers could meet without suffering the presence of ordinary people. Later, when Studio 54 served the glitter and cocaine crowd, Cohn and Trump were there too. Cohn modeled a style for Trump that was one part friendly gossip and one part menace. Cohn looked and sounded like someone who could hurt you if you crossed him. Trump kept a photo of the glowering Cohn so he could show it to those who might be chilled by the idea that this man was his lawyer. It was Cohn who introduced Trump to a young political operator named Roger Stone in 1979. Stone had cut his teeth in the Nixon campaign of 1972 where he posed as a student socialist who donated to an opponent and then made the contribution public. The fake scandal helped scuttle antiwar congressman Rep. Pete McCloskey’s presidential bid and ensured that Nixon was around to give America three more years of a disastrous war and Watergate.Brilliant and perpetually aggressive—“attack, attack, attack” is his motto—Stone teamed up with Trump to create an ersatz presidential bid in 1987, and the two have been political partners ever since. Like Cohn, Stone is a risk-taker. He and Trump got caught breaking campaign rules as they fought the development of Indian casinos and state officials levied a hefty fine. Stone counsels clients to “Admit nothing, deny everything, launch counterattack.” He once told a reporter that it was his practice to always, “Get even.” “When somebody screws you,” he added, “screw ‘em back—but a lot harder.”
Trump’s version of the Stone credo, as he told me, is to “hit back 10 times harder” whenever he feels attacked. Like McCarthy and Cohn and Stone, Trump loves to gossip and trade in information. He too cultivates an air of menace to keep his opponents off-guard and he hates to apologize, or back down. And, like Cohn, he insists that the kind of talk his critics consider offensive is really just the truth expressed without the social amenities. This is an ingenious tactic for someone who wants to be free to say almost anything, even if it’s insulting, and get away with. Much of what Trump says and does comes straight out of the Cohn/Stone playbook, including his eagerness to make people uncomfortable and confused. As a campaign consultant Stone advises candidates to open multiple battlefronts, and as a source for reporters he often mystifies anyone who seeks to understand what he’s up to. For his part, Trump is a man prone to outrageous statements that defy fact-checking and our fascination with him stems, at least in part, from the delightful challenge of trying to figure out when he’s serious and when he’s putting us on. The current state of the Stone-Trump relationship is puzzling indeed. Stone has earned substantial sums for Trump and has always seemed to lurk behind the scenes in his political life. However, his outrageousness can seem like a liability and in 2008 Trump told Jeffrey Toobin of the New Yorker, “Roger is a stone-cold loser.” He also complained that Stone “always tries taking credit for things he never did.” Trump told me that he finds it easy to cut off those who displease him and that none of those who are banished ever return. Given this stand, it may seem strange that Trump welcomed Stone back into his political circle prior to announcing his candidacy for the GOP nomination. The reunion was short-lived, as the Trump campaign fired Stone in August with an announcement that said he was promoting himself too much. However, Stone insists he resigned before he was fired and he has continued to stump for Trump in the media. He is, like Donald, a true descendant of the McCarthy/Cohn line and perhaps as impossible to fully disown as a member of the family. Michael D'Antonio is the author of “Never Enough: Donald Trump and the Pursuit of Success” (Sept. 22, 2015; St. Martin's Press/Thomas Dunne Books). As part of a team of journalists from Newsday, he won the Pulitzer Prize for his reporting before going on to write many acclaimed books, including “Atomic Harvest” and “The State Boys Rebellion.” He has also written for Esquire, the New York Times Magazine and Sports Illustrated.




