Helen H. Moore's Blog, page 937

November 30, 2015

A “mob of black students” did not “barricade” faculty on a Canadian campus: The right-wing media is blatantly lying about the #blackoncampus movement

Earlier this month black students at the University of Guelph peacefully protested racism on their campus. They marched across the school and later met with the vice president of academics and the associate vice president of student affairs in their offices. During the meeting students read a list of demands and talked about the racism and marginalization they encounter daily on campus. The right-wing media grabbed hold of the story and Breitbart called the student protest a "mob of black students" that "barricaded" the vice president in her office to "intimidate" her. Watch this video to see the top four most blatant lies in Breitbart's coverage of the #blackoncampusGuelph protest. Earlier this month black students at the University of Guelph peacefully protested racism on their campus. They marched across the school and later met with the vice president of academics and the associate vice president of student affairs in their offices. During the meeting students read a list of demands and talked about the racism and marginalization they encounter daily on campus. The right-wing media grabbed hold of the story and Breitbart called the student protest a "mob of black students" that "barricaded" the vice president in her office to "intimidate" her. Watch this video to see the top four most blatant lies in Breitbart's coverage of the #blackoncampusGuelph protest. Earlier this month black students at the University of Guelph peacefully protested racism on their campus. They marched across the school and later met with the vice president of academics and the associate vice president of student affairs in their offices. During the meeting students read a list of demands and talked about the racism and marginalization they encounter daily on campus. The right-wing media grabbed hold of the story and Breitbart called the student protest a "mob of black students" that "barricaded" the vice president in her office to "intimidate" her. Watch this video to see the top four most blatant lies in Breitbart's coverage of the #blackoncampusGuelph protest. Earlier this month black students at the University of Guelph peacefully protested racism on their campus. They marched across the school and later met with the vice president of academics and the associate vice president of student affairs in their offices. During the meeting students read a list of demands and talked about the racism and marginalization they encounter daily on campus. The right-wing media grabbed hold of the story and Breitbart called the student protest a "mob of black students" that "barricaded" the vice president in her office to "intimidate" her. Watch this video to see the top four most blatant lies in Breitbart's coverage of the #blackoncampusGuelph protest.

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Published on November 30, 2015 13:02

Robert Dear, “gentle loner”: The New York Times reveals a load of biases in early round of Colorado Springs Planned Parenthood coverage

According to a profile that ran this weekend in the New York Times, Robert Lewis Dear was "gentle loner who occasionally unleashed violent acts towards neighbors and women he knew." This is the same Robert Lewis Dear who shot nine people at a Planned Parenthood in Colorado, killing three, including a police officer, and wounding six. Predictably, a torrent of sarcastic responses appeared on social media. https://twitter.com/jackmirkinson/sta... Hastily, the New York Times removed "gentle" and briefly let the rest of the copy stand. However, there is now a third version online. In it, Dear has become an "itinerant loner who left behind a trail of disputes and occasionally violent acts toward neighbors and women he knew." In a tweet to Salon columnist Jack Mirkinson, the New York Time's "Express Team" Senior editor Patrick LaForge observed, by way of acknowledgement that mistakes were made: "It's hard work covering these." https://twitter.com/palafo/status/670... Yet the New York Times apparently stands by an earlier piece that offered a strangely skewed framing of the shooting in terms of victim blaming: "The shooting came at a time when Planned Parenthood has been criticized because of surreptitious videos made by anti-abortion groups of officials discussing using fetal organs for research." The use of the passive voice--"has been criticized"--is interesting, as if no-one in particular was doing the speaking.  (Robin Marty's searing essay for Dame may help pierce that obfuscating veil. Short answer: it's pro-life groups and politicians practicing what Valerie Talrico calls "stochastic terrorism.") The Times compounded that problem by linking Dear's rampage to those "surreptitious videos" made of "officials discussing using fetal organs for research." If accuracy is the New York Time's goal, the precise modifier it wants to use isn't "surreptitious." I do believe it's "fraudulent." https://twitter.com/alexanderchee/sta... Given that the New York Times published an op-ed on the Right's "campaign of deception" regarding those very videos, it seems internally inconsistent to insinuate that these videos were in fact legitimate. And yet, their presentation of the incident does precisely that. Here is another institutional facet to consider: in another article focusing on the (white) Colorado community in mourning, the coverage in the New York Times turned it into a lengthy story about the white male victim, Officer Garrett Swasey. It barely managed to mention that Dear had killed two others, both people of color. To be fair, it had elsewhere identified the victims in a stand-along post. Jennifer Markovsky, an Asian woman, and Ke’Arre M. Stewart, a Black man, were at the clinic to be supportive of others seeking services there. They were also parents, and directly connected to the military. Should it matter that they were people of color? According to Jenn Fang of the blog, Reappropriate, the answer is yes. For "what often goes missing in the fight to preserve reproductive rights for American women, " she writes, "is that this is not just about reproductive justice; it — like so many issues — intersects with race." She goes on to explain that an attack on Planned Parenthood is an attack on poor and working class families of color, which are the primary groups  utilzing their services. Race, gender, and class intersect powerfully at this site. By effectively omitting Markovsky and Stewart from an article focused on the panegyrics of collective mourning, the New York Times uncritically propagates a cultural stance whereby it is understood that non-white and working-class lives matter...less. Without directly saying so, it is imposing a racialized hierarchy of loss on national narratives of trauma, one that reflexively humanizes a "gentle" white terrorist--Robert Lewis Dear--while erasing the non-white victims. This is not to say that Officer Swasey's death is not a tragedy. But each one of Dear's victims is a human being whose loss is deeply felt by their families. Why is that tragedy being made legible exclusively though the axis of white maleness? Why is there no equivalent attention being paid to the suffering and confusion inside Stewart's and Markovsky's military communities? Yes, it is difficult to report the news, especially when the stakes are so politicized. But these are not typos or misspelled names. They are "errors" only in the sense that they are reflective of a conservative worldview fighting to preserve the hegemonic power of white maleness in a terrifying new world, and the organ of this vision is the New York Times.

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Published on November 30, 2015 12:46

Steve Doocy backs up Donald Trump: “I actually remember” Muslim Americans cheering on 9/11

Fox News' Steve Doocy is boldly going where, so far, only Donald Trump's most ardent supporters have been willing to go -- out on the leanest limb to wildly claim to have seen Muslim Americans cheering for the destruction of the World Trade Center on 9/11. “I saw it on television” and “so did many other people and many people saw it in person. I have hundreds of phone calls to the Trump organization saying, ‘We saw it. It was dancing in streets,” Trump said this weekend, continuing his latest attack on a sect of the American population -- this time Muslim Americans, some of whom he claims celebrated the attacks of 9/11. On NBC Sunday, "Meet the Press" host Chuck Todd called out Trump for spreading "a false rumor," pointing to "three or four different reports that month in New Jersey that said it was a myth." On MSNBC on Monday, Joe Scarborough asked his pal why no one “can find the video” of thousands and thousands of people in Jersey City celebrating on 9/11, but on Fox News Monday morning, Trump found a friendlier reception to his continued claims that Muslims in Northern New Jersey actually cheered when the Twin Towers fell. “I actually remember things like that,”  Steve Doocy said on "Fox & Friends," explaining that he lived "one town away from one of the towns where, according to my neighbors, they saw it with their own two eyes, there were people celebrating.” Got that convoluted explanation? There is more. "I also remember there was video on television," Doocy continued, adding meat to Trump's claim that the reported celebrations were televised. "I don’t remember if it was from that town or from New Jersey. Nonetheless, Donald Trump says there are a lot of people out there who have verified the idea of his story." On MSNBC's "Morning Joe" Monday morning, Trump said he was confident that the media would successfully dig up lost footage of the Muslim American 9/11 celebrations: “They’ll find something, they’re going to find something.” “Don’t forget, fourteen or fifteen years ago, it wasn’t like it is today, where you press a button and play a video. They didn’t put it in the files, they destroyed half the stuff,” Trump offered. Watch Doocy's ludicrous defense of The Donald below:

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Published on November 30, 2015 12:08

“They call me Dope Francis”: Twitter goes nuts imagining the pope freestyling on the mic

A new photo of Pope Francis speaking in Africa over the weekend has resurrected #PopeBars, a hashtag last seen in April whereby people tweet-spit papal-inspired rhymes. It's always hard to track where a meme begins, but the hashtag appears to have started (aptly) with "Hamilton" creator Lin-Manuel Miranda: https://twitter.com/Lin_Manuel/status... https://twitter.com/Lin_Manuel/status... National Book Award-winner Ta-Nehisi Coates ran with it: https://twitter.com/tanehisicoates/st... https://twitter.com/tanehisicoates/st... https://twitter.com/tanehisicoates/st... And now, the great flood: https://twitter.com/VikkieNotVicky/st... https://twitter.com/ChambersFineArt/s... https://twitter.com/MatthewACherry/st... https://twitter.com/AndrewBloch/statu... https://twitter.com/petermanseau/stat... https://twitter.com/saladinahmed/stat... https://twitter.com/FeministaJones/st... https://twitter.com/NicoSaysThings/st... new photo of Pope Francis speaking in Africa over the weekend has resurrected #PopeBars, a hashtag last seen in April whereby people tweet-spit papal-inspired rhymes. It's always hard to track where a meme begins, but the hashtag appears to have started (aptly) with "Hamilton" creator Lin-Manuel Miranda: https://twitter.com/Lin_Manuel/status... https://twitter.com/Lin_Manuel/status... National Book Award-winner Ta-Nehisi Coates ran with it: https://twitter.com/tanehisicoates/st... https://twitter.com/tanehisicoates/st... https://twitter.com/tanehisicoates/st... And now, the great flood: https://twitter.com/VikkieNotVicky/st... https://twitter.com/ChambersFineArt/s... https://twitter.com/MatthewACherry/st... https://twitter.com/AndrewBloch/statu... https://twitter.com/petermanseau/stat... https://twitter.com/saladinahmed/stat... https://twitter.com/FeministaJones/st... https://twitter.com/NicoSaysThings/st... new photo of Pope Francis speaking in Africa over the weekend has resurrected #PopeBars, a hashtag last seen in April whereby people tweet-spit papal-inspired rhymes. It's always hard to track where a meme begins, but the hashtag appears to have started (aptly) with "Hamilton" creator Lin-Manuel Miranda: https://twitter.com/Lin_Manuel/status... https://twitter.com/Lin_Manuel/status... National Book Award-winner Ta-Nehisi Coates ran with it: https://twitter.com/tanehisicoates/st... https://twitter.com/tanehisicoates/st... https://twitter.com/tanehisicoates/st... And now, the great flood: https://twitter.com/VikkieNotVicky/st... https://twitter.com/ChambersFineArt/s... https://twitter.com/MatthewACherry/st... https://twitter.com/AndrewBloch/statu... https://twitter.com/petermanseau/stat... https://twitter.com/saladinahmed/stat... https://twitter.com/FeministaJones/st... https://twitter.com/NicoSaysThings/st...

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Published on November 30, 2015 12:00

November 29, 2015

Noam Chomsky: America’s ISIS strategy is plainly not working

Jacobin Noam Chomsky, to rehearse a cliché, is among the world’s greatest living radical intellectuals. It is no less trite or true to add that he is also a broadly controversial figure: accused from various corners of a variety of failings ranging from “genocide denial” to rigid, “amoral quietism” in the face of mass atrocities. Most recently, critics of dissimilar political hues claim to have identified a range of follies in his statements on Syria. In the following interview, freelance journalist Emanuel Stoakes puts some of these criticisms to Chomsky. While reasserting his opposition to full-scale military intervention, Chomsky says he does not in principle oppose the idea of a no-fly zone established alongside a humanitarian corridor (though Putin’s recent interventions have all but killed the possibility of the former option). Chomsky also clarifies his positions on the 1995 Srebrenica massacre and NATO’s 1999 intervention in Kosovo. In addition to answering his critics, Chomsky gives his thoughts on a wide range of other topics: what should be done to combat ISIS, the significance of popular struggles in South America, and the future of socialism. As always, his underlying belief in our capacity to build a better society shines through. What’s your reaction to the attacks in Paris earlier this month, and what do you think of the current Western strategy of bombing ISIS? The current strategy plainly is not working.  The ISIS statements, both for this and the Russian airliner, were very explicit: you bomb us and you will suffer.  They are a monstrosity, and these are terrible crimes, but it doesn’t help to hide our heads in the sand. The best outcome would be if ISIS were destroyed by local forces, which could happen, but it will require that Turkey agree. And the outcome could be just as bad if the jihadi elements supported by Turkey, Qatar, and Saudi Arabia are the victors. The optimal outcome would be a negotiated settlement of the kind being inched towards in Vienna, combined with the above. Long shots. Like it or not, ISIS seems to have established itself pretty firmly in Sunni areas of Iraq and Syria. They seem to be engaged in a process of state building that is extremely brutal but fairly successful, and attracts the support of Sunni communities who may despise ISIS but see it as the only defense against alternatives that are even worse. The one major regional power that is opposing it is Iran, but the Iran-backed Shiite militias are reputed to be as brutal as ISIS and probably mobilize support for ISIS. The sectarian conflicts that are tearing the region to shreds are substantially a consequence of the Iraq invasion. That’s what Middle East specialist Graham Fuller, a former CIA analyst, means when he says that “I think the United States is one of the key creators of this organization.” Destruction of ISIS by any means that can be imagined might lay the basis for something worse, as has been happening quite regularly with military intervention. The state system in the region imposed by French and British imperial might after World War I, with little concern for the populations under their control, is unraveling. The future looks bleak, though there are some patches of light, as in the Kurdish areas. Steps can be taken to reduce many of the tensions in the region and to constrain and reduce the outlandishly high level of armament, but it is not clear what more outside powers can do apart from fanning the flames, as they have been doing for years. Earlier this year, we saw the Greek government struggling with its creditors to work out a deal. It’s tempting to view this showdown, as well as the crisis as a whole, as less a case of the EU trying to manage a debt crisis in the common interests of the union and more as a battle between Greek society and those who benefit from austerity. Would you agree? How do you view the situation? There has been no serious effort to manage a debt crisis. The policies imposed on Greece by the troika sharply exacerbated the crisis by undermining the economy and blocking hopeful chances for growth. The debt-to-GDP ratio is now far higher than it was before these policies were instituted, and there’s been a terrible toll on the people of Greece — though the German and French banks that bear a large part of responsibility for the crisis are doing fine. The so-called “bailouts” for Greece mostly went into the pockets of the creditors, as much as 90 percent by some estimates. Former Bundesbank chief Karl Otto Pöhl observed very plausibly that the whole affair “was about protecting German banks, but especially the French banks, from debt write-offs.” Commenting in the leading US establishment journal Foreign Affairs, Mark Blyth, one of the most cogent critics of the destructive austerity-under-depression programs, writes, “We’ve never understood Greece because we have refused to see the crisis for what it was — a continuation of a series of bailouts for the financial sector that started in 2008 and that rumbles on today.” It is recognized on all sides that the debt cannot be paid. It should have been radically restructured long ago, when the crisis could have easily been managed, or simply declared “odious” and cancelled. The ugly face of contemporary Europe is presented by German Finance Minister Schäuble, apparently the most popular political figure in Germany. As reported by Reuters news service, he explained that “a write-off of some of Europe’s loans to Greece might be needed to get the country’s debt to a manageable level,” while he “in the same breath ruled out such a step.” In brief, we’ve milked you about as dry as we can, so get lost. And much of the population is literally getting lost, with hopes for decent survival smashed. Actually Greeks are not yet quite milked dry. The shameful settlement imposed by the banks and bureaucracy includes measures to ensure that Greek assets will be taken over by the right greedy hands. Germany’s role is particularly shameful, not just because Nazi Germany devastated Greece, but also because, as Thomas Pikettypointed out in Die Zeit, “Germany is really the single best example of a country that, throughout its history, has never repaid its external debt. Neither after the First nor the Second World War.” The London Agreement of 1953 wiped out over half of Germany’s debt, laying the basis for its economic recovery, and currently, Piketty added, far from being “generous,” these days “Germany is profiting from Greece as it extends loans at comparatively high interest rates.” The whole business is sordid. The policies of austerity that have been imposed on Greece (and on Europe generally) were always absurd from an economic point of view, and have been a complete disaster for Greece. As weapons of class war, however, they have been rather effective in undermining welfare systems, enriching the northern banks and the investor class, and driving democracy to the margins. The behavior of the troika today is a disgrace. One can scarcely doubt that their goal is to establish firmly the principle that the masters must be obeyed: defiance of the northern banks and the Brussels bureaucracy will not be tolerated, and thoughts of democracy and popular will in Europe must be abandoned. Do you think the struggle taking place over Greece’s future is representative of a lot of what is happening in the world at the moment — i.e., a struggle between the needs of society and the demands of capitalism? If so, do you see much hope for decent human outcomes when the trump cards all seem to be held by a small number of people linked to private power? In Greece, and in Europe more generally in varying degrees, some of the most admirable achievements of the postwar years are being reversed under a destructive version of the neoliberal assault on the global population of the past generation. But it can be reversed. Among the most obedient students of the neoliberal orthodoxy were the countries of Latin America, and not surprisingly, they were also among those who suffered the worst harm. But in recent years they have led the way towards rejecting the orthodoxy, and more generally, for the first time in five hundred years are taking significant steps towards unification, freeing themselves from imperial (in the past century US) domination, and confronting the shocking internal problems of potentially rich societies that had been traditionally governed by wealthy foreign-oriented (mostly white) elites in a sea of misery. Syriza in Greece might have signaled a similar development, which is why it had to be smashed so savagely. There are other reactions in Europe and elsewhere that could turn the tide and lead to a much better future. The twentieth anniversary of the Srebrenica massacre passed this year. It has emerged that the US watched the killing take place in real time from satellites, and that many of the world’s great powers were negligent or worse when it came to making efforts to prevent predictable slaughter there. What do you think should have been done at the time? Do you think, for example, that the Bosnian Muslims should have been given a greater chance to defend themselves far earlier, for example? Srebrenica was a barely protected safe area — and we should not forget that thanks to that status, it was as a base for Nasir Oric’s murderous Bosnian militias to attack surrounding Serb villages, taking a brutal toll and boasting of the achievement. That there would sooner or later be a Serb response was not too surprising, and measures should have been taken to “prevent predictable slaughter,” to borrow your words. The best approach, which might have been feasible, would have been to reduce and maybe end the hostilities in the region rather than allowing them to escalate. You’ve come in for a lot of criticism for your position on the Kosovo intervention. My (perhaps mistaken) understanding is that you believe there were alternatives to the bombing, and that the violence could have been stopped if there had been greater political will to find a diplomatic solution. Is that right? Can you outline what could have been done as an alternative? I haven’t seen criticisms of my position on the intervention, and there are unlikely to be any, for the simple reason that I scarcely took a position. As I made explicit in what I wrote on the topic ( The New Military Humanism ), I hardly even discussed the propriety of the NATO intervention. That’s clearly stated in the early pages. The topic is indeed brought up, three pages from the end, noting that what precedes — the entire book — leaves the question of what should have been done in Kosovo “unanswered,” though it seems a “reasonable judgment” that the US was selecting one of the more harmful of several options available. As explained clearly and unambiguously from the outset, even from the title, the book is about a wholly different topic: the import of the Kosovo events for the “new era” of “principles and values” led by the “enlightened states” whose foreign policy has entered a “noble phase” with a “saintly glow” (to quote some of the celebratory rhetoric reviewed). That very important topics must be sharply distinguished from the question of what should have been done, which I scarcely addressed. An important topic, and evidently an unpopular one, best avoided. I don’t recall even seeing a mention of the subject of the entire book in the critical commentary on it. I did review the diplomatic options available, pointing out that the settlement after seventy-eight days of bombing was a compromise between the NATO and Serbian pre-bombing positions. A year later, after the war ended, in my book A New Generation Draws the Line, I reviewed in extensive detail the rich Western documentary record on the immediate background to the bombing. It reveals that there was a steady level of violence divided between KLA guerrillas attacking from Albania and a brutal Serb response, and that the atrocities were very sharply escalated after the bombing, exactly as was predicted publicly, and to US authorities privately, by commanding Gen. Mark Clark. If there has been criticism of what I actually wrote, I haven’t seen it, though you’re right that there has been a great deal of furious condemnation — namely, of what I didn’t write. As to a possible alternative, there were what seemed to be fairly promising diplomatic options. Whether they could have worked, we don’t know, since they were ignored in favor of bombing. The usual interpretation, which I’ve reviewed elsewhere, is that the bombing was motivated by a sharp upsurge of atrocities. This reversal of the chronology is quite standard, and useful to establish the legitimacy of NATO violence. The upsurge of atrocities was the consequence of the bombing, not its cause — and as noted, was predicted quite publicly and authoritatively. What do you think was the real objective of NATO’s Balkan intervention? If we can believe the US-UK leadership, the real objective was to establish the “credibility of NATO” (there were other pretexts, but they quickly collapse). As Tony Blair summarized the official reason, failure to bomb “would have dealt a devastating blow to the credibility of NATO,” and “the world would have been less safe as a result of that” — though, as I reviewed in some detail, the “world” overwhelmingly disagreed, often very sharply. “Establishing credibility” — basically, the Mafia principle — is a significant feature of great power policy. A deeper look suggests motives beyond those officially stressed. Do you oppose military intervention under any circumstances during dire humanitarian disasters? What are the conditions that would make it acceptable from your point of view? Pure pacifists would always oppose military intervention. I am not one, but I think that like any resort to violence, it carries a heavy burden of proof. It’s impossible to give a general answer as to when it is justified, apart from some useless formulas. It is not easy to find genuine cases where intervention has been justified. I’ve reviewed the historical and scholarly record. It’s very thin. Two possible examples stand out in the post–World War II period: the Vietnamese invasion of Cambodia, terminating Khmer Rouge crimes as they were peaking; and the Indian invasion of Pakistan that ended the hideous atrocities in the former East Pakistan. These two cases do not enter the standard canon, however, because of the fallacy of “wrong agency” and because they were both bitterly opposed by Washington, which reacted in quite ugly ways. Moving on to Syria, we see an appalling humanitarian situation and no end in sight in terms of the internecine warfare taking place. I know some Syrian activists who are furious at what they perceive to be your tolerance of the immense misery being experienced by people living with barrel bombs and so on; they say this because they think you are opposed to any kind of intervention against Assad, however limited, on ideological grounds. Is this accurate or fair? Would you support the idea of a no-fly zone, with an enforced humanitarian corridor? Can you clarify your position on Syria? If intervention against Assad would mitigate or end the appalling situation, it would be justified. But would it? Intervention is not advocated by careful observers on the scene with close knowledge of Syria and the current situation — Patrick Cockburn, Charles Glass, quite a few others who are bitter critics of Assad. They warn, with no little plausibility I think, that it might well exacerbate the crisis. The record of military intervention in the region has been awful with very rare exceptions, a fact that can hardly be overlooked. No-fly zones, humanitarian corridors, support for the Kurds, and some other measures would be likely to be helpful. But while it is easy to call for military intervention, it is no simple matter to provide reasoned and well-thought-out plans, taking into account likely consequences. I haven’t seen any. One can imagine a world in which intervention is undertaken by some benign force dedicated to the interests of people who are suffering. But if we care about victims, we cannot make proposals for imaginary worlds. Only for this world, in which intervention, with rare consistency, is undertaken by powers dedicated to their own interests, where the victims and their fate is incidental, despite lofty professions. The historical record is painfully clear, and there have been no miraculous conversions. That does not mean that intervention can never be justified, but these considerations cannot be ignored — at least, if we care about the victims. Looking back at your long life of activism and scholarship, what cause or issue are you most glad to have supported? Conversely, what are your greatest regrets — do you wish that you had done more on certain fronts? I can’t really say. There are many that I’m glad to have supported, to a greater or lesser degree. The cause that I pursued most intensely, from the early 1960s, was the US wars in Indochina, the most severe international crime in the post–World War II era. That included speaking, writing, organizing, demonstrations, civil disobedience, direct resistance, and the expectation, barely averted more or less by accident, of a possible long prison sentence. Some other engagements were similar, but not at that level of intensity. And each case has regrets, always the same ones: too little, too late, too ineffective, even when there were some real achievements of the dedicated struggles of many people in which I was privileged to be able to participate in some way. What gives you the most hope about the future? Do you feel that young people in the US that you have interacted with are different from some of those you dealt with decades before? Have social attitudes changed for the better? Hopes for the future are always about the same: courageous people, often under severe duress, refusing to bow to illegitimate authority and persecution, others devoting themselves to support and to combatting injustice and violence, young people who sincerely want to change the world. And the record of successes, always limited, sometimes reversed, but over time bending the arc of history towards justice, to borrow the words that Martin Luther King made famous in word and deed. How do you view the future of socialism? Are you inspired by developments in South America? Are there lessons for the Left in North America? Like other terms of political discourse, “socialism” can mean many different things.  I think one can trace an intellectual and practical trajectory from the Enlightenment to classical liberalism, and (after its wreckage on the shoals of capitalism, in Rudolf Rocker’s evocative phrase) on to the libertarian version of socialism that converges with leading anarchist tendencies. My feeling is that the basic ideas of this tradition are never far below the surface, rather like Marx’s old mole, always about to break through when the right circumstances arise, and the right flames are lit by engaged activists. What has taken place in recent years in South America is of historic significance, I think. For the first time since the conquistadors, the societies have taken steps of the kind I outlined earlier. Halting steps, but very significant ones. The basic lesson is that if this can be achieved under harsh and brutal circumstances, we should be able to do much better enjoying a legacy of relative freedom and prosperity, thanks to the struggles of those who came before us. Do you agree with Marx’s prognosis that capitalism will eventually destroy itself? Do you think that an alternative way of life and system of economics can take hold before such an implosion occurs, with potentially chaotic consequences? What should ordinary people concerned with the survival of their family, and that of the world, do? Marx studied an abstract system that has some of the central features of really-existing capitalism, but not others, including the crucial state role in development and in sustaining predatory institutions. Like much of the financial sector, which in the US depends for most of its profits on the implicit government insurance program, according to a recent IMF study — over $80 billion, a year according to the business press. Large-scale state intervention has been a leading feature of the developed societies from England to the US to Europe and to Japan and its former colonies, up to the present moment. The technology that we are now using, to take one example. Many mechanisms have been developed that might preserve existing forms of state capitalism. The existing system may well destroy itself for different reasons, which Marx also discussed. We are now heading, eyes open, towards an environmental catastrophe that might end the human experiment just as it is wiping out species at a rate not seen since 65 million years ago when a huge asteroid hit the earth – and now we are the asteroid. There is more than enough for “ordinary people” (and we’re all ordinary people) to do to fend off disasters that are not remote and to construct a far more free and just society.

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Published on November 29, 2015 15:30

Why we loved the men and women of “Mad Men”: “They’re the only characters in television history who are 100 percent consistent in their behavior”

Has there ever been a show that’s been praised, debunked, denounced and debated more than “Mad Men”? It may’ve even left “The Sopranos” in the dust, and it’s never had the kind of near-unanimous praise that greeted a show like “Breaking Bad.” A cult show that at times became a larger cultural phenomenon, the period drama about Madison Avenue’s advertising agency influenced men’s clothing styles, sparked discussions about sexism in the workplace, and showed the ability of television to capture history. It provoked essays claiming its powers of social criticism and others knocking it as a fashion show. A new book, “Mad Men Carousel: The Complete Critical Companion,” looks at the show mostly in episode-size chapters -- recaps written on deadline for publications including New York magazine and the New Republic. Both playful – the book includes many small, whimsical illustrations – and Talmudic (most pages include footnotes), “Mad Men Carousel” considers the show deeply and substantially. Author Matthew Zoller Seitz is a well-regarded journalist, TV critic for New York magazine and author of two books on filmmaker Wes Anderson. Seitz was turned on to “Mad Men” by his friend Andrew Johnston, the film and TV critic who died from cancer in 2008. (The book includes eight poems by Martha Orton, Johnston’s mother.) We spoke to Seitz from his home in New York; the interview has been edited slightly for clarity. What was it about “Mad Men” that drew you so close, that made you want to concentrate so heavily on it? It was a lot of things – the characters first and foremost. I was struck as I worked on this book by how psychologically consistent they were. I would go so far as to say that they’re the only characters in television history who are 100 percent consistent in their behavior, and never do anything that’s out of character just for effect. Even if it seems, at first, to be out of character, if you look back to judge their motivations, you see it’s the sort of thing that the character would do. Another reason: I’m also a filmmaker, and make these video essays that analyze film style, genre and directors… I’m also thinking visually as I’m watching television and movies in addition to thinking about the literary values. And “Mad Men” was a show that had it in both areas: It was very much a literary object – characters, theme, plot, as a book would – but it also satisfied at the level of cinema. The shots meant something, the camera movements meant something. Like that scene of Don Draper, at the end of Season 5, walking away from Megan, who is shooting that commercial dressed as a fairy princess. And the camera walks in front of him, the doorway recedes in the background and swallows up Don in blackness. You realize they are communicating the distance between Don and his new wife, and also the loneliness he feels at that moment and always probably will because he’s Don. It’s like the scene where a woman asks him at a bar, “Are you alone?” And he looks at her and doesn’t answer. There’s been a debate around “Mad Men” from the beginning: Is it a handsome, well-designed exercise in nostalgia, or is it a show of dramatic depth that’s also a critique of society? How do you come down? Did the show deepen over time? I think it was always a deep show – not just in relation to television, but in relation to anything. The first season is a bit more meticulously designed… I do slightly prefer the later seasons for their fragmentary nature. One thing my friend Andrew said that I’ve quoted many times is that scripted dramas on TV tend to fall into one of two categories: They are novelistic, or they are like short stories. “Mad Men,” like “The Sopranos” before it, lived in both of those modes simultaneously, and did it at the level of the season. That’s what made it so fascinating, I don’t think they had a bad season. And if you watch the entire thing again, and consider it in totality, you see what a complete vision it is. If you’ve read any of the literature that influenced the writers of the show – John Cheever, John Dos Passos is a huge influence, also John Updike… Dos Passos tells stories of characters of various socioeconomic background, and they’re followed like characters on a television show. And these novels are edited like a movie. And suddenly you’ll get the equivalent of a montage, where he’s interspersing newspaper stories, newsreel narration and popular song lyrics in an almost kaleidoscopic fashion. And then he’ll return you to a narrative of another character that’s already in process. “Mad Men” is sometimes criticized for “condescending to the past.” You’ve said it yourself. Is that charge fair? How does the show view its time period? I think it’s fair sometimes, but not fair most of the time. For the most part, I don’t think it’s an accurate charge. A lot of the times critics who think of themselves as sophisticated and liberal talk about a show condescending to the past, when what the show is really doing is showing how people acted in the past. It embarrasses us; I’ve thought a lot about why it does. When the Drapers leave that picnic, and there’s the shot of the garbage they left behind… I grew up in the past. I was a kid in the ‘70s, not long after the period depicted in the show. I threw garbage on the ground all the time – everybody did. It wasn’t until those anti-pollution ads with the crying Native American by the side of the road that there was a mass movement against littering. I kind of developed increasingly less patience toward the charge of condescension to the past: I think a lot of it comes from the fantasy that we are all very evolved and sophisticated compared to our parents and grandparents. I saw this in the late ‘80s when movies about the past like “Glory” and “Born on the Fourth of July” came out – and not the ancient past either. It was the frickin’ ‘80s. And we look back on the ‘80s now as being politically and culturally primitive compared to now. And if there’s a “Mad Men”-like show someday about [our] period, What are they gonna say? “Wow – they really reached their pinnacle of sophistication in 2015?” I seriously doubt it. So that’s a long way of saying, “That’s bullshit.” The book is essentially a collection of recaps. What’s the recap capable of? What’s important to include in one? What do you try to do in yours? What I personally try to do is to strike a balance between literary and visual values – to strike a balance between the psychology and the characters and the progress of the narrative as expressed through dialogue but also through filmmaking. So I try to take the long view and make the piece do as many things as possible. But that’s not the only way to do it. And as I say in the introduction: “Mad Men” is such a rich show, it’s possible to attack it from all sorts of different angles… I could see somebody doing a book of the kind of literary or poetic reveries that Molly Lambert did at Grantland. Or meticulously taking apart the plot details or characters in the manner of Alan Sepinwall. Or I could see this writer Angelica Jade Bastien look at it in terms of genre and the construction of masculine identity. Writing these can be a work of art in themselves. And they should be a performance – you should have fun when you’re reading them. You should have a sense that the writer is entertaining you and leading you and maybe pulling you in unexpected directions. And it’s almost like you’re trying to humbly create a little work of art in response to the larger work of art that you just absorbed. I think of it as, That’s this beautiful bowl of fruit, and I’m sitting there with my easel trying to paint it. My painting won’t look like anyone else’s: There are a lot of people who may paint it more realistically or abstractly… I would love to see more books about “Mad Men” where the lens is somebody else’s. And I’d like to see more criticism that is not just recapitulating the plot with some snarky jokes, which I think is the mode that dominated for years and years, and that thankfully we’re starting to get away from.Has there ever been a show that’s been praised, debunked, denounced and debated more than “Mad Men”? It may’ve even left “The Sopranos” in the dust, and it’s never had the kind of near-unanimous praise that greeted a show like “Breaking Bad.” A cult show that at times became a larger cultural phenomenon, the period drama about Madison Avenue’s advertising agency influenced men’s clothing styles, sparked discussions about sexism in the workplace, and showed the ability of television to capture history. It provoked essays claiming its powers of social criticism and others knocking it as a fashion show. A new book, “Mad Men Carousel: The Complete Critical Companion,” looks at the show mostly in episode-size chapters -- recaps written on deadline for publications including New York magazine and the New Republic. Both playful – the book includes many small, whimsical illustrations – and Talmudic (most pages include footnotes), “Mad Men Carousel” considers the show deeply and substantially. Author Matthew Zoller Seitz is a well-regarded journalist, TV critic for New York magazine and author of two books on filmmaker Wes Anderson. Seitz was turned on to “Mad Men” by his friend Andrew Johnston, the film and TV critic who died from cancer in 2008. (The book includes eight poems by Martha Orton, Johnston’s mother.) We spoke to Seitz from his home in New York; the interview has been edited slightly for clarity. What was it about “Mad Men” that drew you so close, that made you want to concentrate so heavily on it? It was a lot of things – the characters first and foremost. I was struck as I worked on this book by how psychologically consistent they were. I would go so far as to say that they’re the only characters in television history who are 100 percent consistent in their behavior, and never do anything that’s out of character just for effect. Even if it seems, at first, to be out of character, if you look back to judge their motivations, you see it’s the sort of thing that the character would do. Another reason: I’m also a filmmaker, and make these video essays that analyze film style, genre and directors… I’m also thinking visually as I’m watching television and movies in addition to thinking about the literary values. And “Mad Men” was a show that had it in both areas: It was very much a literary object – characters, theme, plot, as a book would – but it also satisfied at the level of cinema. The shots meant something, the camera movements meant something. Like that scene of Don Draper, at the end of Season 5, walking away from Megan, who is shooting that commercial dressed as a fairy princess. And the camera walks in front of him, the doorway recedes in the background and swallows up Don in blackness. You realize they are communicating the distance between Don and his new wife, and also the loneliness he feels at that moment and always probably will because he’s Don. It’s like the scene where a woman asks him at a bar, “Are you alone?” And he looks at her and doesn’t answer. There’s been a debate around “Mad Men” from the beginning: Is it a handsome, well-designed exercise in nostalgia, or is it a show of dramatic depth that’s also a critique of society? How do you come down? Did the show deepen over time? I think it was always a deep show – not just in relation to television, but in relation to anything. The first season is a bit more meticulously designed… I do slightly prefer the later seasons for their fragmentary nature. One thing my friend Andrew said that I’ve quoted many times is that scripted dramas on TV tend to fall into one of two categories: They are novelistic, or they are like short stories. “Mad Men,” like “The Sopranos” before it, lived in both of those modes simultaneously, and did it at the level of the season. That’s what made it so fascinating, I don’t think they had a bad season. And if you watch the entire thing again, and consider it in totality, you see what a complete vision it is. If you’ve read any of the literature that influenced the writers of the show – John Cheever, John Dos Passos is a huge influence, also John Updike… Dos Passos tells stories of characters of various socioeconomic background, and they’re followed like characters on a television show. And these novels are edited like a movie. And suddenly you’ll get the equivalent of a montage, where he’s interspersing newspaper stories, newsreel narration and popular song lyrics in an almost kaleidoscopic fashion. And then he’ll return you to a narrative of another character that’s already in process. “Mad Men” is sometimes criticized for “condescending to the past.” You’ve said it yourself. Is that charge fair? How does the show view its time period? I think it’s fair sometimes, but not fair most of the time. For the most part, I don’t think it’s an accurate charge. A lot of the times critics who think of themselves as sophisticated and liberal talk about a show condescending to the past, when what the show is really doing is showing how people acted in the past. It embarrasses us; I’ve thought a lot about why it does. When the Drapers leave that picnic, and there’s the shot of the garbage they left behind… I grew up in the past. I was a kid in the ‘70s, not long after the period depicted in the show. I threw garbage on the ground all the time – everybody did. It wasn’t until those anti-pollution ads with the crying Native American by the side of the road that there was a mass movement against littering. I kind of developed increasingly less patience toward the charge of condescension to the past: I think a lot of it comes from the fantasy that we are all very evolved and sophisticated compared to our parents and grandparents. I saw this in the late ‘80s when movies about the past like “Glory” and “Born on the Fourth of July” came out – and not the ancient past either. It was the frickin’ ‘80s. And we look back on the ‘80s now as being politically and culturally primitive compared to now. And if there’s a “Mad Men”-like show someday about [our] period, What are they gonna say? “Wow – they really reached their pinnacle of sophistication in 2015?” I seriously doubt it. So that’s a long way of saying, “That’s bullshit.” The book is essentially a collection of recaps. What’s the recap capable of? What’s important to include in one? What do you try to do in yours? What I personally try to do is to strike a balance between literary and visual values – to strike a balance between the psychology and the characters and the progress of the narrative as expressed through dialogue but also through filmmaking. So I try to take the long view and make the piece do as many things as possible. But that’s not the only way to do it. And as I say in the introduction: “Mad Men” is such a rich show, it’s possible to attack it from all sorts of different angles… I could see somebody doing a book of the kind of literary or poetic reveries that Molly Lambert did at Grantland. Or meticulously taking apart the plot details or characters in the manner of Alan Sepinwall. Or I could see this writer Angelica Jade Bastien look at it in terms of genre and the construction of masculine identity. Writing these can be a work of art in themselves. And they should be a performance – you should have fun when you’re reading them. You should have a sense that the writer is entertaining you and leading you and maybe pulling you in unexpected directions. And it’s almost like you’re trying to humbly create a little work of art in response to the larger work of art that you just absorbed. I think of it as, That’s this beautiful bowl of fruit, and I’m sitting there with my easel trying to paint it. My painting won’t look like anyone else’s: There are a lot of people who may paint it more realistically or abstractly… I would love to see more books about “Mad Men” where the lens is somebody else’s. And I’d like to see more criticism that is not just recapitulating the plot with some snarky jokes, which I think is the mode that dominated for years and years, and that thankfully we’re starting to get away from.Has there ever been a show that’s been praised, debunked, denounced and debated more than “Mad Men”? It may’ve even left “The Sopranos” in the dust, and it’s never had the kind of near-unanimous praise that greeted a show like “Breaking Bad.” A cult show that at times became a larger cultural phenomenon, the period drama about Madison Avenue’s advertising agency influenced men’s clothing styles, sparked discussions about sexism in the workplace, and showed the ability of television to capture history. It provoked essays claiming its powers of social criticism and others knocking it as a fashion show. A new book, “Mad Men Carousel: The Complete Critical Companion,” looks at the show mostly in episode-size chapters -- recaps written on deadline for publications including New York magazine and the New Republic. Both playful – the book includes many small, whimsical illustrations – and Talmudic (most pages include footnotes), “Mad Men Carousel” considers the show deeply and substantially. Author Matthew Zoller Seitz is a well-regarded journalist, TV critic for New York magazine and author of two books on filmmaker Wes Anderson. Seitz was turned on to “Mad Men” by his friend Andrew Johnston, the film and TV critic who died from cancer in 2008. (The book includes eight poems by Martha Orton, Johnston’s mother.) We spoke to Seitz from his home in New York; the interview has been edited slightly for clarity. What was it about “Mad Men” that drew you so close, that made you want to concentrate so heavily on it? It was a lot of things – the characters first and foremost. I was struck as I worked on this book by how psychologically consistent they were. I would go so far as to say that they’re the only characters in television history who are 100 percent consistent in their behavior, and never do anything that’s out of character just for effect. Even if it seems, at first, to be out of character, if you look back to judge their motivations, you see it’s the sort of thing that the character would do. Another reason: I’m also a filmmaker, and make these video essays that analyze film style, genre and directors… I’m also thinking visually as I’m watching television and movies in addition to thinking about the literary values. And “Mad Men” was a show that had it in both areas: It was very much a literary object – characters, theme, plot, as a book would – but it also satisfied at the level of cinema. The shots meant something, the camera movements meant something. Like that scene of Don Draper, at the end of Season 5, walking away from Megan, who is shooting that commercial dressed as a fairy princess. And the camera walks in front of him, the doorway recedes in the background and swallows up Don in blackness. You realize they are communicating the distance between Don and his new wife, and also the loneliness he feels at that moment and always probably will because he’s Don. It’s like the scene where a woman asks him at a bar, “Are you alone?” And he looks at her and doesn’t answer. There’s been a debate around “Mad Men” from the beginning: Is it a handsome, well-designed exercise in nostalgia, or is it a show of dramatic depth that’s also a critique of society? How do you come down? Did the show deepen over time? I think it was always a deep show – not just in relation to television, but in relation to anything. The first season is a bit more meticulously designed… I do slightly prefer the later seasons for their fragmentary nature. One thing my friend Andrew said that I’ve quoted many times is that scripted dramas on TV tend to fall into one of two categories: They are novelistic, or they are like short stories. “Mad Men,” like “The Sopranos” before it, lived in both of those modes simultaneously, and did it at the level of the season. That’s what made it so fascinating, I don’t think they had a bad season. And if you watch the entire thing again, and consider it in totality, you see what a complete vision it is. If you’ve read any of the literature that influenced the writers of the show – John Cheever, John Dos Passos is a huge influence, also John Updike… Dos Passos tells stories of characters of various socioeconomic background, and they’re followed like characters on a television show. And these novels are edited like a movie. And suddenly you’ll get the equivalent of a montage, where he’s interspersing newspaper stories, newsreel narration and popular song lyrics in an almost kaleidoscopic fashion. And then he’ll return you to a narrative of another character that’s already in process. “Mad Men” is sometimes criticized for “condescending to the past.” You’ve said it yourself. Is that charge fair? How does the show view its time period? I think it’s fair sometimes, but not fair most of the time. For the most part, I don’t think it’s an accurate charge. A lot of the times critics who think of themselves as sophisticated and liberal talk about a show condescending to the past, when what the show is really doing is showing how people acted in the past. It embarrasses us; I’ve thought a lot about why it does. When the Drapers leave that picnic, and there’s the shot of the garbage they left behind… I grew up in the past. I was a kid in the ‘70s, not long after the period depicted in the show. I threw garbage on the ground all the time – everybody did. It wasn’t until those anti-pollution ads with the crying Native American by the side of the road that there was a mass movement against littering. I kind of developed increasingly less patience toward the charge of condescension to the past: I think a lot of it comes from the fantasy that we are all very evolved and sophisticated compared to our parents and grandparents. I saw this in the late ‘80s when movies about the past like “Glory” and “Born on the Fourth of July” came out – and not the ancient past either. It was the frickin’ ‘80s. And we look back on the ‘80s now as being politically and culturally primitive compared to now. And if there’s a “Mad Men”-like show someday about [our] period, What are they gonna say? “Wow – they really reached their pinnacle of sophistication in 2015?” I seriously doubt it. So that’s a long way of saying, “That’s bullshit.” The book is essentially a collection of recaps. What’s the recap capable of? What’s important to include in one? What do you try to do in yours? What I personally try to do is to strike a balance between literary and visual values – to strike a balance between the psychology and the characters and the progress of the narrative as expressed through dialogue but also through filmmaking. So I try to take the long view and make the piece do as many things as possible. But that’s not the only way to do it. And as I say in the introduction: “Mad Men” is such a rich show, it’s possible to attack it from all sorts of different angles… I could see somebody doing a book of the kind of literary or poetic reveries that Molly Lambert did at Grantland. Or meticulously taking apart the plot details or characters in the manner of Alan Sepinwall. Or I could see this writer Angelica Jade Bastien look at it in terms of genre and the construction of masculine identity. Writing these can be a work of art in themselves. And they should be a performance – you should have fun when you’re reading them. You should have a sense that the writer is entertaining you and leading you and maybe pulling you in unexpected directions. And it’s almost like you’re trying to humbly create a little work of art in response to the larger work of art that you just absorbed. I think of it as, That’s this beautiful bowl of fruit, and I’m sitting there with my easel trying to paint it. My painting won’t look like anyone else’s: There are a lot of people who may paint it more realistically or abstractly… I would love to see more books about “Mad Men” where the lens is somebody else’s. And I’d like to see more criticism that is not just recapitulating the plot with some snarky jokes, which I think is the mode that dominated for years and years, and that thankfully we’re starting to get away from.Has there ever been a show that’s been praised, debunked, denounced and debated more than “Mad Men”? It may’ve even left “The Sopranos” in the dust, and it’s never had the kind of near-unanimous praise that greeted a show like “Breaking Bad.” A cult show that at times became a larger cultural phenomenon, the period drama about Madison Avenue’s advertising agency influenced men’s clothing styles, sparked discussions about sexism in the workplace, and showed the ability of television to capture history. It provoked essays claiming its powers of social criticism and others knocking it as a fashion show. A new book, “Mad Men Carousel: The Complete Critical Companion,” looks at the show mostly in episode-size chapters -- recaps written on deadline for publications including New York magazine and the New Republic. Both playful – the book includes many small, whimsical illustrations – and Talmudic (most pages include footnotes), “Mad Men Carousel” considers the show deeply and substantially. Author Matthew Zoller Seitz is a well-regarded journalist, TV critic for New York magazine and author of two books on filmmaker Wes Anderson. Seitz was turned on to “Mad Men” by his friend Andrew Johnston, the film and TV critic who died from cancer in 2008. (The book includes eight poems by Martha Orton, Johnston’s mother.) We spoke to Seitz from his home in New York; the interview has been edited slightly for clarity. What was it about “Mad Men” that drew you so close, that made you want to concentrate so heavily on it? It was a lot of things – the characters first and foremost. I was struck as I worked on this book by how psychologically consistent they were. I would go so far as to say that they’re the only characters in television history who are 100 percent consistent in their behavior, and never do anything that’s out of character just for effect. Even if it seems, at first, to be out of character, if you look back to judge their motivations, you see it’s the sort of thing that the character would do. Another reason: I’m also a filmmaker, and make these video essays that analyze film style, genre and directors… I’m also thinking visually as I’m watching television and movies in addition to thinking about the literary values. And “Mad Men” was a show that had it in both areas: It was very much a literary object – characters, theme, plot, as a book would – but it also satisfied at the level of cinema. The shots meant something, the camera movements meant something. Like that scene of Don Draper, at the end of Season 5, walking away from Megan, who is shooting that commercial dressed as a fairy princess. And the camera walks in front of him, the doorway recedes in the background and swallows up Don in blackness. You realize they are communicating the distance between Don and his new wife, and also the loneliness he feels at that moment and always probably will because he’s Don. It’s like the scene where a woman asks him at a bar, “Are you alone?” And he looks at her and doesn’t answer. There’s been a debate around “Mad Men” from the beginning: Is it a handsome, well-designed exercise in nostalgia, or is it a show of dramatic depth that’s also a critique of society? How do you come down? Did the show deepen over time? I think it was always a deep show – not just in relation to television, but in relation to anything. The first season is a bit more meticulously designed… I do slightly prefer the later seasons for their fragmentary nature. One thing my friend Andrew said that I’ve quoted many times is that scripted dramas on TV tend to fall into one of two categories: They are novelistic, or they are like short stories. “Mad Men,” like “The Sopranos” before it, lived in both of those modes simultaneously, and did it at the level of the season. That’s what made it so fascinating, I don’t think they had a bad season. And if you watch the entire thing again, and consider it in totality, you see what a complete vision it is. If you’ve read any of the literature that influenced the writers of the show – John Cheever, John Dos Passos is a huge influence, also John Updike… Dos Passos tells stories of characters of various socioeconomic background, and they’re followed like characters on a television show. And these novels are edited like a movie. And suddenly you’ll get the equivalent of a montage, where he’s interspersing newspaper stories, newsreel narration and popular song lyrics in an almost kaleidoscopic fashion. And then he’ll return you to a narrative of another character that’s already in process. “Mad Men” is sometimes criticized for “condescending to the past.” You’ve said it yourself. Is that charge fair? How does the show view its time period? I think it’s fair sometimes, but not fair most of the time. For the most part, I don’t think it’s an accurate charge. A lot of the times critics who think of themselves as sophisticated and liberal talk about a show condescending to the past, when what the show is really doing is showing how people acted in the past. It embarrasses us; I’ve thought a lot about why it does. When the Drapers leave that picnic, and there’s the shot of the garbage they left behind… I grew up in the past. I was a kid in the ‘70s, not long after the period depicted in the show. I threw garbage on the ground all the time – everybody did. It wasn’t until those anti-pollution ads with the crying Native American by the side of the road that there was a mass movement against littering. I kind of developed increasingly less patience toward the charge of condescension to the past: I think a lot of it comes from the fantasy that we are all very evolved and sophisticated compared to our parents and grandparents. I saw this in the late ‘80s when movies about the past like “Glory” and “Born on the Fourth of July” came out – and not the ancient past either. It was the frickin’ ‘80s. And we look back on the ‘80s now as being politically and culturally primitive compared to now. And if there’s a “Mad Men”-like show someday about [our] period, What are they gonna say? “Wow – they really reached their pinnacle of sophistication in 2015?” I seriously doubt it. So that’s a long way of saying, “That’s bullshit.” The book is essentially a collection of recaps. What’s the recap capable of? What’s important to include in one? What do you try to do in yours? What I personally try to do is to strike a balance between literary and visual values – to strike a balance between the psychology and the characters and the progress of the narrative as expressed through dialogue but also through filmmaking. So I try to take the long view and make the piece do as many things as possible. But that’s not the only way to do it. And as I say in the introduction: “Mad Men” is such a rich show, it’s possible to attack it from all sorts of different angles… I could see somebody doing a book of the kind of literary or poetic reveries that Molly Lambert did at Grantland. Or meticulously taking apart the plot details or characters in the manner of Alan Sepinwall. Or I could see this writer Angelica Jade Bastien look at it in terms of genre and the construction of masculine identity. Writing these can be a work of art in themselves. And they should be a performance – you should have fun when you’re reading them. You should have a sense that the writer is entertaining you and leading you and maybe pulling you in unexpected directions. And it’s almost like you’re trying to humbly create a little work of art in response to the larger work of art that you just absorbed. I think of it as, That’s this beautiful bowl of fruit, and I’m sitting there with my easel trying to paint it. My painting won’t look like anyone else’s: There are a lot of people who may paint it more realistically or abstractly… I would love to see more books about “Mad Men” where the lens is somebody else’s. And I’d like to see more criticism that is not just recapitulating the plot with some snarky jokes, which I think is the mode that dominated for years and years, and that thankfully we’re starting to get away from.

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Published on November 29, 2015 14:30

Punk pioneer Lenny Kaye reflects back on “the original sin of rock ‘n’ roll”

Punk in the Big Apple is a subject that has been exhaustively—and some might say exhaustingly—documented over the years, yet a new reissue by the venerable Chicago crate diggers Numero Group accomplishes the mighty task of finding a fresh angle on the late 1970s scene. The set gathers the entire catalog of the short-lived boutique label Ork Records, founded in 1975 by the Warhol cohort, film buff and would-be impresario Terry Ork. It was primarily a vehicle for a band he was managing called Television, but he soon released foundational punk and postpunk singles by Television, Richard Hell and Alex Chilton with compelling obscurities by the Erasers, the Revelons and Prix. Spread across two CDs or five LPs, this modest catalog totaling 49 songs reveals a scene as it was coalescing and figuring out a new set of rules for rock 'n' roll. It’s easily one of the best reissues of 2015. So what is this guy Link Cromwell doing on here? His pair of tunes stands out among the gritty, grotty punk anthems: “Crazy Like a Fox” is a folksy protest song about rejecting workaday conformity, more “Eve of Destruction” than “Blitzkrieg Bop.” And “Shock Me” is a jittery volt of garage rock energy, much rawer than the A-side but still not exactly the sound you associate with CBGB. Their inclusion on this set, however, is crucial. Both songs were recorded in the mid 1960s by a musician who would later have a profound impact on punk rock and in fact on all subsequent rock. Link Cromwell was actually the stage name of Lenny Kaye, who is one of the most influential men in rock history, even though most people have never heard the name. Kaye recorded those two songs for his uncle Larry Kusik, who had written “Crazy Like a Fox” with Ritchie Adams. Both were professional songwriters and musicians, the former penning “Speak Softly Love" from “The Godfather” and the latter a member of the Fireflies and later the Archies. Link Cromwell was their attempt to cash in on the popularity of Barry McGuire’s “Eve of Destruction,” although “Crazy” barely sold a handful of copies. Kaye continued making music, forming a band called the Zoo and writing for “Rolling Stone,” “Crawdaddy” and “Fusion,” among other publications. In the early 1970s he started playing electric guitar while his friend Patti Smith recited poetry. Eventually, the project cohered into the Patti Smith Group, which self-released its first single, “Piss Factory,” on their own Mer Records. It not only inspired the music of New York but also the business by which that music would be disseminated. Power to the people, indeed. Perhaps even more crucially, in 1972 Kaye assembled a collection of garage-rock tunes from the 1960s, tightly wound rock anthems full of bristly defiance and angst and attitude by bands like the Thirteenth Floor Elevators, the Count Five, the Standells and the Electric Prunes. The psych explorations and hippie noodling of the late 1960s rendered that sound obsolete, but Kaye still heard something explosive and timeless in those Fuzztone guitar riffs and Farfisa organ rave-ups. He called his compilation “Nuggets: Original Artyfacts From the First Psychedelic Era 1965-1968,” and while its initial pressing wasn’t what you would call a blockbuster, the right bands heard it. “Nuggets” was the foundation for punk rock in New York City and college rock in Athens. It was expanded in the late 1990s and fomented the garage rock revival that gave us the White Stripes, the Hives and Reigning Sound. Even today acts like Ty Segall, Royal Headache, Thee Oh Sees and Total Control owe a debt to “Nuggets.” It’s impossible to overstate the influence of that compilation, which arguably invented the concept of the reissue and possibly even the mixtape. Punk wouldn’t have existed without garage rock, and “New York, New York” wouldn’t exist without “Nuggets.” Link Cromwell ended up on Ork because Terry Ork asked if he could reissue it—a request that reveals the influence of ‘60s garage rock on ‘70s punk. Recently Kaye related the story to Salon: “One day Charles [Ball, who ran the business side of Ork Records] said to me, Can we put out your old ‘Crazy Like a Fox’ single? And I thought, why not? That’s how I got included in their great discography. My song is an anomaly because it’s not really from the time covered by the new Ork set.” That certainly makes the song stand out. It connects this new punk scene with an older sound and style. Absolutely. They all listened to “Nuggets.” In a weird way, “Nuggets” was a philosophical throwback to a time when rock 'n' roll was pretty open-ended and was still figuring itself out. I think that’s a good comparison to what was happening at CBGB at the time. Both were these interim periods when there are a lot of different stylistic things coming into the music and everybody’s having a good time putting them together in odd ways. So the bands that clustered around CBGB looked at the “Nuggets” album as a role model, I think. I grew up in that garage rock era, so I partook of that sense of experimentalism and excitement. Were you surprised that “Nuggets” had so much resonance? Well, the thing sold so few copies on its initial release! But it’s found a home among people who appreciated the spirit of the music. I suppose it was one of the templates of a kind of feeling within rock 'n' roll at the time that bands needed to rediscover their original motivations—why you make music in the first place. It’s not really to be professional musicians or to have a career, but to find a voice. Surely the bands on “Nuggets” and the bands at GBGB had that same spirit and were trying to return to what I call the original sin of rock 'n' roll. They were trying to find their own way. Every generation seems to find “Nuggets” at a certain point, even now with the current wave of garage rock bands. Two things about “Nuggets.” One, there is a sense of innovation and rediscovery within it. Second, it’s just great records. It’s not so much about the Fuzztone guitars and Farfisa organ as it is about these incredibly well-crafted and well-performed records. Even though they have a veneer of primitivism, they’re not as simple as they look. They’re unique. They come out of your speakers and they transcend genre. One of the things that I love about the Ork set is that it’s not as genre specific as people these days think of punk rock as being. When you say punk rock, the Ramones template comes to mind. But to me the bands on “Nuggets” were all over the place stylistically, and I think that’s true of the earlier bands at CBGB and the ones that Terry collected for his label. There are a lot of different kinds of music at work—a lot of people discovering themselves. And that’s what makes it worthy of its lavish presentation. The Ork set definitely conveys a sense of community centered around Terry Ork, all of these bands orbiting around this very charismatic character. It was a community. It was an underground collection of individuals who got to know each other and encouraged each other. That’s one of the things Terry was so good at—helping people become themselves. He certainly had that role in Television. He wasn’t much of a musician. He wasn’t even much of a businessman. For him to run a label was a stretch of his talent. But he took care of some of the practicalities, from finding his bands places to play to encouraging them once they got there. He was a good soul, a merry cherubic human. I never think of him as serious. When I think of him, I think of him as being somewhat mischievous. And that seems to come through on the Ork set, even though he doesn’t play a note on it. There was a certain playfulness, a sense of being far enough from the mainstream that you had no choice but to find your own path. All of these bands were essentially misfits, and that’s why the scene at CBGB could grow and develop unnoticed. No one was paying much attention, so people could take their time figuring out whatever new direction they wanted to follow or whatever new idiosyncrasies they wanted to adopt. The focus is on these really intriguing bands, some of whom were caught in motion going on to the majors and some of whom would not be documented at all, like the Erasers. I wouldn’t have been able to enjoy the Erasers had it not been for Ork. It’s great to hear “Little Johnny Jewel” and “Blank Generation” and to hear Richard Hell moving away from Television to his solo vision. It’s great to hear Alex Chilton between incarnations. But really, for me, hearing some of these other bands is a great thing, because otherwise they might be forgotten by rock history. One thing about “Nuggets” is that it’s not your top-shelf groups. Maybe some of them became big, like the Standells. But a lot of them were the also-rans. That’s where I like my rock 'n' roll arrow of interest points—toward those bands that are off to the side. In a way they tell the tale of the scene much more than the successful bands. I think that’s what “Nuggets” instilled in me: this idea that you didn’t have to be the Beatles to make good or important music. You could be nobodies and still have an amazing song. Exactly. The Beatles are at such a level, they’re just the Beatles. In a weird way they’re disconnected from their times. But you listen to some of those Merseybeat bands and you get a real sense of what it was like in Liverpool at a certain moment in time. As a rock historian, I like to see the oddballs. I’m doing a little investigating into New Orleans in the late ‘50s, and I know Little Richard and Fats Domino and all those guys. But when I find a piano player like Archibald or this guy I’m really into now, Roy Montell, who has a song called “That Mellow Saxophone,” that’s really the fun stuff. In some ways they’re more revelatory and insightful that the major players in the scene. You were in Patti Smith’s band at the time, and her first single, “Hey Joe”/”Piss Factory,” was massively influential, even from a business standpoint. Releasing it on your own Mer Records label showed that you could do this on your own and on a smaller scale. I understood how to do it. I loved the a cappella doo wop labels that record stores in the tri-state area were doing at the time. That was where independent labels began. You don’t have a route to the major labels, so you might as well put it out yourself. It’s not so different from today when people are making their own CDs and selling them at gigs. You can see what you sound like and figure yourself out. Out little Mer Records didn’t have any other releases, because we weren’t businesspeople. It was an experiment to try to create, if nothing else, a rare record of the future. You’ve talked about artists coming into their own at CBGB, but it sounds like you had come into your own a bit earlier than most of the people on Ork Records. Did that give you a different perspective on punk? I was probably four or five years older than most of those people, which is enough for a generation. I did serve my rock 'n' roll apprenticeship in the ‘60s. I was in what would be known as a garage band, and it was called the Zoo. I played mostly on the fraternity circuit, which stretched across Pennsylvania, New Jersey and New York. If you saw “Animal House,” then you saw the type of band I was in. We were playing “Shout” for 20 minutes while the fraternity brothers swam in beer. You played four sets a night. I remember when I played the Delta Kappa Epsilon house—the D Kaps, which was the football players’ house at Rutgers, where I went to school—they would give us an extra $25 if we didn’t take a break. So we were up to $125! It’s a great way to learn your craft and a good way to go through college. I always think of rock 'n' roll as my true major. To play in the ‘60s, when the whole playing field was changing so radically, was amazing. My first band started at the end of ’64, and when the Zoo broke up in around ’67, there had already been quite an evolution in how the music was regarded. I think the same can be said for the early ‘70s into the late ‘70s. The whole sensibility of what rock 'n' roll could be and who could play it changed radically. I have to laugh when I remember when the Zoo started. There were a couple of British Invasion songs in our repertoire, but mostly it was songs like “What’d I Say” and “Whole Lotta Shakin’.” By the time we broke up, we were sitting on the floor cross-legged playing raga rock. That’s a pretty large leap. I never thought I would be continuing it after college, which is why my subsequent career is so amazing to me. Was there a moment when you realized that you could make a career out of music? Yeah, about a year ago. You just keep doing it until you realize you’ve made a life of it. It’s really something to have this Ork box come out. You realize what a long life it’s been. It’s quite a commemoration. I certainly didn’t see Ork Records as such a thing. It’s like somebody putting out records with your friends, people helping themselves. But now you look back and it’s really quite a body of work. When Ork put the “Crazy Like a Fox” single out, how did it do? Did it sell particularly well? The single has been released on so many compilation albums and has been rereleased many times, so it’s just amazing how little impact it ever makes. It’s a cool single, though. I just performed at the Ponderosa Stomp under the name Link Cromwell, and it was his first appearance in 49-and-a-half years. I’m pretty amazed by his longevity. The single has never been a hit, but it continues on. In a weird way, it’s my own tale. It’s the theme song that tells the story of my life. “While they’re working on the inside, I’m having fun on the outside.” The song gave me a sense of myself as a musician, as a performer, as someone who could be that “Crazy Like a Fox” person. And I’m grateful that Terry and Charles helped move it along its lifeline. And in retrospect, I think it’s just a good song—a tribute to my Uncle Larry, who was a great songwriter. “Speak Softly Love,” the theme from “The Godfather.” “A Time for Us” from “Romeo & Juliet.” He was a great encourager of me at a time when I needed a little bit of encouragement. Did you ever consider “Crazy Like a Fox” for “Nuggets”? No. I never would have been so self-serving as to put it on. In a way it’s not really a Nuggets-y song. It’s not a band coming out of nowhere. It hasn’t got a great Fuzztone guitar solo, which is probably de rigueur for “Nuggets.” But it’s still a very hooky song. I especially have an affection for the flip side, “Shock Me,” since the bass playing on it is my first instrumental appearance on record. I didn’t play on the A side, but I played bass on the B side while my uncle tootled along on harp. It ‘s just a great little slice of folk protest. Now that you’ve dusted off Link Cromwell for Ponderosa Stomp, do you have any further plans for him? I have no idea. Sometimes in my imagination I invent a little lifeline that Link Cromwell might have had, had that song been a hit. There would have been the lost years in the desert, and then he would have tried to stage a comeback and re-create that hit. But to be perfectly honest, I’m happy with the way things have turned out. If the song had been a chart success, my whole life would have been written differently. Everything happens for a reason.

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Published on November 29, 2015 13:30

We’re living in a kleptocracy: America robs from its poor — while its infrastructure crumbles

A top government official with energy industry holdings huddles in secret with oil company executives to work out the details of a potentially lucrative “national energy policy.” Later, that same official steers billions of government dollars to his former oil-field services company. Well-paid elected representatives act with impunity, routinely trading government contracts and other favors for millions of dollars. Meanwhile, ordinary citizens live in fear of venal police forces that suck them dry by charging fees for services, throwing them in jail when they can’t pay arbitrary fines or selling their court “debts” to private companies. Sometimes the police just take people’s life savings leaving them with no recourse whatsoever. Sometimes they steal and deal drugs on the side. Meanwhile, the country’s infrastructure crumbles. Bridges collapse, or take a quarter-century to fix after a natural disaster, or (despite millions spent) turn out not to be fixed at all. Many citizens regard their government at all levels with a weary combination of cynicism and contempt. Fundamentalist groups respond by calling for a return to religious values and the imposition of religious law. What country is this? Could it be Nigeria or some other kleptocratic developing state? Or post-invasion Afghanistan where Ahmed Wali Karzai, CIA asset and brother of the U.S.-installed president Hamid Karzai, made many millions on the opium trade (which the U.S. was ostensibly trying to suppress), while his brother Mahmoud raked in millions more from the fraud-ridden Bank of Kabul? Or could it be Mexico, where the actions of both the government and drug cartels have created perhaps the world’s first narco-terrorist state? In fact, everything in this list happened (and much of it is still happening) in the United States, the world leader -- or so we like to think -- in clean government. These days, however, according to the Corruption Perception Index of Transparency International (TI), our country comes in only 17th in the least-corrupt sweepstakes, trailing European and Scandinavian countries as well as Canada, Australia, and New Zealand. In fact, TI considers us on a par with Caribbean island nations like Barbados and the Bahamas. In the U.S., TI says, “from fraud and embezzlement charges to the failure to uphold ethical standards, there are multiple cases of corruption at the federal, state and local level.” And here’s a reasonable bet: it’s not going to get better any time soon and it could get a lot worse. When it comes to the growth of American corruption, one of TI’s key concerns is the how the Supreme Court’s 2010 Citizens United decision opened the pay-to-play floodgates of the political system, allowing Super PACs to pour billions of private and corporate money into it, sometimes in complete secrecy. Citizens United undammed the wealth of the super-rich and their enablers, allowing big donors like casino capitalist -- a description that couldn’t be more literal -- Sheldon Adelson to use their millions to influence government policy. Kleptocracy USA? Every now and then, a book changes the way you see the world. It’s like shaking a kaleidoscope and suddenly all the bits and pieces fall into a new pattern. Sarah Chayes’s Thieves of State: Why Corruption Threatens Global Security shook my kaleidoscope. Chayes traveled to Afghanistan in 2001 as a reporter for NPR. Moved by the land and people, she soon gave up reporting to devote herself to working with non-governmental organizations helping “Afghans rebuild their shattered but extraordinary country.” In the process, she came to understand the central role government corruption plays in the collapse of nations and the rise of fundamentalist organizations like the Taliban, al-Qaeda, and the Islamic State. She also discovered just how unable (and often unwilling) American military and civilian officials were to put a stop to the thievery that characterized Afghanistan’s government at every level -- from the skimming of billions in reconstruction funds at the top to the daily drumbeat of demands for bribes and “fees” from ordinary citizens seeking any kind of government service further down the chain of organized corruption. In general, writes Chayes, kleptocratic countries operate very much as pyramid schemes, with people at one level paying those at the next for the privilege of extracting money from those below. Chayes suggests that “acute government corruption” may be a major factor “at the root” of the violent extremism now spreading across the Greater Middle East and Africa. When government robs ordinary people blind, in what she calls a “vertically integrated criminal enterprise,” the victims tend to look for justice elsewhere. When officials treat the law with criminal contempt, or when the law explicitly permits government extortion, they turn to what seem like uncorrupted systems of reprisal and redemption outside those laws. Increasingly, they look to God or God’s laws and, of course, to God’s self-proclaimed representatives. The result can be dangerously violent explosions of anger and retribution. Eruptions can take the form of the Puritan iconoclasm that rocked Catholic Europe in the sixteenth century or present-day attempts by the Taliban or the Islamic State to implement a harsh, even vindictive version of Islamic Sharia law, while attacking “unbelievers” in the territory they control. Reading Thieves of State, it didn’t take long for my mind to wander from Kabul to Washington, from a place where American-funded corruption was an open secret to a place where few would think it applicable.  Why was it, I began to wonder, that in our country “corruption” never came up in relation to bankers the government allowed to sell mortgages to people who couldn’t repay them, then slicing and dicing their debt into investment “securities” that brought on the worst recession since the 1930s? (Neil Barofsky, who took on the thankless role of inspector general for the Troubled Asset Relief Fund, tells the grim tale of how the government was “captured by the banks” in his 2012 book Bailout .) Chayes made me wander ever deeper into the recent history of Washington's wheeling and dealing, including, for instance, the story of the National Energy Policy Development Group, which Vice President Dick Cheney convened in the first weeks of George W. Bush’s presidency. Its charge was to develop a national energy policy for the country and its deliberations --attended by top executives of all the major oil companies (some of whom then denied before Congress that they had been present) -- were held in complete secrecy. Cheney even refused to surrender the list of attendees when the Government Accountability Office sued him, a suit eventually dropped after Congress cut that agency’s budget. If the goal was to create a policy that would suit the oil companies, Cheney was the perfect man to chair the enterprise. In 2001, having suggested himself as the only reasonable running mate for Bush, Cheney left his post as CEO at oilfield services corporation Halliburton. “Big changes are coming to Washington,” he told ABC News, “and I want to be a part of them.” And so he was, including launching a disastrous war on Iraq, foreseen and planned for in those energy policy meetings. Indeed, documents shaken loose in a Freedom of Information Act suit brought by Judicial Watch and the Sierra Club showed that in March 2001 -- months before the 9/11 attacks -- energy task force members werealready salivating over taking possession of those Iraqi oil fields. Nor did Cheney forget his friends at Halliburton. Their spin-off company, KBR, would receive a better-than-1,000-to-1 return on their investment in the vice president (who’d gotten a $34 million severance package from them), reaping $39.5 billion in government contracts in Iraq. And yet when did anyone mention “corruption” in connection with any of this? Chayes’s book made me think in a new way about the long-term effects of the revolving door between the Capitol -- supposedly occupied by the people’s representatives -- and the K Street suites of Washington’s myriad lobbyists.  It also brought to mind all those former members of Congress,generals, and national security state officials who parachute directly out of government service and onto the boards of defense-oriented companies or into cushy consultancies catering to that same security state. It also made me think in a new way about the ever-lower turnouts for our elections. There are good reasons why so many Americans -- especially those living in poverty and in communities of color -- don’t vote. It’s not that they don’t know their forebears died for that right. It’s not that they don’t object when their votes are suppressed. It’s that, like many other Americans, they clearly believe their government to be so corrupt that voting is pointless. Are We in Ferguson -- or Kabul? What surprises me most, however, isn’t the corruption at the top, but the ways in which lives at the bottom are affected by it. Reading Thieves of Stateset me thinking about how regularly money in this country now flows from the bottom up that pyramid. If you head down, you no longer find yourself on Main Street, U.S.A., but in a place that seems uncomfortably like Kabul; in other words, a Ponzi-scheme world of the first order. Consider, for instance, the Justice Department’s 2015 report on the police in Ferguson, Missouri, about whom we’ve learned so much since Michael Brown, an unarmed black teenager, was shot to death on August 9, 2014.  As it happens, the dangers for Ferguson’s residents hardly ended with police misconduct. “Ferguson’s law enforcement practices are shaped by the city’s focus on revenue rather than by public safety needs,” Justice Department investigators found: “This emphasis on revenue has compromised the institutional character of Ferguson’s police department, contributing to a pattern of unconstitutional policing, and has also shaped its municipal court, leading to procedures that raise due process concerns and inflict unnecessary harm on members of the Ferguson community.” The report then recounted in excruciating detail the extent to which the police were a plague on the city’s largely black population. Ferguson was -- make no mistake about it -- distinctly Kabul, U.S.A.  The police, for instance, regularly accosted residents for what might be termed “sitting in a car while Black,” and then charged them with bogus “crimes” like failing to wear a seat belt in a parked car or “making a false declaration” that, say, one’s name was “Mike,” not “Michael.” While these arrests didn’t make money directly for the police force, officers interested in promotion were told to keep in mind that their tally of “self-initiated activities” (tickets and traffic stops) would have a significant effect on their future success on the force. Meanwhile, those charged often lost their jobs and livelihoods amid a welter of court appearances. Ferguson’s municipal court played its own grim role in this ugly scheme. As Justice Department investigators discovered, it did not “act as a neutral arbiter of the law or a check on unlawful police conduct.”  Instead, it used its judicial authority “as the means to compel the payment of fines and fees that advance[d] the city’s financial interests.” By issuing repeated arrest warrants when people missed court appearances or were unable to pay fines, it managed to regularly pile one fine on top of another and then often refused to accept partial payments for the sums owed. Under Missouri state law, moving traffic violations, for instance, automatically required the temporary suspension of a driver’s license. Ferguson residents couldn’t get their licenses back until -- you guessed it -- they paid their fines in full, often for charges that were manufactured in the first place. As if in Kabul, people then had to weigh the risk of driving license-less (and getting arrested) against losing their jobs or -- without a car -- not making it to court. With no community service option available, many found themselves spending time in jail.  From the police to the courts to city hall, what had been organized was, in short, an everyday money-raising racket of the first order. And all of this was linked to the police department, which actually ran the municipal court.  As the Justice Department report put it, that court “operates as part of the police department... is supervised by the Ferguson chief of police, is considered part of the police department for city organizational purposes, and is physically located within the police station. Court staff report directly to the chief of police.” He, in turn, ran the show, doing everything from collecting fines to determining bail amounts. The Harvard Law Review reported that, in 2013, Ferguson had a population of 22,000.  That same year, “its municipal court issued 32,975 arrest warrants for nonviolent offenses,” or almost one-and-a-half arrests per inhabitant. The report continued: “In Ferguson, residents who fall behind on fines and don’t appear in court after a warrant is issued for their arrest (or arrive in court after the courtroom doors close, which often happens just five minutes after the session is set to start for the day) are charged an additional $120 to $130 fine, along with a $50 fee for a new arrest warrant and 56 cents for each mile that police drive to serve it. Once arrested, everyone who can’t pay their fines or post bail (which is usually set to equal the amount of their total debt) is imprisoned until the next court session (which happens three days a month). Anyone who is imprisoned is charged $30 to $60 a night by the jail.” Whether in Kabul or Ferguson, this kind of daily oppression wears people down. It’s no surprise that long before the police shot Michael Brown, the citizens of Ferguson had little trust or respect for them. Privatizing Official Corruption But might Ferguson not have been an outlier, a unique Kabul-in-America case of a rogue city government bent on extracting every penny from its poorest residents? Consider, then, the town of Pagedale, Missouri, which came up with a hardly less kleptocratic way of squeezing money out of its citizens. Instead of focusing on driving and parking, Pagedale routinely hithomeowners with fines for “offenses” like failing to have blinds and “matching curtains” on their windows or having “unsightly lawns.”  Pagedale is a small town, with 3,300 residents. In 2013, the city’s general revenues totaled $2 million, 17% percent from such fines and fees. Might such kleptocratic local revenue-extraction systems, however, be limited to just one Midwestern state? Consider then the cozy relationship that Augusta, capital of Georgia, has with Sentinel Offender Services, LLC.  That company makes electronic monitoring equipment used by state and local government agencies, ranging from the Los Angeles County Probation Department to the Massachusetts Office of the Commissioner of Probation. Its website touts the benefits to municipalities of what it calls “offender-funded programs” in which the person on probation pays the company directly for his or her own monitoring, saving the courts the cost of administering a probation system. In return, the company sets its own fees at whatever level it chooses. “By individually assessing each participant a fee based on income,” says Sentinel, “our sliding-fee scale approach has shifted the financial burden to the participant, allowing program growth and size to be a function of correctional need rather than budget availability.” “Profiting from Probation,” a 2014 Human Rights Watch report, offers a typical tale of an Augusta resident named Michael Barrett. Arrested for shoplifting a can of beer, he entered a local court system that was focused on revenue extraction via a kind of official extortion, which is the definition of corruption. Even to step into a courtroom to deal with his “case,” he had to hand over an $80 fee for a court-appointed defense lawyer. Then, convicted, he would be sentenced to a $200 fine and probation. Because the charge was “alcohol-related,” the court required Barrett to wear an electronic bracelet that would monitor his alcohol consumption, even though his sentence placed no restrictions on his drinking. For that Sentinel bracelet, there was a $50 startup fee, a $39 monthly “service” charge, and a $12 “daily usage” fee.  In total, he was forced to pay about $400 a month to monitor something he was legally allowed to do. Since Barrett couldn’t even pay the startup fee, he was promptly thrown in jail for a month until a friend lent him the money. Such systems of privatized “justice” that bleed the poor are now spreading across the U.S., a country officially without debtor’s prisons. According to the Harvard Law Review article, some cities charge a “fee” to everyone they arrest, whether or not they’re ever convicted of an offense. In Washington, D.C., on the other hand, for “certain traffic and a number of lower level criminal offenses,” you can simply pay your arresting officer “to end a case on the spot,” avoiding lengthy and expensive court costs.  Other jurisdictions charge people who are arrested for the costs of police investigations, prosecution, public defender services, a jury trial (“sometimes with different fees depending on how many jurors a defendant requests”), and incarceration. Watch Your Ass(ets) Even Machiavelli, who counseled princes seizing new territory to commit all their crimes at once because human beings have such short memories, warned that people will accept pretty much any kind of oppression unless “you prey on the possessions or the women of your subjects.” So many centuries later, while we women now tend to believe we belong to ourselves, civil asset forfeiture is still a part of American life. Unlike criminal asset forfeiture, which permits the government to seize a person’s assets after conviction of a crime, civil forfeiture allows local, state, or federal law enforcement to seize and keep someone’s money or other property even if he or she is never charged. If, say, you are suspected of involvement with drugs or terrorism, the police can seize all the money you have on you on the spot, even if they don’t arrest you -- and you have to go to court to get it back. Federal asset forfeiture collections have risen from around $800 million in 2002 to almost $4.5 billion in 2014, according to the Institute for Justice (IJ). Governments defend the practice as a means of preventing suspected criminals -- especially high-level drug dealers -- from using their money to commit more crimes. But all too often, it’s poor people whose money is “forfeited,” even when they've committed no crime. The Pennsylvania ACLUreported that police take around a million dollars from Philadelphians each year in 6,000 separate cases -- and not from drug lords either. More than half the cases involve seizures of less than $192, and in a city that’s only 43% black, 71% of those seizures from people charged with no crimes come from African Americans. If your property is seized, you can try to go to court to get it back but, says the ACLU, you should expect to make an average of four court appearances. Most people just give up. Reading Thieves of State reminded me that we’re not living in the country many of us imagine, but in something like an American klepto-state. Corruption, it turns out, doesn’t just devour the lives of people in far-off nations. Right now, it’s busy shoving what’s left of our own democracy down our throats. Chayes documents how such corruption can lead to violent explosions in other countries. Indeed, it was a final kleptocratic insult -- a police woman’s slap in the face after he refused to pay a bribe to retrieve his confiscated vegetable cart -- that led Tunisian Mohamed Bouazizi to burn himself to death and touch off the Arab Spring. As Machiavelli wrote so long ago, people will put up with a lot -- torture, mass surveillance, even a car full of clowns masquerading as candidates for president -- but they don’t like being robbed by their own government. Sooner or later, they will rebel. Let’s hope, when that happens, that we don’t end up under the rule of our own American Taliban or some billionaire reality TV star.

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Published on November 29, 2015 12:30

“America has forgotten about us”: Former allies in Vietnam flee persecution

Global Post BANGKOK, Thailand — During the Vietnam War, Kanh Kpa’s indigenous Montagnard relatives fought alongside US Army Special Forces in Vietnam’s remote Central Highlands, where the mostly Christian tribesmen gained a reputation as fierce and loyal allies.

But after the war, the ethnic and religious minority Montagnards, or “mountain people,” long at odds with the Vietnamese government, paid a steep price. Some were imprisoned, others fled into jungles or suffered years of ethnic discrimination and religious repression, human rights groups say.

Today Kpa is living in hiding in a dingy house on the outskirts of Bangkok, among a wave of hundreds of Montagnards who fled to Thailand and Cambodia in the last year claiming religious persecution — the latest chapter of a troubled history.

Kpa said local Vietnamese authorities last year harassed and detained him and others. But while he’s pinning his hopes on getting to the United States, so far he and other asylum seekers among the former US tribal allies are fighting an uphill battle for both refugee status and international attention to their plight.

Cambodia has refused to offer asylum interviews to nearly 200 Montagnards, dismissing most as economic migrants. A roughly equal number are in Thailand, facing a years-long wait for an interview with the United Nations refugee agency, unable to work legally, living in poverty and under the threat of detention.

Human rights groups and US Montagnard exiles — who want to see the US put more pressure on Vietnam to halt abuses or help expedite resettlement — say the issue is being sidelined by other migrant crises, regional geopolitics and the Trans-Pacific Partnership trade agreement pending before Congress.

“America has forgotten about us,” said Rev. Y Hin Nie, of the United Montagnard Christian Church in Greensboro, North Carolina, a state that’s home to the world’s largest Montagnard population outside Vietnam. At least 12,000 Montagnards and their descendants live there today, including the first resettled in the 1980s, partly because of a Special Forces base at Fort Bragg.

US State Department officials said many asylum seekers have some connection to the US, and all are treated equally. US officials have raised human rights concerns with Vietnam. And while there are reported instances of people being persecuted on religious grounds, officials said they have not seen evidence of a “coordinated plan” to do so by Vietnam’s central government, which has denied abuses.

But Human Rights Watch says abuses continue against the Montagnards. While Vietnam’s constitution gives all people the right to freedom of religion, the US Commission on International Religious Freedom this year again recommended that Vietnam be named a “country of particular concern,” partly because of repression of religious groups — including Montagnard Christians, independent Buddhists and others — that the government views as challenging its authority.

John Alles, a Special Forces veteran who advocates for the Montagnards, said the US could do more for the group, but their limited numbers in the US mean they haven’t been a priority.

“If you asked most Americans about the Montagnards, they wouldn’t have a clue what you were talking about,” he said, despite their depictions in Vietnam War movies from John Wayne’s ‘The Green Berets’ to ‘Apocalypse Now.’

Montagnard is a term coined by the colonial French for various indigenous Central Highland tribes who speak a handful of different languages. Many were converted from animist religions to Christianity by French and US missionaries, and were courted by the French military during its war with Vietnamese communists in the 1940s and ’50s.

In the 1960s, it was America’s turn: an estimated 61,000 Montagnards helped the US fight against the North Vietnamese. Tens of thousands were recruited and trained by US Special Forces to help hold the highlands or as mobile strike forces, according toa 2014 Senate resolution introduced by US Senator Richard Burr, R-NC, to recognize their contribution. (It was never enacted.)

“They were good fighters, fearless. And very loyal. They bonded with us,” said Joe Rimar, a former Green Beret who served with the “Yards,” as American soldiers nicknamed their indigenous allies. He fought alongside them in 1966 and 1967 in Kon Tum Province, where he said many of the men’s families lived near their camps in bamboo huts.

Rimar said many Montagnards believed the US would help them secure autonomy, only to see American military involvement end in 1973. “We betrayed them,” he said.

 While some fled into jungles, where they spent years as guerrillas before the last gave up arms in 1992, others faced what they saw as ethnic discrimination (Montagnards say they were referred to as “moi,” or savages), economic and educational disparities and the loss of traditional farming lands.

In addition, spreading Protestantism mixed evangelism with cultural pride and identity, fueling government suspicion that Montagnard Christianity was linked to political activity — and sparking repeated instances of repression, said Phil Robertson, Human Rights Watch’s deputy director for Asia. Between 2001 and 2008, Montagnards mounted a series of demonstrations over religion and land issues, followed in some cases by crackdowns, Robertson said.

“Because of their history, they’ve been under suspicion and facing continuous harassment,” said Robertson, whose group in June issued a report based on interviews with asylum seekers that documented accounts of ongoing repression. It cited official Vietnamese media reports accusing some Montagnards of religious “evil ways” and politically “autonomous thoughts.”

Yet the case for those seeking asylum based on religious persecution is complicated by a number of factors.

Restricted access to parts of the highlands makes it difficult for journalists or human rights investigators to verify firsthand allegations of religious persecution. Heiner Bielefeldt, a UN Special Rapporteur on freedom of religion or belief, said that during his 2014 visit to Vietnam police intimidated and kept some people from meeting with him, a charge Vietnam has denied.

In addition, at least some Montagnards are fleeing for economic reasons that don’t qualify them for asylum, according to officials with the Jesuit Refugee Service in Cambodia, which is working with the refugees.

More than a dozen Montagnard asylum seekers interviewed recently in Phnom Penh and Bangkok said that they fled provinces such as Gai Lai and Dak Lak because local authorities had subjected them to intimidation and short-term detentions for attending unregistered “house churches,” whose gatherings they broke up. They said they were interrogated about their religious and political activities, and some reported being beaten in custody.

“The authorities of Vietnam think Christian religion is connected to the US, is against the government. But it is not,” said a 40-year-old Montagnard asylum seeker in Phnom Penh, who asked that his name not be used for fear of reprisals. He said he walked for days through the jungle in August to reach Cambodia and is afraid to return home. Now he’s living in a hidden safe house in the city, reluctant to leave for fear he’ll be arrested and deported.

Yet neighboring Cambodia, which HRW’s Robertson said has close ties to Vietnam, has made it clear that Montagnards aren’t welcome there. In April, the Phnom Penh Post reported that nearly 1,000 soldiers were deployed near the Vietnamese border to stop Montagnards crossing. Cambodia has forcibly returned others, according toAmnesty International. And this fall it has refused to grant interviews to most of those seeking refugee status, despite what Robertson said was a legal obligation to do so.

Rmah Ble, a former church leader who came to Thailand via Cambodia in 2011, said Montagnards are able to apply for refugee status with the United Nations in Thailand, where the UN refugee agency UNHCR, not the government as is the case in Cambodia, is responsible for making the determination. Still, waits are long and life is a struggle. He often doesn’t know “where to live, what to eat, and sometimes I cannot work, I’m afraid of arrest.”

He lives packed into a house with 16 other Montagnards, including a 45-year-old rice farmer and church leader who finally fled in January when his wife was detained and beaten. Even after a long wait, advocates said many are denied refugee status, unable to document their persecution.

Ble and others want to be resettled to the United States, where many have relatives. But some have given up waiting and gone back to Vietnam, where Robertson said he did not put much faith in the ability of the US or UNHCR to ensure they aren’t retaliated against upon their return.

Ultimately, Bielefeldt said, pressure on the Montagnard Christians is less about religion than perceived threats to the government.

“So many tourists, coming to Vietnam, they say, ‘Oh my goodness, there are pagodas, there are churches, they’re open, people can worship.’ But not everyone can worship,” he said. “It’s not the old ideological battlefield — religion versus communism. It’s freedom versus control.”

Global Post BANGKOK, Thailand — During the Vietnam War, Kanh Kpa’s indigenous Montagnard relatives fought alongside US Army Special Forces in Vietnam’s remote Central Highlands, where the mostly Christian tribesmen gained a reputation as fierce and loyal allies.

But after the war, the ethnic and religious minority Montagnards, or “mountain people,” long at odds with the Vietnamese government, paid a steep price. Some were imprisoned, others fled into jungles or suffered years of ethnic discrimination and religious repression, human rights groups say.

Today Kpa is living in hiding in a dingy house on the outskirts of Bangkok, among a wave of hundreds of Montagnards who fled to Thailand and Cambodia in the last year claiming religious persecution — the latest chapter of a troubled history.

Kpa said local Vietnamese authorities last year harassed and detained him and others. But while he’s pinning his hopes on getting to the United States, so far he and other asylum seekers among the former US tribal allies are fighting an uphill battle for both refugee status and international attention to their plight.

Cambodia has refused to offer asylum interviews to nearly 200 Montagnards, dismissing most as economic migrants. A roughly equal number are in Thailand, facing a years-long wait for an interview with the United Nations refugee agency, unable to work legally, living in poverty and under the threat of detention.

Human rights groups and US Montagnard exiles — who want to see the US put more pressure on Vietnam to halt abuses or help expedite resettlement — say the issue is being sidelined by other migrant crises, regional geopolitics and the Trans-Pacific Partnership trade agreement pending before Congress.

“America has forgotten about us,” said Rev. Y Hin Nie, of the United Montagnard Christian Church in Greensboro, North Carolina, a state that’s home to the world’s largest Montagnard population outside Vietnam. At least 12,000 Montagnards and their descendants live there today, including the first resettled in the 1980s, partly because of a Special Forces base at Fort Bragg.

US State Department officials said many asylum seekers have some connection to the US, and all are treated equally. US officials have raised human rights concerns with Vietnam. And while there are reported instances of people being persecuted on religious grounds, officials said they have not seen evidence of a “coordinated plan” to do so by Vietnam’s central government, which has denied abuses.

But Human Rights Watch says abuses continue against the Montagnards. While Vietnam’s constitution gives all people the right to freedom of religion, the US Commission on International Religious Freedom this year again recommended that Vietnam be named a “country of particular concern,” partly because of repression of religious groups — including Montagnard Christians, independent Buddhists and others — that the government views as challenging its authority.

John Alles, a Special Forces veteran who advocates for the Montagnards, said the US could do more for the group, but their limited numbers in the US mean they haven’t been a priority.

“If you asked most Americans about the Montagnards, they wouldn’t have a clue what you were talking about,” he said, despite their depictions in Vietnam War movies from John Wayne’s ‘The Green Berets’ to ‘Apocalypse Now.’

Montagnard is a term coined by the colonial French for various indigenous Central Highland tribes who speak a handful of different languages. Many were converted from animist religions to Christianity by French and US missionaries, and were courted by the French military during its war with Vietnamese communists in the 1940s and ’50s.

In the 1960s, it was America’s turn: an estimated 61,000 Montagnards helped the US fight against the North Vietnamese. Tens of thousands were recruited and trained by US Special Forces to help hold the highlands or as mobile strike forces, according toa 2014 Senate resolution introduced by US Senator Richard Burr, R-NC, to recognize their contribution. (It was never enacted.)

“They were good fighters, fearless. And very loyal. They bonded with us,” said Joe Rimar, a former Green Beret who served with the “Yards,” as American soldiers nicknamed their indigenous allies. He fought alongside them in 1966 and 1967 in Kon Tum Province, where he said many of the men’s families lived near their camps in bamboo huts.

Rimar said many Montagnards believed the US would help them secure autonomy, only to see American military involvement end in 1973. “We betrayed them,” he said.

 While some fled into jungles, where they spent years as guerrillas before the last gave up arms in 1992, others faced what they saw as ethnic discrimination (Montagnards say they were referred to as “moi,” or savages), economic and educational disparities and the loss of traditional farming lands.

In addition, spreading Protestantism mixed evangelism with cultural pride and identity, fueling government suspicion that Montagnard Christianity was linked to political activity — and sparking repeated instances of repression, said Phil Robertson, Human Rights Watch’s deputy director for Asia. Between 2001 and 2008, Montagnards mounted a series of demonstrations over religion and land issues, followed in some cases by crackdowns, Robertson said.

“Because of their history, they’ve been under suspicion and facing continuous harassment,” said Robertson, whose group in June issued a report based on interviews with asylum seekers that documented accounts of ongoing repression. It cited official Vietnamese media reports accusing some Montagnards of religious “evil ways” and politically “autonomous thoughts.”

Yet the case for those seeking asylum based on religious persecution is complicated by a number of factors.

Restricted access to parts of the highlands makes it difficult for journalists or human rights investigators to verify firsthand allegations of religious persecution. Heiner Bielefeldt, a UN Special Rapporteur on freedom of religion or belief, said that during his 2014 visit to Vietnam police intimidated and kept some people from meeting with him, a charge Vietnam has denied.

In addition, at least some Montagnards are fleeing for economic reasons that don’t qualify them for asylum, according to officials with the Jesuit Refugee Service in Cambodia, which is working with the refugees.

More than a dozen Montagnard asylum seekers interviewed recently in Phnom Penh and Bangkok said that they fled provinces such as Gai Lai and Dak Lak because local authorities had subjected them to intimidation and short-term detentions for attending unregistered “house churches,” whose gatherings they broke up. They said they were interrogated about their religious and political activities, and some reported being beaten in custody.

“The authorities of Vietnam think Christian religion is connected to the US, is against the government. But it is not,” said a 40-year-old Montagnard asylum seeker in Phnom Penh, who asked that his name not be used for fear of reprisals. He said he walked for days through the jungle in August to reach Cambodia and is afraid to return home. Now he’s living in a hidden safe house in the city, reluctant to leave for fear he’ll be arrested and deported.

Yet neighboring Cambodia, which HRW’s Robertson said has close ties to Vietnam, has made it clear that Montagnards aren’t welcome there. In April, the Phnom Penh Post reported that nearly 1,000 soldiers were deployed near the Vietnamese border to stop Montagnards crossing. Cambodia has forcibly returned others, according toAmnesty International. And this fall it has refused to grant interviews to most of those seeking refugee status, despite what Robertson said was a legal obligation to do so.

Rmah Ble, a former church leader who came to Thailand via Cambodia in 2011, said Montagnards are able to apply for refugee status with the United Nations in Thailand, where the UN refugee agency UNHCR, not the government as is the case in Cambodia, is responsible for making the determination. Still, waits are long and life is a struggle. He often doesn’t know “where to live, what to eat, and sometimes I cannot work, I’m afraid of arrest.”

He lives packed into a house with 16 other Montagnards, including a 45-year-old rice farmer and church leader who finally fled in January when his wife was detained and beaten. Even after a long wait, advocates said many are denied refugee status, unable to document their persecution.

Ble and others want to be resettled to the United States, where many have relatives. But some have given up waiting and gone back to Vietnam, where Robertson said he did not put much faith in the ability of the US or UNHCR to ensure they aren’t retaliated against upon their return.

Ultimately, Bielefeldt said, pressure on the Montagnard Christians is less about religion than perceived threats to the government.

“So many tourists, coming to Vietnam, they say, ‘Oh my goodness, there are pagodas, there are churches, they’re open, people can worship.’ But not everyone can worship,” he said. “It’s not the old ideological battlefield — religion versus communism. It’s freedom versus control.”

Global Post BANGKOK, Thailand — During the Vietnam War, Kanh Kpa’s indigenous Montagnard relatives fought alongside US Army Special Forces in Vietnam’s remote Central Highlands, where the mostly Christian tribesmen gained a reputation as fierce and loyal allies.

But after the war, the ethnic and religious minority Montagnards, or “mountain people,” long at odds with the Vietnamese government, paid a steep price. Some were imprisoned, others fled into jungles or suffered years of ethnic discrimination and religious repression, human rights groups say.

Today Kpa is living in hiding in a dingy house on the outskirts of Bangkok, among a wave of hundreds of Montagnards who fled to Thailand and Cambodia in the last year claiming religious persecution — the latest chapter of a troubled history.

Kpa said local Vietnamese authorities last year harassed and detained him and others. But while he’s pinning his hopes on getting to the United States, so far he and other asylum seekers among the former US tribal allies are fighting an uphill battle for both refugee status and international attention to their plight.

Cambodia has refused to offer asylum interviews to nearly 200 Montagnards, dismissing most as economic migrants. A roughly equal number are in Thailand, facing a years-long wait for an interview with the United Nations refugee agency, unable to work legally, living in poverty and under the threat of detention.

Human rights groups and US Montagnard exiles — who want to see the US put more pressure on Vietnam to halt abuses or help expedite resettlement — say the issue is being sidelined by other migrant crises, regional geopolitics and the Trans-Pacific Partnership trade agreement pending before Congress.

“America has forgotten about us,” said Rev. Y Hin Nie, of the United Montagnard Christian Church in Greensboro, North Carolina, a state that’s home to the world’s largest Montagnard population outside Vietnam. At least 12,000 Montagnards and their descendants live there today, including the first resettled in the 1980s, partly because of a Special Forces base at Fort Bragg.

US State Department officials said many asylum seekers have some connection to the US, and all are treated equally. US officials have raised human rights concerns with Vietnam. And while there are reported instances of people being persecuted on religious grounds, officials said they have not seen evidence of a “coordinated plan” to do so by Vietnam’s central government, which has denied abuses.

But Human Rights Watch says abuses continue against the Montagnards. While Vietnam’s constitution gives all people the right to freedom of religion, the US Commission on International Religious Freedom this year again recommended that Vietnam be named a “country of particular concern,” partly because of repression of religious groups — including Montagnard Christians, independent Buddhists and others — that the government views as challenging its authority.

John Alles, a Special Forces veteran who advocates for the Montagnards, said the US could do more for the group, but their limited numbers in the US mean they haven’t been a priority.

“If you asked most Americans about the Montagnards, they wouldn’t have a clue what you were talking about,” he said, despite their depictions in Vietnam War movies from John Wayne’s ‘The Green Berets’ to ‘Apocalypse Now.’

Montagnard is a term coined by the colonial French for various indigenous Central Highland tribes who speak a handful of different languages. Many were converted from animist religions to Christianity by French and US missionaries, and were courted by the French military during its war with Vietnamese communists in the 1940s and ’50s.

In the 1960s, it was America’s turn: an estimated 61,000 Montagnards helped the US fight against the North Vietnamese. Tens of thousands were recruited and trained by US Special Forces to help hold the highlands or as mobile strike forces, according toa 2014 Senate resolution introduced by US Senator Richard Burr, R-NC, to recognize their contribution. (It was never enacted.)

“They were good fighters, fearless. And very loyal. They bonded with us,” said Joe Rimar, a former Green Beret who served with the “Yards,” as American soldiers nicknamed their indigenous allies. He fought alongside them in 1966 and 1967 in Kon Tum Province, where he said many of the men’s families lived near their camps in bamboo huts.

Rimar said many Montagnards believed the US would help them secure autonomy, only to see American military involvement end in 1973. “We betrayed them,” he said.

 While some fled into jungles, where they spent years as guerrillas before the last gave up arms in 1992, others faced what they saw as ethnic discrimination (Montagnards say they were referred to as “moi,” or savages), economic and educational disparities and the loss of traditional farming lands.

In addition, spreading Protestantism mixed evangelism with cultural pride and identity, fueling government suspicion that Montagnard Christianity was linked to political activity — and sparking repeated instances of repression, said Phil Robertson, Human Rights Watch’s deputy director for Asia. Between 2001 and 2008, Montagnards mounted a series of demonstrations over religion and land issues, followed in some cases by crackdowns, Robertson said.

“Because of their history, they’ve been under suspicion and facing continuous harassment,” said Robertson, whose group in June issued a report based on interviews with asylum seekers that documented accounts of ongoing repression. It cited official Vietnamese media reports accusing some Montagnards of religious “evil ways” and politically “autonomous thoughts.”

Yet the case for those seeking asylum based on religious persecution is complicated by a number of factors.

Restricted access to parts of the highlands makes it difficult for journalists or human rights investigators to verify firsthand allegations of religious persecution. Heiner Bielefeldt, a UN Special Rapporteur on freedom of religion or belief, said that during his 2014 visit to Vietnam police intimidated and kept some people from meeting with him, a charge Vietnam has denied.

In addition, at least some Montagnards are fleeing for economic reasons that don’t qualify them for asylum, according to officials with the Jesuit Refugee Service in Cambodia, which is working with the refugees.

More than a dozen Montagnard asylum seekers interviewed recently in Phnom Penh and Bangkok said that they fled provinces such as Gai Lai and Dak Lak because local authorities had subjected them to intimidation and short-term detentions for attending unregistered “house churches,” whose gatherings they broke up. They said they were interrogated about their religious and political activities, and some reported being beaten in custody.

“The authorities of Vietnam think Christian religion is connected to the US, is against the government. But it is not,” said a 40-year-old Montagnard asylum seeker in Phnom Penh, who asked that his name not be used for fear of reprisals. He said he walked for days through the jungle in August to reach Cambodia and is afraid to return home. Now he’s living in a hidden safe house in the city, reluctant to leave for fear he’ll be arrested and deported.

Yet neighboring Cambodia, which HRW’s Robertson said has close ties to Vietnam, has made it clear that Montagnards aren’t welcome there. In April, the Phnom Penh Post reported that nearly 1,000 soldiers were deployed near the Vietnamese border to stop Montagnards crossing. Cambodia has forcibly returned others, according toAmnesty International. And this fall it has refused to grant interviews to most of those seeking refugee status, despite what Robertson said was a legal obligation to do so.

Rmah Ble, a former church leader who came to Thailand via Cambodia in 2011, said Montagnards are able to apply for refugee status with the United Nations in Thailand, where the UN refugee agency UNHCR, not the government as is the case in Cambodia, is responsible for making the determination. Still, waits are long and life is a struggle. He often doesn’t know “where to live, what to eat, and sometimes I cannot work, I’m afraid of arrest.”

He lives packed into a house with 16 other Montagnards, including a 45-year-old rice farmer and church leader who finally fled in January when his wife was detained and beaten. Even after a long wait, advocates said many are denied refugee status, unable to document their persecution.

Ble and others want to be resettled to the United States, where many have relatives. But some have given up waiting and gone back to Vietnam, where Robertson said he did not put much faith in the ability of the US or UNHCR to ensure they aren’t retaliated against upon their return.

Ultimately, Bielefeldt said, pressure on the Montagnard Christians is less about religion than perceived threats to the government.

“So many tourists, coming to Vietnam, they say, ‘Oh my goodness, there are pagodas, there are churches, they’re open, people can worship.’ But not everyone can worship,” he said. “It’s not the old ideological battlefield — religion versus communism. It’s freedom versus control.”

Global Post BANGKOK, Thailand — During the Vietnam War, Kanh Kpa’s indigenous Montagnard relatives fought alongside US Army Special Forces in Vietnam’s remote Central Highlands, where the mostly Christian tribesmen gained a reputation as fierce and loyal allies.

But after the war, the ethnic and religious minority Montagnards, or “mountain people,” long at odds with the Vietnamese government, paid a steep price. Some were imprisoned, others fled into jungles or suffered years of ethnic discrimination and religious repression, human rights groups say.

Today Kpa is living in hiding in a dingy house on the outskirts of Bangkok, among a wave of hundreds of Montagnards who fled to Thailand and Cambodia in the last year claiming religious persecution — the latest chapter of a troubled history.

Kpa said local Vietnamese authorities last year harassed and detained him and others. But while he’s pinning his hopes on getting to the United States, so far he and other asylum seekers among the former US tribal allies are fighting an uphill battle for both refugee status and international attention to their plight.

Cambodia has refused to offer asylum interviews to nearly 200 Montagnards, dismissing most as economic migrants. A roughly equal number are in Thailand, facing a years-long wait for an interview with the United Nations refugee agency, unable to work legally, living in poverty and under the threat of detention.

Human rights groups and US Montagnard exiles — who want to see the US put more pressure on Vietnam to halt abuses or help expedite resettlement — say the issue is being sidelined by other migrant crises, regional geopolitics and the Trans-Pacific Partnership trade agreement pending before Congress.

“America has forgotten about us,” said Rev. Y Hin Nie, of the United Montagnard Christian Church in Greensboro, North Carolina, a state that’s home to the world’s largest Montagnard population outside Vietnam. At least 12,000 Montagnards and their descendants live there today, including the first resettled in the 1980s, partly because of a Special Forces base at Fort Bragg.

US State Department officials said many asylum seekers have some connection to the US, and all are treated equally. US officials have raised human rights concerns with Vietnam. And while there are reported instances of people being persecuted on religious grounds, officials said they have not seen evidence of a “coordinated plan” to do so by Vietnam’s central government, which has denied abuses.

But Human Rights Watch says abuses continue against the Montagnards. While Vietnam’s constitution gives all people the right to freedom of religion, the US Commission on International Religious Freedom this year again recommended that Vietnam be named a “country of particular concern,” partly because of repression of religious groups — including Montagnard Christians, independent Buddhists and others — that the government views as challenging its authority.

John Alles, a Special Forces veteran who advocates for the Montagnards, said the US could do more for the group, but their limited numbers in the US mean they haven’t been a priority.

“If you asked most Americans about the Montagnards, they wouldn’t have a clue what you were talking about,” he said, despite their depictions in Vietnam War movies from John Wayne’s ‘The Green Berets’ to ‘Apocalypse Now.’

Montagnard is a term coined by the colonial French for various indigenous Central Highland tribes who speak a handful of different languages. Many were converted from animist religions to Christianity by French and US missionaries, and were courted by the French military during its war with Vietnamese communists in the 1940s and ’50s.

In the 1960s, it was America’s turn: an estimated 61,000 Montagnards helped the US fight against the North Vietnamese. Tens of thousands were recruited and trained by US Special Forces to help hold the highlands or as mobile strike forces, according toa 2014 Senate resolution introduced by US Senator Richard Burr, R-NC, to recognize their contribution. (It was never enacted.)

“They were good fighters, fearless. And very loyal. They bonded with us,” said Joe Rimar, a former Green Beret who served with the “Yards,” as American soldiers nicknamed their indigenous allies. He fought alongside them in 1966 and 1967 in Kon Tum Province, where he said many of the men’s families lived near their camps in bamboo huts.

Rimar said many Montagnards believed the US would help them secure autonomy, only to see American military involvement end in 1973. “We betrayed them,” he said.

 While some fled into jungles, where they spent years as guerrillas before the last gave up arms in 1992, others faced what they saw as ethnic discrimination (Montagnards say they were referred to as “moi,” or savages), economic and educational disparities and the loss of traditional farming lands.

In addition, spreading Protestantism mixed evangelism with cultural pride and identity, fueling government suspicion that Montagnard Christianity was linked to political activity — and sparking repeated instances of repression, said Phil Robertson, Human Rights Watch’s deputy director for Asia. Between 2001 and 2008, Montagnards mounted a series of demonstrations over religion and land issues, followed in some cases by crackdowns, Robertson said.

“Because of their history, they’ve been under suspicion and facing continuous harassment,” said Robertson, whose group in June issued a report based on interviews with asylum seekers that documented accounts of ongoing repression. It cited official Vietnamese media reports accusing some Montagnards of religious “evil ways” and politically “autonomous thoughts.”

Yet the case for those seeking asylum based on religious persecution is complicated by a number of factors.

Restricted access to parts of the highlands makes it difficult for journalists or human rights investigators to verify firsthand allegations of religious persecution. Heiner Bielefeldt, a UN Special Rapporteur on freedom of religion or belief, said that during his 2014 visit to Vietnam police intimidated and kept some people from meeting with him, a charge Vietnam has denied.

In addition, at least some Montagnards are fleeing for economic reasons that don’t qualify them for asylum, according to officials with the Jesuit Refugee Service in Cambodia, which is working with the refugees.

More than a dozen Montagnard asylum seekers interviewed recently in Phnom Penh and Bangkok said that they fled provinces such as Gai Lai and Dak Lak because local authorities had subjected them to intimidation and short-term detentions for attending unregistered “house churches,” whose gatherings they broke up. They said they were interrogated about their religious and political activities, and some reported being beaten in custody.

“The authorities of Vietnam think Christian religion is connected to the US, is against the government. But it is not,” said a 40-year-old Montagnard asylum seeker in Phnom Penh, who asked that his name not be used for fear of reprisals. He said he walked for days through the jungle in August to reach Cambodia and is afraid to return home. Now he’s living in a hidden safe house in the city, reluctant to leave for fear he’ll be arrested and deported.

Yet neighboring Cambodia, which HRW’s Robertson said has close ties to Vietnam, has made it clear that Montagnards aren’t welcome there. In April, the Phnom Penh Post reported that nearly 1,000 soldiers were deployed near the Vietnamese border to stop Montagnards crossing. Cambodia has forcibly returned others, according toAmnesty International. And this fall it has refused to grant interviews to most of those seeking refugee status, despite what Robertson said was a legal obligation to do so.

Rmah Ble, a former church leader who came to Thailand via Cambodia in 2011, said Montagnards are able to apply for refugee status with the United Nations in Thailand, where the UN refugee agency UNHCR, not the government as is the case in Cambodia, is responsible for making the determination. Still, waits are long and life is a struggle. He often doesn’t know “where to live, what to eat, and sometimes I cannot work, I’m afraid of arrest.”

He lives packed into a house with 16 other Montagnards, including a 45-year-old rice farmer and church leader who finally fled in January when his wife was detained and beaten. Even after a long wait, advocates said many are denied refugee status, unable to document their persecution.

Ble and others want to be resettled to the United States, where many have relatives. But some have given up waiting and gone back to Vietnam, where Robertson said he did not put much faith in the ability of the US or UNHCR to ensure they aren’t retaliated against upon their return.

Ultimately, Bielefeldt said, pressure on the Montagnard Christians is less about religion than perceived threats to the government.

“So many tourists, coming to Vietnam, they say, ‘Oh my goodness, there are pagodas, there are churches, they’re open, people can worship.’ But not everyone can worship,” he said. “It’s not the old ideological battlefield — religion versus communism. It’s freedom versus control.”

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Published on November 29, 2015 12:00