Alexandra Hayman's Blog
August 11, 2014
MAD AS A HATTER GIVEAWAY
Hey guys! Working on a real post right now, but in the meantime, here’s a short and sweet announcement: there is a Mad As A Hatter giveaway going on over at Goodreads, so make sure to check it out!
Have a great Monday, everyone!
August 5, 2014
So What is “Serious” Literature, Anyway?
I’ve been thinking a lot lately about the way we talk about literature and fiction in our society, how we perceive it and interact with it, and how we interact with others about it. Everyone consumes fiction in some way or another. Some people don’t consume literature much or even at all. But for those of us who don’t just like to read, but actually thrive on it, the conversation gets a little trickier. We book lovers tend to band ourselves together, us against the world, power to the nerds, and only after we’ve publicly aligned ourselves do we realize that we are still trapped in a world of judgement and stigma and shame.
Do you remember when you first realized some novels were taken more seriously than others? I don’t remember the moment, but I remember the feeling with painful clarity. I know I was in some sort of group situation, and that there was an adult talking to us about books, and so I assume it was an English class or a writing class of some sort. I remember that we’d all been talking about our favorite books, and I remember that one of my peers got a different reaction from the teacher than the rest of us did: the teacher expressed approval, even respect, and I was struck with a deep sense of shame over whatever middle grade or young adult novel I had raved about.
When I was just starting high school, or maybe finishing middle school, I asked my older cousin what literary fiction meant. “In literary fiction, the choice of words is just as important, if not more so, than the story is,” he told me. “Commercial fiction is just plot-driven.” I listened, but I didn’t understand. Some fiction was better written than other fiction, this I already knew, but lots of novels had beautiful words and exciting plots. Weren’t those naturally the best?
I’m a little older, now, and I do understand the value of what we call literary fiction; I’ve read it, I’ve written it, I’ve hated it and I’ve loved it. But as I’ve grown older, I’ve also come to better understand the stigma against “commercial” novels. I’m currently in the gray area between child and adult, where no one really knows how to treat me and every thing I say is used as evidence for one stage of maturity or another. Naming Chekov or Fitzgerald or Morrison or another literary great as my favorite author would place me significantly closer to the adult side of things; naming J.K. Rowling, or Sarah Rees Brennan, or another MG/YA author is roughly the same thing as painting the word “CHILD” across my forehead.
That doesn’t mean I’m not still going to name Sarah Rees Brennan.
The thing about stories, and literature, and all fiction, really, is that while there are many mechanical aspects that separate the good from the bad, the value of a story really can only be determined in the hearts of its readers. A novel that moved me, inspired me, changed my life, is a novel that has moved and inspired and changed me, regardless of whether the protagonist is a middle aged alcoholic undergoing a mid-life crisis, or a teenage girl slaying dragons. Harry Potter shaped the way I understand war and violence, family and love, bravery and sacrifice, even though it’s just a kids’ book. Pretty Little Liars held me in its embrace and taught me agency over my body and support for all women and all the different, beautiful, twisted, wonderful ways love can exist in this world, despite being a dismissed, ridiculed teen show. Books belong to their readers and stories belong to their audiences, and every work of fiction you consume is just as serious and significant and powerful as you experience it to be.
May 2, 2014
MAD AS A HATTER COVER
It’s here!!!!!!!!!!!
Isn’t it beautiful? I’m so completely in love with this cover design and I’m so excited to finally be able to share it with all of you! I’m especially obsessed with the way the cover is split in two, and the way the top hat crosses into both sections- it so symbolic.
Here is the back cover blurb:
London, 1882. When 14-year-old Emil’s cousin goes missing amidst a string of murders, he manoeuvres himself onto the case with his guardian, inspector Corwin James of Scotland Yard. Through careful examination of the suspicious notes left at the crime scenes and of the unsettling pattern the deaths take on, the two begin to piece the curious murders together into a case with more questions than answers. Who is behind the Wonderland Murders? What do all the victims have in common? And can the murderer be stopped?
As Emil draws closer and closer to discovering the truth, it becomes clearer by the minute that the case is more personal than he wants to admit. Though he tries to avoid it, the more he investigates, the more the past forces itself into his consciousness, and what he learns will take him down the rabbit hole—again. Does he have it in him to stop the Mad Hatter and to save himself?
I’m beyond excited to show this to all of you! It makes everything feel so real!
Mad as a Hatter will be available at the end of the month, if everything goes to plan. It’s geared towards middle grade readers and younger teenagers, but I hope it’s enjoyable for everyone! I can’t wait to hear what you think of the cover design, and I’ll be back soon with more news and announcements!
May 1, 2014
On MAD AS A HATTER, being a teen author, and the decision to self-publish
This post has been a long time coming.
Let me start with some background: I first wrote Mad as a Hatter when I was fourteen. It was a significantly different book then, with different POVs, more graphic violence, and some significantly different plot points. I swung between rewriting it and querying it for a good three years. I got a fair number of requests, some pretty detailed critiques, and a lot of great advice. My last significant rewrite was at the end of last summer, and while wrapping up those edits, I experienced a pretty significant change of heart: I decided to self-publish Mad as a Hatter.
I can’t pin that decision down to any lone factor. I’ve never been opposed to editing my work based on the advice and critiques of other, and I’ve never had a huge social media following that I intended to use for marketing, and I’ve never been swayed by supposed horror stories about traditional publishing. As for the timing of my choice, it probably came down to a feeling of powerlessness, of a need for control: not because I’ve ever been a control freak, but because, when I made this choice, I was in a place where I had no control, sitting in the endless purgatory of boarding school, needing to take charge of something in my life, to make something happen.
This past October, I decided to self-publish Mad as A Hatter through FriesenPress, and so far, the process has been absolutely amazing– and almost done. I know I should have made this post ages and ages (and ages) ago, but I kept putting it off, because, well, I was kind of scared to make this announcement. I didn’t want to look like some kid who couldn’t get an agent so self-published as a last resort. This doesn’t feel like a last resort; call me arrogant, but I’m still confident that, if I’d just kept going with the traditional route, I’d eventually achieve success. In fact, a lot of my decision to self-publish comes from a newfound sense of confidence. Querying for me always held this sense of needing someone to justify my decision to write– in a way, self-publishing is my way of standing on my own, and saying, I don’t need to lay my sense of self-worth at someone else’s feet.
And so I’ve gone through this process, and it’s gone by both slower and faster than I’d ever imagined, and needless to say, I’m kind of freaking out a bit. Mad as a Hatter is on the verge of hitting the market, and all I can think is that I still haven’t made some sort of internet announcement, which gives me a strange sense of shame: I’m a member of the selfie generation, for god’s sake. Withholding information on the internet should be, like, the last thing anyone could accuse me of.
But here I am, at very long last, confession in hand. I’ll be back soon with my cover and my release date and all the other book related news– I’ve been feeling strangely incapable of posting anything, because anything I posted without having made this announcement felt like… well, felt like a lie. As always, thanks for reading my inane babbling. I hope it wasn’t entirely dull.
xoxo
Alex
February 24, 2014
Introducing: Makeup Mondays
I’ve been doing a lot of thinking about my blog and what I want to do with it recently. I know that I’ve definitely established it as a blog about writing and books thus far, but as anyone can tell, I haven’t had much consistency in that venture. It’s not that I don’t love writing or books- on the contrary, they’re a huge part of me and my identity. But there are a lot of other things I’m passionate about, and every time I look at my blog, all I can think is that if I only post writing-related things, I’m just creating a persona. I believe very strongly in the importance of maintaining some degree of integrity using social media, and so I’ve decided to introduce a few new features to round this baby out.
Today, I’m proud to present my first “Makeup Monday.”
Trust me. The irony of achieving integrity by posting about makeup is not lost on me. But frankly, despite popular misconceptions, no one topic is inherently shallow or one-dimensional. Makeup is a huge passion of mine and plays a big role in my life and the way I present myself, and it’s something I really want to share on my blog.
On this feature, I will be discussing favourite products, favourite trends, and favourite techniques within the makeup world. This is still in an experimental phase, of course, so there may be some surprises (hair product reviews, perhaps?), but I’m really excited to get started and can’t wait to hear what everyone thinks!
Alex’s 10 Makeup Commandments
To kick off this party, I’ve decided to tell you guys a bit about my make-up bible; that is to say, the ten makeup products that I live, die, and swear by. Without further ado, here we go!
(actually, before we start, I want to put it out there that I’ve been in no way asked to endorse any products)
10th Commandment: Ceralip Lip Repair Cream
I know, I know, this isn’t technically makeup, but this product is my winter skin lord and saviour. I suffer from some incredibly chapped lips (only made worse by the fact that I have to live through Canadian winters), and I have tried dozens if not hundreds of chap sticks, lip balms, and repair creams in my day. This one is far and above the best product to ever touch my lips. Apply a generous amount right before bed, be careful not to rub or lick it off in the night, and wake up with the smoothest lips you could ever have imagined. Your lips will never betray you again.
9th Commandment: Naked Palette
If the only eye shadows I could ever use for the rest of my life had to come from this palette, I would have no objections whatsoever. This thing is a miracle. You can choose from three different palettes depending on what neutrals look best on your skin: gold tones (Naked), silver tones (Naked 2), or rose-gold tones (Naked 3). They even have a smaller “Naked Basics” palette. Personally, I just use Naked, but that’s not to say that I wouldn’t be perfectly happy with any other members of the collection.
8th Commandment: Sephora Pro Airbrush #55
This brush, you guys. THIS BRUSH. I haven’t even been using it very long, and it is so far ahead of any other foundation brush I have ever used that it’s honestly laughable. I have a terrible problem with getting streak marks when I apply foundation, and that has never been an issue since I started using this brush. Even better? It’s so soft and smooth, you don’t want to remove it from your face even after you’re done with your foundation routine. It’s just that wonderful.
7th Commandment: Revlon Just Bitten Kissable Balm Stain
Who needs fancy designer lipsticks when these are on the market? They come in a ridiculous range of colors, they last for-freaking-ever, they moisturise your lips, and they’re super easy to apply; no need to worry about random tooth stains.
6th Commandment: Maybelline Dream Fresh BB Cream
I confess: I’m usually a foundation type of girl. I like a pretty full coverage, and nothing makes me feel more in control than wielding the perfect blending blush. So I don’t always use BB cream. But when I do, which one I’m going to use is never in question. This stuff is soft, moisturising, evens out your skin, and even has SPF. This stuff really is a girl’s best friend.
5th Commandment: Stila Stay-All-Day Waterproof Liquid Eyeliner
I learned how to apply eyeliner using this stuff, and I have not yet been able to find it’s match. Before this product came into my life, I could not get a straight line on my lid and was on the verge of losing an eye due to the number of times I managed to stab myself during the torturous process. The control this product offers you, the ease with which it glides on, the amazing ability you gain to wing out eyeliner as soon as this stick is in your hand, it all leads to the same conclusion: this product is an absolute lifesaver. Or, at least, an absolute eye-saver. Whether you’re just learning to use eyeliner, still struggling to master the techniques, or a seasoned expert in the art of painting lines on the tip of your eyelid, I recommend this eyeliner so, so, so much. Trust me: you will not regret it.
4th Commandment: NARS Orgasm Blush
This is the best-selling blush in the world, and with good reason. It is quite genuinely universally flattering- I’ve never seen it look bad on a single person. Every single time one of my friends has finished applying makeup and found the result lacking, a tiny dab of Orgasm was all that was needed to achieve perfection. I’m still in shock to this day at how ridiculously effective this stuff is. The universal pink tone and the spatter of gold sparkles manage to illuminate the face of every person who wears it, and I genuinely struggle to look at any other blushes when I know that I have this baby waiting for me at home. When a product is so good it actually prevents you from impulse buying, you know it’s true love.
3rd Commandment: Benefit “Watt’s Up!” Highlighter
It took me a pretty long time to figure out highlighter, and I’m not ashamed to admit it. I used to try to contour using pale eye shadows (don’t judge me too harshly), and until I got this as a free sample, I didn’t have a clue how much my makeup would improve with just the tiniest touch of illumination. I suggest rubbing this stuff between your fingers before putting in on your face- applying it straight from the stick makes it harder to blend. It can take a few tries to figure out how to make this product best work for you, but once you get the hang of it, there’s no going back. The good news? A little of this stuff goes a really long way- I’m still on that sample tube I got almost a year ago. There are a lot of products that run out ridiculously, unnaturally quickly, but this is not one of them.
2nd Commandment: Laura Mercier Caviar Stick Eyeliner
I quite literally use this eyeliner every single day of my entire life. Even when I wear black liner, I tend to put at least a bit of this stuff on, whether underneath or in the corner of my eye. I apply it with a little gel brush, and believe me, the results are consistently spectacular. It glides on like a dream, and due to the need for a brush to apply it with, ends up giving you amazing amounts of control. I am, undeniably, in love with it.
1st Commandment: Benefit “They’re Real!” Mascara
I’m at a genuine loss for words as to how to describe the sheer miracle of makeup that this product is. Your lashes go on forever, thick but not clumped and sensuous but not trashy, and only need a tiny bit compared to what you need from other brands to achieve similar, but still vastly inferior, results. This stuff means never needing fake lashes again. This stuff means business.
Well, there you have it, folks! My 10 Commandments of make-up. I hope they were helpful!
What are your make-up or skin care must-haves? Have you used any of the products listed above?
January 9, 2014
New Year’s Resolutions
I kind of have a love/hate relationships with New Year’s Resolutions.
Okay, okay, I admit. This is by no means unique to me. Most of us have a chip on our shoulders over all of the New Year’s Resolutions we’ve broken in under a week. There’s such promise of new beginnings, but then there’s a New Year’s party when you want to write and you promised to eat clean but there’s leftover Christmas shopping, and before you get back to school or work you’re just plain bitter about the whole concept.
Sound familiar? Thought so.
I have another thing to admit: I’m kind of sort of maybe obsessed with Lauren Conrad’s blog. I know, I know, as a writer, reality tv and its stars should be all sorts of offensive, yadda yadda, blah blah blah, I’m a television junkie, so sue me.
Last week, while in a state of disillusion over the whole resolution prospect, I saw something on Lauren’s blog that stuck with me long enough to warrant a blog post: a fill-in-the-blanks resolutions list, not consisting of any grandiose, impossible declarations. I figured I’d give it a try, so without further delay, here are my (very, very belated) New Year’s Resolutions, courtesy of laurenconrad.com.
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A bad habit I’m going to break:
Setting my alarm too early only to hit snooze waaaaay too many times.
A destination I’d like to visit:
Paris.
I’m going to work harder at:
Braving the cold to hit the gym.
A project I’d like to finish:
The sequel to Mad As A Hatter.
A class I’d like to take:
Yoga.
I’d like to spend more time doing:
Family time.
A food I want to eat more of:
Fruits and vegetables.
I want to wear more:
Skirts.
And there we go! My nine days late New Year’s Resolutions?
Have you made any New Year’s Resolutions this year?
October 30, 2013
Review: UNTOLD by Sarah Rees Brennan
It’s here! It’s here! It’s here!
It’s been here for like a month, actually, but I didn’t write a review then because… well… I don’t have any great excuses. But! Now that Mark (yes, as in Mark Does Stuff) is reading Untold, I figured I had a golden opportunity to put this out late and not have it be completely irrelevant!
This is a SPOILER-FREE review, y’all.
Synopsis:
It’s time to choose sides… On the surface, Sorry-in-the-Vale is a sleepy English town. But Kami Glass knows the truth. Sorry-in-the-Vale is full of magic. In the old days, the Lynburn family ruled with fear, terrifying the people into submission in order to kill for blood and power. Now the Lynburns are back, and Rob Lynburn is gathering sorcerers so that the town can return to the old ways.
But Rob and his followers aren’t the only sorcerers in town. A decision must be made: pay the blood sacrifice, or fight. For Kami, this means more than just choosing between good and evil. With her link to Jared Lynburn severed, she’s now free to love anyone she chooses. But who should that be?
(stolen from goodreads)
Thoughts:
I should know by now that every single book Sarah releases is somehow even better than the last, but, as always, I was in no way prepared for Untold.
The new overarching theme (or topic, if my English teacher is reading this) of Untold is made pretty clear within the first couple of pages: loneliness. It’s not an uncommon theme, granted, but the way Sarah examines it and utilizes it is pretty incredible. There’s a huge amount of thought put into what it means to be lonely vs. what it means to be alone, and the way each character goes through both of these experiences in a different way is a classic example of the emotional depth of this novel. Most of the ideas focused on in Unspoken are present in Untold as well, but Sarah never runs out of new things to say about them. She shows us layers and layers behind each basic concept.
Plot-wise, the high stakes that manage to keep being raised are, frankly, unbelievable, and a huge asset to the story. There is no sitting around, waiting for the action to begin. There are no contrived plot twists to somehow bring the characters back to where they were in the first novel, to give them a rest, or to allow for a less frenzied beginning. Untold takes place two weeks after the end of Unspoken. The progression of the story, though it does have a clear beginning and a clear ending, does not feel governed by any sort of plot formula.
The characters, of course, are the most engaging part of Untold. What I’ve always loved about Sarah’s novels is the incredible consistency of her characterization. No character ever learns the same lesson twice, or appears to have forgotten the repercussions of their previous actions; everything that happens to these characters changes them and their course for the novel. It’s character-driven fiction at its finest. The emotional stakes of Untold are high, as well, and remain engaging, because Sarah puts such an emphasis on validating her characters’ emotions. There is no ceiling or floor placed on Kami’s trauma, Ash’s self-hatred, Jared’s anger, Holly’s insecurity, or Angela’s general distaste for humankind, and the lack of emotion policing allows Sarah’s characters to truly touch us and impact us, because human reactions are not governed by rules or limitations, they just are.
I’m not entirely sure how coherent this review is, as I often have a hard time being coherent where Sarah’s novels are concerned. But I recommend. I recommend, I recommend, I recommend.
Rating: 5/5
October 28, 2013
NaNoWriMo: Productive or Pointless?
It’s that time of year again. No, I’m not referring to the time of year when you dress up in strange costumes and either scare or offend your entire neighborhood. I’m talking about November, National Novel Writing Month, the month during which hundreds of thousands of people stash obscene amounts of caffeine products in their house and develop insomnia in order to produce 50,000 words of prose.
Now, full disclosure: I have never completed a novel during NaNoWriMo. I’ve hit the 50k word limit by putting every story I’d attempted that month into a word document, but I’ve never genuinely written a novel for NaNo. I tend to burn out before the month has even started, spending weeks and months plotting in anticipation, and then reaching November, only to realize that I’ve plotted away any room for impulsiveness or creativity.
Still, countless people swear by NaNoWriMo as the single best motivational force in their lives. And every year, without fail, the NaNo hype eventually finds its way to me. This year, though, I’m not doing NaNo. I’m not even attempting it. I know that, with university applications and a self-publishing project on my plate, not doing NaNoWriMo is the best thing for me. But oh, am I ever bummed about it.
The thing about NaNo is that, regardless of whether you actually complete a manuscript (let alone a single chapter), it’s an event that brings writers together. Forums, write-ins, meetups, word wars, critique partners, and any form of support are the most essential part of a writing career. I know how much I depend on those elements.
So, here’s my verdict: is NaNoWriMo the best method of writing a novel? Maybe for some people. Is NaNoWriMo a unique and effective experience? Yes. Oh, yes.
September 16, 2013
Fashion in Fiction
You’ve seen it before somewhere. You flip through the pages of a novel, thinking to yourself than the story would have so much more potential if all the words weren’t wasted on gratuitous descriptions of the characters’ clothing. It would be fine, you tell yourself, if the author were describing some elaborate elven dress or a fantastical suit of armor. Instead, though, you’re weighed down in brand name porn, and you can’t read a sentence without hearing about the protagonist’s Louis Vuitton bag and Juicy Couture sweatpants and limited edition Alexander McQueen silk skull scarf in just the right shade of red for her skin tone.
My friend, you have encountered fashion in fiction.
Everyone loves to hate on extensive label-dropping in books. It’s bad enough, we say, to describe your protagonist in excessive detail, but going into depths about her clothing is just the cherry on top of terribly written chick lit. It’s the sign of a Mary Sue, both a self-insert and a wish-fulfillment character of the author’s, it gives women in fiction a bad name, it’s such a teenage girl thing to do. It’s just so stereotypically feminine.
I find it funny how often feminine is used as a synonym for bad writing.
There’s been a lot of talk in recent years about the vendetta against Mary Sues in fiction, specifically YA fiction, and on how this trend is a reflection of a more widespread problem of sexism in the industry (here are some of my favourite writings on the topic). It’s pretty established that teenage girls are demonized in our society, and the way this is reflected in the criticism female characters receive. It’s also been noted that male wish fulfillment characters (hello, Batman, Eragon, cough cough) are not at all resented to the same degree as their female counterparts.
I’m not here to deny that lots of fiction is bad, nor that lots of fiction for teenage girls is bad, nor that lots of fiction by teenage girls is bad. Of course there are teenage girls who will produce bad work; honing a skill involved a learning curve, and whether that’s writing YA or learning to ski or playing violin, everyone knows that the starting point of that learning curve can have some pretty horrendous results. But why does that reflect badly on young women as a whole? And why does femininity make something automatically inferior?
I love fashion. I love shopping. When I’m out on the street, I make a game out of identifying every designer bag I come across. When I’m feeling homesick, I go browsing in department stores, even if all I intend on doing is touching soft sweaters and sniffing perfume samples. A significant amount of my brainpower is spent on fashion, and that’s no less real nor relevant than anyone else’s experience, and no less worthy of being written. People don’t begrudge authors gratuitous descriptions of food, or of architecture, so why not clothing?
Without further ado, here are my tips on writing fashion into fiction:
1. Write it because it matters to the character, not because it matters to you.
When I’m getting ready to go out, I’m not mindlessly reciting the brand names of every item I put on. I’m thinking about how fancy I need to be or how casual I need to be, should I wear this purse with this crowd or will that be too rude or too cheap, oh god, I love this top but all my nude bras are in the laundry, where the hell is my white bandeau, do I wear this with heels or will I tower too high, hang on let me check the weather too see if it’s cold enough for this scarf. I may be thinking about where my clothes are from, but there’s more depth and process to it than just inelegant name-dropping. Show, don’t tell, how fashion is meaningful to your character and story.
2. Write it because it matters to the audience, not because it matters to you.
If you write a two-page description of your character’s fashion choices and the only thing your reader learns is that she looks good in cool colours, we’ve got a problem in front of us. Every writing choice you make has to contribute to your story, whether it advances the plot or enriches the character or expands the world. If you can’t find a way to make your fashion writing relevant, you should probably consider whether it belongs in your story at all.
3. Write it because it matters to you, and you deserve to enjoy yourself writing
…Honestly? If you want to write about fashion in your story, you should. If you love fashion, or want a challenge, or just feel like breaking all the standard rules you’ve been taught all your life, you should do it. But don’t do it because you’re writing a mean girl and want to add to a stereotype, or because you think that mentioning BCBG will somehow bring you masses of teenage fans. Don’t patronize to your audience, because they’ll notice, and they won’t appreciate it.
What do you think of label dropping in fiction? What’s your favourite writing rule to break?
August 23, 2013
Hi.
I’ve had the intention of blogging for about as long as I’ve been on the internet, but every time I get started, I find a reason to quit after my introduction post.
This is becoming a serious issue.
My name is Alex, and I’m a writer. You probably figured that out from my about page, come to think of it, but I like to repeat it, because words have power and if I repeat those words enough times I’m convinced it will make them true. I’ve been serious about writing since I was thirteen or fourteen, which means I’ve been trying to set up some sort of social media presence as a writer since I was in middle school, and yet, as with my schoolwork, my blogging career has been essentially defined by my singular talent for procrastination.
I’m seventeen now, about to enter my final year of high school, and that means final exams and university applications and SAT subject tests take up 90% of my conversations these days, and it’s sort of made me come to some realizations about growing up. See, when you’re in the early years of high school, you have time. You have choices. And you have dozens if not hundreds of people lining up to tell you that you have loads of time and loads of choices. You bomb a test, and people tell you that you have time to redeem yourself. You choose your classes, and you have people telling you to keep your options open, that you don’t want a choice to define you so early in your academic career. Thing is, I don’t have time anymore, and I’ve reached the point where I have to start making choices. My teenage years are no longer a vague adventure with no roadmap and no destination in sight. If my high school career is the Starship Enterprise, than I’m reaching the end of my five-year mission, and if I want to explore strange new worlds and seek out new civilizations, I have to do it now. It’s time to go boldly or go home, and being at boarding school 3000km from my parents as I am, going home is kind of not an option.
So here’s to blogging, and writing, and going where no blog of mine has gone before.
(namely, having more than two posts.)


