David Anthony Sam's Blog, page 134
January 6, 2020
Thank you to these Editors for accepting my work in 2019
My deepest thanks to Kelsay Books for publishing
my book Dark Fathers last December and the to the editors of the
following publications for accepting my poems in 2019:
Aji Magazine
Artemis Journal
Backchannels Journal
Clementine Unbound
Cutthroat: A Journal of the Arts
december magazine
Fredericksburg Literary & Arts Review
Gravel Magazine
Haiku Journal
Haunted Waters Press-From the Depths
IO Literary Review
Light:
A Journal of Photography & Poetry
Manzano Mountain Review
Peeking Cat Poetry
Poetry Quarterly
Sky Island Journal
Smoky Blue
Literary and Arts Magazine
The American Journal of Poetry
The Big Windows Review
The Ideate Review
The MacGuffin
The Magnolia Review
The Voices Project
The Wayne Literary Review
Walloon Writers Review
Heron Tree accepted my poem “Enlargement” for publication
Thank you Heron Tree Editor Chris Campolo for accepting my poem “Enlargement” for publication. This the sixth time Heron Tree has accepted my work.
January 3, 2020
Photos from reading at “The Longest Night” – Blacksburg VA Dec. 22, 2019
Thank you Matt Dhillon for organizing this event and all the poets and musicians who participated. The Odd Fellows Hall was chilly but the audience was warm and friendly.


December 27, 2019
My new poetry collection now available from Amazon
In addition to buying directly from Kelsay Books, you can now purchase my new poetry collection, Dark Fathers, from Amazon.
December 24, 2019
May you all know peace and happiness this night and hereafter
December 21, 2019
Several of my books of poetry are available from the Library of Virginia.
Several of my books of poetry are available from the Library of Virginia.
My new collection of poetry, Dark Fathers, is available at five branches of the Central Rappahannock Regional Library.
My new collection of poetry, Dark Fathers, is available at five branches of the Central Rappahannock Regional Library.
My new collection of poetry, Dark Fathers, is available at the Orange County Public Library.
My new collection of poetry, Dark Fathers, is available at the Orange County Public Library.
December 19, 2019
A worthwhile read–Review: The Trembling Answers
The Trembling Answers by Craig Morgan Teicher
My rating: 3 of 5 stars
In this very personal and moving collection, Craig Morgan Teicher explores his own biography. We feel his worry and pain as a father of a health young girl and a very sick boy. We listen to his love for his wife, his children, for the mother he lost when he was young, for the housekeeper who raised him, for the father who loved only through his emotional distance.
Some of the lines are very fine, such as:
…She lived and she grows
like joy spreading from the syllables
of songs.
Or
I could hold that rock
and rewind time and find myself
standing between verb tenses.
Or
I can divide all life
into breath and waiting
for the next breath, and
the calm in the troughs
between.
Some of the poems are complete, and touching, and real. You read the collection and imagine you are listening to a friend, pretending you know them, as much as any human can know another. A worthwhile read.
December 17, 2019
A rare angular music—Review: Night Angler
My rating: 4 of 5 stars
“Night Angler” is a truly fine collection of
poems by Geffrey Davis, as he meditates on the meaning of fatherhood.
His own father failed that role but finally asks for some forgiveness.
The poet himself tries to learn and be truer to the name, Father. The
title and title poems suggest a man who fishes the night for meaning and
faith and forgiveness and hope.
Dear Boy: In the beginning,
father was a fear I wanted
to call love. For years I waded
heart-deep into that doubt
for version of my name
I could, with some forgiveness,
cast before your image.
Dear Boy: Here’s my hand—
because your arrival has
mended the grave current
of time, in the beginning
I was talking to you.
The language is truly fine. The emotion personal yet universal, poetic yet deep and real.
…light creeps
all across a distinct range of mountain,
stunning plateau of birds into the original
sweetness of song. We want to understand this—
according to our appetite for pulling
a rare, angular music from the body’s
dark cathedral. Or we grow stubborn
for the wild severity of wind
plying trees. We want the vastness of that
motion, the sleep. We desire so much from more.
Davis
succeeds in “pulling a rare, angular music” from his desire and body,
singing us some of that “vastness of motion” we all want to hear— and
to be.


