Gilad Atzmon's Blog, page 66
December 17, 2013
The Sycophantic Palestinian Solidarity Movement
By Gilad Atzmon
In the Palestinian Solidarity Movement we really love celebrities – those famous, rather special people who write great books, play musical instruments (drums included) or even just think great thoughts. We like those people to stand up for Palestine and denounce ‘Zionism’, ‘Israeli Colonialism’ and ‘Apartheid.’ We love them - as long as they don’t say what they really think.
Here’s the problem. Celebrities are often famous and successful because they’re clever and independent. Unlike our progressive, dysfunctional activists, who in most cases lives on income support and repeat our ‘party line’, the celebrity is a confident, career-oriented, self-sufficient subject and, because of their capacity to make autonomous decisions, he or she is assertive and thriving . In short, the activist and the celebrity are made of very different stuff – so a collision is inevitable.
Time after time it happens to us in the Palestinian Solidarity Movement. We manage to pull in a great human being, we tell them what to say and they comply. For a while, they call to boycott Israel and, like parrots, they repeat our slogans. But then, against all odds, these damn, self-centred stars start to speak their minds.
December 15, 2013
The Ultimate Repulsive Zionist Music Clip
Text taken from youtube:
"A new video take on Miley's song has channeled her defiant spirit towards a worthy cause: defending Jewish rights to live and thrive in the land of Israel. Jews can't stop building, loving, praying, doing what we want in their land, in their homes."
Gilad Atzmon & The Orient House Ensemble, Arena Theatre, Wolverhampton, 07/12/2013.
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Atzmon's performances blend strong writing and awesome instrumental technique with a high degree of professionalism, all this leavened by a healthy dose of humour.
Gilad Atzmon & The Orient House Ensemble, Arena Theatre, Wolverhampton, 07/12/2013.
In January 2013 Gilad Atzmon released “Songs Of The Metropolis”, the latest album featuring his regular working band the Orient House Ensemble. Each track is dedicated to a different location, in the main the great cities of the world, but there are paeans to more modest settlements too. In many respects it’s Atzmon’s most mature album to date, stylistically diverse and less directly confrontational and overtly political than some of its predecessors. Instead it’s more of a celebration of the lifestyle of the globe trotting professional musician as Atzmon explains
“every night I fall asleep in a different town and most towns have their own colour, their own sound, their own song”.
I reviewed the album back in January 2013 and also reported on an excellent live show that took place at Black Mountain Jazz in Abergavenny, just one of a string of dates that formed part of an extensive tour that not only promoted the album but also celebrated Gilad’s fiftieth birthday and the twentieth anniversary of his arrival in the UK from his native Israel. More recently in 2013 Atzmon has been busy with a host of other projects and collaborations including playing on and producing Blockheads bassist Norman Watt Roy’s début solo album “Faith And Grace”.
RT's The Truthseeker: Who Has Nukes in the Middle East
Israel ruled guilty of genocide; the nuclear elephant in that region; and the 'armies' recruited to doctor Wikipedia. Seek truth from facts with leading war crimes prosecutor Professor Francis Boyle, Asia Times correspondent Pepe Escobar, top saxophonist and former Israeli citizen Gilad Atzmon, and UN Human Rights Rapporteur Professor Richard Falk.
December 13, 2013
Gill Kaffash speaks @ the 'Seek Speak Spread Truth' conference
What is Antisemitism:
<img class="size-medium wp-image-165507 alignleft" src="http://www.veteranstoday.com/wp-content/uploads/2011/11/losher-psc-320x239.jpg" alt="" width="320" height="239" />
A deliberation on the Kosherification of Palestine and the solidarity movement.
December 10, 2013
Kevin Barrett: In which I apply for Jewish status
How come Gilad’s on the S.H.I.T. list and I’m not?!
The Palestinians are second-class citizens in their own homeland.
I’m starting to understand how they feel.
If I were Jewish, I would dominate the media, largely control the US Congress, and completely own Hollywood. If I were Jewish, nobody could criticize me – or my tribal settler colony in Occupied Palestine – without being labeled anti-Semitic and forced to wear a “never work in this town again” yellow star.
If I were Jewish, I could make sure that anybody who questions MY holocaust gets locked up the second they set foot in Europe, while I remain free to question all the other holocausts. I could extort my share of the billions of dollars generated by the “no business like Shoah business” – one of the most lucrative rackets on earth, so beautifully described in Norman Finkelstein’s The Holocaust Industry.
If I were Jewish, I would be a member of a group that earns – on the average – nearly twice the annual income of non-Jewish Americans.
But most importantly of all, if I were Jewish, I could join the hundreds of brave and brilliant people on Masada2000′s S.H.I.T. list of the “Self-Hating and Israel-Threatening.” The generous folks at Masada2000 have kindly compiled a list of incredibly cool people who have the vision to see through the toxic smog of Zionist BS that we breathe every day, and the guts to stand up and speak out.
December 9, 2013
Roger Waters Tells The Truth Against All Odds
Introduction by Gilad Atzmon: The Jewish hate-site algemeiner.com latest target is veteran rocker Roger Waters. His crime? He has told the truth about Jewish power and has compared Israel with Nazi Germany. Specifically, in a recent interview Waters dared to refer to the mighty Jewish Lobby and its impact silencing opposition to the Jewish State.
It goes without saying that the Israelis and their tribal operators are not happy with Waters exercising his freedom to think and to speak but I have a feeling that BDS movement, now totally dominated by liberal Zionists and funded by George Soros’ Open Society, is also slightly embarrassed by Waters’ frankness.
In the last few years, BDS Movement has invested a lot of energy concealing the truth regarding the Jewish State and curtailing any criticism of it. So, I ask myself, will Ali Abunimah, Joseph Massad and Omar Barghouti, once again bow to Jewish pressure and call for the disavowal of the Pink Floyd hero? Will Abunimah advise Waters that whenever he wants to say the J word, he should instead say ‘Zionist’. Let’s hope not.
Yet, one question remains: How is it possible that a rocker and a jazz artist are exploring those truths that prominent Palestinian activists are not even brave enough to contemplate? I guess that as long as activism is in a state of utter paralysis, the search for beauty is the only true liberation.
End
Algemeiner.com: Days After Defending Star of David Pig, Roger Waters Laments ‘Power’ of ‘Jewish Lobby,’ Compares Israeli Policy to Nazis
Just days after defending his use of an inflatable pig emblazoned with a Star of David as a concert prop, rock star Roger Waters lamented the “power” of “the Jewish lobby,” and compared Israeli government policy to that of the Nazis, in an interview with CounterPunch magazine.
December 8, 2013
Gilad Atzmon & the Orient House Ensemble at the Arena Theatre.
http://thejazzbreakfast.com/2013/12/08/gilad-atzmon-the-orient-house-ensemble/
Gilad Atzmon & the Orient House Ensemble
Gilad Atzmon & the Orient House Ensemble at the Arena Theatre. (Photo © John
Watson/jazzcamera.co.uk)
Reviewed by John Watson
Arena Theatre, Wolverhampton UK
07-12-13
Israeli-born saxophonist and clarinettist Gilad Atzmon has been one of the most engaging, exciting, and often unpredictable artists on the scene since he settled in London in 1994.
Though he has often appeared in the West Midlands with some fine regional rhythm sections, Atzmon is usually heard at his best with his own band, the Orient House Ensemble.
They are on a tour to celebrate Gilad’s 50th birthday as well as to promote a new album, Songs Of The Metropolis, and on Saturday they performed to a packed house in the Jazz At The Arena series.
The saxophonist appeared with two of the band’s regular members, pianist Frank Harrison and bassist Yaron Stavi, but drummer Eddie Hick was unavailable. His absence was more than made up for by the appearance of the brilliant Asaf Sirkis, the group’s original drummer. It was a delightful reunion.
Underpinned by this rock-solid rhythm section, Atzmon’s alto and soprano saxophones and clarinet hovered, swooped and dived like birds of prey.
How Whites Took Over America Part 2
The Right Wing clip above presents a cynical criticism of multi-culturalism and the genocidal crime committed in the name of 'Human Rights' and 'equality'. You may also note the role of controlled opposition and the Zionised tone employed by the foreign invader. Terminological hegemony and 'correctness' are clearly progressive disciplines and they are lethal.
