Gilad Atzmon's Blog, page 10

February 23, 2015

Henry Herskovitz: Are Jews Manipulating the BDS Movement?

http://blog.deiryassin.org/

Three members of JWPF attended a presentation by Barbara Harvey, a Jewish leader of Jewish Voice for Peace and ostensible supporter of the BDS movement, to students at Eastern Michigan University at the request of Students for Justice in Palestine (SJP).

Barbara is a good speaker and focused her talk on the “occupation” of Palestine and was specific that Palestine meant the West Bank, Gaza and East Jerusalem. She said that the goal of the BDS movement was to continue “until [Israel] ends the occupation”. It wasn’t until this writer reminded her that the real goal of the BDS movement is a three-pronged demand of which ending the military occupation is only one-third, did she confess yes, that the demands of the BDS movement included (a) equal rights for Palestinians living within the Green Line and (b) the implementation of the Right of Return for millions of Palestinians exiled by the Jewish state from their homeland.

Then she talked about a “negotiated” settlement to the refugee question, as if rights are negotiable, yet alone enshrined in the Universal Declaration of Human Rights. She noted – as did the whistling-past-the-graveyard Professor Cary Nelson – that Israel “isn’t going anywhere”, and we wonder again why the compulsion for Jewish leaders to remind their audience of this assumption. It is likely that “Israel” did not exist when Ms. Harvey was born, yet in 66 years of its existence she’s willing to speculate – using terms meant to convey fact – that this state, non-existent in 1947, will last forever. Can someone provide us the definition of “chutzpah?”

Since her presentation was informal, I brought up the statement made by Rebecca Wilkommerson (executive director of JVP) that “The occupation, with US military and financial support is the root cause” of the violence in Palestine. I tried to ask her if a better explanation wasn’t “The root cause of the conflict in Palestine-Israel is the creation and maintenance by force of a Jewish state in a territory with a non-Jewish majority?” She cut me off in mid-sentence, however, claiming she wanted to continue her report on the “successes” of the BDS movement.

One man asked whether the implementation of all three prongs of the BDS demands wouldn’t lead to the “unwinding” of the Jewish state, and her response was emotional: “The BDS goal is not to ‘destroy’ Israel”. I spoke up and reminded her that the questioner used the word “unwind” and not “destroy”, but it appears very telling that Jewish speakers hear “destruction” when it is not uttered. Perhaps Gilad Atzmon is right when he suggests that Jews experience a false PTSD (Pre-Traumatic Stress Disorder: “the stress is the outcome of a phantasmic event, an imaginary episode set in the future; an event that has never taken place.”), yet remain leaders in the “liberation” movement they have renamed “solidarity”. Now what the heck does that mean?

Barbara listed some companies that have been financially affected by the BDS movement: Elbit, Caterpillar, Veolia and Motorola. She focused on Soda Stream and reported its imminent closing of its West Bank facility and relocation within Green Line Israel. I asked if the BDS movement would continue to boycott Soda Stream and she answered that some groups would continue and others would not. Now, wait a minute! That doesn’t sound like the original BDS call to us. Let’s quote the source, www.bdsmovement.net

In 2005, Palestinian civil society issued a call for a campaign of boycotts, divestment and sanctions (BDS) against Israel until it complies with international law and Palestinian rights.

According to Ms. Harvey, this suggests that companies that crawl back into their hole of the Jewish state within the Green Line deserve an unrecognized sanctuary from the BDS movement that she is falsely representing. The question is open for activists: Do we tolerate this re-write of the movement’s goals or call out Jewish leaders for what appears to be the hidden agenda of protecting Jews and the Jewish state?

Does Barbara support Israel’s claimed right to exist as a Jewish state? Two of us stayed after to ask this question and to her credit she replied in the negative. But who, outside of readers of this report, knows this? We asked if this was the position of JVP, and she responded that she didn’t think so. Sounds confusing, yes? Maybe it’s supposed to be. Diligent readers of these reports can remember Anna Baltzer, National Organizer with the US Campaign to End the Israeli Occupation, admitting to a small audience in the basement of a local church that she, too didn’t support this claim. But try to find Anna’s or Barbara’s public refutation of Israel’s “right” to exist as a Jewish state.

There are serious problems with a movement to liberate a country led by members of the same ethnic/religious group that is ethnically cleansing that country. We are reminded that Malcolm X refused to allow sympathetic white voices to lead the movement for black liberation in the US. Why do complacent non-Jews extol and honor the Jewish voice when it appears pregnant with hidden agendas?

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Published on February 23, 2015 00:43

February 22, 2015

The Great Robert Wyatt On RT Sputnik With George Galloway and Gayatri

Robert speaks about music and socialism, his love to jazz and pluralism. It is fascinating and uplifting.

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Published on February 22, 2015 13:51

‘The Whistle Blower’ – Gilad Atzmon & The Orient House Ensemble

by Adrian Pallant

https://adrianspallant.wordpress.com

A CASCADE of unalloyed Middle Eastern exuberance announces this latest release from Gilad Atzmon and his Orient House Ensemble. One of the hardest-working musicians on the London and UK jazz scene, multi-instrumentalist and composer Atzmon is one of those privileged beings whose instrument (here, chiefly sax) appears simply to be an extension of their own being, such is the fervid eloquence and quick-witted delivery of his performances.
















Recorded again with OHE associates Frank Harrison (piano/keyboards), Yaron Stavi (basses) and Chris Higginbottom (drums), here is an album of Gilad’s original compositions which, characteristically, dances with ease between uproarious, Israeli-infused passion and utter, luxuriant romanticism. Easily the ‘Jeff Beck of the sax/clarinet’, there seems to be no capability of his reed instruments that he doesn’t understand or implement (as those who have seen his live creativity with mouthpiece and crook alone will testify!); and the rapidity of his trademark unbroken, chromatic runs up and down the keys – sometimes, with the dry timbre of a Medieval shawm – is as thrilling as ever.

So, that opening number, Gaza Mon Amour – with evocative percussion, rhythmic shouts and wails, it relentlessly surges to Atzmon’s hypnotic, swirling clarinet and sax extemporisations until he attains feverish screams; and following, the brooding mystery of Forever finds the leader in contrasting legato vein, coloured by Frank Harrison’s inquiring piano against the softness of cymbals and bass. The Romantic Church, harking back to the sentimentality of 2009’s In Loving Memory of America, is positively ambrosial – Atzmon at his most lyrical with wide vibrato, backed by Harrison’s lush strings and articulate, perspicuous piano.

Magnum opus Let Us Pray (at over eleven minutes) has an air of soundtrack, such is the escalating drama as Atzmon caterwauls almost in Doppler effect to the encouragement of Chris Higginbottom’s blazing drums and Yaron Stavi’s reliable bass propulsion, plus sweeping, piano improv and monolithic chords (stirring vivid memories of the electrifying atmospheres of OHE gigs). The homespun though subtly disquieting charm of The Song, expressed through the leader’s accordion, is sufficiently melodic as to proffer lyrics; and the edgy longing of To Be Free reverberates indeed to freer ensemble playing, Atzmon again reaching incredible heights.

For Moana – perhaps a love song – is spacially elegant, thanks to the delicate balance of piano, bass and drums – the perfect vehicle for Atmon’s sustained soprano meanderings. And ever the capricious, jesting showman, Gilad the guitarist and accordionist leads the closing title track – a cheeky, flouncy rumba – to wolf-whistle-prompting wordless vocal allurement from Tali Atzmon, accompanied by laddish, unison backing vocals.

Launching at London’s Pizza Express Jazz Club on 12 March, the album is released on and available from Atzmon’s new publishing outlet Fanfare Publications (and presumably all good jazz retailers) on 23 February. Extensive tour dates listed below – a show not to be missed (watch this live video from The Hideaway – Gaza Mon Amour)!

And ‘The Whistle Blower’? – Gilad explains: “I am an avid admirer of simplicity and transparency. The moment of clarity that leaves the mind in the dark, yet content. I guess this is why I blow the whistle instead of playing the fiddle.”

Gilad Atzmon alto sax, soprano sax, clarinet, accordion, guitar, vocals
Frank Harrison piano, keyboards, vocals
Yaron Stavi double bass, electric bass, vocals
Chris Higginbottom drums, vocals
with
Tali Atzmon vocals
Antonio Feola voice

Amazon.co.uk

Amazon.com

Gilad.co.uk (download)

Fanfare.website

2015 tour dates
23 February: Everyman Studio, Cheltenham
26 February: The Albany Club, Coventry
1 March: Hen & Chicken, Bristol
5 March: RNCM, Manchester
6 March: Birmingham Jazz, Birmingham
11 March: Pizza Express Jazz Club, London
12 March: Pizza Express Jazz Club, London (album launch)
13 March: Pizza Express Jazz Club, London
14 March: Pizza Express Jazz Club, London
31 March: Brook Theatre, Chatham
1 April: Y Theatre, Leicester
4 April: 606 Club, London
5 April: Colchester Arts Centre, Colchester
7 April: A-Trane, Berlin
9 April: Saarwellingen, Germany
11 April: Drill Hall, Lincoln
16 April: Watermill Jazz Club, Dorking
17 April: Wakefield Jazz Club, Wakefield
25 April: (TBC) Freiburg
30 April: Spin Jazz Club, Oxford

gilad.co.uk

Fanfare Jazz – FJ1501 (2015)

 

 

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Published on February 22, 2015 06:18

February 21, 2015

The Times Album Review

Gilad Atzmon: The Whistle Blower

John Bungey

http://www.thetimes.co.uk/

After a turn on the Pink Floyd’s The Endless River, the Israeli-born saxophonist returns to choppier jazz waters. The Whistle Blower contains the familiar Atzmon elements: Middle Eastern rhythms, passionate Coltrane-esque solos, a dash of humour and a dash of politics but now blended with a craft that reflects eight years of hard touring by his fine Orient House Ensemble. Not as overwhelming as an Atzmon live date can be, but still full of fine moments. 

Amazon.co.uk

Amazon.com

Gilad.co.uk (download)

Fanfare.website




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Published on February 21, 2015 08:56

The Sun Will Rise On Jewish Power (Press TV)

On Press TV's The Sun Will Rise, Roshan Muhammed Salih discusses with Raza Nadim and Gilad Atzmon the collapse of freedom of speech in Britain as reflected by the attacks on George Galloway MP and Reverent Stephen Sizer. The program explores issues to do with Jewish power, Zionism the role of the Jewish Left and The Guardian. The full program can be watched here http://www.presstv.com/Video/2015/02/...

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Published on February 21, 2015 04:34

February 15, 2015

The Eternal Jew-A Glimpse Into Jewish Goy Hatred (video)










 An introduction by Gilad Atzmon

In the following piece of Right Wing Israeli propaganda, the Jewish leftist is presented as a guardian of  ‘anti-Semites.’  But the leftist’s fate is tragic: when he is no longer useful he is sent to meet his creator.

The message of the video is clear-“ The Europeans may all seem different to you, but to them..you are all exactly the same.”  The ‘Goyim,’ according to the video, are an untrustworthy genocidal collective.

It doesn’t take a genius to produce a psychoanalytical reading of this horrid propaganda video. The fear of ‘anti-Semitism’ is an amplified projection of Jewish Goy hatred. The producers of the video are suffocated with hatred towards gentiles and particularly toward Europeans. The more they hate the ‘Europeans’, the more tormented they are by the possibility that the ‘Europeans’ are as horrid as they, themselves, happen to be.  This video provides a window into Zionist psychosis. It reveals that the fear of anti-Semitism is a Jewish fantasy of destruction fueled by deep-rooted Goy-hatred. The Jew who made the film attributes to the gentile his own ingrained racist perspective– the more the Jew hates the Goy, the more the Jew is tormented by the fear that the Goy is similarly hateful.

http://youtu.be/qhbyRb8fu44

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Published on February 15, 2015 00:33

February 14, 2015

I Was Born in Israel Many Years before I Realized Israel Was Palestine










By Whatsupic with 7sabah

I was born in Israel and it was many years before I realized that Israel was Palestine. I was relatively patriotic. I was looking forward to serving in the army and then I grasped that there was little truth in the Jewish historical narrative. I then gathered that I was living on someone else’s land. At the same time I discovered the saxophone.  By the age of 30, I left Israel and never went back.

Q: There is some kind of rebellion in your music; how do you explain this?

A:  My music can be very soft and reflective. Sometimes it is very funny and occasionally it is furious. There are too many reasons to be angry. I’m far from happy when I see Israel flattening Gaza. I’m furious when I find out 80 percent of British conservative MPs are ‘friends of Israel.’ I’m angry when I find out the Jewish lobby is pushing America into another World War and instead of becoming violent, sometimes I use music as a channel to express my anger.

Q: What type of music is close to your music in the world?

A: It’s very simple. I’m a jazz artist, a Bebop player. But I’m inspired by near east music whether it is Arabic, Turkish or Greek. I find my own way to fuse the Arabic Mawwal with John Coltrane…

Q: What do you think of the social and political state of Turkey?

A: Listen, I’m really against any forms of interventionism, so I’m definitely not the right person to judge the situation here. I can only talk about my impression, and it’s not an academic observation. I’m touring all over the world and I see a lot of sadness. I see impoverished countries, people with no work, with no prospect of production. I see youngsters who are third generation poor and in their deserted main street they don’t eat their own food anymore, they instead eat McDonalds, Burger King, Coca Cola, Starbucks. And I’m here in Turkey and see a lot of people on the streets, and I see fish from your sea, and tomatoes from your fields, and I see a lot of people working in the restaurants that have Turkish names and don’t even offer a menu in English, and it makes me happy for you. You have managed to maintain your authenticity and culture. This is a great victory. You are so lucky that Islamophobic Europeans didn’t accept you in the EU. Your country is now a superpower.

Q: You were born in Israel but you are against Israeli occupation and its politics. You are living in the West, how do you cope?

A: Let me tell you something and it is crucial. In my entire career, I have never been subject to abuse by the British government, never been subject to abuse by the American government. Although the infamous Alan Dershowitz, who is now implicated in a huge sex scandal with minors, labelled me ‘as the number one enemy of the Jewish people,’ I’ve never been subject to direct abuse by the Israeli government. Even the NSA doesn’t harass me. The only people who stalk me continuously are the Jewish left and the Guardian newspaper. I can say that it’s not a problem but I came to the realization that the biggest enemy of our elementary freedoms are the progressives and I’ll explain why.

In the West and maybe in Turkey as well, we have issues with political correctness. What is political correctness? Political correctness is politics that doesn’t allow political opposition. But this is clearly the definition we associate with dictatorship. But political correctness is far worse than dictatorship. Why? Because in the case of dictatorship you experience an opposition to a regime that is distinct from you, but in the case of political correctness it is you who silence yourself. Political Correctness is a form of self-censorship. The Jewish left and the progressives made us into a collective of impotents. Our task is to move on and to erect our resistance against this cancerous ideology.

Q: Can we separate Judaism from Zionism?

A: No. Israel isn’t called the ‘Zionist State,’ it defines itself as the ‘Jewish State.’ The parties in the government are called “Israel Our Home” and the “Jewish Home” not the “Zionist Home”*. Now the Israeli cabinet has approved the National Bill that defines Israel as the Jewish state not the Zionist state. Zionism from an Israeli perspective died in 1948. Zionism was a promise to erect a Jewish state in Zion (Palestine). Once, Israel was established, Zionism was finished with its role. The only people who maintain the Zionist nonsense are the Jewish left because they want to differentiate between Jewishness and Zionism.  This is why they call Israel colonialism. But Israel is not colonialism. Colonialism is a clear exchange between a mother state and a settler state. Israel is a settler state, yet there is no Jewish mother state. This is why they call it apartheid. Israel in not apartheid: Apartheid is a racist system of exploitation. But Israel doesn’t want to exploit the Palestinians, it wants them gone. Israel is a Hitlerian ethnic cleansing model. The Left uses the terms ‘Colonialism’, ‘Zionism’, and ‘Apartheid’ in an attempt to divert attention from the ‘J’ word. For solidarity with Palestine to be meaningful, we have to de-Judify our terminology. Not to kick out the Jews, but to prevent Jewish interests from defining the boundaries of the discussion.

Q: Can we see Israel and Palestine as two states?

A: No.

Q: Will the Palestinians be able to return to their county?

A: This is what they are fighting for. And any person who doesn’t accept the right of return is not a genuine supporter.

Q: What do you think about what Ahmadinejad said about the Holocaust?

A: I agree 100 percent with everything Ahmadinejad said about the Holocaust. Ahmadinejad basically said that Holocaust must be treated as a historical chapter. At the moment it is treated as a religion. And if it is a religion I want to maintain my right to be an atheist. In contemporary Judified reality it is OK not to believe in God but if you don’t believe in Auschwitz you will be penalised and severely. I don’t accept it.

Q: What does the US gain from supporting Israel?

A: We cannot think of America as an independent entity anymore. America’s political system is a Jewish occupied zone. America, Britain, France, [and generally] the West woke up one morning to realize that there was a loop hole in their legal system that facilitated the ability of invasive foreign lobbies such as AIPAC, CFI, CRIF to interfere with their foreign affairs. America has sacrificed its foreign interests on the Jewish alter. It is a disaster. But history teaches us that this Jewish political impunity always comes to an end in a totally tragic circumstance.

Q: Do you agree that a Holocaust is happening in Gaza?

A: I don’t know what the Holocaust is anymore. I’m like Ahmadinejad in that regard. When I was a kid they taught me that the Nazis made soap out of Jews. And then I grew up and realized it was all a fantasy. They taught me that the Arabs were going to throw us into the sea. And when I was mature enough to learn the history on my own I realized that it was actually the Jews who threw Palestinians into the sea. Then I realized that Jews (like everyone else) tend to project their cultural symptoms on others. The Jews are fearful of the Palestinians because the Jews witness their army engaged in murderous activity. They must believe the Palestinians are as murderous as the IDF happens to be.

I don’t want to talk in terms of the Holocaust because it is too Jewish. I don’t want to compare Israel with Nazism because Israel is bad enough.  From some perspectives Israel is worse than Nazism (Israel is a Jewish democracy it implies a collective responsibility). When I compare Israel with Nazism I reaffirm the Holocaust religion and sustain the primacy of Jewish suffering. We have to establish a new discourse where Israelis are the worst enemy of humanity and the Palestinians are the ultimate sufferers. Auschwitz was indeed bad, but not as bad as Gaza.

 Q: Iran is not after nuclear arms the whole world knows that. How do you explain the fuss around the Iranian nuclear project?

A: I have no problem with Iranian nuclear arms. I want Iran to have a bomb. Just One Iranian bomb will bring peace to the region. Because all this mess in the Middle Ease caused by Israel and America is because they know they can kill with impunity and endlessly. And my problem with the Shias is that they are too nice. They really don’t want to bomb anyone. An atomic bomb is Haram they say.

Q: What is your opinion about Iran’s role in the Middle East?

A: Iran is the most beautiful political power. It supports the Palestinians. It supports the resistance. Iran has developed very strong industry. This country that was a client state of America 34 years ago now produces submarines, airplanes, drones, very strong computers. It is beautiful.

Q: Obama is the first black president of America but statistics show scores of black people are shot dead every year. How do you analyze this contradiction?

A: We like to think in terms of racial division because this is the heritage of the left, but it is wrong. In the west and in the last 50 years there has been a collapse of manufacturing partially because of automation, machinery, and computerization but also because Milton Friedman taught us that is better to be a service economy. The meaning of it in America, Britain, France, etc. is that we don’t need working people. The people who used to be working class are now workless class, 8and they are doomed to poverty with no hope, they are called under-class. As things stand, existing jobs demand very high cognitive ability (very high I.Q.) such as engineers, financiers, bankers, PRs. This group of privileged people is what I call the ‘cognitive elite,’ and they are few in number. We live in a society where we witness the under-class growing rapidly and a small cognitive elite maintaining its power. Obama is well within the cognitive elite and not because he is black, but because he is clever and he clearly found his way to the top. When it comes to the under-class we realize that there are a lot of immigrants including many Hispanics and Blacks. They are the primary sufferers of the new cruel, merciless division not between the rich and the poor but between the able and the less able. It is very devastating.  This is why Turkey is so important. You manage your economy and currency in a manner that facilitates manufacturing.

(Reporting by Mehmet Gurhan).

Read the interview in Turkish on 7sabah.

 *The Zionist Home party was formed a month after this interview was conducted. 

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Published on February 14, 2015 01:33

February 13, 2015

Is Dershowitz Still Free? Pap and Seder on Epstein/Dershowitz (must watch)

Pap and Seder: Epstein/Dershowitz' Child Sex Scandal Only Beginning

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Published on February 13, 2015 18:53

Four Stars Review in The Guardian Today...

Cheerfully subversive … Gilad Atzmon.jpg








By John Fordham

http://www.theguardian.com/

Gilad Atzmon Orient House Ensemble: The Whistle Blower CD review – muscular tones to naff pop

The expat Israeli musician Gilad Atzmon told Jazzwise magazine: “If my music wants to go in one direction, it will take me with it.”This eighth album by Atzmon’s powerful Orient House Ensemble goes in at least three directions: muscular Coltrane-like energy; melancholy tone-poetry drawing on the Turkish and Arabic inflections in the leader’s playing; cheerfully subversive clowning. The title also splits three ways, referring to Atzmon the virtuoso wind-player, Atzmon the guerrilla of political incorrectness (the heartfelt ballad For Moana was inspired by the late Italian porn-star and politician Moana Pozzi), and to the jokey wolf-whistling the band does on the closing title track – which sounds like a naff French pop song of the 1960s., and is a typically Atzmonian disruption of the affecting and romantic melancholia that has preceded it. For all its distractions, though, this is a world-jazz album displaying Atzmon’s most explicit commitment to the “jazz” component of that label – as evocatively mellow as the work of an early New Orleans clarinettist in The Romantic Church, awesome on double-time alto-sax bebop, impassioned and swooping on soprano in the Coltranesque Let Us Pray or To Be Free. Gilad Atzmon is many things, some of them lovable and some less so, but he’s a gifted jazz musician to his core.

To buy The Whistle Blower:

Amazon.co.uk

Amazon.com

Fanfare.website  (cd)

Fanfare.website (download)

















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Published on February 13, 2015 03:27