We scurry to work,
but are prepared
to make a guest appearance,
into an experimental stage;
with hardly Shakespeare’s actors
but neighbours, cleaners, strangers,
everyday people.
We care not for the genre:
tragic, fantastical , romantic acts
or simply commonplace realism;
but for the experiences
carved by daily stimuli,
from cubicle to cubicle.
We smile, stare or preoccupy ourselves,
in
Published on August 15, 2011 20:00