James Reasoner's Blog, page 4

Review: The Red Tassel - David Dodge

THE RED TASSEL is the third and final novel by David Dodge to feature Al Colby, a private detective/troubleshooter who works primarily for U.S. business interests in South America. It was published in hardcover by Random House in 1950 and reprinted in paperback by Dell in 1952 with a cover by Robert Stanley. The same Stanley cover art graces the recent reprint from the fine folks at Black Gat Books, which is available in paperback from Amazon and also includes an excellent introduction by Randal S. Brandt.

In this novel, Al Colby, who is a very likable narrator/protagonist, is hired by beautiful redhead Pancha Porter, who inherited a lead and silver mine in the mountains of Bolivia from her father. The mine’s production has dropped dramatically, and Pancha wants Al to find out why and put a stop to it. The situation is complicated, as far as Al is concerned, by Pancha’s insistence on traveling to the mine with him. And since she’s footing the bill, he can’t really say no.

They run into trouble before they even arrive and meet all the colorful characters at the mine and the nearby village of Indian workers. Those colorful characters include a witch doctor who holds a grudge against Pancha’s late father, a neurotic young man and his overprotective mother, assorted surly servants and employees, and an old woman who wanders around acting like a lunatic . It’ll come as no surprise to most readers that a murder takes place sooner rather than later, and Al find himself in deadly danger more than once.

Dodge and his family lived in South America and the setting for this novel is based on a real place. You can tell that from the excellent descriptive writing. THE RED TASSEL is well-plotted, too, not extraordinarily complex but always solid and intriguing. I figured out the killer’s identity and most of what was going on, but that didn’t detract from my enjoyment of this book even a little bit. That’s how good the characters and the writing are.

Dodge is best remembered for his novel TO CATCH A THIEF, which served as the basis for the famous Alfred Hitchcock movie with Cary Grant and Grace Kelly. I haven’t read that one, but I have read the second Al Colby novel, PLUNDER OF THE SUN (also a movie) and the posthumously published THE LAST MATCH. I really liked both of those books, too. I need to read more by David Dodge. I thoroughly enjoyed THE RED TASSEL and give it a high recommendation. It’s a smoothly told, very entertaining tale.

Sunday Morning Bonus Pulp: Detective Fiction Weekly, March 28, 1931

This isn't a particularly dramatic Mountie cover on this issue of DETECTIVE FICTION WEEKLY, but I don't recall coming across a Mountie on a DFW cover before, so I find it interesting. I don't know who painted it. There's certainly a decent group of authors in this issue, including Hulbert Footner, Fred MacIsaac, J. Allan Dunn, J. Lane Linklater, and Edward Parrish Ware. Those are all prolific, well-respected pulpsters. I don't own this issue, but I think it would be worth reading if I did. 

Saturday Morning Western Pulp: Double Action Western, January 1953

This is a pulp that I own and read recently. That’s my copy in the scan. I don’t know who painted the cover. It’s not a great cover, in my opinion, but it’s not really a bad cover, either. And the map of Texas has El Paso not quite in the right place. They didn’t think they could slip that past a born-bred-and-forever Texan like me, did they? But on to the stories.

Seven Anderton is an unjustly forgotten writer who had a decent career in the Western, detective, and sports pulps from the late Twenties to the late Fifties, producing around a hundred stories during that run, many of them novellas or novelettes. But he never wrote an actual novel as far as I know, which is probably one reason he’s forgotten. His novella “Her Name is Battle” leads off this issue, and the title is literal: the heroine is named Esther Battle. She’s a Western girl born and raised who has been at an Eastern school the past few years, but as the story opens, she’s returning to claim the ranch she’s inherited from her uncle. During the trip, she makes some allies: a giant Swede who wants to become a cowboy, and an actual down-on-his-luck cowboy who winds up being hired as Esther’s foreman. Naturally, there’s an evil banker who wants to take over the ranch, even if it means kidnapping or killing Esther before she arrives.

As far as the set-up goes, there’s nothing in this story we haven’t read many times before, but Anderton populates his yarn with distinctive, well-developed, and even colorful characters. His writing is smooth and funny at times, tough and gritty at others. “Her Name is Battle” is just a well-written, very entertaining story with a few welcome twists. Unfortunately, it kind of limps to an ending that’s not as satisfying as it could have been, which is something I’ve noticed in other stories by Anderton. It’s like he pulls back rather than going for a big finish. However, that didn’t stop me from enjoying this story, and I won’t hesitate to read more by him.

During the Thirties, Cliff Campbell was a personal pseudonym for writer and editor Abner J. Sundell. In the Forties, it became a Columbia Publications house-name used by numerous authors on Western, detective, and sports stories. The actual author of “Killer From Texas”, a novella in this issue by-lined Cliff Campbell, hasn’t been determined as far as I know, but whoever it was did a pretty good job. Drifting cowpoke Homer Kale rides into a Wyoming settlement figuring on having a quiet drink, but before you know it, he’s been accused by a beautiful girl of murdering an old prospector, and he’s locked up in jail before being taken out by a lynch mob. Homer barely escapes that necktie party and goes on the run from the law, knowing that the only way he can save his life is by finding the real killer. It’s a time-worn plot, to be sure, but “Campbell” spins his yarn with skill and enthusiasm, combining some surprisingly lighthearted scenes with a grotesque and suitably evil villain, some other colorful characters, and enough gritty action to keep things interesting. I couldn’t even make a guess who actually wrote this one, but I enjoyed it quite a bit.

I’d read a couple of stories by W. Edmunds Claussen before and had a mixed reaction to them. One I thought was kind of okay, the other I didn’t like. His novelette in this issue, “Gun-Smuggler Trail”, falls into the kind of okay category. It has a pretty good plot: fiddlefooted adventurer Burt Moffat returns to his family’s ranch in New Mexico to find that his father and his brother (a U.S. marshal) have both been murdered, and outlaws are using the ranch to smuggle guns across the border to Pancho Villa in Mexico. The smuggling gang uses an old ghost town as its headquarters. The story is atmospheric and violent, but Claussen’s convoluted style can be hard to read and follow. So this is sort of a miss, but an interesting one that might have been a really good story in different hands.

“Gunslick Trio From Hell” is by Charles D. Richardson Jr., another author whose work I’ve found to be okay at best. In this story, a reformed outlaw who has become the respected mayor of a frontier settlement has his past crop up to haunt him in the form of three members of his old gang. Things play out about like you’d expect them to, but in rather bland fashion and nobody in the story is really all that likable. And overall, I didn’t like the story much.

Lee Floren’s work is hit-and-miss with me, but mostly I like his stories. “Triggers for a Texan” in this issue is another interesting yarn that’s not particularly well-written, but I liked it considerably better than Claussen’s novelette. It’s about a Texan who has sworn off using a gun because of violence in his past, but when he gets involved in a Wyoming range war, he has to choose whether to pick up a Colt again. We’ve all read this plot many times before, but Floren does a decent job with it, attempting a few stylistic tricks that don’t quite come off but don’t keep it from being an entertaining yarn.

Chuck Martin, who often wrote as Charles M. Martin as well, is another dependably entertaining Western pulpster. His story “Gun or Gallows” in this issue is about a young marshal working for Judge Isaac Parker, the famous Hanging Judge. He has to arrest an old friend of his for murder, but he doesn’t believe the man is guilty, so the two of them set out together to find the real killer. I didn’t like this one as much as the other stories I’ve read by Martin, but it’s not bad. The ending is a considerable stretch, though.

Lon Williams is a pretty well-regarded author because of his series of Weird Western stories about Deputy Sheriff Lee Winters. I’ve read a few of those, though, and I’m not really a fan. His contribution to this issue is a short stand-alone story called “Stolen Waters” about a crooked lawyer and forger getting his comeuppance. It’s a very minor story but reasonably well-written.

Overall, this issue of DOUBLE ACTION WESTERN is probably a below average Western pulp, with the best story being the “Cliff Campbell” house-name yarn, and the Seven Anderton story is good, too. None of the others are terrible, but they’re not very memorable, either. Don’t rush to your shelves to see if you have this issue. If you do read it, go in with low expectations and it’ll probably provide at least some entertainment.

A Rough Edges Rerun Review: The Ship of Shadows - H. Bedford-Jones

THE SHIP OF SHADOWS is a Black Dog Books chapbook reprint of a vintage pulp adventure yarn by H. Bedford-Jones. This one was originally published as a complete novel in the February 1920 issue of BLUE BOOK, one of the classiest of the pulps.

Eric Venable is a minister who finds himself beset by tragedy and winds up a drug addict. That’s not a spoiler, because it’s the situation as the story opens. Venable loses his church and sinks far into the depths of degradation, only to wind up being shanghaied onto a tramp steamer bound for China. That proves to be his salvation, of course, because he’s forced to get over his opium habit and the hard work as part of the ship’s black gang builds up his body and returns his strength to him.

That’s still just prologue to the main story, which finds Venable and the ship’s engineer who has befriended him signing on as part of the crew on a mysterious ship sailing from China back to America. What Venable and his friend Garrity don’t know until it’s too late is that the ship’s passengers are all Russians, a volatile mixture of aristocrats and Bolsheviks. Each group wants to kill the other and wind up with their hands on a fortune in gems and religious artifacts which were smuggled out of Russia by a group of nobles on the run from the Reds. And there’s intrigue going on among the groups, too, as double-crosses abound.

Throw in storms at sea, a few gun battles, knife-wielding Chinamen, some far-fetched coincidences, and a little romance and you’ve got a fine example of a blood-and-thunder adventure yarn. Being decidedly old-fashioned (it was written nearly ninety years ago) [105 years ago now] and somewhat politically incorrect, it won’t be to everyone’s taste these days, of course, but I thoroughly enjoyed it.

(This post originally appeared in a somewhat different form on April 3, 2008. I love those Black Dog Books chapbooks Tom Roberts published, own most of them, and have read many of them. Great stuff all around. I don't believe this one is available directly from the publisher anymore, but affordable used copies can be found on-line. I still highly recommend it for any fans of pulp adventure yarns.)

Review: Safari to the Lost Ages - William P. McGivern

After reading William P. McGivern’s grim and gritty crime novel SHIELD FOR MURDER a couple of weeks ago, I got the urge to try one of his science fiction stories. “Safari to the Lost Ages”, a novella that appeared originally in the July 1942 issue of FANTASTIC ADVENTURES, seemed like a good bet. It’s about a trip 30,000 years into the past, and I like a good time travel yarn now and then.

The first thing to know about this story is that there’s almost no science to it, not even any handwavium to explain how time travel exists. It just does, that’s all, and it’s so commonplace that there are companies rich people hire to take them into the past as a vacation. One such company is run by two-fisted adventurer Barry Rudd and his assistant, the burly McGregor.

Barry and McGregor are hired by beautiful Linda Carstairs to find her father, a scientist who went 30,000 years into the past but never returned to the present. Linda insists on going along on the expedition, of course, and so does her fiancé. Barry doesn’t like this, but Linda is paying for the trip, so he reluctantly agrees to her presence.

Well, naturally, things go wrong. After an encounter with a dinosaur, Barry is captured by some beautiful winged bird-girls and winds up the prisoner of some cavemen who have a village inside an extinct volcano. McGregor and the others are also taken prisoner by the cavemen. (Yes, this is one of those stories where cavemen and dinosaurs exist at the same time.) We get human sacrifice, desperate battles, treachery, noble gestures, and nick-of-time escapes. All the stuff of classic pulp adventure yarns, in other words.

And a pulp adventure yarn is really all this is, despite the minor science fiction trappings. It might as well have taken place in the Africa that Edgar Rice Burroughs wrote about, where there’s a lost race around every corner. Of course, that’s fine with me. I read to be entertained, so the only question is whether or not “Safari to the Lost Ages” is entertaining.

Let me put it this way: If I had read this when I was ten years old, I would have thought it was one of the greatest stories ever written. As it is, reading it at a considerably older age, I still galloped right through it and had a very good time reading it. This is Front Porch stuff for sure. McGivern’s prose is colorful, breakneck fast, and heavy on the adverbs (I love adverbs, even though I know I’m supposed to hate them in this day and age). Barry Rudd is a stalwart hero, the villains are suitably despicable, the bird-girls are an intriguing concept I wish he had done more with, and the whole thing just raced by. If I had read this story without a by-line on it, I never would have guessed it was written by the same guy who did the bleak, low-key SHIELD FOR MURDER.

From what I’ve written about it, you ought to be able to tell whether you’re the sort of reader who would enjoy “Safari to the Lost Ages” or think it’s the stupidest thing ever. So proceed accordingly. The novella is included in THE FIRST WILLIAM P. McGIVERN SCIENCE FICTION MEGAPACK, which is available as an e-book on Amazon. I definitely plan to read more of McGivern’s science fiction and fantasy. By the way, McGivern also wrote the story under the house-name P.F. Costello that's featured on the cover of that issue of FANTASTIC ADVENTURES, and it's included in THE WILLIAM P. McGIVERN FANTASY MEGAPACK.

Review: Jedediah Smith - Alfred Wallon

Alfred Wallon is the most prolific and popular German author of Westerns and historical novels published in the United States. His latest release is JEDEDIAH SMITH, a historical novel about the life of one of the most important figures of the Mountain Man era, and it’s excellent.

Jedediah Smith was a member of one of the first fur trapping expeditions to go all the way up the Missouri River. He helped discover the route to the northwest through South Pass, which became one of the vital parts of the great westward migration. He traveled to the Great Salt Lake and on to California, helping to open up the idea of trade with the Mexican settlements on the West Coast. And he helped scout what became the Santa Fe Trail, leading to a fateful encounter with Comanches. Wallon covers all of this in his thoroughly researched novel based primarily on journals kept by Smith and other members of his expeditions.

Along the way, there’s plenty of action: battles with Indians, clashes with Mexican soldiers, even a fight with a bear. Numerous colorful historical characters from the Mountain Man era make appearances, including Jim Bridge, John Colter, Hugh Glass, Jim Beckwourth, and the Sublette brothers.

Wallon captures not only the epic scope of these explorations that shaped the country, but he also provides a compelling insight into the mind of an explorer, as Smith is always pushing on, looking for something new, wanting to see places he hasn’t seen. The fur trapping business is what led Smith to travel throughout the West, but his own wanderlust comes through clearly as well.

JEDEDIAH SMITH is a well-written, informative, but above all entertaining chronicle of the opening of the West. Alfred Wallon has done a fine job on it, and if you’re a fan of top-notch, realistic historical fiction, I give it a high recommendation. It’s available on Amazon in e-book and paperback editions.

Sunday Morning Bonus Pulp: Detective Action Stories, October 1936

This Popular Publications detective pulp was never very successful, having two short runs during the Thirties. This issue is from the second incarnation of DETECTIVE ACTION STORIES. The cover, which admittedly is pretty striking, is credited to someone named A. Nelson. This is the only listing in the Fictionmags Index for whoever that was. As for the authors inside, Ray Cummings is probably the biggest name, although Walter Ripperger was fairly prolific and popular, too. Also, one of the authors, William Moulton Marston, went on to create the iconic comic book character Wonder Woman a few years later. Other authors on hand are Victor Maxwell, Arthur V. Chester, William Corcoran, and Richard L. Hobart. Chester's story is featured on the cover despite the fact that he sold only five stories to the pulps and couldn't have been considered a big name. But the story inspired a good cover.

Saturday Morning Western Pulp: Lariat Story Magazine, May 1927

Now that's an eye-catching cover by H.C. Murphy Jr.! LARIAT STORY MAGAZINE's claim of "Real Cowboy Stories by Real Cowboys" may be a bit of an exaggeration. The real name of Eli Colter, who has a story in this issue, was May Eliza Frost, so she's not a boy at all. Maybe she was a cowgirl, I don't know about that. Frederick Nebel has a story in this one, too, and I don't recall reading that he ever worked as a cowboy, but it's possible and if he did, I hope one of you will feel free to correct me. Walt Coburn, of course, was indeed the Genuine Article. The other authors in this issue are Albert William Stone and John Byrne (apparently not the editor of the same name). I have no idea if either of them ever cowboyed. Despite all that, I'm sure this is an excellent issue, and there are plenty of examples of non-cowboy authors who wrote great Westerns. It's a pretty good bit of marketing, though. 

A Rough Edges Rerun Review: The Sandhills Shootings - Chap O'Keefe (Keith Chapman)

THE SANDHILLS SHOOTING is one of Chap O'Keefe's novels featuring range detective/hired gun Joshua Dillard. In this one, Dillard gets a letter from his brother-in-law, who is serving as a deputy marshal in a small town in Nebraska, asking him to come and help prevent a range war that's brewing in the sandhills area of that state. At the same time, Dillard is summoned to Omaha by a wealthy businessman who also has connections in the sandhills. Naturally, those two cases turn out to be related, but Dillard doesn't discover that until there are several attempts on his life, in one of which he's shot and left for dead.

Chap O'Keefe (who is really friend-of-this-blog Keith Chapman) takes a traditional Western plot and as usual spins it into something more with clever plot twists, well-developed and interesting characters, and plenty of tough, hardboiled action scenes. Joshua Dillard has turned into one of my favorite Western characters. Although he's fast with a gun and can handle himself just fine in a fistfight, he's hardly a superman, but rather a flawed but determined man trying to make his way on a brutal frontier.

THE SANDHILLS SHOOTING is now available in an affordable e-book edition. If you're a Western fan, I highly recommend it.

(This post originally appeared on August 1, 2011. A new edition of THE SANDHILLS SHOOTING has just been released, including a bonus article on researching Western novels and a new cover. I've added a link to the new edition above. A paperback version is also in the works. My recommendation from more than 14 years ago still stands. Keith Chapman is a fine author of traditional Westerns and always worth reading.)

Review: Montana Fury - Al Cody (Archie Joscelyn)

Archie Joscelyn started his pulp career all the way back in 1921 and wrote steadily for them, mostly Westerns, until the late Fifties, after which he devoted his efforts entirely to novels and was still turning them out until the late Seventies. He wrote under his own name and numerous pseudonyms, the most common of which was Al Cody. He probably published more books under the Cody name than any of the others.

MONTANA FURY, as by Al Cody, is from fairly late in Joscelyn's career, published originally in hardcover by library market publisher Avalon Books in 1967 and reprinted in paperback a couple of years later by Macfadden-Bartell, which is the edition I read. That’s my copy in the scan. The protagonist is a young man named Jake Cassius, an orphan who runs away from the family he’s been living with in Kansas and joins a cattle drive headed for Montana. The reason he wants to go to Montana is that he saw a young woman in Kansas and fell in love with her at first sight, and she was on her way to her family’s ranch in Montana.

The first half of the novel follows Jake’s adventures on the cattle drive and forms a well-done coming-of-age yarn. Then there’s an abrupt plot twist and Jake takes the blame for a murder he believes was committed by his best friend. He goes on the run from the law and heads for Montana, winds up pretending to be a U.S. marshal, and finds himself smack-dab in the middle of a range war involving the family of the girl he's in love with.

MONTANA FURY is almost a kitchen-sink book like Louis L’Amour’s TO TAME A LAND (my favorite L’Amour novel), but Joscelyn doesn’t throw quite as many elements into his tale as L’Amour did. And the writing is very different. For most of his career, Joscelyn was a very traditional Western writer, telling his stories in simple prose, but as he got older, his style changed some and this book is a good example. The dialogue has an oddball, mock-Shakespearean tone to it, reminding me of DEADWOOD without all the cussin’. There’s a certain similarity to Frederick Faust’s Max Brand novels, too, although Joscelyn, who grew up on a ranch in Montana, has more realistic settings than Faust.

I’ve read some of Joscelyn’s novels from the Seventies where this tendency is really exaggerated, and they’re not very good. MONTANA FURY is odd and distinctive, but I think it still works overall and I enjoyed it. Anyone who hasn’t read Joscelyn’s work before, though, probably shouldn’t start with this one. Try one of his novels from the Forties or Fifties instead.

Now, in the spirit of full disclosure, I actually bought this book for the Ron Lesser cover featuring model Steve Holland. Lesser did several covers for various Western novels based on reference photographs from the same photo shoot with Holland wearing that long coat. I own several of those books. There’s also a Lesser painting based on that shoot that was never used for a Western novel cover . . . yet. I’ll have more information about that at a later date.