S.E. Lindberg's Blog, page 35

A Guide to Dyscrasia Fiction

Here's a guide to Dyscrasia Fiction.A fourth book is in the works (working title "Helen's Storm")
New to the series? Start with Helen's journey in Helen's Daimones. 

The Literate Thief - Review By SE

Literate Thief by Walter Rhein
S.E. rating: 5 of 5 stars

Highly recommended dystopian reading; intellectual heroic fantasy that unfolds fast furious .

"Never let a lesser person hold dominion over your sense of worth. If you doubt your own logic, you become vulnerable to oppression, violation, and control"- scholar Adam Lockhart


Carl Sagan's The Demon-Haunted World: Science as a Candle in the Dark inspired this Slaves of Erafor series (a dark muse for sure). When and how should passive intellectuals fight back against blind oppression? It is a timely philosophical question for many, especially in a day in which faux news is eroding our confidence in society's collective intelligence. At what point is violent revolution warranted? Rhein offers an entertaining adventure that invites us to consider such dilemmas. Don't worry, it reads as fun escapism--not a manifesto.

This is a stunning sequel to the The Reader of Acheron, which introduced us to Kikkan (an educated brute, a freed slave--he's the pipe-wielding dude on the cover) and the duo of Cole & Quillion (nuanced mercenaries). The three men go on a mission, inspired by a rare scholar named Lockhart: find a teacher, a literate thief, in Edentown. They are continuously dogged by an oppressive, illiterate government. Acheron was ambitious and rewarding, introducing us to a future in which reading is prohibited; Thief is even better.

Stylistically, the Literate Thief is very realistic (no mythological monsters or contraptions exist) but it does "feel like" Steampunk Fantasy. Its tone is more Grim than Hopeful, but that reflects the daunting conflict our heroes face. Its faces several humans against (a) organized authoritarian government, (b) a drugged, apathetic populace, and (c) an impoverished ruined city-scape. There are several instances you will hope that they can escape into the infested, haunted subway for relative safety from the dangers above.

Walter Rhein mixed up just the right number of opposing & cooperative players and places. As much as the Literate Thief fleshes out the World of Erafor, it opens up new vistas into weird science (futuristic alchemy & drug use) while exposing more mysteries. One the one hand, the geography crystallized: places like: San Borja, San Aryan, Brinewater, and Edentown all became distinctive characters unto themselves; on the other hand, characters like Quillion, Cole, and Kikkan demonstrate wild heroics while revealing more about themselves... and new people (i.e., the antagonists Orion and Janus, and the roving library-scholar) offer up an atlas full of new stories. There is a thief of course: Simyon, a friend of the seductive archer Valeria; they make a great pair. But is Simyon the titular Thief?

Drugs play a prominent role. First there is Bliss, that is voluntary, and involuntary, imbibed by the abundant, lower classes; these addicts become so consumed they resemble mindless, cannibalistic demons. There is also an unnamed steroid-like substance the governing brutes consume, which may be harvested from the humans they torment.

The Slaves of Erafor is an unfinished series, so don't expect all mysteries to be explained. I haven't felt the giddy need to read the next book (in progress) since I was a teenager devouring series like Raymond E. Feist's Riftwar or Margaret Weis's Dragonlance.

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Books for Beverage Program

Another dyscrasia victim! 
After listening to the audio book of Spawn of Dyscrasia, Matt earned a Starbuck's Blonde Roast as part of the Book-for-Beverage program: buy any version of Dyscrasia Fiction book [eBook, Paperback, or Audible] and I'll buy you a drink [tea, coffee, smoothy, shake, beer, whatever].

Mar-Apr Groupreads

All are welcome to join the Sword & Sorcery Group on Goodreads
Our March-April 2018 Groupread Topics are:

A) Ursula K. Le Guin:  Link to Ursula K. Le Guin groupread
Honor her passing by reading and discussing anything by her, like A Wizard of Earthsea or The Left Hand of Darkness

B) Thieves: Link to groupread on "thieves": Books like: The Thief Who Pulled on Trouble's Braids, The Legend of Eli Monpress, Broken Blade, The Hammer and the Blade

Banner Credits:
2018 Charles Vess illustrations for forthcoming Earthsea omnibus
1979 Walter Velez's Cover for Thieves World
2015 Arman Akopian Cover for Blackguards: Tales of Assassins, Mercenaries, and Rogues


  

Mar-April Groupread Topic Poll open - Sword and Sorcery Group

Sword and Sorcery Group - Poll for Nov-Dec (link)
Vote for the Mar-Apr Groupread topics: 
Poll Mar-April Groupread Topic Poll. Two months, two topics, probably. Thanks to Jack, Cindy, Jordan, Al, and Richard for ideas.


Graphic Novels: like Slaine The Wanderer, Chronicles of Hate,
The Complete Marvel Conan the Barbarian, Vol. 5

Elves like The Legend of Drizzt: The Collected Stories or Doom of the Elves or Defenders of Ulthuan
Ursula K. Le Guin - anything by her: A Wizard of EarthseaThe Left Hand of Darkness

Dwarves: The Dwarves or Gotrek & Felix: The First Omnibus ,

Thieves The Thief Who Pulled on Trouble's Braids, The Legend of Eli MonpressBroken BladeThe Hammer and the Blade
Vampires:Bloodborn or Vampire Wars The Von Carstein TrilogyWay of the Wolf or Necroscopecomments and details· show results· invite friends

Challenge! Discovery reviewed by S.E.

Challenge! Discovery by Jason M. Waltz
S.E. rating: 4 of 5 stars

Rogue Blades Entertainment has a great track record for delivering anthologies (Return of the Sword, Writing Fantasy Heroes,Rage of the Behemoth, and more). Challenge! Discovery is the 2017 edition, which posed a challenge: look at the cover, and write a story about it. The illustration features a scantily clad female warrior and a panther emerge from jungle ruins.

The concept is cool, but the entries range in quality, and I disagree with the judges. Apparently the last two won 1st and 2nd place by the judges, but if I were to rate by (a) inspiration from cover and (b) storytelling (good pacing, show not tell, etc.) then I would have chosen 2 of the below:
- "Inner Nature" by JOHN KILIAN
- "Someplace Cool and Dark" by FREDERIC S. DURBIN
- "Witch with Bronze Teeth brushed" by KEITH J. TAYLOR

1) "Witch with Bronze Teeth brushed" by KEITH J. TAYLOR: 5-star blend of military Warhammer-esque battle and zombie horror

2) "Fire Eye Gem" by Richard Berrigan: 3-star; too corny for me; features a do-good Kimmeriorian barbarian named ‘Jack’?. ugh

3) "Inner Nature" by JOHN KILIAN 5-star, started ok and but ramped-up very satisfyingly

4) "The Ash-Wood of Celestial Flame" by GABE DYBING; nice fairy tale elements

5) "Someplace Cool and Dark" by FREDERIC S. DURBIN: 5-star, it is first person, weird funny and dark.... and I heard this exact story before! It took me a while to figure it out, but I heard him read this at the World Fantasy Convention 2016. A bonus essay on the writing of this story is added and is as engaging as the story

6)"World inside the Walls" by Frederick Tor : 3-star. Nice inspiration from the cover, but delivery style was dry narrative

7) "In the Ruins of the Panther People" by DANIEL R. ROBICHAUD: 4-star. Started slow and has cheesy romance lines, but ends with a huge bang, science-sorcery Meat Stamp! Loved the Meat Stamp!

8) "The Serpent’s Root by DAVID J. WEST, young adult pacing, but fun. 3.5; not obviously connected the cover as the other stories.

9) "A Fire in Shandria" by FREDERIC S. DURBIN; 4-star. Decent Amazon warrior story with a dragon (not sure why there was a dragon and not a panther)

10) "Cat’s in the Cradle NICHOLAS OZMENT (awarded 2nd place): 3-star Inspired by the cover for sure, but for a short story most of its pages are dedicated to non pertinent content. Pacing off.

11) "Attaberia" by HENRY RAM - (awarded 1st place): 4-star. Viking story with nice concept; starts as a 5 and ends as 3 (there is a disconnect between the tension & remoteness of a mysterious island and the inhabitants).

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Chronicles of Hate - Vol 2 - review by S.E.

Chronicles of Hate, Volume 2 by Adrian Smith
S.E. rating: 4 of 5 stars

This is a sequel to Chronicles of Hate, which I reviewed earlier.

In short, this follows suit. New readers should start with Vol .1. Also, readers need to be comfortable "reading" visual images sans words. Of course, they must also like gritty, mature drawings of scantily clad women and undead warriors.

This sequel has the same style as the first: very dark & contrasty monochrome drawings, very small word count (~ 1 word per page). Adrian Smith leaves visual clues that identify the various clans. These can be subtle, but they are there. For instance, those aligned with the Mother Earth crew wear crescent moon ornaments. Many of the bad-guy clans are harder to distinguish, except for the Tyrant.

The story progresses very well and delivers on our hero "Worm" attempting to revive Mother Earth. Prior purchasing, I was worried that the story may not develop enough. But this was satisfying.

The culture of thee world develops more. It is more clear that each clan has a leader and a champion. Adrian Smith's illustrations are generally splendid. If you ever looked into any Warhammer/Games Workshop art (which Adrian has made many) and wished you could immerse yourself in a similar world (this is not part of Warhammer's TM Olde World), this is your chance.

Currently, there is a Kickstarter Campaign (by CMON with Adrian Smith) to realize this HATE-full world into a competitive board game. Pitched as an exclusive KS order, it may be difficult to get later (this runs thru mid-Feb 2018). This did inspire me to get Vol.2 and back the KS. The world of HATE evolves!



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Death at the Blue Elephant - Review by SE

Death at the Blue Elephant by Janeen Webb
S.E. rating: 5 of 5 stars

My favorite unscripted moment from the 2016 Word Fantasy Convention occurred as Janeen Webb recited on a panel, from memory, the beginning to E R Eddison's Mistress of Mistresses. Her voice and tenor were beautiful and it sounded like a blend of poetry and song. Her point being that many of these works are more easily understood, and enjoyed, if read aloud. I knew then that I had to track down more of her work, leading me here.

Death at the Blue Elephant is her 2014 collection of eighteen, fantasy-adventure stories: thirteen published previously in various publications and the remaining five are new. Table of Contents listed below; the notes indicate the tales span most every type of tale imaginable: from Lewis Carroll-like fairytales, to contemporary horror (the titular story), to Lovecraftian Mythos, Arthurian legends, historical fantasy, Faustain deals, and Phillip-Dick-like Sci-Fi.

She writes for mature readers, usually sprinkling in a dose of eroticism. Tales often take turns that are darker or happier than expected, so readers will always be on edge. My favorites were the Lovecraftian, contemporary mystery of “Lady of the Swamp,” the sci-fi thriller-romance “Niagara Falling” which blurred reality and fantasy like a Phillip Dick story, the weird fiction "Fire-Eater's Tale" that is emotionally charged with revenge-fear-and-performance anxiety, and the weirdly-inspiring-yet-sad “Blake’s Angel” which appealed to the artist in me (for the record, I would never cage an Angel).

As her bio below details, Janeen Webb is an accomplished writer and editor (once winner of World Fantasy award among others). Death at the Blue Elephant shows that she can spin a good tale from about just about anything.

Content
1. “Velvet Green.” *new* -- Lewis Carroll-like with call-outs to Dunsany's Queen of Elfland

2. “Manifest Destiny.” First published in Baggage (Eneit Press, NSW, 2010) -- A pioneering adventure horror, not like Howard’s Conan in substance, but the barbarian-may-be-more-civil-than-settler theme abounds

3. “Death at the Blue Elephant” First published in Enter… , (HarperCollins Flamingo, Sydney, 1997) and HQ Magazine, November/December, 1997 -- Contemporary Erotic Horror

4. “Red City.” First published in Synergy SF: New Science Fiction (Five Star Press, Maine, USA, 2004) -- Sci-Fi Mystery Historical fantasy– Elizabeth Peters like?

5. “Paradise Design’d” First published in Dreaming Again (HarperCollins, Sydney, 2008, and Harper EOS, New York, 2008) -- Angels playing design in the Garden of Eden

6. “The Lion Hunt.” First published in Conqueror Fantastic (DAW Books, New York, 2004) -- Greco-Roman Historical Fantasy

7. “Incident On Woolfe Street”. First published in HQ Magazine #68, Jan/Feb 2000 (HarperCollins, Sydney, 2000) -- Horrific retelling of little red riding hood.

8. “The Lady of the Swamp” *new* Forthcoming reprint in Cthulhu Deep Down Under, edited by Steve Proposch, Christopher Sequiera and Bryce Stevens -- Splendid, contemporary Lovecraftian Mythos.

9. “A Faust Films Production”. First published in Little Red Riding Hood in New York (DAW Books, USA, 2004) -- Contemporary Faustian tale, obviously

10. “Gawain and the Selkie’s Daughter.” First published in The Road to Camelot (Random House, Sydney, 2002) -- Classic Arthurian legend

11. “Niagara Falling” with Jack Dann, First published Black Mist and Other Japanese Futures (DAW Books, New York, 1997) -- Phillip Dick -ish

12. “The Fire-Eater’s Tale” with Jack Dann. First published in Strange Attractions (Shadowlands Press, USA, 2000.) -- Weird fiction ; very good.

13. “Skull Beach” *new* -- another original tale with Faustian undertones

14. “Tigershow” First published in Agog: Terrific Tales (Agog Press, Wollongong, 2003). -- PTSD tragic horror

15. “Hell Is Where the Heart Is” First published in Next (CSFG Publishing, Canberra, 2014). --Horror–Romance following transplanted organs

16. “Full Moon in Virgo”. *new* -- Ghost-Romance story

17. “Blake’s Angel” First published in Gathering the Bones (HarperCollins, Sydney and London, 2003 and Tor Books, New York, 2003) -- Weird Artistic Horror

18. “The Sculptor’s Wife” *new* -- Modern Arthurian Legend

About Janeen Webb
Janeen Webb is a multiple award-winning author, editor, and critic who has written or edited ten books and over a hundred essays and stories. She is a recipient of the World Fantasy Award, the Peter MacNamara SF Achievement Award, the Australian Aurealis Award, and is a three-time winner of the Ditmar Award. Her award-winning short fiction has appeared in a wide range of magazines and anthologies, as well as a number of Best of the Year collections. Her longer fiction includes a series of novels for young adult readers, The Sinbad Chronicles, (HarperCollins, Australia). She is also co-editor, with Jack Dann, of the influential Australian anthology Dreaming Down-Under. Janeen has also co-authored several non-fiction works with Andrew Enstice. These include Aliens and Savages; The Fantastic Self; and an annotated new edition of Mackay’s 1895 scientific romance, The Yellow Wave. Janeen is internationally recognised for her critical work in speculative fiction. Her criticism has appeared in most of major journals and standard reference works, as well as in several collections of scholarly articles published in Australia, the USA, and Europe. She was co-editor of Australian Science Fiction Review, and reviews editor for Eidolon. She holds a PhD in literature from the University of Newcastle. Janeen divides her time between Melbourne and a small farm overlooking the sea near Wilson’s Promontory, Australia.

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Cover Art Design - Helen's Daimones with Daniel Landerman -3

1) CONCEPT (LINK) : Goal & required elements
2) COVER ARTIST (LINK)  : Finding a designer
3) COVER DESIGN(YOU ARE HERE): Evolution of compositions to arrive at the final cover


This wraps up a series of posts discussing the design of the Helen's Daimones cover. Part One covered the design concepts, Part Two  revealed details about connecting with Daniel Landerman, and this last post will be the meatiest of all since it will show the progression from sketch to final illustration. All sketches are copyright Landerman 2016.

First, Daniel took several storyboards and design concepts (akin to those shred in the first post) and provided several compositions. I chose "D" since showed Helen's face while keeping her vulnerable...and having the sword away from Lysis made it easier to visualize.
Deciding on posesThen Landerman continued his magic ability to show details without cluttering the image.  From curious in Helen's hair, insect traits in the armor, and decorations in the clown-dolls, he loaded up the image with subtle elements.
Composition D selected, Details AddedWhat followed was a series of monochrome compositions that explored how light could be sourced from the magical sword, the eyes of the undead dolls, and moon.
Planning the Lighting 

Lastly, Landerman colorized the work. He was inspired by iridescent beetle carcasses for the armor.To match the magic in the book, the dolls and wasp needed to be blue-ish, and Lysis needed to be variegated (and distinguished from the blue aura).
Basic Colors
Final with added dolls, wasp, and proper eye colors
The details are amazing!


So the journey was complete.  The covers represent Lysis's and Helen's progression accurately and reinforce the characterization in Dyscrasia Fiction.  Book four is in the works...and the principles discussed here will continue to drive the design.

Character Progression & Story Arcs in Illustration
Book Covers of Dyscrasia Fiction

Cover Art Design - Helen's Daimones with Daniel Landerman -2

1) CONCEPT (LINK) : Goal & required elements
2) COVER ARTIST (YOU ARE HERE): Finding a designer
3) COVER DESIGN (LINK): Evolution of compositions to arrive at the final cover

ImagineFX magazine is a fantastic resource for graphic artists using digital media. As mentioned in Part #1, I was inspired by Daniel Landerman's sketches in a 2011 ImagineFX article. I decided to learn more about him, eventually contacting him to explore commission options.

Daniel Landerman has freelanced in the entertainment industry since 2003 doing concept design and production art for film, TV, and video games. He has been working predominantly as a sketch artist in advertising since 2008 for folks like
BLT, Ignition, The Ayzenberg Group, Blizzard and Riot Games.Specialties: Sketching, illustration, story development, blue ocean thinking, character/concept design, storyboarding, storytelling.





Browsing Daniel Landerman's Instagram page to see if he drew the undead too, I stumbled across his Titan (Lysis is not a giant, but his head would look similar being a skull with twisted horns).
Totally psyched that I may have found an artist who seemed to already know what I needed, I reached out to him. Thankfully Landerman did do some freelancing and we struck a rapport. Below I share some links to his videos and stills on Instagram, but the real meat of our collaboration is shared in the final post:
Part 3: COVER DESIGN Final Cover

A post shared by Daniel Landerman (@daniel_landerman) on Jul 12, 2017 at 11:47am PDT

A post shared by Daniel Landerman (@daniel_landerman) on Jul 13, 2017 at 2:27pm PDT

A post shared by Daniel Landerman (@daniel_landerman) on Jul 12, 2017 at 10:46am PDT