Stephen Kozeniewski's Blog, page 19

February 14, 2020

Women in Horror Month #6: Lynne Hansen

Hey, everybody! I'm absolutely tickled pink to introduce you today to someone with two parallel and incredible careers as an artist and a director. We've met at a number of events and conventions, and I know you're going to like her just as much as I do. So let's meet her and then dive right in.
About Lynne Hansen:
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Lynne Hansen is a storyteller who, after directing her first short film "Chomp," discovered that she had been studying her entire life to become a filmmaker. She developed a love of all things creepy huddling beneath the covers watching "Acri Creature Feature" with her dad and big brother. She honed her knowledge of story during her six-year tenure as senior editor for a small press publishing company and as an award-winning author. She developed her eye for visual storytelling designing book covers that required condensing an entire story into a single image. She shepherded her own creative endeavors into the world, and those of others, as a marketing professional, including working with a historic non-profit art-house theater. Having struggled to find her own voice as an artist, Lynne has spoken to students at over 200 schools about how to nurture their own creative spark. She was awarded the 2014 Buffalo Dreams Fantastic Film Festival Filmmaker to Watch “Dreamer” award.

You can follow her on Instagram, Facebook, and Twitter and see her portfolio site.

Interview:
SK: How are you involved in the world of horror?

LH: I’m a horror artist who specializes in book covers. My clients include Cemetery Dance Publications, Thunderstorm Books, and Bloodshot Books, as well as folks like New York Times bestselling authors Christopher Golden, Rick Hautala, and Thomas E. Sniegoski. I also do all the covers for Jeff Strand’s independently published books, ‘cause he’s my husband.

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SK: Who or what terrifies you?

LH: Zombies! To me, there’s nothing scarier than looking at someone who looks just like your husband, sister, or best friend but who is absolutely NOT. I can’t think of something worse than being betrayed by someone you love.

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SK: Are there unique challenges to being a woman in horror or do you feel like gender is irrelevant?

LH: Gender is always relevant. Male or female, it’s always part of who we are as artists. I’ve never felt that I’ve gotten fewer opportunities, or more, just because of my gender. That being said, we need to see more women represented in all the different artistic disciplines within horror. We need more female gatekeepers. For example, if an anthology is edited by a man, or a film festival is curated by a man, these gatekeepers are going to pick the best work from their perspectives. Because they’re men, they’re likely to pick tales that appeal to their male sensibilities. Thankfully there are more and more male gatekeepers out there who actively try to reach beyond what is comfortable for them. Folks like that are the kind of amazing allies we need to get women’s voices heard.

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SK: Who are your favorite female horror icons?

LH: Artist Jill Bauman, whose amazing cover art has inspired me for decades. You feel the story in every piece of art she creates. Poet Linda Addison, whose words summon such strong emotions. Her passion and joy and centeredness make me want to be her when I grow up. Filmmakers Jen and Sylvia Soska, who go out of their way to give a hand up to the women around them. Film character Ellen Ripley, who was one of the first positive female role models I’d ever encountered in film. Strong, smart, resourceful, and compassionate, she knew how to get things done despite whatever roadblock might be thrown in her way.
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SK: What are you working on/promoting currently? Why should folks check it out?

LH: Most of my life is spent working on book cover commissions for amazing authors. I currently have 41 commissions in my queue. How crazy is that? But 2020 is going to be a transformative year for me. I’ll be releasing limited edition collections featuring my art that will include both housewares and clothing so that folks can enjoy my art even when it’s not on a book.

I’m going to launch a video series tentatively called “Behind the Book.” In each episode, I’ll feature a different book cover I’ve created and I’ll discuss my creative process, along with info about the book that inspired it.

Last October I did an insanely popular project called “31 Days of Art” where I created 31 premade horror book covers in 31 days and offered them for sale for half my normal rates. They all sold by the end of the month—some them within minutes of being shared on social media. It was so much fun that I’m hoping to find time to squeeze in another similar project this spring or summer.

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Published on February 14, 2020 09:00

February 12, 2020

Women in Horror Month #5: Zoje Stage

Hey, everybody! I'm very pleased to bring you today's guest, a fellow Pennsylvanian and massively talented horror author. Let's meet her briefly and then jump right in to the interview.
About Zoje Stage:

Zoje Stage is a former filmmaker with a penchant for the dark and suspenseful. Her debut novel BABY TEETH was a "USA Today" bestseller, a "People" "Book of the Week," and voted by Barnes & Noble, Bloody Disgusting, goodreads, and "Forbes Magazine" as one of the best horror books of 2018. It was nominated for a Bram Stoker Award, and the film rights have been optioned by Village Roadshow/Valparaiso Pictures. Her next novel, WONDERLAND, will be published by Mulholland Books June 16, 2020. She lives in Pittsburgh, PA.

You can find her on her website, Twitter, and Instagram.

Interview:
SK: Who or what terrifies you?

ZS: Nothing in fiction or film can compete with the real-life terrors of our world, of which there are many. At present I am terrified that a handful of mega-wealthy individuals care more about their money than about their eight billion neighbors or the planet we call home. I spend a bit too much time pondering if the human species has a fatal flaw, as the lust for power seems to regularly be our undoing.

SK: How are you involved in the world of horror?

ZS: My writing—which began decades ago with screenplays—typically has a dark undertone and/or incorporates various speculative elements. My main interest as a storyteller has always been to create realistic, complex characters and then throw them in the middle of something odd and difficult. And regardless of whether those situations are based in reality or not, my goal is to explore how real people might behave. I'm sure on a subconscious level what I write is my process for trying to come to terms with the strange, often scary world we live in, and one of my avenues for doing that is to attempt to take common tropes and dig into them a little deeper.

SK: Are there unique challenges to being a woman in horror or do you feel like gender is irrelevant?

ZS: Of course, on a creative-intellectual level, gender is irrelevant, but on a social-political level everyone who isn't a white man is still struggling to achieve the "givens"—of respect, worth, safety—that many white men may take for granted. And this applies to human endeavors far beyond writing and publishing. With that said, I feel like this is a great time for women in horror. Maybe all people experience some amount of horror in their lives, but women endure and witness things differently than our male counterparts and I feel like our perspectives are being more valued right now. Unfortunately—fortunately?—some of this is stemming from a growing frustration with a larger system that has not fully seen, heard, or respected women, but every step we take toward course-correcting is a victory. And hopefully this interest and acceptance will continue to expand outward to include everyone who hasn't always been seen and valued.

SK: Who are your favorite female horror icons?

ZS: I don't think anyone has ever written a scarier post-apocalyptic world than Octavia Butler, or a more compelling vampire story. In general, I have a terrible memory, but Octavia Butler has burned images into my brain and that’s about the highest compliment I can give. Also, my literary inspiration in many ways has been Ursula Le Guin, and while she may not be considered a “horror” icon she was fearless in tackling social issues via speculative writing.

SK: What are you working on/promoting currently? Why should folks check it out?

ZS: My next book, WONDERLAND, comes out on June 16, 2020. It's been described as "If Shirley Jackson wrote THE SHINING…" Like BABY TEETH, this book involves a creative family with young children and I hope readers find it to be just as suspenseful, but the external similarities end there. With WONDERLAND I wanted to create a female protagonist who, unlike Suzette in BABY TEETH, couldn’t care less what the world thinks of her and isn’t insecure about herself as a woman or mother. Unfortunately for Orla, every part of her mental and physical strength is tested when their new homestead in the Adirondacks proves to be more than it first seems, throwing the family into increasing peril.

About WONDERLAND:

If Shirley Jackson wrote THE SHINING, it might look like this "deliciously unsettling"* horror novel from the acclaimed author of BABY TEETH: A mother must protect her family from the unnatural forces threatening their new and improved life in a rural farmhouse.

The Bennett family -- artist parents and two precocious children -- are leaving their familiar urban surroundings for a new home in far upstate New York. They're an hour from the nearest city, a mile from the nearest house, and everyone has their own room for the very first time. Shaw, the father, even gets his own painting studio, now that he and his wife Orla, a retired dancer, have agreed that it's his turn to pursue his passion.
But none of the Bennetts expect what lies waiting in the lovely woods, where secrets run dark and deep. Orla must finally find a way to communicate with -- not just resist -- this unknown entity that is coming to her family, calling to them from the land, in the earth, beneath the trees ... and in their minds.

*(Layne Fargo, author of TEMPER)

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Published on February 12, 2020 09:00

February 10, 2020

Women in Horror Month #4: Ellen Datlow

Hey, everybody! I'm absolutely over the moon that today's guest agreed to be with us, so let's jump right in!
About Ellen Datlow:

Ellen Datlow has been editing science fiction, fantasy, and horror short fiction for over thirty-five years as fiction editor of "OMNI Magazine" and editor of "Event Horizon" and "SCIFICTION." She currently acquires short stories and novellas for Tor.com and their new horror imprint Nightfire. In addition, she’s edited more than ninety science fiction, fantasy, and horror anthologies, including the annual THE BEST HORROR OF THE YEAR, THE DOLL COLLECTION, BLACK FEATHERS, MAD HATTERS AND MARCH HARES, THE DEVIL AND THE DEEP: HORROR STORIES OF THE SEA, and ECHOES: THE SAGA ANTHOLOGY OF GHOST STORIES. Forthcoming are EDITED BY-a selection of stories from her original anthologies (Subterranean), BODY SHOCKS, a reprint anthology of body horror (Tachyon), and FINAL CUTS-all new horror stories about movies and movie-making (Blumhouse/Anchor).

She's won multiple World Fantasy Awards, Locus Awards, Hugo Awards, Stoker Awards, International Horror Guild Awards, Shirley Jackson Awards, and the 2012 Il Posto Nero Black Spot Award for Excellence as Best Foreign Editor. Datlow was named recipient of the 2007 Karl Edward Wagner Award, given at the British Fantasy Convention for "outstanding contribution to the genre," was honored with the Life Achievement Award by the Horror Writers Association, in acknowledgment of superior achievement over an entire career, and honored with the World Fantasy Life Achievement Award at the 2014 World Fantasy Convention.

She lives in New York and co-hosts the monthly Fantastic Fiction Reading Series at KGB Bar. More information can be found at www.datlow.com, on Facebook, and on Twitter. She’s owned by two cats.

Interview:
SK: What ironic, "Twilight Zone"-style punishment would you be made to suffer?

ED: The one in "Time Enough at Last" in which Burgess Meredith who just needs time to read is surrounded by books and just as he's about to read the first one, breaks his eyeglasses. Luckily I can read without my glasses or contacts.

SK: What was the worst submission you've ever come across in a slush pile? And if you weren't a consummate professional, how would you have worded your rejection letter?

ED: I haven't read slush in decades--very few editors send out personal rejections of slush submissions. There's no time and no point. They generally have a form letter that 's vague and polite. But in reality an editor might want to tell the submitter to give up, but that would be wrong.

SK: How real is the literary black list? Also, I know a few people I think should be blacklisted. How would I go about adding them?

ED: Obviously editors talk to each other and if a writer is too much trouble to work with we might mention it to each other. But is there a specific black list? No.

SK: Assuming my blacklisting plan doesn't pan out, how would I go about committing the perfect murder?

ED: There is no such thing as a perfect murder. Besides it's easier to just not buy a story from someone you don't want to work with.

SK: What's your "method" when you gamble at the casino? How does it work out for you?

ED: I only do penny slot machines that are fun. If there are no bonuses or interesting things going on, I don't use that machine. If I lose a few bucks at one machine I'll move to another until I find one I like-that seems to pay out for me. I don't take more than $80 with me and put in $20 at a time. If I make more than say $25 from a machine, I'll cash out, put the receipt in my wallet and use another $20 bill. It helps me keep track of how I'm doing. Once I run out of the cash I've brought I'm done. My goal is to make the money last as long as I plan to be at the casino. If I come out ahead, great.

SK: You're one of the few people who can answer this with any sort of authority, so: what is the greatest short horror story ever written and why?

ED: There isn't just one. There are many. I could never choose one.

About FINAL CUTS:

Legendary genre editor Ellen Datlow brings together eighteen dark and terrifying original stories inspired by cinema and television. A BLUMHOUSE BOOKS HORROR ORIGINAL.

From the secret reels of a notoriously cursed cinematic masterpiece to the debauched livestreams of modern movie junkies who will do anything for clicks, FINAL CUTS brings together new and terrifying stories inspired by the many screens we can't peel our eyes away from. Inspired by the rich golden age of the film and television industries as well as the new media present, this new anthology reveals what evils hide behind the scenes and between the frames of our favorite medium. With original stories from a diverse list of some of the best-known names in horror, FINAL CUTS will haunt you long after the credits roll.

NEW STORIES FROM: Josh Malerman, Chris Golden, Stephen Graham Jones, Garth Nix, Laird Barron, Kelley Armstrong, John Langan, Richard Kadrey, Paul Cornell, Lisa Morton, AC Wise, Dale Bailey, Jeffrey Ford, Cassandra Khaw, Nathan Ballingrud, Gemma Files, Usman T. Malik, and Brian Hodge.

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Published on February 10, 2020 09:00

February 7, 2020

Women in Horror Month #3: Sarah Pinborough

Hey, everybody! I'm absolutely agog that today's guest agreed to be with us, so I won't waste any time before jumping in. Let's meet her briefly and then go right into the interview.

About Sarah Pinborough:

Sarah Pinborough is a New York Times bestselling, Sunday Times Number one and Internationally bestselling author who is published in over 25 territories worldwide. Her most recent thriller, DEAD TO HER, a dark and twisty, sexy tale of hidden secrets and revenge in high society Savannah, released in the US from William Morrow in Feb 2020 and is in development with First Look Media and her novel BEHIND HER EYES will be airing on Netflix as a six-parter in Summer 2020.

Sarah was the 2009 winner of the British Fantasy Award for Best Short Story and also the 2010 and 2014 winner of the British Fantasy Award for Best Novella, and she has four times been short-listed for Best Novel. She is also a screenwriter who has written for the BBC and has several original television projects in development.

You can follow her on Twitter.

Interview:
SK: How are you involved in the world of horror?

SP: Although I'm more widely known as a thriller writer these days, I started out writing straight horror novels. My first came out in 2004 and I wrote 6 straight horror books for Leisure Books (now defunct) in the states. I've also written cross-over novels (MAYHEM AND MURDER are set in 19th century London and use real crimes and people but with a supernatural adversary) and fantasy and fairy tales and even my current psychological thrillers sometimes have a tinge of the otherworldly. I also occasionally still write horror short stories.

SK: Who or what terrifies you?

SP: Gosh, everything really. And more and more things as I get older. Death of course is where most fears lead back to, but I'm afraid of deep water, flying, heights - anything that could potentially hurt me. I'm also afraid of failure and not achieving everything I want to. That also gets stronger as the years tick by.

SK: Are there unique challenges to being a woman in horror or do you feel like gender is irrelevant?

SP: Well, I'm probably not so qualified to answer that one anymore. There's certainly no issues in publishing per se - editors are often women as are agents (in the UK at least) and I see the mainstream success of writers like Alma Katsu, CJ Tudor, Michelle Paver, Alison Littlewood and many others who do fine so I don't think in terms of publishing it's any harder for a woman than a man - but perhaps within the 'scene' maybe. I do wonder if women have to fight harder to have their supernatural work taken seriously in the fandom and the community - but I've not been in the scene fully for a while (most of my conventions and festivals are crime ones these days but I will be going to Stokercon!).

SK: Who are your favorite female horror icons?

SP: In fictional terms? Ripley in "Alien" has to be tops. She's so kick-ass - everything I'm not. Annie Wilkes scares the shit out of me. In terms of horror creators, Daphne Du Maurier and Michelle Paver to me - one old and one modern- are killer at creating proper dread and that awful tingle at the back of your neck.

SK: What are you working on/promoting currently? Why should folks check it out?

SP: I'm currently working on some TV stuff for the UK and my new book, DEAD TO HER, is out in the States and is due out in the UK in April. It's a twisty thriller set amongst the Savannah elite.. with some Voodoo thrown in too!

About DEAD TO HER:

For fans of Liane Moriarty, Liv Constantine and Lisa Jewell, a twisty psychological thriller about a savvy second wife who will do almost anything to come out on top from the New York Times bestselling author of BEHIND HER EYES.
Marriage can be murder…

SOMETHING OLD
Marcie’s affair with Jason Maddox catapulted her into the world of the elite.

Old money, old ties, old secrets. Marcie may have married into this world—

but she’ll never be part of it.

SOMETHING NEW
Then Jason’s boss brings back a new wife from his trip to London.

Young, attractive, reckless—nobody can take their eyes off Keisha.

Including Marcie’s husband.

SOMETHING YOU CAN NEVER, EVER UNDO…
Some people would kill for the life Marcie has—what will she do to keep it?

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Published on February 07, 2020 09:00

February 5, 2020

Women in Horror Month #2: Mar Garcia

Hey, everybody! I'm very pleased to welcome today's guest, one of the best promoters in indie horror today. Let's meet her briefly and then jump right into the interview.
About Mar Garcia:

Mar Garcia is an online marketer with the main focus on the horror community. She is a personal promoter for presses, indie authors, other websites, indie films and magazines. You can follow her on her website, her book promotion site, her thriller affiliate, and her fantasy affiliate. Her social media includes the Disturbing Drawings Facebook, Twitter, Instagram, and Facebook.

Interview:
SK: How are you involved in the world of horror?

MG: That question has a difficult answer... Actually, when I started in this world I worked with any genre. I happened to meet a few horror authors by coincidence, and as this is a small community, one thing led to another and when I realised 80% of my work was horror I thought it was better to focus on one genre so I would be more efficient in my work. And well, here we are!

SK: Who or what terrifies you?

MG: Actually, nothing. I can't think of anything, which is a bit disturbing. It's very difficult for me to get disturbed by a horror book or movie, so when I review a book I need to think how would the average reader feels with it. A friend of mine used to tell me that my mind is madder than any horror author's LOL.

If I had to say something, I'd say that something would happen to my kid. But that's a parent's general fear I'm afraid.

SK: Are there unique challenges to being a woman in horror or do you feel like gender is irrelevant?

MG: I think there are unique challenges in being a woman, in general. Some kind of men (which sadly, are a lot) undervalue you as a professional just because you're a woman, and reach out like they're making you a favour for giving you work LOL. They talk to you like a child.

Also, they disrespect you reaching out flagrantly flirting with you. "Hey, gorgeous, I got a new book," "Hi, beautiful, I need some promo...," etc.

If I was a man, they would never reach out like that.

I never work with disrespectful people. My father used to say, "We're poor, but not miserable."

Being a woman is a constant dealing with men treating you like you are four years old and can't stand by yourself.

But I also know and work with lots of men who are perfect gentlemen. These could teach a couple of things to those.

SK: Who are your favorite female horror icons?

There are already thousands worshiping famous authors, so I'll stick to the indie world:

Theresa Jacobs. She's incredibly disturbing and her imagination goes beyond measure. She can make the little concept of a "cat" steal your sleep for weeks.

And then, of course, my deeply beloved Dona Fox. She writes pure madness. The mind of a psychotic soul poured on your hands. She has plenty of short stories and audiobooks. She's just amazing.

I highly recommend checking them out.

SK: What are you working on/promoting currently?

MG: That's difficult to summarise. I work for four publishers and some authors. I also feature magazines, indie films and podcasts. I adapt to what each of them needs.

SK: Why should folks check it out?

MG: Why? Well... if they need to get their word out there, let's talk!

If they are vloggers, reviewers, columnists, etc, they are always more than welcome to write on the website and join the team.

Also, I usually open projects for free promotion. As often as I can.

I always exchange a few emails with those interested in my work to know them a bit deeper and be able to attend them properly and set the specific goals for them.

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Published on February 05, 2020 09:00

February 3, 2020

Women in Horror Month #1: Melissa Hayward

Hey, everybody! Welcome to Women in Horror Month 2020. To kick things off I thought I'd invite one of the most fun people in the genre, who makes Scares That Care a blast every year and even inspired a character in C.V Hunt's COCKBLOCK. Let's briefly meet our guest and then jump right in to the interview.
About Melissa Hayward:
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Melissa Hayward runs the Dublin Fright Club. You can follow her on Facebook and Instagram.

Interview:
SK: How are you involved in the world of horror?

MH: I've run Dublin's horror book club Fright Club for over 5 years so I guess I fit nicely in the "horror fan" category. Our club meets once a month to discuss the book we've been reading and we also go on regular adventures like ghost hunting excursions, weekends away in haunted houses and play lots of board games and arrange Q&A's with authors.

SK: Who or what terrifies you?

MH: Sharks! I'm absolutely terrified of sharks and large underwater things in general. It's so bad I won't go in a swimming pool or have a bath.

One of my favourite genres of film is "terrifying underwater threat"

SK: Are there unique challenges to being a woman in horror or do you feel like gender is irrelevant?

MH: Na, I think horror is going through a bit of a renaissance at the moment and gender is irrelevant. My own book club is 50/50 male/female, women have just as much screen time as men in in modern horror films and I know so many great women working in film and writing horror. The horror community are the most open and welcoming people.

SK: Who are your favorite female horror icons?

MH: C.V Hunt is one of my favourite authors, I adore her books. Sarah Pinborough is wonderful, her novel BEHIND HER EYES traumatised me for weeks after I finished reading it.

Charlotte Perkins Gilman was a badass and "The Yellow Wallpaper" is a beautiful story.

I of course want to be Lily Munster when I grow up

SK: What are you working on/promoting currently? Why should folks check it out?

MH: My boyfriend and I have been making coffin shaped home accessories like spice racks, chopping boards and bath boards. Everything is made from wood reclaimed from reportedly haunted spots all over Ireland, our current rage includes items made from wood from a 100 year old haunted barn. If folks are interested in creepy home accessories they can check us out here.

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Published on February 03, 2020 09:00

January 31, 2020

FarPoint or Bust!

Hey, everybody! In three weeks I'm going to be hip-deep into Women in Horror Month, so here's an early heads-up about my first public appearance of the year. I'm delighted to be returning to FarPoint in Hunt Valley, MD February 21-23

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The convention will take place at:

Delta Hotel by Marriott
245 Shawan Road
Hunt Valley, MD 21031

I'll be appearing on several panels, but won't be tabling this year, so if you're interested in a signature or book, catch me after a panel or if you just see me around the con. Hope to see you then!

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Published on January 31, 2020 09:00