Elgon Williams's Blog, page 3

Do You Want the Backstory?

A few days ago I finished a revision of an unpublished manuscript. I have submitted it previously to my publisher but initially, I composed it as one book and it weighed in at a hefty 200K+ words, which is just not viable for a print book these days. Yet, after painstakenly condensing it and breaking it into two books, it was still passed over. It is not a critique of the work or the story so much as whether it meets the publisher’s overall preference for genre. You see, it’s a quirky story like Fried Windows, but it is more of a coming-of-age tale with a good bit of romance in it as well. It tells the story of Brent Woods coming to terms with his true nature as a wolfcat and his experiences during his senior year of high school. As you might expect of a book set in the mid-1970’s, there is an overall nostalgic feel to it and, of course, it is also filled with magical realism, since the main characters are wolfcats and witches.

Long books, especially when an author is nurturing a following, are not necessarily a good gamble for a publisher’s investment. However, I feel the story told in the manuscript is essential to understanding Brent Woods, the main character in the Fried Windows series. It even serves as the backstory for Pamela Roberts, a character who appears in the soon-to-be-published Ninja Bread Castles (coming April 13, 2022), the second book of the Fried Windows Series, and Dawn Penobscot, a character who will appear in book 3 of the Fried Windows Series.

There are some other unpublished manuscripts hanging around in ‘limbo’, which is what I call one of my computer’s storage drives that contain lots of my writing which may or may not ever be published. You see, it is a writer’s job to write and in order to do that, sometimes you create character profiles that evolve into background stories that allow for a better understanding of a character’s influences and motivation for a work that becomes published. Still, for those readers who become heavily invested in characters, knowing the full backstory is compelling enough that it merits an author sharing the notes in a story form. For that reason, I’ve decided to publish Brent’s story as chapter installments via Medium.

The process of publishing through Medium may take a year or so to complete. There are currently three books in the ‘It’ series (Finding It, Going For It, and Losing It) that are at a point of being ready to post as chapters for consumption. And, in the future, there is another story that I may bring to the world in this same way. That one goes much further back in Brent’s life, to the time when he was around 7 or 8 years old.

Look for my posts on Medium here

Finding Inspiration: A Review of Rock’s Latest Power Trio – The Warning

Remember when Heart was a novelty because they had sisters as the lead singer and the lead guitarist? Remember The Runaways featuring Joan Jet? What about The Go-Go’s, The Bangles, The Ronettes, of The Supremes? You didn’t know there were that many female bands in the classic rock period 60’s, 70’s, and Early 80’s? Don’t feel alone. It was a rarity to be sure. The industry seemed determined to package the Rock’n’Roll lifestyle embodied by male vocals often singing in falsetto, and males playing the guitar, bass, drums, and keyboards. There were some exceptions like Fleetwood Mac or the Talking Heads, where women played keyboards or bass guitar while also singing. But it was far from the norm.

The music industry has changed a lot. I was about to say evolved, but in many ways, it’s devolved into its current state of overhyped, autotuned, commercial tripe. Supposedly, Rock died around 1996. At least that’s when I first heard someone proclaim that. At the time, I thought it was uninformed. You see, Rock music has always been rebellious and somewhat counter-cultural, distinct from the mainstream, even when it dominated the mainstream music charts and was considered the principal money-making vehicle for the industry. I believed it was wishful thinking on the part of tone-deaf executives looking to create a factory system to churn out cookie-cutter pop stars that they could exploit while ever cashing in on the latest trend. But then came Napster and later on Ipods. Music became more portable than just a CD or cassette player you could walk around with while you rocked out to tunes pouring into your ears through earbuds. It could be digitally converted into a compressed format suitable for sending and receiving over the Internet and storing en mass on a disc drive for easy playback.

I think a certain branch of Rock music actually did die around 1996. It was the sort that was heavily rooted in the Blues, the sort of stuff that Clapton and Page played, the kind of music that continued to live through Stevie Ray Vaughn until his untimely death. And much to the detriment of the overall Rock genre and its many splintered sub-genres going off in different directions, along unusual tangents, its soul was anchored in the past to which the up and coming artists rarely paid homage. Modern Rock became disconnected to a point that continuing forward as a viable medium depended on adopting some of the very things that were killing it.

Meanwhile, the Grammies began snubbing rock bands, pushing their awards into the lower tiers of importance, not even worth a mention on the awards broadcast. Oh well, it had been a while since anyone in Rock took those awards seriously anyway, perhaps since Jethro Tull was considered the best Heavy Metal band over Metallica, much to the surprise of anyone who followed either group and the two bands as well. And being a Rocker from way back, I frankly never gave a crap about the Grammies. Only occasionally did they ever get things right in my estimation, about as often as the proverbial blind squirrel finds the elusive acorn. As proof, how many bands currently enshrined in the Rock’n’Roll Hall of Fame never won a Grammy? But then again, The Hall of Fame’s credibility is often suspect as well. They seem notoriously slow to honor some of the best bands of all time.

I mention all this because long ago I sold my collection of albums. Now, I pay monthly for the immediacy and portability of a Spotify account I can take anywhere, even if I only listen to it whenever I’m writing or editing. As important as music has always been to me, things have changed so radically over the past twenty-five or so years that very little about the current environment excites me. Certainly, there are some talented bands that stand out as exceptions, but you have to dig through the multiple layers of superficial crap on top to get to them because I’m convinced, the music industry does not want to give you and me anything truly fresh and original. They want to keep regurgitating the same tired tropes in the same mundane genres that already pollute the commercial airwaves of our corporately controlled world.

But then a band comes along, a new power trio that serves as an inspiration, countering the prevailing narrative, bucking the system, maintaining artistic integrity, and all of a sudden you feel like there is a chance for a resurrection of Rock, performed the way it should be, the way it should have always been. They connect with their fans directly via social media on a regular basis and members of their ‘army’ have traveled from as far away as Europe, South America, Canada, and from all across the US to attend their live shows. And maybe – just maybe – you, too, are about to be warned.

The Warning: Alejandra (left), Paulina (center), Daniela (right).

A few months ago I discovered (or rather rediscovered) The Warning, the trio of Villarreal sisters from Monterrey, Mexico. The band is bi-lingual, singing most of their songs in English. Daniela (Dany), the eldest at 21, plays the lead guitar and sings lead on most of their songs. Paulina (Pau), at 19, pounds the drums and sings backing vocals except for several times when she takes the lead. Alejandra (Ale), at 17, is the youngest but curiously the tallest of the three, though she claims she is also short. She plucks and slaps the bass while she also sings background vocals. All three play piano, having taken lessons from an early age. In fact, all three compose their original music on the same piano in their home where they learned. Some of their songs utilize the keyboard and when performed live, one or another of the trio switches from their primary role.

Like a lot of people, I first heard of The Warning in 2015 when they appeared on The Ellen DeGeneres Show. At the time they were a curiosity – a novelty of some note, mind you – because they were so young (Ale was 9 at the time) and yet already so professional. Their schtick was doing competent covers of metal songs like Metallica’s “Enter Sandman”, Guns and Roses’ “Sweet Child of Mine”, and AC/DC’s “Back in Black”. But the fact that they could play real instruments with such a high level of skill should have served as my warning to keep a closer eye on their further development. You see, they took advantage of every opportunity beginning with a YouTube video gone viral. They leveraged the flash-in-the-pan fame of millions of views to launch a Kickstarter to fund their first recording sessions and live performances. And with the help of Ellen giving them a summer course at the Berklee College of Music, they were primed to focus on a career as professional songwriters and musicians.

Seven years, two EP’s and two albums later, they have become an inspiration to a lot of young girls who dream of one day following in their footsteps to become rock stars, or at least learn how to play an instrument or two and experience the beauty of creating music. And it’s about time for that to become the norm in music. The sisters have crafted a system for maintaining control over their art, having released all but their most recent EP with only the funding from their fan base’s purchases of their albums, clothing items, and swag on their website as well as the loyal support of their followers on Patreon. And over the past few years, they have opened for such legendary acts as Aerosmith, Def Leppard, and Alice Cooper and plan to open for The Foo Fighters for a show on their next tour.

In August of 2020, following lengthy negotiations spanning several months, The Warning signed a contract with Lava/Republic Records to produce the first of five albums for the label with multi-platinum award-winning producer David Bendeth while retaining an almost unprecedented level of control over the process. Along with a growing handful of youthful bands, The Warning is already at the vanguard of Rock’s resurrection.

Their debut EP with Lava/Republic, titled “Mayday”, which was released on October 8, 2021, features six original songs. I’ve heard that it is the result of a compromise with the label that wanted to delay the release of the full album due to current market conditions caused by the resurgence of the pandemic. The band had already begun launching and promoting singles since May of 2021 in anticipation of a tour and wanted to maintain the momentum they’d already achieved from the popular songs and music videos that had created a buzz throughout their growing fanbase, including a number of reaction channels on YouTube.

The EP’s first track, “Disciple” is a driving rocker warning us about our dependence on social media and the influence of those wanting to control us. “Choke” is about the feeling of being stifled and dominated by others. “Animosity” is a rage song that is ostensibly about breaking up with someone but written in such a way as to be construed in a number of other ways. “Z” is about being born into the world of Generation ‘Z’. “Evolve” is about overcoming expectations to become yourself. And “Martirio”, the final cut on the EP and the only one sung in Spanish, is about Martyrdom where some live a life dedicated only to the sacrifice of self. Additional material is expected later this year as either another EP or a full album comprising the original songs along with the previously unreleased material. I don’t know which is the official plan as I’ve heard rumors of both.

The Warning was also slated to begin a North American tour back in 2020 which was first delayed but then canceled due to the spread of Covid. A new tour was scheduled to begin this month but has also been delayed due to the surge of cases. Expect new dates to be announced for later this year when, hopefully, things get back to normal and we can all enjoy live music performances again. But until then we have “Mayday” and their back catalog of their first EP, “Escape the Mind”, and their two albums, “XXI Century Blood” and “Queen of the Murder Scene”, along with solo single releases of “Narcisista”, their first single performed in Spanish which serves as a response to those who complained about them singing only in English, and “Enter Sandman” (featuring Alessia Cara), a track from “Metallica Blacklist”, a Thirtieth Anniversary tribute to the Black album’s release comprising covers performed by over fifty artists.

The Warning Band’s website

Updates on Coming Attractions

The past two years have been insane for everyone. I don’t need to tell you why. But it’s been extremely difficult for the publishing industry and especially hard on authors. You see, for most of us to succeed we need to make personal appearances to promote our books. Despite our wares being available online that is seldom the best way to attract readers.

So we have had to resort to other means to get the word out about our latest books. One of the good things that have come from it is the launching of The C & E Show on the Pandaverse Book Club channel on YouTube where Christine Gabriel and I interview other creative people like authors, artists, and others who are involved in the industry. Although we have a ready-made bench of talented writers who are also signed with Pandamoon Publishing, we have interviewed many authors we have met through our other associations apart from our publisher. Look for an exciting calendar of new guests for the coming year.

Back in October of last year, THUPERHEROES, the concluding installment of the Thuperman Trilogy launched. For those who live near Las Vegas, I will be scheduling some personal appearances as soon as the dark cloud of the pandemic has lifted. By then we will be close to releasing NINJA BREAD CASTLES, Book 2 of The FRIED WINDOWS Series. Be on the lookout for the Spring 2022 release date on that as well as pre-order availability through Amazon and Pandamoon Publishing website. Later in the year or early next year, will be the release of the long-awaited first book of the Wolfcats Series, DAMMERWALD. So, it will be a busy year for me. And 2023 promises to be just as busy with new releases from The Wolfcats and Fried Windows Series, and possibly the first of a new series as well. As all of my books share threads of continuity, being set in the same sets fictional universes, it will be like reconnecting with old friends as they appear in other stories.

As for some of the other exciting launches coming from Pandamoon:

THE GREYS by Becky Barnard and Dave Housley

HOME FOR THE STARS by Laura Kemp

BLUE BILLY by Laura Ellen Scott

LAMA WITH A GUN by Seth Augenstein

TO KILL A UNICORN by D.C. Palter

HUMANITY DEVOLVED by Greyson Ferguson

TOKYO DIVERSION by Tony Ollivier

CONCESSION STAND CRIMES by Nicole Asselin

9 DAYS by Jule Selbo

BEACONS by Katie Masters

PHANTASMA by Rachel Sharp

CRIMSON TEARS by Christine Gabriel

ALMOST PARADISE by Brian Cohn

MILE MARKER 0 by Benny Sims

MARKETING FOR FREELANCE WRITERS by Robyn Roste

Review of ROSEWOOD BURNING: Everly Series Book 2 by Meg Bonney

Published December 15, 2021 by Pandamoon Publishing #Fantasy #Magic #Adventure

Description:

Madison Rosewood returns to the magical, hidden world of Everly on a mission to find her mother, unite the kingdom against her tyrannical father, and stop the execution of the Magics once and for all. Before her revolution can even begin, however, Madison quickly finds her new life in flames.

As she prepares for the upcoming confrontation with her father, Madison grapples with her masked grief as she struggles to both control her new magical abilities and be the leader that her friends and Everly expect her to be. Vengeful villagers, blood-thirsty mermaids, deadly energy storms, and unexpected romances challenge her at every step. Forced to turn to her enemies for help, Madison faces revelations and betrayal and in their wake must make a decision that will change every relationship she has in Everly, including the one with herself.

My Take:

In the first book, we were introduced to Madison (Mad Dash) who was an athletic teen with great ambitions but she was troubled about her past and wanted to know more about her origins and her parents. She lived with her aunt who saw to her well-being but also her training in self-defense. The adventure begins when Madison and her best friend Jason are pulled into the fantastic world of Everly where magic is real as well as a variety of mythical beings.

In Book 2, Meg Bonney’s imagination is again unleashed as Madison and Jason return to Everly to save the magics from persecution and lead a revolution that everyone knows is necessary but nearly everyone seems reluctant to support. Madison’s heart is still broken over her loss for which she blames her father and she seeks revenge against him personally and his tyrannical rule. It is a solid and necessary next step in advancing the story.

The primary and secondary characters return as the variety of magics is expanded while the reader experiences the diversity of culture and customs. For example, Madison and Jason live amongst the Trolls are extremely gifted at preparing meals. We also learn more about mermaids and witches as we root for the revolution that suffers from its ambitions and disorganization. And there are some secrets that were hinted to in Book 1 that are revealed and a surprise ending that foreshadows what to expect in Book 3. It is an exciting escape that I highly recommend as a continuation of the Everly franchise which has been optioned for film or TV.

About the Author:

Author Meg Bonney is a paralegal by day, a TV reviewer by night, and a writer every moment in between. Meg enjoys stories with strong emotional relationships that aren’t necessarily romantic. Her TV watching and writing have always been more focused in the sci-fi/fantasy genre where the stakes are high and the consequences are dire and because fairies, mermaids, monsters, and witches make her happy. Meg lives in Wisconsin with her husband, her two young daughters, two cats, three hermit crabs, and one very spoiled fish. Meg enjoys impromptu dance parties with her daughters, strong coffee, baking, and getting way too emotionally invested in fictional characters.

Book Available at Amazon.

Back to Mac

Has it really been 15 years? I guess so. That was the last time I was in a similar situation – frustrated to the extreme with Microsoft Windows. Granted, there have been interim occasions of dissatisfaction with the powers that be in Redmond, WA, but none rose to the level of my issues with Windows Vista.

In 2006, I bought into the hype for the next edition of latest and greatest OS in the world. I’d been a long term Windows user since 3.1 and as a computer tech, I knew most of the tips and tricks to fix things whenever anything went amiss. Windows XP was by far my favorite version, though Windows 2000 was a close second. It was by far the most stable and Microsoft OS that still offered the ease of connection to USB devices on the fly, a great advancement over Windows NT 4. But 2000 was intended for business. So the mainstream was stuck between Windows 98 and all its issues and Windows ME, with its even worse issues. All Windows XP had to be was better than its consumer OS predecessors, which admittedly was a fairly low bar. Still, anyone who was alive back then and used a computer regularly probably had an overall positive experience with XP.

As Window’s successor, Vista offered lots of eye-candy, gee-whiz features. On the surface it was attractive, but its system requirements for having all those things turned on was staggering. And even then, state of the art machines running it seemed sluggish at times. For how damned pretty it could be, most people didn’t use versions with all the bells and whistles simply because they didn’t need such configurations. Also, there was an extensive and confusing assortment of flavors to choose from. The problem with Vista was that it seemed more like an OS designed by a marketing team than a functional operating system intended for productivity during the day and entertainment during the evening. Essentially most people didn’t get the point of Vista and so, they didn’t buy into it. Unless they just bought a machine with it preinstalled, they didn’t use it. For the majority of Windows users who were on XP, nothing was wrong with what they were using. If they were up-to-date with the security packages, Vista just wasn’t a compelling alternative.

But then, there was me. I worked in a computer store at the time. And that usually meant that Microsoft would issue complimentary discs of the new operating system to employees so that they could experience the differences first and and recommend the OS to customers. For whatever reason, MS decided not to do that with Vista. Maybe they didn’t want all us techies knowing first hand what a bloated piece of crap Vista was. I can’t say. But I managed to get a copy of Vista, the ultimate version with all the bells and whistled because I had a machine at home with the specifications to run it. Once it was installed, it was gorgeous. But it also made my system struggle. It was noticeably slower. After a week or so, I had turned off most of the eye candy in lieu of performance. For the most part I was running Windows XP with a Vista skin on top. It seemed pointless, really. After a month, I’d ditched Vista and reinstalled XP. And a few months after that, I configured a dual boot with a distribution of Linux and discovered that I actually preferred the latter because it didn’t freeze or crash at all. There were entire weeks that I didn’t even once use Windows. Despite the pain in the ass of configuring Linux to suit me (something that has admittedly improved by leaps and bounds since 2007, it was a pleasure to just some home from work and be able to boot up a computer and not need to worry about updates and new virus definitions and all the other intrinsic parts of living with Windows.

So, you might be asking how I ended up using a Mac.

I could blame it on my youngest daughter. Despite having a techie father, she never got the hang of Windows – or rather the Microsoft way of viewing productivity. That’s really why the learning curve for a newbie picking up a Windows computer is steeper than Mac OS. Windows is, in many ways, counter intuitive. A lot of that has to do with the layers of complexity under the hood that allow it to be backward compatible. You see, Microsoft must support a wider range or users and environments than Apple. MS does not have complete control over the hardware their operating system will support. And, even though it is not really necessary to become an expert user in order to function within the Windows environment, it is by far easier for a curious computer user to adversely impact the stability of the operating system than it is with Mac OS, simply because the latter is pretty-much locked down. The Mac side of the computing universe is intended for a different type of user, one who simply wants to be able to depend on their machine working as soon as it’s turned on. Knowing this, I ended up buying a iMac for my daughter.

Now, since the store where I worked sold Apple computers, I was familiar with the Mac OS enough to show the basics to anyone who bought a system, even though I’d never owned one myself. But after giving my daughter the standard tutorial, what surprised me was how quickly she was up and running with her new computer. In less than two hours, she was doing things on her Mac that she had never mastered on her Windows PC. And after a day or so, she was at a level of comfort approaching expertise. It got me thinking that the Mac OS’s simplicity might be a solution to my greatest frustration with Windows. Plus, it was much easier to find and install applications for a Mac than it was at the time for Linux. So, about a month after my daughter began using her iMac, Dad bought an iBook, which was more than I needed for my experimental venture into the other side of the computing universe. And I began using it as my daily driver.

For the next six years, I was a Mac guy…until a MacBook Pro – one I ended up after my son changed computers – stopped working in 2013. The sticker shock of replacing it nudged me back toward the darkness of Windows. I bought a Microsoft Surface tablet and a keyboard as my next personal computer solution. Although I hated Windows 8 that came installed on it, it did make some sense whenever I was in tablet mode, which I rarely used. As soon as Windows 10 was released, I immediately upgraded it. And though I have always had mixed feelings about Windows 10, I grew to understand and mostly tolerate its quirks. However, within a few years, I was back to using Linux again for everything except the handful of work-related things that required Windows.

This summer, with the next iteration of Windows looming in the near future, I downloaded and played with a developer version for about a month. I was not as impressed as I would need to be in order to want to upgrade. In fact there are some ‘improvements’ I absolutely abhor. Plus the requirements of TPM 2.0 and Secure Boot for the final release version feel particularly onerous to someone like me who would be dual booting between Linux and Windows just because I prefer using Linux. Staying with Windows 10 is an option, of course, but support for it will eventually expire in 2025. And so, I began rethinking my essential needs for a computer. The more I did, the more attractive the relatively new M1 MacBook Air seemed. Not only is it light and portable, which is something I’ve always desired in a laptop but have not had since my MS Surface Pro died, but also the M1 can run for hours on a charge allowing me to unplug in a realistic and usable way. Also, I can travel with my daily computer without it weighing me down or worrying about where the nearest charger is when I’m in an airport waiting to connect with a flight. At 13 inches for the screen, it is compact enough to fit between my belly and the next seat back when riding a coach.

Mainly, I wanted the MacBook Air for doing my writing. I wanted to be able to get away from my desk, maybe go downstairs to work on edits – or – sit in bed and compose a chapter or two. Whenever the world returns to some semblance or normalcy, perhaps I can take a walk to a coffee shop to do some creative writing. So far, I’m loving the new machine. The keyboard is excellent, the best experience I’ve had with a laptop. The touchpad, though I usually opt to use a mouse, is by far more functional than any I’ve used. Thus far, I haven’t needed to default to a mouse, so who knows? I might actually turn into a trackpadder.

I’ll still be using a dual boot machine with Windows and Linux on it to do a lot of my work. But already I have shifted some tasks to the MacBook and generally think I could do everything from it if need be. Beyond being a composition and editing tool for my writing projects, it has the power I need to edit and produce the videos Christine Gabriel and I do for the Pandaverse Book Club’s The C & E Show. I plan to test that in the near future, so check back for updates on my Mac adventure as my saga continues and evolves. For now, just knowing it is possible even when I’m traveling is a huge advantage.

Review of 10 DAYS: A Dee Rommel Mystery #1 by Jule Selbo

As a father of three, two of them daughters, I struggled to find heroic stories to read to my daughters. It was easy to find such fare for my son, but there was a gross absence of children’s books that offered a brave female with whom my girls could identify. And so I fabricated a few stories to tell them at bedtime. But the experience made me acutely aware of gender bias. And it has not been limited to children’s books. Gratefully, that is changing in all age groups, largely due to the explosion of great female authors who are unafraid to buck the system and create strong female protagonists in genres that in the past have been dominated by male main characters.

I had the great fortune to read an early version of 10 DAYS by Jule Selbo. Honestly, it read like a finished work with nothing major that I saw that needed to be addressed, which didn’t surprise me. Selbo is a highly competent writer with oodles of experience as a playwright and wrote numerous screenplays while working in Hollywood. Recently she has become an award winning novelist as well. 10 DAYS: A Dee Rommel Mystery #1 is her debut foray into Crime Mystery fiction, a genre she loves reading.

10 DAYS’ plot was solid, engaging, and compelling. The pacing feels perfect, building suspense toward a thrilling climax. Selbo’s cast of characters, even the minor ones, are authentic, well-developed to the point that some will become your friends while others will feel like enemies. The protagonist, Dee Rommel, is in a word, remarkable on so many levels that she is destined to become a fan favorite. She is a quick-witted badass in ever sense of the word with a burning desire to find justice for the wronged. It often compels her into risky, ill-advised, confrontations with bad guys as she champions her friends and family. And she does it all without toting a gun.

What Selbo accomplishes more than adequately establishes bedrock for the series yet to come. She creates an endearing female noir private investigator with whom most of us can identify. Selbo pays homage to genre archetypes while venturing into some largely uncharted territory, allowing the reader to share Dee’s dilemmas as well as overcoming the pain of her daily routine. We cheer for her because she’s just the kind of heroine who could easily be a sister or cousin. Her strong, overriding sense of justice and loyalty to her friends and family drives her always, even against mounting odds as her principal foil is fully revealed and fleshed out.

The book releases to the public worldwide on August 11, 2021 in eBook and print, so you don’t have long to wait. I don’t know if there is such a thing as a perfect crime fiction novel, but this one will rank on everyone’s list. It checks all the right boxes and appends a few more in the process. I can’t wait to read the sequel. And yes, this thriller deserves to be made into a movie. So, take note, Netflix.

The Plague & Updates on Coming Attractions

I’ve spent the past few months revising several old manuscripts, one of them dating back to the days immediately after I finished the first draft of The Wolfcat Chronicles. I’ve breathed some new life and adventure into them prior to submitting them to my publisher. No guarantees any will be approved, but after investing the time, I’ve decided the stories are worth it. My most recent submission is a series called The Attributes, it’s two books plus a 5700 word short story prequel.

Bearded me.

In case you don’t follow me on social media, please do to stay up to date on everything Elgon.

Lately, I’m sporting a Pandemic beard and have grown by hair out to a length it has not been since college. I’m thinking of keeping both, even if I look like Santa’s demented uncle. I may trim the hair and beard a bit before jetting to Florida next month to celebrate my great niece’s wedding. (Congrats Britters – I’ll post some pics if I can.) I don’t know, though. I’m kind of favoring the continued scruffiness. In my old age, I’ve become a rebel again. Leave comments.

On the personal front: Just before Thanksgiving last Fall I contracted the modern day plague. My son and daughter-in-law came down with it around the same time, and I was babysitting for my grandson when I must have been exposed. Definitely not something you want to catch, though my symptoms were not nearly as bad as my roommates, who I suspect caught it from me even with all the precautions of washing hands, wearing masks in the house, and being hyper focused on cleaning surfaces. You see, this virus is as highly contagious as the officials say. Two of my roommates ended up in the hospital, one was there for a bit on a respirator. It is a lottery how bad your response will be to this thing. I believe my immune system fought it off because I take doses of Vitamin D and am otherwise pretty healthy. I had about a week’s worth of aches and pains, a low grade fever that never went past 99.5 F, a cough, and a little nasal congestion. My senses of smell and taste have not yet fully returned, though I’d estimate they’re back to 90%.

Over the past month and a half, I have received both doses of the Pfizer vaccine, with no side effects other than my arm being sore around the vaccination site (the first time lingered longer than the second and was a bit more painful). Other than being tired for a day or so and my temperature running about half a degree higher than normal, I was blessed to survive it without much to report. Here are the options as I see it: catch this crud (as eventually you will) and take your chances on how severe your symptoms may become – or – take a couple of shots (the needle is fine gauge so you hardly feel it) and even if you’re one of the 5% who still catch the crud, you won’t have the severe consequences. Protect yourself, your loved ones, and neighbors.

As always, you will do you, but there’s my advice.

We are on track for the final book in the Thuperman series being published sometime this summer. Titled THUPERHEROES, it wraps up the summertime adventures of Will and Sandra, though they will appear as adult characters in future books. We’re also looking at DAMMERWALD, the long awaited Book 1 of The Wolfcat Chronicles, for later this year. And NINJA BREAD CASTLES, the sequel to FRIED WINDOWS, is also currently in edits and may make it to publication before the end of the year. Lots going on in 2021 in the world of Elgon.

Review of Priest Hunter by Jeff Messick

Priesthunter Front Cover

The Magehunters are no more, pulled down by the efforts of Jace and his Disciples of Arn. However, there is little time to get used to the new order of things, as Jace learns his father has been forcibly taken by the Church of Arn to serve out the remainder of his life as a warrior priest.

As a young mage, Jace needed to learn to control his magical might. Now he will learn power comes in many forms. To free his father, Jace must learn priest magic, the pitfalls of faith, and the downside of leadership. He must learn, then master these ideas, to even stand a chance against the leader of the church.

Morvane doesn’t want Jace’s father, he wants Jace’s power. Jace is all that stands between Morvane and a world that worships only those that hold power over others. Worse yet, when Jace uses his vaunted magical might against Morvane, his magic has no effect.

My Take:

Where Magehunter, the first book of the series, is an extended coming of age story overlaid upon the makings of a good epic fantasy tale set in a world where those who wield magic are more common than not, Priesthunter rapidly evolves from a quest to find Jace’s father into a classic battle of magic between good and evil. Our hero, Jace Kendrick, returns with full command of his gifts, which have often seemed more of a curse to him, along with Amicus, his companion and former enemy. They set out for Elorien, the seat of the Church of Arn where they believe Angus, Jace’s father, has been pressed to return into the service of a Warrior Priest. The stakes quickly escalate as Jace discovers that Morvane, the head of the Church, has imprisoned Angus to serve as bait to lure Jace into a battle in expectation of stipping the young Mage’s powers.

Messick expands his magical world with layers of complexity added to the characters’ conflicts, both internals and external. It is a story of rival and seemingly mutually exclusive forms of magic derived from the gifts of a pantheon of gods that the characters are only beginning to realize exists. Previously they have believed that all magic was sourced in Arn. But as we learn from a witch who Jace and Amicus encounter, things are not quite as they may appear.

The romance between Jace and Lianna that blossomed in Magehunter strengthens as their relationship is tested under the threat of a powerful antagonist bent on destroying everything Jace holds dear. The compelling fantasy tale that results offers much for lovers or the genre and we’re told there’s more to come in the series with Roguehunter, book three of the series, already drafted and books four and five envisioned for the near future.

About the Author:

Author, Jeff Messick

Jeff Messick is father, husband and author who lives in south Texas. Although he writes across almost every genre, excluding romance, he enjoys a splash of paranormal in his stories as evidenced by his first novel, Knights of the Shield, a mash-up of a police procedural detective murder mystery and a ghost story.

Most recently, he has penned the first two installments in the Magehunter Series, beginning with the series namesake, followed by Priesthunter. Yet to come are Roguehunter, Kinghunter, and Godhunter. He is also working on Lifeblood, a paranormal drama, and Aftermath, a sci-fi thriller.

Review: SNOW IN SUMMER by Laura Kemp

Description:

[image error] Front Cover

It’s been a year since Justine Cook defeated an immortal enemy that had hunted her family for generations. Settling into a peaceful life with her boyfriend in the small town of Lantern Creek, Michigan, she hopes to escape the events of the summer before. But the past won’t let go so easily.

When a woman named Amanda Bennett survives a fall from a cliff on Mackinac Island, it triggers a series of events that reawakens the past. Soon Justine and her brother Adam are pulled into a mystery that threatens to destroy the new life they have worked so hard to create. As people begin to die- people only Amanda Bennett can see- Justine must race against time to destroy a dark power she thought she had buried the summer before.

My Take:

SNOW IN SUMMER is Book 2 in the Yellow Wood Series and is scheduled for publication on 11.18.20. It is highly recommended that you read Book 1 in the series prior to reading Book 2 as many of the events from the first book have direct bearing on the characters and their many challenges in Book 2. Although the author does a good job of refreshing the reader’s memories where relevant, there is not a detailed summary of the previous work included. Having said that, the book stands alone fairly well as a compelling read with a solid plot and fast pace once the rationale for the extension of the previous story arc is established.

Justine and Dylan return from book one and the story is set in the summer following the events of Book 1 in the series. A new character, Amanda, is introduced early in the prologue, and her difficulties draw in the series’ returning characters. A portion of the story is set on picturesque Mackinac Island, a favorite vacation spot off the Lake Huron coast of northern Michigan, as Troy, Amanda’s lumberjack/horse trainer boyfriend has an apartment above the Calhoun stable near the Grand Hotel on the island. The strong romantic elements of the story present complicated triangles among the characters that challenge the stability of relationships, while the villain uses their human weaknesses to torment them and force a confrontation. Kemp does this extremely well while bending and twisting the paranormal elements of the backstory around the realism of the everyday struggles of the characters, like working their jobs, paying for school, and trying very hard to resist being drawn into the unsettled issues that remain from Book 1. The result is a mind-blowing, breathless, rollercoaster ride of life-threatening obstacles requiring tough choices and ingenuity to negotiate, while seeming plausible at an extraordinary level for a magical realism mash-up with a mystery/suspense/thriller.

Author Bio:

[image error] Laura signing books outside the Island Bookstore on Mackinac Island

Laura is a teacher who loves to write about her home state of Michigan. She has a B.A. in Creative Writing from Western Michigan University where she studied under Stuart Dybek, and has had her short fiction and poetry published in Chicken Soup for the Soul, Word Riot, Tonopalah Review, SaLit and SLAB: Sound and Literary Art Book. “The Pursuit of Happiness,” – a short story she wrote while at WMU, was chosen as a finalist in the Trial Balloon Fiction Contest.

When not writing, Laura enjoys musical theatre, hiking, swimming, reading and performing with her Celtic band- Si Bhaeg Si Mohr. She also enjoys spending time with her husband and children as well as her dog, two hamsters, two gerbils, ten chickens, two horses and eight (and counting) cats.

Connect with Laura: Sea Legs on Land, as well as on Facebook, Twitter and Instagram and Woody’s Book Tour.

Get Laura’s Books at Pandamoon Publishing and Amazon.

Review: SUICIDE SOULS by Penni Jones

Description:

[image error] Front Cover

Death is not always final…

Naomi and Luke have only one thing in common: they both died by suicide. They can earn a second chance at life by efficiently guiding their loved ones through grieving their untimely deaths.

Naomi excels at making her friends and family mourn, but the Death Shadow stalks ever closer to Luke. The dark entity carries non-compliant souls straight to Oblivion where unspeakably terrifying torture and the final goodbye await.

The two are forced to work together to navigate the in-between world in which they’re stuck. The only certainty is that the rules are unclear and shifting, and things are not always as they seem.

The pair must prove they’re worthy of another shot at life before time runs out. Can Naomi and Luke get better at living now that they’re dead?

My Take:

You’ve got to love an author who is willing to take chances, challenging norms and pushing beyond the conventions of a genre. Penni Jones has done that with each of her previous novels: ON THE BRICKS and KRICKET. Although her writing has elements of mystery, suspense and thrillers, there is always a gritty realism as well. We can readily identify with her characters because they remind us of someone we know, or perhaps ourselves. She is frank, honest, and unafraid to tell us things others might decide not to. And what she says tends to be what we would think if we were in the same circumstances. This lends an immediacy to the story that allows the reader to self immerse into the story and care about what happens to its characters. SUICIDE SOULS is no different in its style, but deviates from its siblings in subject matter. It is about life, death, and an afterlife that clearly is not exactly what the characters might have been led to believe. There is depth here that is subtly presented to us as a fairly simple, straight forward story becomes more involved and complicated as it progresses. And in this, death becomes more and more like life, just with frustrating differences.

As Naomi and Luke introduce themselves, we not only learn how they offed themselves but, over the course of the telling, we learn more than just the why. Their lives were complicated and not all the different from the situations that define many of our own lives and those of our friends. But in death, their plights have become convoluted, confusing and, on the whole, perhaps a lot worse. Jones envisions an arbitrary structure that permeates everything around her characters as they navigate a minefield of manipulation and selfish intentions set against them. Redemption is not guaranteed. The author presents the world with a wry eye for the absurd and ill-conceived where the characters make do with their lots as the progress toward an uncertain conclusion. What results is a biting commentary on the human condition, aspirations, ambitions, hope, dreams, and hellish potentials largely beyond control. It does not glorify the taking of one’s own life. Far from it. Death here is not presented as an escape from life but an inevitable consequence of a larger process. Nothing is given or taken for granted. Your situation may vary and is not intended by nature to get better and so, it can’t without paying a lot of attention at the decisions one makes. The result is an engaging story that becomes more compelling as it progresses.

Author Bio:

[image error] Penni Jones

Penni Jones is a writer, movie buff, concert t-shirt enthusiast, reluctant multi-tasker, grunge music listener, and blogger extraordinaire of Scapegoats and Sacred Cows
Penni started writing stories as soon as she learned how to hold a pencil. She is an avid reader whose favorites include Mark Haskell Smith, Ariel Gore, Chuck Palahniuk, Kurt Vonnegut, Gillian Flynn, Christopher Moore, and Kelly Braffet.

Penni is an Arkansas native with a nomadic spirit. She holds a Bachelor’s Degree from St. Martin’s University in Lacey, Washington. She has worked as a bartender, restaurant manager, bank teller, payroll specialist, event planner, and office manager. These days she focuses on writing. She currently resides in Michigan and probably has too many pets. She is currently the Membership Chair of Michigan Sisters in Crime. Follow her on Twitter at .

Pre-Order ebook of SUICIDE SOULS (launches on 2.10.21). Find info on her other books at Pandamoon Publishing.