Stephanie M. Wytovich's Blog, page 26

November 11, 2013

POEM: THERE'S A BRIDE IN MY HOLLOW NIGHTMARE


**A genre poem mixing Tim Burton/Danny Elfman favorites: The Nightmare Before Christmas, Corpse Bride, and Sleepy Hollow.
  There’s a Bride in My Hollow Nightmareby Stephanie M. Wytovich
 I hear that Jack is looking for his Sally,crawling through the pumpkin patch,
a holiday king trapped in a twisted square
of curled cliffs illuminated by Oogie Boogie’s
moon that shines with skeletal grins and
stitched-up smiles.

I hear that Ichabod is looking for his Katrina,walking through the hollow, his back to the
horseman as he scours the woods with no
fear of the Hessian’s curse as he battles in blood
for the white witch’s affection.

And I hear that Victor is looking of his Emily,running through the afterlife and drinking
with skeletons as he hums his piano duet
to the remains of his day as he waits for his
dead bride’s kiss.

But is Sally looking for her Jack,beating against Finklestein’s iron
door with a pile of Frog’s Breath and
Worm’s Wort in her arms to knock the
madman out so she can climb out the tower
and run to her Halloween prince?

And Is Katrina falling for her Ichaboddrawing the evil eye under his bed
and planting spells and curses in his jacket
pocket to protect him from harm, to keep him
safe as he battles his demons and recovers
from his scars?

And is Emily dying for her Victor,crossing realms and drinking poison
in order to make the man she loves,
the man adores, happy once again while
she drifts towards the sky and spreads her wings
to swallow death’s sweet embrace?

Yes, I think that Jack needs his Sally.
and that Katrina needs her Ichabod,
and when the duet is over, when all the
booze is consumed and the symphony done playing,
I think that Victor needed his Emily and now
I see no nightmares in this Christmas
no corpse brides at this wedding,
and when one love—one skeleton,
one scientist, one innocent—finds their
doomsday match—their doll, their witch,
their bride--I can guarantee that no
one is sleeping in the hollow, and that no
amount of reanimated body parts or twice-dead
vengeances will ever again keep them apart again.
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Published on November 11, 2013 05:58

November 10, 2013

HYSTERIA SCREAMS AT WYTOVICH

Patient: Stephanie M. Wytovich
Illness: Madness
Treatment Round: 2

Something interesting happened two weeks ago.
Something chaotic.
Beautiful.
Insane.

It was Hysteria.
She went away for a little bit.
But now she's back.
And crazier than ever.

We've been working together on a new project--one that I'm really excited about--but she's different this time around. Last time when we walked through the asylum together, she explained to me what was going on, introduced me to patients, and told me their stories. She was patient, she listened, she let me ask questions. She held open the doors to solitary and helped me relax when the lights began to flicker. But this time...well, this time, she walks--no runs!-- forcing me to chase her, to challenge her, to find her. And sometimes I do and sometimes I don't. There are no lights, no moments of peace. This time it's just energy. Pure, pulsing, electric energy.

So get ready for the shock treatment...

Because I' going to tell you a secret.
This time around,
We're turning the asylum inside out.

So sit patiently in your cells
and trust that we're working,
creating,
instigating.

And in the meantime:
Here's a music video by the band In This Moment, called Adrenalize.
A reader showed it to me the other day (Thank you, Michelle!) and it suits my muse well.
Hysteria loved it.
In fact, she's still screaming about it,


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Published on November 10, 2013 11:20

November 7, 2013

Cover Reveal: Wasteland Blues by Scott Christian Carr and Andrew Conry-Murray

    Of Mice and Men Meets The Odyssey in a Post-Apocalyptic Future  Having only ever known the uncivilized wake of nuclear and biological apocalypse, three friends and their wheelchair-bound hostage set out on a perilous fool’s mission--to cross from one side of the devastated United States to the other, in the desperate, half-believed hope of finding a rumored haven.  Spurred by a dark vision and the murder of their father, rageaholic Derek Cane and his over-sized, simple-minded brother, Teddy, flee the only home they've ever known, a struggling shantytown on the edge of the vast Wasteland. Heading ever eastward, they are accompanied by their friend, John, an orphan brought up by a fanatical religious order, and Leggy, a crippled old drunk who brags that, in his youth, he once traversed the Wasteland as a scavenger.  Wasteland Blues by Scott Christian Carr and Andrew Conry-Murray  Cover Art by Bradley Sharp Post-Apocalyptic novel  coming from Dog Star Books in March 2014  
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Published on November 07, 2013 20:40

November 2, 2013

THE MAD POET STILL HEARS HYSTERIA.

 
To me, being a paranormal investigator is very much like being an actress, and I play the part, dance the dance, and sing the song with my dark muse, Hysteria, as we travel the states in search of new patients to put in our asylum.  And I take my best friend, Crystal Vines, with me as well.  I mean, someone has to hold my hand when the lights go out and things start to move.  Last night, we traveled to Hill View Manor for a 10-hour investigation. Now neither of us like to work with a lot of equipment, but we do carry around flashlights, a tape recorder, and a notebook wherever we go. Crystal usually talks to the spirits and works with the EVPs, while I tend to photograph the building and scribble down poetry and notes for research. In fact, this is how Hysteria started in the first place. She was a collection of scribbles and pictures that I put in my notebook while looking for ghosts, but then she became very much alive...and we've been inseparable ever since.  Which is kind of funny because it's the same situation with me and Crystal. We originally became friends after investigating Moundsville Prison together and since that night, we've been attached at the hip, looking for ghosts and going on adventures. And the best part about our friendship, is that there's no denying that when the two of us are together that things start to happen. Things that don't always make sense.  Kind of like last night.  Neither of us had a good feeling about the basement, but yet we spent a lot of time there, sitting in a completely pitch-black room that was used as overflow for the patient’s belongings when they died. It was filled with suitcases, photographs, clothing, old mattresses, stretchers, doctor notes, sheet music…you name it. We each found a chair, sat down and took a couple deep breaths. Then we turned off the lights.  10,000 + people died in Hill View Manor.  They were embalmed within the building and buried in the cemetery out back, sometimes 3-4 bodies deep. These people—these patients—had nowhere to go but Hill View for they were mentally unstable, in critical care, or homeless. And they were standing all around me, and all around Crystal, in that room.  You see, the funny thing about darkness is that once you adjust to it, it’s its own kind of light. You can still see, and what you see is a different kind of blackness. Shadows moved in front of me, Crystal had a conversation with a male patient who communicated with us through a series of knocks and flashes of light, and then when the activity started to still, we went next door to the boiler room, where we met George.  Now George used to be a maintenance worker at the manor, and his blood runs black and gold for the Steelers. Sounds great right? For me, yeah. I'm a Steeler fan. For Crystal, not so much. You see, Crystal is from Louisiana and a die-hard Saints fan. George did not like that.  Was definitely not a fan. We chatted him up for a little bit, walking in and out of the boiler room, before we simply stopped and listened for about 15-20 minutes.  Everything was quiet for a while, but then George started to come around again.  I invited him to sit next to me, and within moments, something brushed my hand. I jumped and went to motion for Crystal to take a picture but couldn’t see her. Something tall, and something very black, stood in front of me, blocking my vision of her for about 5-10 seconds before it disappeared. My jaw about hit the ground and Crystal started to laugh.  Yes, she laughs at the activity.  I scream.  Crystal has been investigating since 2006 and she said that in that short amount of time when we invited George to come out and sit with us, that she’s never experienced a cold spot as intense as what we felt. A breeze blew down the hallway--enough to move my hair--and something touched her hand as well.  Can I prove any of that to you? No. And I can’t because the second I tried to take a picture of the black mass that stood in front of Crystal, my phone shut off (it was 53% when we walked down there).  The rest of the building was pretty quiet that night but the two of us still roamed the church, the embalming room, the graveyard, and the patient’s rooms. We sang “The Itsy-Bitsy Spider” to one patient, took a nap in the family room, and then walked down a disturbingly-wonderful hallway where a little boy’s spirit remains. As neither of us are big fans of ghost children, we decided to leave him and his toys behind.   But why Stephanie? Why would you not play with the ghost boy?
Well, he was dubbed the Angel of Death, only appearing to patient’s days before they passed away. The patients would rant and rave about a little boy that would come visit them in their rooms, and frankly people, I don't need any more nightmares.
 I already have Hysteria.   Cut me a break.
Overall, as a fan of haunts and abandoned buildings—especially hospitals—I was very impressed and loved the feel of the place. The building itself was beautiful, and the rooms and curtains that surrounded the beds, were pure magic for a horror writer. There were several times where I even stopped before going into a room full of white, moth-eaten curtains and thought, Stephanie….this is why people die in horror movies. You yell at them when they walk in these places, remember? And then I naturally put on my brave face and went in.  Because when you investigate, you act.  You become someone that’s not afraid to push through barriers and try to find answers.  You become someone that is daring, courageous and willing to take a risk.  It’s a performance. And probably my favorite one to act out.
    ***Interested in meeting Hysteria for yourself? Find her here!  
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Published on November 02, 2013 15:06

COVER REVEAL FOR CORPUS CHROME, INC.

CORPUS CHROME, INC. BY S. CRAIG ZAHLER Who should be given a second chance at life?  Decades in the future Corpus Chrome, Inc. develops a robotic body, dubbed a “mannequin,” that can revive, sustain and interface with a cryonically-preserved human brain. Like all new technology, it is copyrighted. Hidden behind lawyers and a chrome facade, the inscrutable organization resurrects a variety of notable minds, pulling the deceased back from oblivion into a world of animated sculpture, foam rubber cars, dissolving waste and strange terrorism. Nobody knows how Corpus Chrome, Inc. determines which individuals should be given a second life, yet myriad people are affected. Among them are Lisanne Breutschen, the composer who invented sequentialism with her twin sister, and Champ Sappline, a garbage man who is entangled in a war between the third, fourth and fifth floors of a New York City apartment building. In the Spring of 2058, Corpus Chrome, Inc. announces that they will revive Derek W.R. Dulande—a serial rapist and murderer who was executed thirty years ago for his crimes. The public is horrified by the decision, and before long, the company’s right to control the lone revolving door between life and death will be violently challenged…. Corpus Chrome, Inc by S. Craig ZahlerCover Art by Bradley SharpCyberpunk/Transhumanism novel  coming from Dog Star Books in January 2014--- What They’re Saying About S. Craig Zahler
“Zahler’s a fabulous story teller whose style catapults his reader into the turn of the century West with a ferocious sense of authenticity.”
—Kurt Russell, star of Tombstone, Escape from New York, Dark Blue, and Death Proof

“If you’re looking for something similar to what you’ve read before, this ain’t it. If you want something comforting and predictable, this damn sure ain’t it.  But if you want something with storytelling guts and a weird point of view, an unforgettable voice, then you want what I want, and that is this.” —Joe R. Lansdale author of Edge of Dark Water
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Published on November 02, 2013 08:55

October 23, 2013

October 20, 2013

MADNESS BREWS IN PITTSBURGH

PATIENTS: RDSP/DOGSTAR AUTHORS
ILLNESSES: READING BOOKS
TREATMENTS GROUP SHARING

The Pittsburgh Book Tour with Raw Dog Screaming Press was a blast! We got to visit a bunch of bookstores--Carnegie Mellon Bookstore, The Big Idea Bookstore, The Muse Stand, Station Square Books, and Rickert and Beagle Books--and meet a ton of great people. Here are some of the pictures I took from the event, but also be sure to check out some great group shots and musings from the other authors as well: Heidi Ruby Miller, Jason Jack Miller, Matt Betts, and Michael A. Arnzen.


Heidi Ruby Miller reads from Greenshift.

K. Ceres Wright and I at Rickert & Beagle Books Matt Betts and I take our infamous selfie shot!
 Jason Jack Miller reading from Revelations of Preston Black

 
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Published on October 20, 2013 16:36

October 14, 2013

September 27, 2013

The Devil is in the Madhouse with Six Dead Boys


Patient: @JustAfterSunset
Illness: 666 Twitter Followers

Today the Devil made his way into the Madhouse with 666 followers trailing behind him. So in celebration of all things wrong, scary, and unholy, I wrote you guys a poem to celebrate one of my biggest fears: numbers.

Ugh. I've always hated math!

Stay Scared,
Stephanie M. Wytovich

Six Dead Boys

Six boys got in a fight
and shot each other dead,
so the Devil sent them to Heaven
for a time out.
God made them pray,
made them ask for forgiveness.
and after hours of saying rosaries,
after days of fulfilling contrition
those six dead boys never killed each other again.
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Published on September 27, 2013 18:13

September 25, 2013

COVER REVEAL FOR KICKING AGAINST THE PRICKS


ANNOUNCEMENT:
We're very excited to announce that Stephen M. Wilson's collection of poetry Kicking Against the Pricks is going to be available for pre-order this Thursday, September 26 from RAW DOG SCREAMING PRESS. Here is a sneak preview of what's to come...
WEBSITE:
http://rawdogscreaming.com/books/kicking-pricks/
  AUTHOR BIO: Stephen M. Wilson was Poetry Editor for Abyss & Apex Magazine of Speculative Fiction and also edited the spec poetry Twitterzine microcosms (@microcosms) and San Joaquin Delta College’s literary magazine Artifact. Wilson spent 3+ years as Poetry Editor for Doorways Magazine and co editor of the Science Fiction Poetry Association’s annual Dwarf Stars Award anthology. He’s had several poems nominated for the Rhysling Award and a handful for the Dwarf Stars Award (including a win in 2011). His first book Dark Duet, a collaboration with multi-Bram Stoker Award winner Linda D. Addison, is available from Necon E-Books. Wilson lived in Stockton, CA with his partner and two dogs. More at: http://speceditor666.livejournal.com.
  BACK COVER:

Cover Art by Steven Archer, EgoLikeness.com First century tillers used oxen to help them plow the land, and when the animal slowed or refused their commands, the tiller would use a prick to jab the animal and regain control. Sometimes the oxen would rebel and kick against the prick, and as a result, get stabbed even harder. It was a lesson of cause and consequence, of insurgence, of anarchy, both against their owners, and against God. Wilson takes this concept of rebellion and weaves it throughout his writing in such a way that his characters know how it feels to be both the tiller and the ox. His verse is sharp like a pointed spike, and his style awakens reader to the gray area in the black and white world of right and wrong, good and bad. Wilson writes without fear and doesn’t shirk from the emotions that surface when he digs deeper, doesn’t hide from the shadows that creep in when he tills harder. The pieces in Kicking Against the Pricks bring an understanding to pain, suffering, and what it means to be conflicted. Wilson brilliantly shines the light on the darkness that hides within us all and envelopes his readers in a raw, emotional, and beautiful journey as noted in Stoker Award winner Linda D. Addison’s insightful introduction.
 
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Published on September 25, 2013 21:22