Marly Youmans's Blog, page 62

June 14, 2014

Catching the spirit--

Study for the jacket/cover by Clive Hicks-Jenkins.The final jacket has a warm, peachy backgroundand also contains A Novel, skittering aroundthe dragon's spines. Design work byBurt & Burt.

Comments from Clive Hicks-Jenkins on making the cover art for Glimmerglass, taken from a comment on his Artlog:

I read Glimmerglass three or four times before I made the cover and the interior decorations
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Published on June 14, 2014 13:47

June 13, 2014

Journey's End

If you come here often, you probably know that I have a good many friends who are painters--not sure how that happened, but I enjoy it and get as much or more out of talking about the visual arts as I do from talking about writing. In fact, I'm going to meet up with a couple of painter friends for lunch today... I tend to be more interested in talking about arts other than my own in some ways,
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Published on June 13, 2014 06:29

June 12, 2014

Playing here instead of blogging today...

Playing here instead of blogging today...
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Published on June 12, 2014 08:17

June 11, 2014

on Catherwood

"Mainly I want to get people reading that book, which is one of the glories of American fiction from the last 50 years."

            --John Wilson, editor of Books and Culture.
              On twitter, June 11, 2014 
New edition of Catherwood by the end of the year! Review clips, "best of" citations, and information on editions here.

Comment used by permission. I am once again grateful to
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Published on June 11, 2014 08:15

June 10, 2014

Catalogue page for "Glimmerglass"--

Clive Hicks-Jenkins,prefatory drawing for Glimmerglass

I'm posting the catalogue page for Glimmerglass today--go here.

"I know of no writers other than Marly Youmans who has the genius to combine the spine-tingling suspense of Gothic storytelling with the immense charm, grace, glamour, realism, and simplicity of Hawthorne. Glimmerglass does more than shimmer and grip; it entertains and
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Published on June 10, 2014 12:34

June 9, 2014

Long ago and far away

One of the unused Clive Hicks-Jenkins
images for The Foliate Head--it seems
to fit this Whitmanian post...

"Walt Whitman" just followed me on twitter, and that made me remember that I had a professor once who made me read great swaths of Whitman aloud in class. We had an 8:00 start time, but he made us arrive at 7:00 a.m., a great trial for the young, who think they have long lives ahead, not
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Published on June 09, 2014 16:00

June 8, 2014

Glimmer and shine--

Recognize these, anyone? I am a fan of stained glass and the poetry of Henry Vaughan (and especially his marvelous "The World"), and so I'm excited to see that Clive Hicks-Jenkins has started working on a window commission and is using images some images he made for my poetry collection The Foliate Head and upcoming novel, Glimmerglass. And the way he is handling the text points back to the
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Published on June 08, 2014 17:46

June 7, 2014

Joyous path--

Courtesy of sxc.hu and Rodrigo Lozano of Brazil

Old English Wordhord
‏@OEWordhord
#OldEnglish #WOTD: gomenwāðu, f.n: a joyous path. (from twitter)
One of my favorite things about the internet is coming upon small, startling facts left like Hansel-pebbles in the woods. (My least favorite thing is, naturellement, the general addiction of everybody and the much-discussed decline in book-reading.
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Published on June 07, 2014 06:38

June 5, 2014

Fracas! Ruckus! Brouhaha!

Vignette by Clive Hicks-Jenkins for Thaliad

Dear Slate,

What a lot of grief you are getting for publishing an article about how adults ought to be embarrassed to read children's books. ("Against YA" by Ruth Graham.) I guess maybe that was the point, as it is so often the point in these days. To get attention. To cause a commotion, a hullaballoo, a hoo-ha. To make a sort of paparazzi fuss, all
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Published on June 05, 2014 21:16

Dorothy's rapier, etc.

Dorothy Sayers at The Lapidary Craft

The English language has a deceptive air of simplicity: so have some little frocks; but they are not the kind that any fool can run up in half an hour with a machine. . . . [English] is a rich, noble, flexible, and sensitive because it combines an enormous vocabulary of mixed origin with a superlatively civilized and almost wholly analytical syntax. This
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Published on June 05, 2014 08:52