Eugene L. Lowry
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The Homiletical Plot: The Sermon as Narrative Art Form
7 editions
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published
1980
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How to Preach a Parable: Designs for Narrative Sermons (Abingdon Preacher's Library Series)
3 editions
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published
1989
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The Sermon: Dancing the Edge of Mystery
5 editions
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published
1997
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The Homiletical Beat: Why All Sermons Are Narrative
6 editions
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published
2012
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Doing Time in the Pulpit: The Relationship Between Narrative and Preaching
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published
1985
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Living with the Lectionary: Preaching Through the Revised Common Lectionary
2 editions
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published
1992
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A preaching of life
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“In the case of the movie High Noon, it is obvious that the viewers are not held by their intrinsic interest in the history of the American frontier, in law enforcement, or in noon trains.”
― The Homiletical Plot: The Sermon as Narrative Art Form
― The Homiletical Plot: The Sermon as Narrative Art Form
“The set of outline notes of our poorer sermons, however, will likely reveal that they were shaped by the nature of their substantive content, not by the process of the narrative experience that is anticipated.”
― The Homiletical Plot: The Sermon as Narrative Art Form
― The Homiletical Plot: The Sermon as Narrative Art Form
“Note, too, that fiction writers inevitably catch their central characters in situations involving ambiguities, not contradictories. The marshal in High Noon was being asked to choose not between a good and a bad but between two goods (or two bads, depending upon your angle of view).”
― The Homiletical Plot: The Sermon as Narrative Art Form
― The Homiletical Plot: The Sermon as Narrative Art Form
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