M.E. Sutton's Blog, page 18

Book Release: Hero's Sword Vol 1

It's finally here! Volume 1 in the Hero's Sword series of ebooks, Power Play, is now available. Well, allowing for my delay in posting because of the U.S. Thanksgiving holiday that is - the book hit Amazon and Barnes & Noble last Wednesday.

All Jaycee Hiller wants to do is survive eighth grade. Mostly that means hanging with her friend, Stu, avoiding the cheerleading squad, secretly
crushing on Nate Fletcher, and playing her favorite video game, Hero’s Sword.

When she receives a new video game controller, Jaycee finds herself magically transported into the Hero's Sword video game world. Survival takes on a whole new meaning. No longer battling with a plastic joystick, Jaycee picks up a real sword and bow & arrow and readies herself for battle.

Can she save Lady Starla's rule in Mallory, keep herself in one piece, and maybe even learn something about surviving middle school?

Download your copy for Kindle, Nook, or Sony's Kobo today! And please, help an author - leave a review!

PS: I keep checking, but haven't seen POWER PLAY in the Apple iBookstore yet. If you see it, please let me know via a comment.

The Next Big Thing Blog Chain

So, a couple weeks ago, fellow Sister in Crime Nancy Adams tagged me in this blog chain project called "The Next Big Thing." Essentially, authors answer ten questions about their current work in progress, then tag someone else. I had a bit of a hard time deciding what to answer the questions on, but I think I'm going to use the ebook that is currently in production. So here goes:

What is the working title of your book?

Hero's Sword: Power Play

Hero's Sword is the name of the series, also the name of the video game that figures in the story. Power Play is the name of the first installment. Think political grab for power, not the hockey term.

Where did the idea come from for the book?

This was one of those social media networking, "you never know what's going to happen," kind of things. I got a message via a long-time technical writing colleague that he had this friend who had an idea for an ebook and I should contact him. So I did, and pitched my credentials. His idea was for a "chapter book" series. If you think of the popular Magic Treehouse books, you'll get the idea. Except he was looking at the increasing numbers of kids in the 6-10 year old demographic using ereaders, so the series would be all digital. His idea surrounded a video game, but he was open to other ideas. I liked the concept, however, so I expanded on it - she is sucked into the game via a new game controller, where she has to become her game avatar, a "hero" of the land, and save the day. And while each book has it's own episode, there is a bigger story arc, since his vision was for a series of 10-12 books.

What genre does the book fall under?

It's a fantasy. I mean, what kid doesn't fantasize about being a hero or "living" the story of a video game?

What actors would you choose to play your characters in a movie?

Oh my gosh. For Jaycee/Lyla, I'd probably go with Jennifer Lawrence, who played Katniss Everdeen in The Hunger Games. She's a little old, though as Jaycee is 13. But it's the same spunky female character. The other big character, Roger Woodbridge, is a father-style figure, so I'm not sure. Liam Neeson really appeals to me for that, although he too might be a tad old.

What is the one-sentence synopsis of your book?

When she is magically transported into a video game, Jaycee Hiller must become her avatar, the hero Lyla Stormbringer, to save the lady of Mallory and learn a little about herself along the way.

Will your book be self-published or represented by an agency?

It is going to be independently published. That is, my partner is handling the bulk of the publishing details, but it's not going through a traditional publishing house, I don't have an agent, and I get a lot of input on things like cover art.

How long did it take you to write the first draft of the manuscript?

The first draft took about three weeks. It was during the summer and I was unemployed so I had a lot of free time for writing.

What other books would you compare this story to within your genre?

The Magic Treehouse is probably the best comparison I know - both for length and genre. In both series, kids are magically transported to another place to solve a problem.

Who or what inspired you to write this book?

Well, I was unemployed, first of all. =) Second, I also see more kids reading ebooks these days, either on their own Kindles/iPads or using Mom and Dad's, so I thought the market was there. And I've never written for this grade level, so the challenge of doing so was appealing.

What else about your book might pique the reader's interest?

Jaycee is a girl, but I think her problems - having a crush, being on the outs with the "popular" crowd in school - are typical of a lot of kids between 8-10. So I hope she is an inspiration for any kid, girl or boy, who doesn't quite "fit" and is searching for self identity in the face of the school bullies (physical or social). I deliberately tried to avoid the "girly" stuff so that boys would find Jaycee an engaging character. And she's not a "girly girl." I wasn't one myself in middle school, and there weren't a lot of literary characters I could related to in that way.

Well, this was fun! I'm still working on people to tag, so check back later to see how successful I was.
* * * * *If you are interested in continuing the chain, here are the rules:Use this format for your post.Answer the ten questions (above) about your current WIP (work in progress).Tag five other writers/bloggers and link to them (be sure to line them up in advance).

Hero's Sword: Power Play - Excerpt 2

by Mary Sutton / @mary_sutton73

I leave for a fun-filled writing weekend in a few hours, but I leave you with a second excerpt from the upcoming ebook, Hero's Sword: Power Play. In this scene, Jaycee facts a test with the sword - a test that could make the difference in proving that she is indeed Lyla Stormbringer.

*************

We walked back to the manor grounds, the crowd following. I could hear bits of conversation, people debating whether or not I was Lyla Stormbringer. I took this as progress. When I’d arrived no one had believed me. At least people were wondering now.

The practice ring was a circle approximately fifty feet in diameter with a raised border. Roger stepped into the ring and motioned for me to follow. “Lyla Stormbringer is a fearsome blade,” he said, making sure the entire crowd could hear. “It is only fitting, therefore, that she have a strong opponent, someone who can challenge her - me.” Roger unsheathed the sword on his hip and bowed.

I fought to keep my face expressionless. I had to fight Roger? On the one hand, this was good because I was sure he wouldn’t kill me. On the other hand, I was also sure he was a pretty good swordsman himself, so he wouldn’t give me a break either. I flexed my hands, drawing in deep breaths and trying to calm the butterflies in my stomach.

I drew my own blade. The leather-wrapped hilt felt good in my hand, like it belonged there. The sword was neither too light nor too heavy, and the sunlight shone off the blade. I rolled my wrist a couple times, drawing circles in the air. It felt natural. I smiled, swung my sword up in a salute, the way I saw in the movies, and bowed. Roger also smiled and we stepped into a ready position.

This might be fun. Then Roger attacked and I changed my mind. This might be deadly. Roger hadn’t been kidding, he was good and it took all that I had to block his flurry of attacks. There were a couple of times that I thought he’d get me, but he didn’t. I was sure I was working on reflex alone, because it wasn’t skill.

I had never swung a real sword. The closest I’d gotten was when I played Zelda on Stu’s Wii. Believe me, swinging a video game controller is not training for swinging a real sword. Roger chased me all over the ring, blows coming at my head, side and feet. I was managing, but barely. It was just a matter of time before he scored.

Once again, the muttering started. Whatever street cred I’d earned at the archery range was almost gone. Out of the corner of my eye, I saw the guy from the range elbow his neighbor and smirk. For some reason, that made my blood boil. A balloon rose in my chest and a ringing started in my ears. Enough was enough. Roger might beat me, but I wasn’t going to lose looking like a fool.

I went on the attack. The more I swung at him, the more Roger smiled. But I didn’t think it was the same kind of smile as the people watching. He looked pleased. I pressed him harder and sweat started to form on his brow, and the smile disappeared as he frowned in concentration.

I lost track of time, so I couldn’t tell you how long Roger and I stomped across that ring. He swung at my head and I ducked. I swung at his feet and he jumped. I blocked a wicked strike that would have carved a chunk out of my chest. I recovered quickly, faked a blow to Roger’s right and swung at his left side. He also reacted quickly and blocked my swing.

Sweat poured down my face, stinging my eyes and I could feel my shirt sticking to my back. I should have been terrified, but I’d never had so much fun. A fierce confidence that I’d never felt before burned in my chest. I still might lose, but I knew I was putting on a show.

After who knows how long, I saw my opening. I took a quick swing toward Roger’s head, but instead of swinging again when he blocked, I slid my blade down his and flicked my wrist in a circle. The move trapped Roger’s sword and twisted it out of his hands. It flew to the side and I held my sword inches from Roger’s throat. I was soaked with sweat and breathing like a sprinter after a race, but I smiled like I'd just been told I would be free of homework for the year.

Roger was also soaked, but his smile stretched across his face and his eyes twinkled. He nodded and I dropped my sword. He retrieved his own blade and we bowed to each other. I was breathing too hard to speak, but Roger held up my sword hand. “I declare this test passed,” he said, his voice ringing with something I could have sworn was pride. I bowed to the crowd.

“And now for the final test,” Roger said. “A test of wits.”

I was flying high. After the bow and the sword, I figured this would be cake. Boy, was I wrong.

Bouchercon 2012

Just when I thought the weekend couldn't get any better, I got to meet Mary Higgins Clark.

The Pittsburgh SinC crew (that's me, second from the right)When I made my hotel reservations for Bouchercon 2012 last spring, I had no idea what I was getting into. As the conference rapidly approached, I got excited. And nervous. And sometimes flat-out petrified. I had chosen one of the biggest crime fiction conferences to make my "industry event" debut. What had I been smoking? Yes, Bouchercon is primarily a fan event (that is, there were no times set aside for pitching agents or learning craft), but there were going to be some big names there. I joked that while I hadn't yet started dreaming that I was attending a panel stark naked, I was getting jittery. My biggest fear was that I'd be talking to some published author and he (or she) would say, "Honey, give it up."

Hank Phillippi Ryan channels Richard DawsonI needn't have worried. I'm sure other genre authors will say the same, but the crime fiction community is the best. I knew good things were in store when the first person I saw was Hank Phillippi Ryan. Some poor footwear choices and bad directions had put me in some serious pain - and fortunately my friend Annette swooped in (I mean really - you know you've got a real friend when she literally gives you the shoes off her feet).


I attended some great panels (Family Feud Jungle Red style, and a rip-roaring Sunday event on red herrings top my list). I spoke to great people, other writers and fans (shared a cab with a retired Cleveland Housing Authority officer who insisted on buying me a drink when she learned I was a writer), including a chance meeting with the lovely Rhys Bowen. I drank my first chocolate martini. And no, it won't be the last.

And did I mention that I met Mary Higgins Clark?

Not once did someone say, "Give it up." To the last, everyone was encouraging and friendly. Hallie Ephron (go get her books, now) recognized me from a chance meeting last spring. Hank (go get her books, now) recognized me from Twitter - and may I say she gives great hugs? The message was always, "Don't give up. Keep writing. Keep learning. You'll make it."

The lovely & elegant Rhys BowenAnd that's why I go to these things. I've written before that a writer's life can be lonely. We sit for hours, days, weeks, in front of a screen, pouring out our hearts and souls. Yeah, we can connect with others through email, or Facebook, or Twitter. But somehow, none of that quite compares to a hug, a smile, a conversation.

Nothing on social media compares to hashing out ideas over lunch with a friend. Virtual enthusiasm pales compared to the energy of like-minded others. Yeah, social media introduced me to a lot of people I wouldn't otherwise have met, but to meet them in person? Wow. I came away so energized, so enthusiastic, so ready to jump right back into writing and really make it work.

I'll get more of that this weekend when I attend the "Retreat to the Woods" writers' retreat with my local Sisters in Crime. But after Bouchercon, I really feel confident using the word "sib" to include authors such as Hank. Because the people I met this weekend are my sisters - and brothers - in this wild, wonderful, sometimes hair-pulling, adventure. I'm grateful for all of them and could not be happier I found them. As soon as those hotel accommodations are announced for next year in Albany, I'm there. More than ever, I feel like a writer. This is my community, my "family," my tribe.

And did I mention I met Mary Higgins Clark?

Brava, JK Rowling

By Mary Sutton / @mary_sutton73

Note: I have not read A Casual Vacancy. I might not. What follows is not my opinion of the quality of that book, but my thoughts on JK Rowlings' decision to write it.

Even if you aren't a book person, chances are you've heard of JK Rowling and Harry Potter. If nothing else, the fantastically successful movie franchise has almost guaranteed that. And maybe you've even heard that Ms. Rowling recently (last week, in fact) released a book that is very much NOT for the Harry Potter demographic - A Casual Vacancy. You may or may not be aware of the book's pricing (a whopping $35 USD for the hardcover and $18 USD for the ebook), or the snafu surrounding the ebook formatting error from the publisher.

So, as an author, I've got to wonder: How did Ms. Rowling feel about this book?

She has flat-out said that she wrote it because she wanted to do so. Was she nervous? Most likely. Not in the nail-biting "Oh-my-god-I-need-this-money" kind of way. Her earnings from the Harry Potter franchise have made her an incredibly wealthy woman and she probably doesn't need to write another word in her life (speaking financially).

But any writer who says, "Oh, this is just for me and I don't care what others think" is probably lying to some degree. Every author wants people to like her work. I mean, why else bother publishing it? If it's truly only for you, you can enjoy it without trying to land a traditional publishing deal or forking over the cash to put out a quality indie-pubbed volume. So yeah, I don't have any problem believing that Ms. Rowling was a little nervous about how folks were going to receive A Casual Vacancy.

Some people liked it. Some didn't. That's okay, because that happens. And I bet Ms. Rowling is okay with that too. Not everybody loved Harry Potter (yes, hard to believe maybe, but true).

See, here's the thing. Until now, Ms. Rowling's brand, her "platform" to use the most popular jargon-speak, has been Harry. I won't diminish her success by calling it "overnight" (because it wasn't), but it was her debut work. And for debut work to become that wildly successful is not the industry standard.

And not every author of a popular series has left it behind to author another mega-hit. The Internet buzzed with stories of how many authors, including Judy Blume and Dr. Seuss, had tried to make the "childrens' book to adult book" leap and failed.

To me, it doesn't matter. I say "brava, Ms. Rowling" for one simple fact.

She did it.

Seriously, think about it. Here's the author of what is probably the most successful book series for kids of all time. What does she do? Rest on her laurels and redecorate her lovely home? Never put pen to paper again?

Hardly. She went out on a limb and tried to push herself as a writer. I've got to admire that. To not be content to relax, to try something different - that's part of being an artist. That means you're trying to grow. I read a blog post this morning from Susan Meier about how we all should be works in progress - always learning, never being content to stand in one spot.

Using that as the criteria, I think Ms. Rowling can count A Casual Vacancy a success. It is, by all reviews I've read, most definitely not Harry Potter. She's not doing the same thing to death. Undoubtedly, she could pen more Harry books. But would the reading public eventually feel about Harry the way the movie-viewing public feels about the unending Rocky films. That tired, weakly-done sequels have undermined the brilliance of the original?

Me, I think so. I applaud Ms. Rowling's original objective with Harry. She had a story arc. She wrote those books, a fantastic example of plotting over seven volumes and a decade of publishing. And when the story was done, she ended it. No, "wait, there's more!" gimmicks. No milking the cash cow with Harry Potter #27.

I hope I can do the same, someday. I hope I can have a wildly successful series. And I hope I have the good sense to end it before it gets tired.

And I hope I have the nerves to never stop trying something new.

Hero's Sword: Power Play Excerpt

So if you've followed me on Twitter and Facebook, you know that production has begun on what will, most likely, be my first published work. HERO'S SWORD:POWER PLAY is the first book in a series for middle-grade kids, age 8-10. A good comparison would be the wildly successful "Magic Treehouse" books. The books are approximately 20,000 words and divided into chapters.

The HERO'S SWORD book arc follows eighth-grader Jaycee Hiller. All Jayce wants to do is keep her head down, avoid the cheerleading squad, and survive school. But when she finds herself inside her favorite video game, "Hero's Sword," she must become her avatar, Lyla Stormbringer. "Survival" takes on a whole new meaning as she works to rescue the estate of Mallory from marauding highwaymen.

To celebrate, I offer an excerpt from POWER PLAY for your enjoyment. This is an early scene in the book, after Jaycee is transported into her game and she meets her mentor.

***************

I expected to come in contact with my floor, but instead something that felt very much like grass smashed against my cheek, and the smell of dirt and fresh air filled my nose. Really fresh air. I hadn’t smelled air this fresh since that camping trip my parents had forced me to go on in fifth grade.

As soon as my vision cleared, I stood up. My nose and skin hadn’t lied to me. Instead of standing in my bedroom, I was in the middle of a grassy clearing, surrounded by massive trees. The sky above me was a brilliant blue, clearer than I’d ever seen. There were no clouds. I brushed my hands off on my pants and froze.

I was not wearing my usual jeans and t-shirt. Instead, I wore a long-sleeve linen shirt and a close-fitting leather vest. My legs were in tight pants, not uncomfortably tight, but much tighter than I preferred. Instead of sneakers, I wore soft leather boots that came to my knee. There were leather cuffs around my wrists, embossed with some sort of logo, but it was upside down and I didn’t recognize it. The only thing that seemed to be the same was my hair, which was still in a ponytail. But when I pulled it forward, it was a different color, a much deeper brown than it was normally. A few strands stuck to my forehead.

I was about to look at the logos more closely, when a voice shouted behind me. “Stand fast! Who are you, trespassing here? Turn around and name yourself!”

I did what any normal thirteen year old would do. I held out my hands, and turned around. Okay, maybe most thirteen-year olds would have run. But as soon as I saw the owner of the voice, I was glad I hadn’t.

He was tall and muscular - and holding a sword like he knew how to use it. He also looked very familiar, from his dark hair to his boots. His skin was tanned, like he spent a lot of time outdoors. “Um, hi,” I said.

The stranger lowered his sword, but didn’t put it away. “Greetings,” he said. “Might I ask of your name?”

I looked around. “Before I tell you that, would you do me a favor?” The stranger furrowed his brow, but nodded. “Where exactly am I? Like, the name of the town?”

The man’s brow crinkled further. “You are in the estate of Mallory, lands of Lady Starla Caval,” he said. My stomach felt hollow. Mallory is the name of my estate in Hero's Sword. This was getting really weird.

“Uh, and who are you, exactly? I thought the lord of Mallory was Harald Caval.” I was afraid of the answer.

It wasn’t possible for his forehead to crease any further. “I am Roger Woodbridge, chief steward of Mallory,” he said. “Lord Harald is dead, Lady Starla is his daughter. “ The hollow feeling in my stomach increased. This was definitely weird.

I needed more information, right now. “So, Roger, what brings you to this clearing?” I said, trying to sound casual. Stu always tells me I’m horrible at that, but I tried anyway.

“I am on the lookout for a great hero of this land, the woman known as Lyla Stormbringer,” Roger said. “There is unrest in Mallory. Lady Starla’s reign is new and some of her people think she is unfit for her role. Bandits plague the highway and her ladyship cannot stop them. It is Lady Starla’s hope that Lyla Stormbringer can help bring peace to the estate and strengthen her rule.”

Okay, way, way too weird. This could not possibly be happening. The quest I had accepted was to hunt bandits on the main highway though Mallory. Had the Controllix brought me into the game? But that was impossible. I wouldn’t have believed it except for the fact that my pretend Mallory looked a lot like this place, there were characters named Roger Woodbridge and Lady Starla, and my avatar was definitely Lyla Stormbringer - and she dressed a lot like how I was dressed now. But somehow now seemed like a bad time to tell all this to Roger. Had I fallen asleep? I pinched myself, hard. It hurt. I looked around. Still in the clearing. Roger now looking at me in obvious concern. “Are you all right?” he said. “You seem dazed.”

I gazed at the trees again and the sky. I might as well go with it. I spread my hands. “I’m fine,” I said, even though I wasn’t feeling all that fine. “You said you were looking for Lyla Stormbringer. You found her. I’m Lyla.”

Bits and Bobs

by Mary Sutton / @mary_sutton73

So, I'm looking at the date of my last post, and it was 30 August. That's a few weeks ago. My only excuse is that I've started a new day job and that leaves me with less time for writing and it's associate tasks. Mea culpa. I'll try to be better, but no promises.

Blog Stats

I had a spike in viewers today. I have no idea why. But I am grateful. Especially since I'm still trying to figure out this stuff.

It seems like my most popular posts have been the ones I've done on Scrivener. I'm not really surprised on that. In fact, it seems like one of my posts (Scrivener Two Months Later) was linked to another blog on Scrivener. So way cool, so...

Scrivener Tip

In one of my very first posts on Scrivener, I talked about character and location sheets, and how cool they are. And I still think that. But what if you're writing a series of works (novels, short stories, whatever) using the same characters and settings. Do you have to write the sheet each time? Nope. Simply open both projects and drag the character/setting sheet from Project A to Project B. You might have to fuss with the window sizes to be able to do this and you might have to relocate the sheet once it's been dropped if you can't get it right to the correct location. But voila! you can reused sheets over and over (and if something changes in Project B, you can propagate that change by coping from Project B to future projects).

Cool News

I inch ever closer to publication. I think my first public work is going to be the first in my middle-grade fantasy e-book series. I got a cover candidate earlier this week that really knocked my socks off. So beautiful and I think it's really going to resonate with the target market. I cannot wait until I can share it with you - and when I can announce publication!

In the meantime, I have the first in my Laurel Highlands Mysteries series of novelettes out for submission. Unfortunately, I won't hear until October at the earliest - and I may even have to wait until December. It's my first real experience with how slowly the wheels of traditional publishing can turn. I knew it philosophically, but encountering it in real life is, um, different. My first submission responded much more quickly. It kind of cramps my plans for the second story, and perhaps the series in general, but so it goes.

However, more exciting news: my local Sisters in Crime chapter is publishing a short story anthology - and I'm going to be in it! As The Girl would say, "squee!" Publication is a ways off, but the acceptance means I can focus on helping/encouraging others and even more writing. And, frankly, this acceptance meant a lot to me - perhaps even more than acceptance in a magazine would because these are my peers and friends. To not have been included would have sucked.

Speaking of More Writing

I'm mulling over another short story idea, which was going to be a backup if my first anthology story wasn't accepted. This is a story with completely new characters and would be a standalone.

I've finished the second book in the MG fantasy series. I'm editing/revising a romance novella I submitted to a contest back in June (wow, the POV shifts are slapping me in the face in that one - sheesh). I have a second romance novella awaiting revising.

If only I had...

Time to Write

As I mentioned, I've got a day job. It's a good one, tech writing (which is something I'm very comfortable with) in a pretty flexible company. But it does cut into my fiction time significantly. No longer can I just pound out 2,000 words in a day. So I'm coming up with creative options. A lot of writing is getting done on the weekends.

Which begs the question: If you have a day job/kids/school/etc., how to do manage those demands with your writing time?

Clock image used under Creative Commons via Dalo_Pix2

To Buy or Not to Buy (Reviews)?

by Mary Sutton / @mary_sutton73

The big kerfuffle on the Internet and Twitter these days seems to be the news that multi-million ebook seller John Locke paid for reviews of his works.

You might be tempted to say "so what?" but let's stop a minute and think.

It's pretty standard in the publishing industry that publishers will send copies of books (advance reader's copy or ARC) to reviewers. They want the blurbs for the book jacket and for advertising. I'm not sure of whether publishers pay for this or not - but I also can't imagine Kirkus doing something for nothing, so who knows.

It's also pretty well-known that indie authors have a hard time getting reviews. Kirkus, Publishers Weekly and others don't want to review self-published works.

So if an indie author wants reviews, what's the harm in paying for them?

For me the answer is "plenty."

Let's set aside the fact that buying reviews goes against Amazon's policies. Even if it didn't, I think it would be a no-no. No one in her right mind is going to pay for reviews unless they are good. So let's say indie writer Ima Author pays $500 for fifty reviews. She gets some good and some not-so-good. I'm fairly confident that Ima is going to weed out anything less than a glowing 4 or 5 star review. So the book looks phenomenal to prospective buyers. But is it?

To me a purchased review devalues honest reviews. Because once the reading public knows that you can purchase these things, they start to distrust them. So I go out and write an honest review. How does a prospective buyer know that my four-star review hasn't been paid for? He doesn't.

Going along with this is an article I read this morning on "sock puppet" social media accounts. These are fake accounts set up by an author (or author's rep) to create buzz around a book. To me it's just as deceitful as paid-for reviews. "Everyone does it," one author quoted in the article says. Uh, no, I don't think so. I know how much time I spend cultivating my community on Twitter. I can't imagine doing that for multiple accounts.

Oh, and by the way, what are you - too chicken to do your own promotion? To afraid of looking like a brazen self-promoter? Then I submit you are Doing It Wrong.

I've already written about the challenges of reviewing and how some authors bemoan anything below four or five stars. But paying someone isn't the answer.

Mr. Locke said he was "confident" about the quality of his story so reviews were to be honest. Really, Mr. Locke? If you were so confident, why not let the reviews fall where they may?

As an author, I think I've written some pretty good stories. I'll be willing to throw them up for review once they are published. I'm going to get people who really like them. I'll get people who like them, but aren't wowed. And I'll get people who don't like them, or who don't get the story and will give a bad review. And that's all part of publishing.

And if someone came to me and asked for a review, I'd gladly do it. I wouldn't ask for anything (okay, maybe I'd ask for a free copy of the book). But I'd also warn them that they'll get an honest review. If they don't like it and don't want to use it, that's their right.

But Mr. Locke has damaged the credibility of every review ever posted. And that's to bad, because with the explosion of self-publishing, the virtual "word of mouth" represented by reviews is the best way to get your book noticed.

Paying for reviews doesn't just damage the credibility of one author. It damages us all by casting doubt on our reviews.

Thanks, Mr. Locke. What a way to support indie authors.

Image courtesy of 401(k) 2012 and used under Creative Commons license

Scrivener, Two Months Later

by Mary Sutton / @mary_sutton73

Back in June, I published several posts on my experience with Scrivener (here, here, here, and here). At that time, I was still in my trial period phase with Scrivener and mostly I had imported a small project and done some tinkering.

Since then, I've purchased Scrivener and done several full-length projects, including some novellas, short stories, and novelettes. And I've come to a couple of conclusions.

1. Scrivener rocks.

2. How did I get along in Word for so long?

First, a clarification. I said in my Step 2 post that the trial goes by 30 days of actual use. That turned out to be incorrect. It uses actual calendar days. And you can't cheat it by simply leaving it open. It must check the system clock for the date.

I admit I got a little lazy. I was writing the second story using some of the same characters, and I thought "Oh, I know all about these folks." But somewhere along the way, I thought "Wait, does she have green eyes or blue?" Yep, I had forgotten the color of my own character's eyes. I thought I'd have to recreate all my character sheets, but figured I'd check to see if I can drag and drop. Turns out you can. Open both projects and drag from Project A to Project B. Sweet.

For me, the true beauty of Scrivener lies in the fact that it is designed to write scene by scene. In theory, you can do this in Word. But the problem for me in Word was always organization. If I wrote each scene in a separate file, how would I ever paginate and print the whole thing easily? Not to mention I'd end up with literally hundreds of files to store, organize, and name. Jumping between them? Forget it. It was only marginally better if I created a separate file for each chapter.

But writing scene by scene is exactly what Scrivener was designed to do. I create folders for each chapter. Then I can think, "What do I need to accomplish next?" and I write it. Since I recently took a course on scene writing, this is perfect. Instead of getting tempted to think way out in the future, I can concentrate on the scene in front of me. What kind of scene, what is the goal, how does it contribute to the story question?

Writing this way, scene by scene, also makes reorganizing so much easier. I got some edits back on a story that made me realize that not only was I going to have to write new scenes, I had to reorder some of the scenes I already had. In Word, this would have been a complete nightmare. Where did I put that scene? Find it (often by hit or miss method), cut, paste to new document, find the new location, paste.

With Scrivener, this is a snap. The scenes are named and if I've been smart (which I haven't always been), the synopsis tells me that yes, this is in fact the scene I was looking for. Then I just drag and drop it to it's new location. I don't have to worry about pagination. Scrivener does that in the compile process.

The first time I did it, I wanted to weep with tears of joy.

Speaking of the compile process, it rocks too. I submitted a manuscript to a magazine for publication. I hit compile and compared the output to the submission guidelines. I only had to make a few tweaks because the margins, font, and paragraph spacing, as well as the address block at the beginning, was already perfect (headers and footers were where I had to make most of my changes, but only on the second submission).

One small nitpick about compile and chapters: If you don't name your chapters (e.g., Chapter 1, Mary Goes to the Store), you'll have text you need to delete - either the placeholder text you used for your folders or "unnamed document." As I don't name my chapters (hell, I have a hard enough time coming up with a title for the entire story much less for every chapter) this is a little irritating, but minor. I would love it if Scrivener would be smart enough to drop that paragraph if the folder is not named.

Project targets are great if you have a target word count. For example, I recently wrote a short story that had to be 6,000 words or less. By setting the project target word count, I knew that if I'd reached the 5,000 word mark and was only 2/3 of the way through the story I was in trouble. Session targets are great if you are doing things like 1k1hr or have a target count for the day.

Some things I've learned:
Don't shortcut and skip the character or location sheets. They will really make you think about everything you introduce in the story, including such important things as character conflict. They will also keep you from forgetting that the house is supposed to be white with blue trim, not blue with white trim. Because you will forget. Trust me.Don't import a Word document that is hundreds of pages and thousands of words. I tried. It was messy. Just don't.Scrivenings are your friend. Using those, I can read an entire chapter (or any other selection) end-to-end. And I can make any changes right there, I don't have to jump back to the individual document.Take the time to familiarize yourself with the Preference. Because it turns out yes, you can set the default font and spacing so you don't have to do it for every project. Every. Single. Document.I know I have not completely used all the features. I've barely touched the cork board or made full use of individual scene statuses (although I have set them religiously). But I know one thing's for sure. Any other tool I may use is going to have a pretty high bar to meet. So worth the $45 USD.
And I don't think I'll ever use Word for authoring again.

Update:  For more information on purchasing Scrivener, or downloading a trial version, go to the Literature and Latte web site. Scrivener is also available for purchase through the Mac App Store.

A Writer by Any Other Name

By Mary Sutton / @marysutton_73

I've got names on the brain lately.

If you're a Shakespeare fan, you're familiar with Juliet's thoughts on the topic of names.

'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? That which we call a rose By any other name would smell as sweet;

I've written in multiple genres and I love them all: mystery (police procedural and traditional), romance (with and without sex), and middle-grade fantasy. I don't want to stop writing any of them. But I've worried about the whole name vs. pseudonym thing. I thought I had put it to rest when a published author I knew advised not to worry about it because maintaining multiple "brands" (an author's name is essentially her "brand") is difficult. If people can't read the genre on the cover, that's their problem.

But then I saw this post on The Naked Hero about following authors across brands. Now I'm second-guessing myself. And I'm really good at that.

To a certain extent, this is all putting the cart before the horse. I haven't been published yet. But chances are that middle grade fantasy will be the first thing to hit the virtual shelves. If I use my true name, am I going to have to come up with another name for everything else?

Argh. It's enough to give someone multiple personality disorder. And maybe that's how cross-genre authors feel.

So, dear readers, what do you think? Would you follow an author across genres if you really liked her writing?

Image courtesy of cellar_door_films used under Creative Commons