Sibella Giorello's Blog, page 10
June 18, 2010
Got Fear?
That terrible secret carried since childhood.
The time you didn’t get busted, because nobody witnessed the crime.
How you feel about that person -- that person everybody else adores.
Painful, personal things we want to avoid thinking about.
But writers should do the exact opposite.
Writing books -- novels in particular -- is a perennially fearful journey. With each book, the writer begins with a flat field of good intention but soon enough everything is getting tilled, furrowed, hoed, seeded and then this strange unexpected harvest appears, the kind of odd fruit that causes the writer utter defensive statements to editors. Things like: “Well, I know I said the book was about quilting, but that was before I realized all these quilters were serial killers.”
Writers sympathize with bad guys, because an author who doesn’t creates cardboard villains. We show the worst things happening to the nicest people, because conflict turns pages. We dig down to the messiest parts of the soul because -- wait, you are digging down to the messiest parts. Aren’t you?
Because that’s where the reader needs us -- and wants us.
More importantly, that’s where God wants us.
Consider the disciples in the boat:
“On that day, when evening had come, [Jesus:] said to them, 'Let us go across to the other side.' And leaving the crowd behind, they took him with them in the boat, just as he was. . . . A great windstorm arose, and the waves beat into the boat, so that the boat was already being swamped. But he was in the stern, asleep on the cushion; and they woke him up and said to him, 'Teacher, do you not care that we are perishing?' He woke up and rebuked the wind, and said to the sea, 'Peace! Be still!' Then the wind ceased, and there was a dead calm. He said to them, "Why are you afraid? Have you still no faith?" Mark 4:35-40 (NRSV)
If I could invent one tool for writers it would be a Fear-o-Meter. Looks like a hand-held compass but emits an ear-piercing screech whenever pointed at the writer’s worst fear. More than an embarrassing device for a humiliating profession, the Fear-o-Meter’s real purpose would be to make writers stop, and consider.
Maybe all that's needed is confession and repentance. Maybe more trust in the power of Jesus Christ.
But for writers, fear is usually a signal to start writing, start looking deep into those swirling emotions.
Of course, that kind of examination requires hard work. Really hard work. And in the meantime, writers have thousands of ideas. Hundreds of stories. Dozens of great characters.
Unfortunately, most of them are worthless.
Nobody can guarantee that writing about what scares you will automatically bring a best-seller. But it does mean your books are much more likely to have passion, and life, and that undefinable quality that draws in readers who later say, “Gee, I thought I was the only one who felt that way . . . .”
Those two highly esteemed theologians, Bruce Springsteen and Elvis Costello, sat down last year for an interview before a live audience at the Apollo Theatre. Springsteen offered some insights into writing songs, and since his songs always sound like short stories to me, I sat up to listen.
Guess what? The Boss has got a Fear-O-Meter!
And he never leaves home without it:
"I’ve always believed the greatest rock and roll musicians are desperate men. You’ve got to have something bothering you all the time. My songs are good because … it’s like in art and love, hey, one and one makes three. In music, if it makes two, you’ve failed, my friends . . . . If all you got is your notes, you’ve failed. You’ve got to find that third thing that you don’t completely understand, but that is truly coming up from inside of you. And you can set it any place, you can choose any type of character, but if you don’t reach down and touch that thing, then you’re just not gonna have anything to say, and it’s not gonna feel like it has life and breath in it, you’re not gonna create something real, and it’s not gonna feel authentic. So I worked hard on those things."
The time you didn’t get busted, because nobody witnessed the crime.
How you feel about that person -- that person everybody else adores.
Painful, personal things we want to avoid thinking about.
But writers should do the exact opposite.
Writing books -- novels in particular -- is a perennially fearful journey. With each book, the writer begins with a flat field of good intention but soon enough everything is getting tilled, furrowed, hoed, seeded and then this strange unexpected harvest appears, the kind of odd fruit that causes the writer utter defensive statements to editors. Things like: “Well, I know I said the book was about quilting, but that was before I realized all these quilters were serial killers.”
Writers sympathize with bad guys, because an author who doesn’t creates cardboard villains. We show the worst things happening to the nicest people, because conflict turns pages. We dig down to the messiest parts of the soul because -- wait, you are digging down to the messiest parts. Aren’t you?
Because that’s where the reader needs us -- and wants us.
More importantly, that’s where God wants us.
Consider the disciples in the boat:
“On that day, when evening had come, [Jesus:] said to them, 'Let us go across to the other side.' And leaving the crowd behind, they took him with them in the boat, just as he was. . . . A great windstorm arose, and the waves beat into the boat, so that the boat was already being swamped. But he was in the stern, asleep on the cushion; and they woke him up and said to him, 'Teacher, do you not care that we are perishing?' He woke up and rebuked the wind, and said to the sea, 'Peace! Be still!' Then the wind ceased, and there was a dead calm. He said to them, "Why are you afraid? Have you still no faith?" Mark 4:35-40 (NRSV)
If I could invent one tool for writers it would be a Fear-o-Meter. Looks like a hand-held compass but emits an ear-piercing screech whenever pointed at the writer’s worst fear. More than an embarrassing device for a humiliating profession, the Fear-o-Meter’s real purpose would be to make writers stop, and consider.
Maybe all that's needed is confession and repentance. Maybe more trust in the power of Jesus Christ.
But for writers, fear is usually a signal to start writing, start looking deep into those swirling emotions.
Of course, that kind of examination requires hard work. Really hard work. And in the meantime, writers have thousands of ideas. Hundreds of stories. Dozens of great characters.
Unfortunately, most of them are worthless.
Nobody can guarantee that writing about what scares you will automatically bring a best-seller. But it does mean your books are much more likely to have passion, and life, and that undefinable quality that draws in readers who later say, “Gee, I thought I was the only one who felt that way . . . .”
Those two highly esteemed theologians, Bruce Springsteen and Elvis Costello, sat down last year for an interview before a live audience at the Apollo Theatre. Springsteen offered some insights into writing songs, and since his songs always sound like short stories to me, I sat up to listen.
Guess what? The Boss has got a Fear-O-Meter!
And he never leaves home without it:
"I’ve always believed the greatest rock and roll musicians are desperate men. You’ve got to have something bothering you all the time. My songs are good because … it’s like in art and love, hey, one and one makes three. In music, if it makes two, you’ve failed, my friends . . . . If all you got is your notes, you’ve failed. You’ve got to find that third thing that you don’t completely understand, but that is truly coming up from inside of you. And you can set it any place, you can choose any type of character, but if you don’t reach down and touch that thing, then you’re just not gonna have anything to say, and it’s not gonna feel like it has life and breath in it, you’re not gonna create something real, and it’s not gonna feel authentic. So I worked hard on those things."
Published on June 18, 2010 17:44
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Tags:
writing
June 5, 2010
Cops and Roasters
Cops and Roasters
Among the great tutorials that come with writing crime fiction is hanging around law enforcement. Since 9/11, I've learned quite a bit about what's going on behind the blue curtain to keep the public safe. Thwarted terrorist attacks. Domestic terror cells, busted. Weapon caches, uncovered before they go off. All stuff the public will never hear about. The same public that shrugs when hearing stories such as the following, from The Oregonian:
In...
Published on June 05, 2010 11:31
June 2, 2010
Lost and Found I lost my notebook.&...
Lost and Found I lost my notebook.
Not just any notebook. This was a Moleskine that contained all notes for the next book.
Every bit of it: Visits to the state mental hospital. Interviews with FBI agents. Insiders at Emerald Downs horse racing.
Phone numbers. Contacts. Business cards.
When I first realized the notebook was missing, I had just returned from my college reunion at Mount Holyoke. Searching my bags, I came up empty, then remembered everything spilling from m...
Published on June 02, 2010 21:18
May 24, 2010
&n...
WWMLD? A women's college is not for every woman.
Particularly a women's college like Mount Holyoke, isolated in western Massachusetts with few outside distractions.
After one semester, some women transfer to co-ed schools with party scenes and unisex dorms.
But for those who stay, it's probably not overstatement to say we'd walk barefoot over glowing coals for our alma mater.
The Marines holler, "Sermper Fi."
 ...
Published on May 24, 2010 10:19
May 6, 2010
&n...
Love of Words, Love of People
In addition to taking fear by the horns (see post below), writers need the sort of persistence that defies common sense.
Case in point: Gina Holmes.
Her first novel, "Crossing Oceans," just debuted to rave reviews. I haven't read it yet, but I'm certain it's terrific. Why? Because Gina spent a decade learning how to write well. While raising a family and working as a nurse, she hammered out four novels. That hard work...
Published on May 06, 2010 08:17
April 30, 2010
&nb...
Got Fear?
That terrible secret carried since childhood.
The time you didn't get busted, because nobody witnessed the crime. How you feel about that person -- that person everybody else adores. Painful, personal things we want to avoid thinking about.
But writers should do the exact opposite. Writing books -- novels in particular -- is a perennially fearful journey. With each book, the writer begins with a flat field of good intention...
Published on April 30, 2010 09:38
March 23, 2010
Bruce Judisch is so much fun to read. Even if I'm no...
Bruce Judisch is so much fun to read. Even if I'm not going to read a certain book, I'll still read Bruce's review of it, just to hear what he says. And how he says it. He's got a gift. What an honor and privilege to hear his words about The Clouds Roll Away. Read his other reviews; you'll see what I mean.
Published on March 23, 2010 06:34
March 4, 2010
Word Vessel
The gracious and generous Cathy Bryant invited me over to her great blog for writers, appropriately called Word Vessel. I enjoyed surfing her site; it offers many different author voices.
If you're on Facebook, sign up for Cathy's near-daily giveaways of FREE books.
Isn't she awesome?
If you're on Facebook, sign up for Cathy's near-daily giveaways of FREE books.
Isn't she awesome?
Published on March 04, 2010 08:30
March 3, 2010
Silence and gratitude
It happens: Somebody reads your book and understands.
Not just the story, but the theme running like ground water under the narrative bedrock.
Of course, leave it to The Christian Manifesto, whose motto is "Jesus. Culture. Sarcasm."
And thank you, Melissa Wells.
Not just the story, but the theme running like ground water under the narrative bedrock.
Of course, leave it to The Christian Manifesto, whose motto is "Jesus. Culture. Sarcasm."
And thank you, Melissa Wells.
Published on March 03, 2010 07:41
January 13, 2010
"Homeschooling taught me how to teach myself . . . ."
Caution: Gushing ahead.
I'm a huge fan of C.J. Darlington. Years ago, we struck up a pen-pal relationship that's become one of my most cherished Internet friendships.
She writes with the ability of a seasoned pro but, sickeningly, she's only . . . I don't know . . . 12-years-old or something.
This week the big news is this: CJ Darlington is a very bright new voice in Christian fiction.
Her first novel "Thicker Than Blood" releases this week. Last year, it took top honors in the...
I'm a huge fan of C.J. Darlington. Years ago, we struck up a pen-pal relationship that's become one of my most cherished Internet friendships.
She writes with the ability of a seasoned pro but, sickeningly, she's only . . . I don't know . . . 12-years-old or something.
This week the big news is this: CJ Darlington is a very bright new voice in Christian fiction.
Her first novel "Thicker Than Blood" releases this week. Last year, it took top honors in the...
Published on January 13, 2010 16:18


