Phyllis Anne Duncan (P. A. Duncan)'s Blog, page 63

Read my Guest Post…

…”To Pin or Not to Pin,” about writers using Pinterest for book promotion at Madison Woods’ blog.

You can also hear me reading the post by clicking “Listen to This Post” on the site.

I’d be interested in your opinions about Pinterest, so leave comments–just not about the dorky-sounding voice.

The Dark and Stormy Nights of First Lines

This past Friday evening, when something called a “derecho” blew through the mid-Atlantic, “It was a dark and stormy night” would have been an apt title.

How’s that for a first line? Would you read on after reading that? Well, obviously, you are, so….

As writers we’re taught everything has to be a hook–from that twenty-five-word “elevator pitch” to a first line that grabs the reader and forces him or her to read the rest. The first line, especially when you’re submitting your work, has to be something that catches the reader’s or agent’s eye, something that will stop him or her from tossing your manuscript on the slush pile.

A first line can be versatile. It can be dialogue or straight prose. If you’re James Joyce, it can be inarticulate. If you’re Charles Dickens, it can almost tell a story on its own. If you’re Toni Morrison, it can take your breath away.

In some ways, as we edit and revise, we neglect our first lines, until we get feedback that says, “You know, the first line just didn’t grab me.” Grab. That’s the key word. That first line has to both be a “stopper”–something that makes the reader stop and ponder–and inspiring–something that compels the reader to read the next line, and the next, and the next. It’s not so easy as it seems.

The first line that tops many a list of “best’s” is “Call me Ishmael,” from Herman Melville’s Moby Dick. Short, to the point, imperative tense–you call me Ishmael. Now, had this not been required reading, I’m not sure if that line alone would have made me read further, but I’m glad I did.

This post was inspired, in part, by coming across the American Book Review’s “100 Best First Lines from Novels.” These first lines have done their work well because as I scanned the list of best first lines and recognized books I’ve read (I was surprised how many), the rest of the book came quickly to mind.

I saw “It was a pleasure to burn.” and remembered just how Ray Bradbury’s Fahrenheit 451 impacted me when I read it as a teen. I loved books, so a world where books were burned because they were obsolete was one I had to explore.

I saw “riverrun, past Eve and Adam’s, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs.” and remembered exactly how difficult it was to work my way through Finnegan’s Wake by James Joyce. This was another required read, but I had hoped to explore my Irish side with it. Oh, well.

I saw “He was an old man who fished alone in a skiff in the Gulf Stream and he had gone eighty-four days now without taking a fish.” and remembered the only Hemingway work I could stomach, The Old Man and The Sea. I remembered I felt as if I were in the boat with the Old Man and felt his frustration as he futilely beat away the sharks from his magnificent catch.

My personal favorite first line is “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.” (Bet you didn’t see that coming, did ya?) I have read and re-read Jane Austen’s Pride and Prejudice many times, and each time that first line makes me smile in anticipation of what is to come.

Close behind Austen is another Brit, George Orwell, with “It was a bright cold day in April, and the clocks were striking thirteen.” 1984, more than anything, shaped my political views. The first independent clause in this first line bears a striking resemblance to the “dark and stormy night” opening you’re supposed to avoid. Likely, if Orwell had put the period after April, few would have read on. It’s the second clause that’s the hook, the grabber: “…and the clocks were striking thirteen.” Six simple words that tell you dystopia is about to follow. Pretty masterful.

Taking a look at that 100 Best First Lines list is instructive because the examples run the gamut from modern literature to a few centuries past. You can see the evolution of the first line, and, believe me, what was a grabber in the eighteenth century is very different from something modern. And yet, the same. All in all, it will renew your love of language, but, more importantly, it will make you focus on your first lines to make certain they “hook.”

What’s your favorite first line from a novel or short story? Have you tried to imitate it? What makes you want to read more?

(By the way, American Book Review also has a list of best last lines of novels. Another post, perhaps?)

 

Story Cubes Challenge – Week 11

In just one more week, the Rory’s Story Cube Challenge will be three months old. Time flies when you’re having fun.

In a past story, I delved into how Alexei Bukharin came to The Directorate (“Desert Nights and Weeping Flowers“), so I thought it was time to get a glimpse into why Mai Fisher chose her life’s work. This story also gave me an opportunity to explain why espionage intrigues me–the casting aside of morals and norms to assure a country’s integrity may seem a contradiction in terms, but it’s beyond interesting to learn whether a newly minted spy can handle these “shades of gray.”

So, initially, I was going to name the story “Shades of Gray,” for reasons that are obvious when you read it, but I don’t want to imply any connection with a current “book” that’s all the rage for some reason I don’t quite grasp, Fifty Shades of Gray. The story does end up being the longest (at about 4,300 words) of all the offerings in “Spy Flash” and probably doesn’t count as flash fiction at all. Oh well.

Here’s the Week 11 roll of the cubes:

And here’s what I saw: (l. to r.) building/hotel; reading; footprint; credit card; die/roll of the die; fork in the road/at a crossroads; reaching/out of reach; moon; and house.

Here’s the link to “Family Matters.” If you don’t see the link, then hover your cursor over the “Spy Flash” tab above and select the story from the drop-down list.

Why don’t you give the story cubes challenge a try? Take a look at the picture above, write a story of any length, then post a link to it on Jennie Coughlin’s blog.

Author Interview – Gulp

In my years as an aviation magazine reporter and editor, as a manager, and now as a sometimes newspaper feature writer, I’ve interviewed a few hundred people. The aviation  folks were easy; we spoke a common language. Interviewing prospective employees meant a prescribed set of questions for each applicant, and my recent work writing features means researching some things (like blacksmithing) before I conduct an interview.

Being on the other side of the interview–the one being asked the questions–is even more daunting. Did I say the right thing? Did I really say that? Am I always that inarticulate?

I had some trepidation when an interview with me was to be published at James River Writers’ web site. It just goes to show, even with interviews, having a good editor is important, so many thanks to Melissa P. Gay, author of the blog This Common Reader, for making me sound as if I know what I’m talking about.

To read the interview, click here.