Peggy Moran shows off her marksmanship skills in “The Mummy’s Hand” (1940)
Harley has an existential crisis in Harley Quinn #51 by Humphries, Basri, Sinclair (DC 2018)
Jean Harlow and Franchot Tone in the World War 1 romantic tragedy “Suzy” (1936)
Just finished watching my “re-animated corpse” double feature: “Re-Animator” and “Pet Sematary” (not to be confused with zombies, which are totally different).
Hammer Harleen (Harley Quinn #46 by Sam Humphries and John Timms, DC, July 2018)
The incomparable Louise Brooks evokes a range of silent emotion in the tragic “Diary of a Lost Girl” (1929)
The Red Queen rises from the ashes in “The 100” (The CW, 2018)
Harley Loves Joker #2 by Dini/Blevins/Sinclair (DC, May 2018)
The ol’ stink-eye (and dames with guns) in “Song of the Thin Man” (1947). With Myrna Loy, William Powell, Patricia Morison, and Leon Ames.
Myrna Loy calls Nick Charles home in “Shadow of the Thin Man” (1941)
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