Nagisa Oshima
Born
in Tamano, Okayama, Japan
March 31, 1932
Died
January 13, 2013
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Cinema, Censorship, and the State: The Writings of Nagisa Oshima, 1956-1978
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published
1992
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8 editions
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Oshima on Oshima
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published
1998
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被我封殺的感傷:大島渚的電影告白
by
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published
2011
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2 editions
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L'impero dei sensi di Nagisa Oshima. Sceneggiatura originale trascritta da J.P. Manganaro
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published
1980
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戦後50年映画100年
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published
1995
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パゾリーニ・ルネサンス
by
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published
2001
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私が怒るわけ
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published
1997
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ぼくの流儀
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published
1999
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失って、得る。―脳出血で倒れて「新しい自分」と出会う
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published
2000
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癒されゆく日々
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published
2000
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“The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain liberation. When that which one had wanted to see isn’t sufficiently revealed, however, the taboo remains, the feeling of “obscenity” stays, and an even greater “obscenity” comes into being. Pornographic films are thus a testing ground for “obscenity,” and the benefits of pornography are clear. Pornographic cinema should be authorized, immediately and completely. Only thus can “obscenity” be rendered essentially meaningless.
(from “Theory of Experimental Pornographic Film” (1976))”
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(from “Theory of Experimental Pornographic Film” (1976))”
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“I do not like to be called a samurai, but I admit that I have an image of myself as a fighter. I would like to fight against all authorities and powers.”
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