Uvi Poznansky's Blog, page 156

September 26, 2015

Say anything apart from love

Author of War Songs, Grady Harp describes himself as being ever on the alert for the new and promising geniuses of tomorrow. He is an artist representative, gallery owner, writer of essays and articles on figurative and all Representational art for museum catalogues and for traveling exhibitions, and an Amazon Hall of Fame Reviewer. I am honored that he has posted this five-star review for my novel, My Own Voice:

`Say anything apart from love'By Grady Harp HALL OF FAMETOP 100 REVIEWERVINE VOICE on September 26, 2015Format: Kindle Edition Verified Purchase Uvi Poznansky wears a coat of many colors. Originally from Israel where she studied Architecture and Town Planning then moving to the US where she studied Computer Science and became an expert in Software Engineering, Poznansky managed to combine the design elements of two studies into unique formats. And she has accomplished the same with the other side of her brain - making visual her ideas (she is an accomplished painter, drawer, and sculptor who has enjoyed exhibitions both in Israel and in California, her present base) and making words in poetry and in short stories and children's books. MY OWN VOICE was her first part of her novel APART FROM LOVE: Still Life with Memories and THE WHITE PIANO is the second part. Having read them together allows sharing the scope of what came before this book – and sharing that is important.

The synopsis of MY OWN VOICE (the cover of which is an excellent example of her compelling art) attempts to separate the two aspects of her this first installment: ‘Ten years ago, when she was seventeen, Anita started an affair with Lenny, in spite of knowing that he was a married man. Now married to him and carrying his child, she finds herself condemned to compete with Natasha’s shadow, the memory of her brilliance back in her prime, before she succumbed to early-onset Alzheimer’s. Despite Anita’s lack of education, her rough slang, and what happened to her in the past, Lenny tries to transform her. He wants her to become Natasha. Faced with his compelling wish, and the way he writes her as a character in his book, how can Anita find a voice of her own? And when his estranged son, Ben, comes back and lives in the same small apartment, can she keep the balance between the two men, whose desire for her is marred by guilt and blame?’

But for those who wish to see how parts one and two are joined, the following is offered: ‘The story of this elegantly designed novel is a dissection of a family life and the alterations that occur with the family framework both by intent and by happenstance. It weaves themes of disparate parents - an accomplished pianist Natasha married to the elderly Lenny who cares for Natasha as she descends into the darkness of Alzheimer's Disease and compensates by taking on a very young and uneducated, somewhat socially coarse redhead vixen named Anita - and the manner in which the couple's 27-year-old bright son Ben copes with the situation.'

Poznansky's unique way of unraveling this complex story is by making the `chapters' vary as told by Ben, as told by Anita, and as told by Lenny. She understands fully how to bring Ben's confusion about both his past life with his parents and the current situation with his mother's decline and his father's reactive compensation by bonding with a beautiful young, if raw, companion. Few authors would be able to pull off the manner in which the apparent polar opposites of Ben and Anita begin to bond and how Lenny integrates into their apparent clandestine relationship, but Poznansky has the visual and verbal and architectural skills to create this maze and guide us through it.

She capitalizes on the use of the chapters being related in the voices of the characters: Ben relates the situation as he remembers and experiences it in eloquent finely honed grammar while Anita speaks to us with the slang that at first can be grating but morphs into communication that allows the reader to experience the change that develops in her relationship to Ben. In other's hands this could become cloying as a technique, but with Poznansky's skill she uses it as an interface between evolving personalities that makes her story ring true.

So much more could be said about the manner in which the author brings understanding to the hierarchies of relationships - parental, couple, aging, developing, and ones influenced by disease, but that would be robbing the reader of the joy of discoveries that Poznanasky accomplishes in this profound novel. The title is so well chosen: the phrase of the title is the key that unlocks much of the fragile mystery that hovers here. Please read the entire novel to appreciate the beauty of Uvi’s gift. Highly recommended. Grady Harp, September 15
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Published on September 26, 2015 13:34

Wonderful and fascinating story

I'm thrilled to find this review of my novel, The White Piano:

Wonderful and fascinating storyBy Mr R Cheal on September 3, 2015Format: Kindle Edition
This book goes hand in hand with the author's "My own Voice" and the two work very well as a set.
The core of the story is Lenny's marriage to his second wife, Anita, a much younger version of his ex-wife Natasha, who has early onset Alzheimers. While one book follows the narrative of Anita, we now hear the story from Ben's side, who is Lenny's estranged son.
His observations cast a new light on the situation. His perspective, aided by letters from his mother, bring new revelations and peel further layers of the family. The author also uses tape recordings in the book, making this a very accomplished piece of story telling. While I don't often like 'clever' or constructed plot devices, here it works extremely well.
The author has a unique sharp and poignant writing style and with the change of perspectives she gives the characters further depth. Great writing, a fascinating premise and wonderful insight in human nature make this a read very worth your time.
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Published on September 26, 2015 09:42

September 24, 2015

Take a listen to my chat with Barbara at Red River Radio

Host Barbara Ehrentreu welcomes Karl Waterbury, multi-published children's writer, and Uvi Poznansky, author of many genres. Anything goes! We're discussing almost anything that has to do with writing--or not.


Check Out Books Podcasts at Blog Talk Radio with Red River Radio on BlogTalkRadio

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Published on September 24, 2015 16:01

What was the inspiration for The David Chronicles?

Barbara Ehrentreu says, "Nothing in my life ever goes smoothly. My focus is on young adult and children's authors, but occasionally I will bring you an adult author. It is my pleasure to introduce new books and authors to my readers. Writing is my life!" I'm thrilled that she invited me for to talk about my trilogy, The David Chronicles, and about what inspired it. Here is the beginning of my answer:

"The entire trilogy is greatly inspired by painting and sculpture throughout the history of art, depicting the story David, who is an exceptional historical figure with great gifts, facing great temptations in love and war. You can easily read each one of the three volumes as a standalone novel, yet the themes of power and love run through the entire trilogy, allowing you to witness the drastic change in the main character from youth to old age. I find this transformation fascinating and hope you will too."
To read more, click here: My visit at Barbara's Meandering

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Published on September 24, 2015 03:41

September 23, 2015

So make it one for the heartbreak and one more for love

My new novel, The Music of Us, harkens back to WWII and its music. To write it I researched thousands of songs from that era, and chose about a dozen where the lyrics and the feel captured the mood at one point or another in my story. Then, just as I thought I had put the finishing touch on the book, no! A problem! Suddenly I realized that I can not quote the lyrics of famous songs, because of their copyrights. And it might become an expensive proposition to get permission from the copyright holders to use them. So? What do I do? The answer is simple: write my own lyrics!

See if this feels like something you know and love:

Midnight came and wentThe place is empty, I’m so lonely and so spentSo fill my cupAnd let me tell you, before my time’s upIt’s too late to give, she won’t takeNothing more to talk ofSo make it one for the heartbreak
And one more for love
Or, how about this:
If you are made of airUpon your wing I’m takenAway from fear, despair To find myself forsaken
I can't wait to hear these lyrics set to music and sung by the narrator of the audiobook edition! The process is only starting... Can't wait!

★ Love reading? Get this series 
Still Life with Memories

Volume I & II, woven together: Apart from LoveEbookKindle  Nook ★ Apple  Kobo  Smashwords
PaperbackAmazon ★ Barnes&NobleAudiobookiTunes ★ Amazon ★ Audible

Volume I: My Own VoiceEbookKindle  Nook ★ Apple  Kobo  Smashwords
PaperbackAmazon ★ Barnes&Noble
AudiobookiTunes ★ Amazon ★ Audible
Volume II: The White PianoEbookKindle  Nook ★ Apple  Kobo  SmashwordsPaperbackAmazon ★ Barnes&NobleAudiobookiTunes ★ Amazon ★ Audible
Volume III: The Music of UsPreorder now EbookKindle  Nook ★ Apple  Kobo  Smashwords
“Liberally salted with buttery smooth prose & fascinating insights”
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Published on September 23, 2015 10:28

September 18, 2015

Cover reveal for the audiobook edition of My Own Voice

The image for the cover of My Own Voice is the left panel of my triptych (a set of three oil paintings, many times used as a format for altar decoration, but not here.) Is the figure dancing out of joy, or getting themselves tied in utter frustration? You decide. When I painted it, I likened the red fabric to chewing gum on the floor, into which you step and can never release yourself. The more you fight to free yourself, the more you become entangled.

I did the preparatory work for them by drawing sketches of a nude model, who posed with a silky, red piece of fabric. Then I created a composition out of these sketches. I did a version of this arrangement in a different color scheme, in watercolor. You can see this version on my facebook page. Then I created the version presented here, in oil. Later, the panel on the right inspired the cover of my novel, Apart From Love and the one on the right--the cover of My Own Voice. These books belong to the same series, Still Life with Memories, so it is only fitting that the covers, as well as the poem below, originate from the same set of art pieces.


Shimmering luster, let me try, let me reach youLayers beyond layers of red, all aglowWith trembling fingers I touch... Flimsy tissueIt comes down upon me, folding high into low 
I dance with abandon, with no inhibition,Entangled in fabric, I can no longer fleeCan't breath, for now I can see the strange fusionNow I know: this tissue is me
(This poem is included in my poetry book, Home.)

Click the image and then play the voice sample to hear the beautiful narration by Heather Jane Hogan.



★ Love reading? Get this series 
Still Life with Memories

Volume I & II, woven together: Apart from LoveEbookKindle  Nook ★ Apple  Kobo  Smashwords
PaperbackAmazon ★ Barnes&NobleAudiobookiTunes ★ Amazon ★ Audible

Volume I: My Own VoiceEbookKindle  Nook ★ Apple  Kobo  Smashwords
PaperbackAmazon ★ Barnes&Noble
AudiobookiTunes ★ Amazon ★ Audible
Volume II: The White PianoEbookKindle  Nook ★ Apple  Kobo  SmashwordsPaperbackAmazon ★ Barnes&NobleAudiobookiTunes ★ Amazon ★ Audible
Volume III: The Music of UsPreorder now EbookKindle  Nook ★ Apple  Kobo  Smashwords
“Liberally salted with buttery smooth prose & fascinating insights”


The three-panel oil painting, tangled, that I used for the covers of Apart from Love and My Own Voice.
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Published on September 18, 2015 08:34

September 16, 2015

A Watercolor of Words

What a beautiful review by Valerie for my children' book, Now I am paper:

 A Watercolor of Words, September 14, 2015
By ValerieVerified Purchase(What's this?)This review is from: Now I Am Paper (Kindle Edition) And what an exquisite painting this story is. Not only are her words vividly drawn, but the book is richly enhanced by her own illustrations, breathtaking and elegant, yet simply expressive.

I rank her up there with Tomie dePaola, Eric Carle, and Shel Silverstein. High praise from one who grew up on, and passed forward Silverstein’s classic to all my progeny. Some could say this is a retelling of The Giving Tree, but I say this is so much more. Ms. Pozanski's eloquent prose and exquisite illustrations bring a new and uplifting twist. It becomes very much a circle-of-life tale. The message, the prose and glorious illustrations create a true celebration of life.

This book is the single best children's book I've read in years. As a mother of eight and grandmother of ten, I speak with authority. I applaud Ms. Pozanski's immeasurable talents and am ordering copies for my grandchildren for Christmas. What better gift than a celebration of life? Many thanks, Ms. Pozanski for giving us this tale of life, of hope and renewal.
MOST HIGHLY RECOMMENDED to children of ALL ages.
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Published on September 16, 2015 22:35

Cover reveal for the audiobook edition of The White Piano

Designing the cover for the audiobook edition of The White Piano I pictured the viewer on the other side of a grand piano, watching Ben, reflected in the surface of the instrument, listening to the last reverberations of the musical notes, which evoke memories in him. His hands are lifted in awe, his eyes are closed to focus, to stay in touch with that inspiration. The wing of the piano is over him, slanting diagonally, framing him, creating a tunnel of vision for us.

Click the image and then play the voice sample to hear the beautiful narration by David Kudler. 


★ Love reading? Get this series 
Still Life with Memories

Volume I & II, woven together: Apart from LoveEbookKindle  Nook ★ Apple  Kobo  Smashwords
PaperbackAmazon ★ Barnes&NobleAudiobookiTunes ★ Amazon ★ Audible

Volume I: My Own VoiceEbookKindle  Nook ★ Apple  Kobo  Smashwords
PaperbackAmazon ★ Barnes&Noble
Audiobook: iTunes ★ Amazon ★ Audible
Volume II: The White PianoFREE EbookKindle  Nook ★ Apple  Kobo  SmashwordsPaperbackAmazon ★ Barnes&NobleAudiobook: iTunes ★ Amazon ★ Audible
Volume III: The Music of UsPreorder now EbookKindle  Nook ★ Apple  Kobo  Smashwords
“Liberally salted with buttery smooth prose & fascinating insights”
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Published on September 16, 2015 08:10

September 13, 2015

I have always loved Uvi Poznansky’s work and ‘The White Piano’ begins on

Jaspreet Mann Kanwar is a poet, author, and storyteller. She is the author of The Road in the Sky (and other books.) I am thrilled to find her wonderful review of my novel, The White Piano:

5.0 out of 5 stars I have always loved Uvi Poznansky’s work and ‘The White Piano’ begins on ...ByJaspreet Mann Kanwaron September 12, 2015Format: Kindle Edition I have always loved Uvi Poznansky’s work and ‘The White Piano’ begins on a perfect note-“About a year ago I sifted through the contents of my suitcase, and was just about to discard a letter….” The reader is intrigued and sets on a beautiful impressionable journey filled with delightful stories. The beauty of this work lies in the fact that it can be read as a standalone novel or as a series of events that can be deciphered separately. Personally I really liked ‘She is looking out the window’. This particular piece has the intensity of a silent stream, as characters talk about trivial matters on the surface, but there is a storm brewing inside their hearts. It is very evident from the simple conversation that is tinged with so much that remains unsaid. ‘I think I can see that eye. It looks in, unblinking. It can read the signs of our silence. I want to speak— but find myself unable’. The unsaid is so powerful that it is like flicking light-switches with wet fingertips. As I delved deep into the pages, I got a vivid glimpse of people and characters that are not only human but also immensely lovable. They suffer from all the weaknesses that shroud most peoples’ lives and their joys and sorrows are something every reader can relate to. This novel is a unique mix of ordinary and the extraordinary. ‘The White Piano’ by Uvi Poznansky has the power to unravel situations that are complex as she brilliantly peeps into the minds of her characters in an attempt to disentangle all complexities. ‘There it is, that sound again. And again— just like last night— it is only a whisper...’ This book may be a gentle whisper, but it is enough to satisfy a hungry reader who loves to delve deep into the emotional psyche of people and live every moment of this gift.
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Published on September 13, 2015 15:08

September 12, 2015

I’ve not been so captured for a long time

Susan Tarr is a gifted author who has been writing for 25 years, drawing on her international travels, work within the NZ tourism industry, and her work in various psychiatric hospitals within New Zealand. I am thrilled to find a new review, written by her, for my novel Rise to Power:

I’ve not been so captured for a long time.
BySusan Tarron September 10, 2015
Verified Purchase(What's this?)This review is from: Rise to Power (The David Chronicles Book 1) (Kindle Edition) I’ve not been so captured for a long time.
I am most impressed with Uvi Poznanski’s writing style, the finesse, the in-depth character drawing and…well, everything about this book. I’m scratching for words to further describe how engrossed I became with the author’s character of the boy, and then youth, David who would be king. I have known the
stories from childhood, but to have them teased out in a tangible way as this author has done has left me feeling blessed to have bought this ebook.
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Published on September 12, 2015 19:58