Paul Finch's Blog, page 23

Setting out to create the perfect murder

There are quite a few cool things to report this week, starting – and I’m particularly happy with this one – with the brand new crime anthology I’m featured in, THE PERFECT MURDER , which is now available for pre-order from Amazon.

Bearing in mind that this is all-new e-antho, which will be published on June 10, can be yours completely free of charge, is this an opportunity you can really afford to miss?
Aside from my own novella, HIM!, it also includes brand new thrillers from authors like JACQUI ROSE , LUCA VESTA , MARK SENNEN , LAURENCE O’BRYAN and MICHAEL RUSSELL .  
There are more than likely to be a few chilling nights this summer if you get hold of that one, I’d venture to suggest.
Meanwhile, on the subject of crime and crime writing, here’s a link to a new three-e-book bundle, BEST OF BRITISH CRIME , which STALKERS will feature in next month (to be published on June 20, price £6.99). TOUCH by Mark Sennen and COLD KILL by Neil White are included in the package.
Still on the subject of crime and thrillers, I’ve recently been flattered to be asked to write a guest blog for SHOTS , the excellent crime and thriller ezine, in which I tackle the thorny issue of why I’ve moved the main focus of my writing away from the horror genre.
In truth, I still do pen the occasional horror story - more than the occasional one in fact, but there is no doubt that I’m now concentrating very hard on the thriller genre. However, rather than regurgitate everything I say there right here, why don’t you chaps just toddle along and have a look for yourselves – feel free to follow the LINK . 
Many thanks to ace crime-blogger AYO ONATADE for honouring me with her invitation, and taking charge of that article.

Old terrors linger in our rural backwaters

Okay, first off – the big development of the week is that I’m slowly but surely joining the modern world. I’ve at last made my presence felt on Twitter. I can be reached there, should anyone desire to follow my inane ramblings, at @paulfinchauthor.

The next bit of news this week is that I’m able to announce, with some excitement, that a major British film company has expressed interest in a novella of mine, The Stain, which was first published back in 2007 in my collection, STAINS .
I can’t say too much yet for fear of putting the mockers on it. And let’s not kid ourselves, ‘expressing interest’ means nothing more than it says – they are considering it as a possible project, and that’s all. No one has asked if there’s a script. No one has taken out an option. There are no guarantees of any sort. In fact, the only guarantee in the world of movie adaptations is that, from the moment of first interest to the day of principal photography can be such an agonisingly long wait that Ice Ages will have been and gone in the meantime (and that’s assuming you ever actually reach that hallowed final stage).      But let’s not be boring either. It’s always a bit exciting, and without bits of excitement what would life be? For those who don’t remember, or haven’t yet read it, The Stain tells the story of a struggling film company’s attempt to plan the sequel to a legendary 1960s horror movie, and their ill-fated efforts to write the script at the same location used for the original: a gothic mansion in remote woodland, which has apparently has had a disturbed atmosphere ever since the cameras stopped rolling. I mean come on, what on Earth could go wrong?

Still on the subject of spooky stories, I’ve also heard, and am chuffed to bits, that two superb contributions to last year’s Terror Tales books – The Cotswold Olimpicks by Simon Kurt Unsworth ( TERROR TALES OF THE COTSWOLDS ) and The Fall of the King of Babylonby Mark Valentine ( TERROR TALES OF EAST ANGLIA ), have both been selected by editor Stephen Jones for inclusion in THE MAMMOTH BOOK OF BEST NEW HORROR 24 , which will be out later this year.
Well done and congratulations to those guys, both of whom truly bought into the Terror Tales ethos by creating stories combining mystery, folklore and nightmarish horror. 
It’s always gratifying to see this kind of recognition, but I had no doubt in my mind, on first accepting these submissions, that they would catch the eye.
The Cotswold Olimpicks concerns the arrival of an outsider at the famous ‘Cotswold Games’, a celebration of rural eccentricity, which has occurred in that lush part of the world every spring bank holiday since 1612. There is lots of singing, dancing and drinking, but as you know, it’s never a good idea to take these ancient countryside customs lightly – something deeper and darker nearly always lies beneath.
The Fall of the King of Babylon takes us to old Ely, and Babylon, the decayed warehouse district of the city, now cut off by the River Ouse and degenerated into a den of thieves whom the authorities seem unable to touch. Of course that isn’t the end of the matter. There are ancient forces in this remote, mist-begirt landscape, and they’ll have their say as well. 
By the way, TERROR TALES OF LONDON, the fourth in the series, is now in its final stages of production. Keep watching this space for cover art, table of contents and preorder details.

Big day at the Book Fair, plus Dark Hollow

The London Book Fair was an amazing experience. For those who don’t know, it’s a massive book-publishing trade fair held each April in Earl's Court, and in terms of its importance to the industry, it is these days regarded as being second only to the Frankfurt Book Fair.

With that in mind it was quite an amazing (and humbling) experience to go down there this year as a guest and see posters everywhere depicting STALKERS and my next novel in the Mark Heckenburg series, SACRIFICE .

Below right is a shot taken during the fair, in which I sit on a panel with two fonts of wisdom on various book-related matters, authors Andy Briggs (on my left) and Conrad Williams (on my right). Top literary agent, Julian Friedmann, (seated far left) is the compere.

On the subject of STALKERS , it is still selling well. We’ve now passed 110,000 sales, which is something I could never have dreamed of when it was first bought by Avon Books, and on top of that, we’ve now sold it to Piper-Verlag, based in Munich, so a German language version of the book will be coming out at some point soon. Meanwhile, pre-orders for SACRIFICE are pretty exciting too. They’ve just breached 7,000, which isn’t half bad, I suppose, considering the book is only due for publication in July. I can also at this stage exclusively reveal (though it's possible I may have mentioned this already on Facebook, that the third book in the Heck series will be called HUNTED, and this, I think, is scheduled for publication next February.

Still on the subject of Avon Books and HarperCollins, I’m pleased to announce that a brand new short story of mine, HIM! – though it leans towards being a novella, in terms of length – is included the publisher’s brand new crime-oriented e-anthology, THE PERFECT MURDER . More info on when this is available soon, though the antho will contain work by some of Avon’s current hottest-selling crime and thriller authors – folk like Jacqui Rose, Mark Sennen, Luca Vesta and Mike Russell. What’s more, the rumour is that it will be available absolutely free – at least for a time. So it’ll be well worth keeping your eye open for that one.

On a totally different matter now, the financial keystones are finally falling into place for the movie adaptation of Brian Keene’s best selling horror novel, DARK HOLLOW , which I co-scripted with Paul Campion, and there is a distinct possibility that we could enter pre-production in July, with the shoot perhaps scheduled for August and September.

And just to prove that this blog isn’t always just about me, here are the terrible twosome – Brian on the left and Paul on the right, captured cooking up some promo stuff for the movie.

100,000 sales and counting - happy days!

I attended the London Book Fair yesterday, for the first time ever as a guest speaker, and to my delight was given the information that STALKERS , my debut crime novel from Avon Books, has now sold over 100,000 copies.

It was a bit of a surreal experience to go to so grand an event as the London Book Fair and find that a book of mine was a big talking-point, to see posters up everywhere and have people I didn’t know stop me in the aisles and offer congratulations.

In the two months of its existence, STALKERS has accrued 286 reviews on Amazon, most of them glowingly positive – we seem to be sitting in a semi-permanent state of four and a half stars out of five. Though there have also been one or two bewildering comments. One of them states that the book’s description of the Isle of Man reads like a travelogue. I’m not sure what that is referring to – nobody in the book goes anywhere near the Isle of Man. In addition there are a couple – a small minority – of so-called reviews which contain several downright lies. For example, some chap who shall remain nameless advises everyone that STALKERS is filled with incidents in which helpless females are saved by the male hero.

Garbage, frankly. Utter garbage. Skeptical reviews, I don't mind, but blatant misrepresentation gets my goat. The guy in question can’t even have read the bloody novel. If anything it’s the other way round – we consciously subvert the norm in STALKERS , utilising female characters who are exceptionally tough and resourceful. And it’s quite gratifying to see that a follow-up post to the review in question makes this point emphatically.

Anyway, further good news – and perhaps this is the more important development now – the second in the Heck trilogy, SACRIFICE , the new cover of which is posted above, is doing pretty well in terms of pre-orders. I haven’t got that precise figure to date, but many thousands have now been placed and it’s shooting up the chart.

On top of that, the first draft of the third book in the series is now nearing completion. And here’s a quick exclusive: it will probably – I say probably, though late changes can always happen – be entitled HUNTED.

Where Detective Heckenburg came from

A few more thoughts this week regarding my new cop novel, STALKERS . In these interviews - exclusively recorded at Harper Towers in Hammersmith - I discuss the basic idea behind the novel, which I'm very pleased to say has been selling exceptionally well, and which online reviewers have thus far described in terms ranging from "disturbing" and "horrible" to "gripping," "thrilling and "highly entertaining".

I also talk about the main character, Detective Sergeant Mark 'Heck' Heckenburg - where he came from and where he might be going next (because as I explain right here, he's got a lot of ground to cover, and an awful lot of very nasty people to put behind bars).

STALKERS - the facts behind the fiction

A rarity, this week. I'm not actually going to write very much. Instead, I'm gonna yap.
Here, for your delectation are the first four of several filmed interviews I recently did with Avon Books, concerning my new novel STALKERS, and the hero of the piece, Detective Sergeant Mark 'Heck' Heckenburg.

For those interested, the book has now sold close to 50,000 copies and, though it again narrowly missed inclusion in the Sunday Times Top 20 best seller list, I'm led to understand that it creeps nearer each week. So I'm really quite a happy bunny.

Anyway, here we go ...

Can we blast our way onto the upper tier?

If there's anyone out there who hasn't bought STALKERS yet, for any reason at all, I'm today making it my job to try and convince you do otherwise.

First, a quick recap.

STALKERS is my brand new thriller from Avon Books, and it tells the tale of Detective Sergeant Mark 'Heck' Heckenburg, a tough but tired cop attached to Scotland Yard's elite Serial Crimes Unit. Heck is currently struggling with his investigation into 38 mysterious disappearances: ordinary everyday women who have inexplicably vanished without trace. When he learns about a semi-mythical organisation called the Nice Guys Club, he comes to suspect the foulest of foul play. With the assistance of Lauren Wraxford, a tough war veteran with a chip on her shoulder and a switchblade in her pocket, he plunges into the dark underbelly of modern urban Britain in pursuit of a truth that is almost too horrible to be told.


STALKERS has been described by reviewers on Amazon and in various crime blogs, as: "Rivetting," "gripping," "action-packed," "pitch-dark", "a compendium of violence," "very scary," "high octane," "interesting" and even "rankly blasphemous".

Plenty of purple prose in there, but why not make up your own mind?

Here's an excerpt:

The nearest entrance lay about thirty yards to their left. It was tall and arched, and the numbers etched into its concrete lintel read: 20-80. Once inside, they lurched to an involuntary halt. A tall man in dark clothes, wearing a dark hoodie jacket with the hood pulled up, was standing against the far wall. His hands were in his pockets and his head was bowed forward so that the peak of his hood formed a goblin-like point. However, a second glance revealed that this was merely an optical illusion. Someone had once lit a fire against that wall, creating a human-shaped burn mark. Even so, it had given them both a shock from which they didn’t quickly recover.

The rest of the small lobby was bare. Dead leaves and used condoms littered the corners. Sometime in the past, a wheelie-bin had been dragged in and knocked over, vomiting a pile of foul refuse, which had now coagulated.

They ventured forward. Beyond a row of bars, a stairway led up. The barred gate that allowed access to this hung from badly oxidised hinges. When Heck pushed the gate open, its protracted creak echoed in the passages above.

‘Think O’Hoorigan will have heard that?’ Lauren said. ‘If he really is in sixty-nine.’

‘I’d be amazed if O’Hoorigan was anywhere near this place,’ Heck replied. ‘Okay, he’s a scumbag, but who in the right mind would want to doss here . . . even rent-free?’

They ascended warily. On the first landing, on the facing wall, someone using blood-red spray paint had slashed the words:

ALL WE HAVE TO SELL IS FEAR
If you do feel like buying, you won't be totally alone. The book has so far sold very well. In fact last week, we fell only slightly short of cracking the Sunday Times Top 20 bestseller list, and this is perhaps the real purpose of today's post. While ebook sales are great - and are massively appreciated, so please don't get me wrong! - paperback copies, which can also be had at bargain prices, would be even more valuable at this stage, as it is these on which the Times rankings are based.

So ... if you haven't yet bought STALKERS , and you intend to, why not consider taking the paperback version? It can be found in most major high street retailers: Waterstones, Asda (where it is part of a two for £7 promotion), Tesco (where is is £1.95), Morrisons, Sainsburys and online from Amazon (where it is currently reduced to £3.85) and various other outlets.

Hope you can forgive this hard sell. It's been a bit shameless of me, but the thought of getting into that official 'bestseller' is pretty intoxicating.

Stalked to a place of no return - with luck

To say that I'm bowled over by sales of STALKERS would be the understatement of all time.

Well over a week ago we had sold 15,000 copies of the ebook, and I've seen with my own eyes that the paperback, which was launched last Valentine's Day, is now a noticeable presence on the shelves in Waterstones, Tesco, Asda and Morrisons (on the 'news cube', no less), as well as in various of the independents.

The book is currently 13th in the Kindle Bestsellers list, 1st in Kindle Suspense, 4th in Kindle Mystery and 4th in Kindle Thrillers.

Obviously this has surpassed my wildest expectations. The reviews are also pouring in, and thus far the majority are very positive. For example, top crime blogger Keith Walters, writing on BOOKS AND WRITERS really seems to have enjoyed it.

I'm not going to quote the whole of his review here, but I can certainly highlight a few choice snippets:

In a time where the daily news events seem to worryingly wash over us, regardless of just how grim some true life horrors seem to be, Finch has still managed, in a similar vein to authors like Stuart MacBride, to come up with something that really is a tough at times but, nevertheless, very rewarding read.

Stalkers is a very dark premise and read but, as a result and of the fast paced narrative, it’ll have you by the throat until you get to the end.

I can’t wait to see what’s in store for Heck when the second book in the series ‘Sacrifice’ is released.

I have to say that writing for Avon Books has been nothing less than a joy. Of course, it always helps when you find yourself on exactly the same page as your editor, but even so this has been a near pain-free experience. No novel can be completed without a certain amount of rewriting and restructuring - that's par for the course - but the whole process at Avon has been pleasant and positive. I've only ever left their offices at HarperCollins in a state of excitement and satisfaction.

So thanks for that, ladies. You folks have been amazing. Thanks also for your sterling efforts on the marketing front. STALKERS isn't all over the place at present by accident.

Just out of interest, a bunch of readers have now asked me if Blacksand Tower, the derelict sea-fort in the mouth of the Thames estuary, where one of the book's most brutal action sequences takes place, is a real location. I must confess that it isn't, but that it is loosely based on Redsand Tower (pictured at the top), a similar structure and part of the TESDU defence network, which was constructed during World War Two, the idea being to engage German bombers navigating towards London along the Thames.

Anyway, on a slightly different matter, there are big moves afoot with regard to DARK HOLLOW , the movie adaptation of Brian Keene's best-selling horror novel, which I wrote with DEVIL'S ROCK director Paul Campion a couple of years ago.

The movie now looks as if it will be a New Zealand/Canadian co-production, with the aim to shoot in Ontario and post-produce in Wellington. Sales agents RAVEN BANNER have been heavily pushing the project at the Berlin Film Market.

More news on these cool developments as I get them. But in the meantime, hope you enjoy this Raven Banner advert, which appeared in Variety Magazine recently - yep, this is the kind of hairy, horny brute you may one day wake up and find hypnotising your wife - if you lived in Dark Hollow of course. (Thanks to Russss for the top piccie).

Racking up the sales, digging up the bones

To say the least, I’m very happy with the way the e-version of STALKERS , my first crime novel, is selling. (I shouldn’t really boast about it of course, but I’m going to anyway – don’t be too disgusted; I’ll try and keep it factual at the same time).

As of this evening (Monday, UK time), we’d sold 5,739 copies. The paperback version will only be launched on Valentine’s Day later this month, so I think we’ve done pretty well thus far. Last Sunday alone we apparently sold 1,466 copies, which I’m led to believe it quite impressive.

Apparently, STALKERS is currently the third best-selling ebook across the whole of HarperCollins and at the time of this writing sits 18th in the main Kindle chart and 7th in the Kindle crime chart.

For those who don’t know, STALKERS tells the tale of Detective Sergeant Mark ‘Heck’ Heckenburg, whose hunt for 38 missing women leads him to uncover a nightmarish conspiracy. Reviewers online have thus far called it "a cracking thriller with electric pace"; "a tremendous read, well written"; and "a tense cat and mouse chase between a gang so dangerous that no one dare mention their name, and a rough around the edges cop".

You may wonder what all this has got to do with the image above - Laurence Olivier as Richard III in the 1955 movie adaptation of Shakespeare's classic play. Well the answer is - nothing whatsoever. We're now onto a completely different subject, though death and mayhem have their part to play here as well. Basically, I was intrigued by the recent announcement that the remains of Richard III – the last Plantagenet king of England and a character whose evil reputation (courtesy possibly of Shakespeare) and whose undoubted heroic death at the battle of Bosworth in 1485 combined to make him the stuff of romantic legend – have finally been found under a car park in Leicester.

It isn’t a very dignified resting place for a famous warrior king, but in an odd kind of way it ties in with the character we know from the historical records rather than the dramatic reinventions. For example Richard III is the only English monarch known to have spoken with a northern accent, he was also famous for leading his men into battle from the front (which eventually cost him his life, though he survived many other encounters during the tumultuous Wars of the Roses), and for the period of his lieutenancy in the north, he was famed for passing rules and regulations designed to ease the lot of the common people. Of course, just because we’ve found his bones lying under the feet of everyday Leicester folk, covered in grotesque battle-wounds, that doesn’t mean he didn’t have his nephews murdered in the Tower of London or that he didn’t slaughter various other foes (including his older brother, George, famously drowned in a butt of wine), or that he wasn’t a hunchback – amazingly, the archaeological remains suggest that he was.

But enough of the history. Now to the shameless plug. If anyone is newly interested in Richard III as a result of the recent sensational stories, you could do worse than purchase yourself a copy of TERROR TALES OF THE COTSWOLDS .

This is the second to date in my round-Britain series of combined 'horror fiction and fact' anthologies, and as well as including some great original Cotswolds stories from Ramsey Campbell, Simon Clark, Chris Harman, Gary Fry, Steve Lockley, Gary McMahon, Reggie Oliver, Alison Littlewood, Thana Niveau, Simon Kurt Unsworth, John Llewellyn Probert and Joel Lane, it includes several references to the much maligned king (as well as featuring his ghost on the cover). For instance, in Simon Clark’s eerie THE SHAKESPEARE CURSE, the discovery of a hidden cellar in Stratford-on-Avon leads to a reawakening of Richard’s murderous memory, and in LOVELL’S LONG WAIT we follow the terrible fate of Francis Lovell, one of Richard’s few loyal knights to survive the butchery at Bosworth.

Of course, if you want to know more ... you know what you have to do.

Pictured above, another heraldic apocalypse as the armies of Lancaster and York meet again in the final epic clash that was Bosworth Field (as seen in this specially made diorama at the Bosworth Battlefield Heritage Centre).

Buy now and get STALKERS for only 99p

Anyone interested in buying my debut crime novel, STALKERS , can currently buy the electronic version for just 99p - though this special offer is available for a limited time only. If you're interested, just follow the link.

The above image shows me posing proudly with two of my hot-off-the-press author copies of the paperback; that's currently available for pre-order, but won't actually be published until February 14th.

Go on, I dare you ... treat the bloke or bird in your life to a heart-stopping crime caper filled with blood, terror and urban mayhem. How romantic would that be?

Still not convinced? Well, here's a brief snippet:

McCulkin laced his tattooed, nicotine-stained fingers in a tight, tense ball. ‘There are red flags all over this, Mr. Heckenburg. Any time it comes up in conversation, it’s like “you don’t talk about this”, or “do not even go there”.’

‘That’s Halloween stuff, Pat. It’s designed to stop people asking questions.’

‘Look, these people are bad news.’

‘And I’m not?’ Heck leaned forward. ‘These bastards are going to find out different. Now you tell me every single thing you know.’

‘You really going to spread it that I’m a snitch?’

‘Just watch me.'

Still not convinced ... well, the first review on Amazon gives it five stars. Read it HERE . Or check it out below, in full:

I was sent a copy of STALKERS for review by the publisher and loved it from page one. Paul Finch is a master of suspense, and he had me on the edge of my seat from the very first chapter.

Following a gang who kidnap women on demand for their clients, this is a tense cat and mouse chase between a gang so dangerous that no one dare mention their name, and a rough around the edges cop, Detective Mark 'Heck' Heckenberg. This is Heck's show, but he's joined by a great cast of supporting characters - including, refreshingly, a host of strong and very ballsy women - and some seriously distasteful baddies.

As I understand it, Paul Finch used to be a scriptwriter by trade and this shines through. The action is endlessly compelling, mixing up hard-nosed sleuthing and intelligent detective work with fast-paced fight scenes that are so vivid they may as well be happening right in front of your face. I don't want to give away anything here, but the fight with Deke is a scene I will never be able to forget. Paul is also a horror writer of some renown, and he certainly knows how to kill his victims. But there's nothing gratuitous in his violence, and whilst occasionally bloody, his murder scenes weren't too hard to stomach, and will satisfy both hardened crime fans and newbies to the genre.

Overall, this is a thrilling, unforgettable read from a fantastic new writer on the crime and thriller scene. I will be recommending Paul Finch wherever I go and I can't wait to get my hands on the next in the series in just a few months' time. I could easily see this book taking to the small screen, so if there are any TV producers out there, I hope they're watching Paul Finch closely, as I am in no doubt that he's a star of the future.

If I have any advice to you it's READ THIS BOOK!

(With thanks to the publisher Avon for providing a review copy.)

On a not entirely different matter, it's been quite a decent week for good reviews all round. Everyone in the UK's favourite horror mag, BLACK STATIC , has now got around to checking out my last collection of horror stories, ENEMIES AT THE DOOR , and the most recent volume in my round-Britain anthology series, TERROR TALES OF EAST ANGLIA .

With regard to the former, stories selected for special praise include: SLAYGROUND, which is described as "hugely enjoyable, with Finch ably counterpointing violent fire fights with the cheery camaraderie of men in arms and a final note that pulls the carpet out form under the characters' feet"; THE FAERIE, assessed as "a particular delight", WE, WHO LIVE IN THE WOOD, which "wonderfully builds its atmosphere of menace, escalating effects and mounting the tension", and DADDY WAS A SPACE-ALIEN, which is "a barbed satire of sensationalist tabloid reportage, made all the more apposite in the wake of Levenson".

For the latter, DEEP WATER by Christopher Harman, SHUCK by Simon Bestwick, LIKE SUFFOLK, LIKE HOLIDAYS by Alison Littlewood, ALDEBURGH by Johnny Mains and THE SPOOKS OF SHELLBOROUGH by Reggie Oliver are all underscored as notable highlights.

However, a question-mark is apparently raised against TERROR TALES OF EAST ANGLIA in terms of the various authors' credentials when it comes to knowing that part of the realm - simply because quite a few of them, my good self included, are not natives.

Well ... ahem - and of course I can only speak for myself in this regard - I know East Anglia pretty darn well, having travelled its length and breadth, and having stayed there with relatives many, many times - so there! And to prove it, the picture above was taken of me outside the infamous cell in Colchester in which Matthew Hopkins, the dreaded 'Witchfinder General' interrogated so many of his unfortunate prisoners.