Kiran Manral's Blog, page 16
March 5, 2018
For the Deccan Chronicle: In homes, women across the world are quietly staging their own little rebellions.
It was an innocuous news snippet tucked away in the newspapers that grabbed my attention. “Bride calls off marriage because groom’s party creates a ruckus when drunk.” This wasn’t a girl from one of the metropolises daring to call off her wedding but a girl from Lucknow, a city in Uttar Pradesh and one that quite retains its patriarchal nature. This news snippet is significant. It is a harbinger of the quiet fact that women have had quite enough and are refusing to take anymore. No matter what. You can see signs everywhere. The young girl who records the man masturbating next to her in a public transport bus and posts it on social media. The woman who calls out consistent and endemic misogyny at a pub in Pune. Women who speak out against sexual harassment on social media, and name names. Women who refuse to get married when asked to list out the dishes they know to cook. Female anchors who don’t take being called Baby by patronising panellists lying down and demand an apology. Women are standing up tall, linking arms, and taking on the insidious little and big ways in which the patriarchy has been shooting them down and shutting them up all these years.
Did it all begin with #MeToo? Or did #MeToo signal a time that had arrived when enough was enough? What was #MeToo? A call by actress Alyssa Milano for women to post about their experiences of sexual harassment and violence on Twitter. She tweeted, “If all the women who have bee n sexually harassed or assaulted wrote ‘Me Too.’ as a status, we might give people a sense of the magnitude of the problem.” The call saw an outpouring of posts, which crossed millions, across both Twitter and Facebook, flooding timelines, making it shockingly obvious that we had all been staring at the elephant in the room and no one had so far been willing to take it by the tusks. The hashtag triggered conversations about workplace sexual harassment, assault, sexism, and gender violence on social media across ages, demographies and continents.
Read the rest here
February 26, 2018
Saving Maya in the DB Post’s Vibe
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February 25, 2018
A short story accepted for the The Best Asian Speculative Fiction Anthology by Kitaab, and why I’m chuffed.
I had written a few spooky stories which I’d sent out a long while ago. It all rubberballed right back to me, with kind words of rejection from some of the leading publishing houses in India. A noted literary magazine in India first mailed back saying they loved this one I’d sent them on being requested to send them a story and would be carrying it and then went all ghostly silence on me. It made me wonder, was it really that terrible a story? But the story haunted me, compelled me to keep thinking about where I could send it.
When I saw the call for submissions for the proposed anthology, The Best Asian Speculative Fiction by Singapore based Kitaab.org, I sent this story out on a whim and a prayer.
Yesterday morning I received a lovely email from the editor of the anthology, Rajat Chaudhari, informing me that he would like to include this story in the anthology, and I quote from the mail, “Your language is powerful and evocative and the horror leaves one shaken….”
Rajat Chaudhari, for those who might not be familiar with his work, is the author of three works of fiction – Hotel Calcutta, Amber Dusk and a collection of stories in Bengali titled Calculus. He has been a Charles Wallace Creative Writing Fellow at the University of Chichester, United Kingdom, a Hawthornden Castle Fellow, Scotland, a Korean Arts Council-InKo Fellow resident at Toji Cultural Centre, South Korea and a Sangam House India resident writer. This year, he was a judge for the short story segment of Asian English Olympics organised by BINUS university, Indonesia.
Kitaab.org was founded in 2005 by journalist and writer Zafar Anjum in Singapore as a space to celebrate and critique Asian writing in English. Headquartered in Singapore, Kitaab provides a writing and publishing platform to emerging and seasoned writers from the region to express themselves creatively.
The reason for this long post? You might have setbacks, but believe in your work and your writing. Keep sending it out into the universe. If you’ve written from the heart, the world will make space for it on its bookshelves.
The anthology should be out next year.
Mumbai Women Writers’ Fest in The Hindu
Women Writers’ Fest, the travelling literature jamboree that debuted last year, with editions in Delhi, Kolkata, Bengaluru and Pune, aside from Mumbai, returned to the city this weekend. While the first day took place at the Bandra bookstore, Title Waves, today’s sessions will be taking place in Kala Ghoda. The festival is being organised by SheThePeople TV, the feminist video storytelling platform.
Why a feminist literature festival? Kiran Manral, author, columnist and speaker, ideas editor of SheThePeople and co-curator, with founder Shaili Chopra, of the festival says, “For most of history, Virginia Woolf said, Anonymous was a woman.” It wasn’t that long ago, she reminds us, that women weren’t allowed to have an education, so, “The fact that we’re writing now, and have a voice, is something we should take full advantage of.” The festival, then, is about giving women writers a space to discuss issues not given prominence at other festivals, but which are central to and inform their work.
Read the rest here
February 19, 2018
Bombaywaali with Sonal Holland, Master of Wine
I must confess, anchoring Bombaywaali has been a most inspiring journey for me. With every speaker, there is something to learn, takeaways that jolt your brain and make you think and enthuse you to keep following your dream. This month’s Bombaywaali by Shethepeople.tv had me chatting with the only Master of Wine we have in India, one of only 369 people in the world, Sonal Holland. Sonal’s is an unconventional journey. She began in the corporate world, and shifted to making wine her life mission on an impulse. And that she’s reached so very far in this journey is not just commendable but an inspiration to every single woman who has ever toyed with the idea of reinventing herself mid-career. And more than everything else, she’s warm, she’s real and she’s got a fierce work ethic.
Some brilliant takeaways I got from the conversation:
Build your tribe. Ask for help. And take all the help you can get.
An idea is only yours when you act on it. Until then it is floating around in the universe for anyone to grab it.
Make your work your life’s mission.
After every great failure is great success, but only if you have the courage to keep going on.
Mommy guilt is real and terrible, but you need to deal with it and get on.
For more about this wonderful conversation read this: https://www.shethepeople.tv/news/bomb...
And here are some pictures from the event.
February 10, 2018
Story & Style: A Review of ‘The Face at the Window’
On ReadWriteInspire by Archana Sarat
Kiran Manral weaves a web of intrigue, conjures up an atmosphere of dread and brings to life characters who will haunt us long after we read the last page.
by Archana Sarat
February 10, 2018
in Reviews
One of the most prolific writers in India, Kiran Manral moves between genres and stories smoothly and seamlessly just like the ghost of the Windermere cottage in her book, ‘The Face at the Window’. Not many Indian authors write horror, and this is what intrigued me to pick up this one. A few pages into the story, I realized this wasn’t another one of those cliché horrors that make one roll their eyes and yawn from boredom. Kiran Manral weaves a web of intrigue, conjures up an atmosphere of dread and brings to life characters who will haunt us long after we read the last page.
After reading 100+ books every year for the last few years, I have realized that what I look for in every novel that I read is a good story. Don’t get me wrong—I love language; it is what I breathe, caress, memorize, underline and write down in my journal, but it all vaporizes in the absence of a good story. Opinions differ, and I know many readers who can sacrifice the pleasure of a good story just to be enchanted in the arms of beautiful prose. That’s not me! However, if you give me a book that has a unique plot narrated by a master storyteller in the most delightful language, you turn me into a fan of the author. That’s exactly what I found in ‘The Face at the Window’—a grasping tale told in stunning prose.
‘Memories are the kind of elusiveness that shift, change form, and remodel themselves by the second.’
‘Smiley face icons cannot hope to replace words thought out carefully in order to put a smile on the other person’s face, the sharpness or the laxity of the handwriting telling stories about the frame of mind of the writer, the smudges on the sheets of paper telling their own stories, blotches where tears might have fallen, hastily scratched out words where another would have been more appropriate, stories that the writer of the letter might not have intended to communicate.’
Read the rest of the review here.
February 9, 2018
An interview on Bookaholicanonymous
Thanks Smita Singh for the kind words.
‘I don’t think I decide my characters, they decide on me. They pop up in my mind as fully formed flesh and blood people and demand to be written down’ Kiran Manral
Bookaholicanonymous is delighted to present this exclusive interview with Kiran Manral. She is a prolific writer, writing books across genres. Her book ‘Saving Maya’ which was earlier launched on an app, is all set to be published in print by Bombaykala any day now. She is someone I admire and would love to accomplish half of what she has achieved till now.
Kiran Manral published her first book, The Reluctant Detective in 2011. Since then, she has published seven books across genres till date. Her short stories have been published on Juggernaut, in magazines like Verve and Cosmopolitan, and have been part of anthologies like Chicken Soup for the Soul, Have a Safe Journey (2017) and Boo (2017). Her articles and columns have appeared in the Times of India, Tehelka, DNA, Yowoto, Shethepeople, TheDailyO, Scroll, Buzzfeed, New Woman, Femina, Verve, Elle, Cosmopolitan, Conde Nast Traveller, DB Post, The Telegraph, the Asian Age, iDiva, People, Sakal Times, and more. She was shortlisted for the Femina Women Awards 2017 for Literary Contribution. She is a TEDx speaker and a mentor with Vital Voices Global Mentoring Walk 2017. Phew! Is there anything she hasn’t done?
Read full interview: http://bookaholicanonymous.com/author-interview?id=35
An interview on ReadWriteInspire
Thanks for the kind words Archana Sarat.
A Conversation with Kiran Manral
Kiran Manral is a renowned Indian author, TEDx Speaker, columnist, mentor and feminist. She has written books across genres in both fiction and nonfiction.
by Archana Sarat
February 6, 2018
in Interviews, Mommies, Published Authors, Writers
One thing that you cannot miss when you meet Kiran Manral is her warmth and humility. The literary world is filled with people who claim to be much more than what they are, but Kiran is one of the few persons I’ve met who are silent about their accomplishments though they have so much they could brag about. When I read ‘The Face at the Window’ last month, I was blown away; the beauty and lucidity of language that she exhibited could only come from the calm confidence of someone who has absolute power over the language. How did she become a wordsmith? I decided to ask her…
1) What would be one thing you wish you could undo in your writing career?
Nothing actually. Everything has happened when it did for a purpose. And I’m glad it did.
2) The first thing that struck me when I read ‘The Face at the Window’ was the beauty of your language. It was evident that it was penned by someone with a love for words. So, when did that develop? Did you take any conscious efforts in becoming a wordsmith?
The only thing is the love of reading. One reads and one loves language.
Read the rest of the interview here
An interview on Bossgirldotin
Quite enjoyed doing this interview, thanks Madhavi Mukherjee
If “What To Expect When You Are Expecting” is the bible for your ten months of pregnancy, then Kiran Manral’s Karmic Kids is a definitive guide to the time thereafter. What Kirsten Bell says or does in ‘Momsplaining’ today, Kiran said it much before on her blog ‘Karmic Kids’ which today is one of the popular books in parenting experiences. Considered among the most popular blogs in India in it’s time, Karmic Kids was a lowdown of what to expect as a parent and trust me, no one said it better than Manral 
January 29, 2018
In The Married Feminist this week: Who takes charge of the birth control?
One of the hairiest topics in modern marriage is perhaps not who brings in the bacon or who takes charge of changing diapers, or perhaps who loads the washing machine. It is this. Who takes charge of the birth control. More often than not, it falls to the woman to ensure that she is not likely to be saddled with an accidental, unwanted pregnancy.
The Indian man, according to latest research figures, is not one to volunteer for a vasectomy, no matter that the procedure is minimally intrusive, and often even the bait of a monetary reward does not tempt him. The family planning programme in India, therefore, is almost completely dependent on the women of the country.
The male versus female ratio for sterilisation in 2016-17 stood at 1:52 according to latest data released by the Ministry of Health and Family Welfare. And more tellingly, the most popular contraceptive method used in India seemed to be female sterilisation. According to data 36% of married women opt for sterilisation, 6% use male condoms and the pill.
To quote the NFHS-4 report, “Female sterilization remains the most popular modern contraceptive method. Among currently married women age 15-49, 36% use female sterilization, followed by male condoms (6%) and pills (4%). Among sexually active unmarried women, female sterilization is the most commonly used method (19%), followed by male condoms (12%). More than eight in 10 (82%) women who got sterilized underwent the procedure in a public health sector facility, mostly a government or municipal hospital or a Community Health Centre (CHC) or a rural hospital.” The Indian government funds approximately 4 million tubal ligations per year, more than any other country in the world.
Of course, surgical sterilisation of women does not come without risks, after all, it is an intrusive surgical procedure, often performed hurriedly, under less than ideal conditions in government health centres. Deaths, complications are not uncommon. A huge price to pay for the simple decision by a woman to limit her childbearing.
Read the rest of the column here
