Chloé Caldwell's Blog
December 20, 2019
A guide that has everything to say about IoT
Implementation of automation is something along with the commercial availability of technological systems that has an increasing number of adopted Internet of Things technology to seriously reduce infrastructure fees and boom ease of protection and integration. As a result, IoT systems can now file state in near real-time and use the horizontal scale available in cloud environments to place into impact greater complex manipulate algorithms than are practically viable to put in force on conventional programmable properly judgment controllers. One of the critical implementations of it is in edifice automation which effectively keeps the comfort from unfaltering.
This article is a handy guide that speaks about the things that you should know about the Internet of Things. If you have a keen interest about the emerging technologies that are fighting to provide humans with the ultimate comfort, then you are on the right page, because this very article speaks about the hottest technology “IoT”.
IoT! Woo, what a cool name isn’t it? But do you actually mean by IoT?
IoT is just a fusion of devices that are interconnected mechanically and digitally. It enables the transfer of data from one device to another. If you consider the internet to be a wonderful thing, then yes it is, because it has brought the world with magnificent benefits.
How is the performance of the Internet of Things being scaled?
The big technological demand is the performance criteria. When the machine cannot fulfil the requirements of human, he/she begin to look into the alternative technologies that can overcome the drawbacks of the previous one. Everywhere the performance is the key player. If the device or the system fails to oblige the command, then it is nothing better than a waste. IoT is once such a system that compliments the present-day technological compartments with best possible advancements.
Qualities of IoT
Reliability is an oblique dimension of the high-quality of the making plans tool. One of the expensive desires of humans are planning is to perform what we got all the way down to do. Reliability determines the man or woman of projects. Due to the utilization of the internet to govern and monitor the machine, availability is the handiest limit until the individual has rights of entry to the internet. As these gadgets are constantly related to middleware, there’s high availability of the devices. The interface of the IoT models is an internet-based structure which allows the tool to be accessed using just a browser which is a very commonplace feature available in all devices today.
IoT and Future
As per today’s technological growth, IoT has a very long run of evolution. The world is foreseeing for the contribution of IoT in multiple fields like medicine, education, marketing, analysis, data storage, and so on. The future of any technology depends on the relevance of that system in the current generation and of course, the effectiveness of these technologies.
December 2, 2018
Hello world!
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August 17, 2018
July 27, 2018
June 7, 2018
March 10, 2018
February 22, 2018
May 3, 2016
the Jesus year
The weather was complete shit in Chicago so we made our own fun taking photos in bathrooms. Then we did a reading at Unabridged bookstore which was really fun b/c we all read from NEW stuff! The night before the reading we saw Knausgaard and Shelia Heti in conversation at the Chicago Art Museum which I had too high of expectations for so was somehow riveted and disappointed simultaneously.
Juliet Escoria, Chelsea Martin, Mira Gonzalez, Elizabeth Ellen, Amanda Goldblatt, me
I’m teaching a 4 week personal essay class online for Litreactor, it begins May 31. Sign up and get more info here.
I’m co-teaching a one-day workshop in NYC with Ashley C. Ford—How To Be A Freelance Writer—August 6th. It’s open to like 15 people.
Date: Saturday, August 6th
Time: 1-5pm
Fee: $150
Number of Students: 12-15
1140 Broadway, Suite 704, NY NY 10001
Co-sponsored by Electric Literature
In this one day session, Chloe and Ashley will demystify what it is to be a full-time freelance writers, covering everything from process to time management to filing taxes. Focusing on craft (what you want to write and how to write it), community (how freelancers build a support networks), and comments (dealing with assholes and trolls on and off the net) they will give tips from their own experiences on what works, what doesn’t, and how to get PAID. Students will leave with concrete goals and an action plan for making their dreams of freelance success a reality.
Q & A, reading, and discussion with Ashley and Chloe follows class. With wine and snacks, of course. Apply here.
I was so busy in April and have two trips I haven’t unpacked from but am heading to NYC today for more shit, and I remembered this part of Bill Clegg’s memoir Portrait of an Addict As A Young Man where he mentions his early thirties being the busiest time of his life. Of course the difference is, he was getting addicted to crack and I am not, (I’m getting off it) but I still relate. Maybe my Jesus year came early. Here’s the paragraph:
I go to Mark’s and there is a blur of smoke and flesh and other people, and in the morning, this time, I don’t want it to end. The lunch is the next day, but still, somehow, it feels far away. A whole day and night and morning between now and then. It will work out. It always does. But this is the first night that wants to be two. Why this one and not the others? I look at the calendar from that time and it is graffitied with ink. Scribbled notes about lunch meetings, coffee dates, phone dates, drinks dates, trips to London, L.A., Frankfurt. Weddings, birthdays, benefits, plays, operas, book parties, screenings. So much to show up for, so much to camouflage for, to worry over. There is no busier period than that year when I am thirty-two and thirty-three. Someone—was it Marie?—always joked about thirty-three being the Jesus year—how it marked the end of one life and the beginning of another, the end of youth and the beginning of the undebatable status of adulthood. But I was twenty-four when she turned thirty-three, and adulthood seemed a world away.
P.S. My website domain expires in 7 days and I *am* gonna move it over to a Square Space website with the help of my friend and student, Juliana Mann! Juliana and her husband Jonathan have this podcast I love, The Manns, where they speak very bluntly about conflicts in their relationship, check it out here.
P.P.S. When I arrived home from Chicago on Sunday night, my box of review copies was waiting for me. I love how they look!
April 27, 2016
medium skinned
I was interviewed for the series THICK SKIN by Andrew Lipstein. I love this series, he’s basically trying to deconstruct negative feedback from the author’s point of view. I loved reading the convos he did with Shelia Heti, Porochista Khapour, and Emily Gould. For better or worse, I am comfortable with getting negative reviews. I know my books are flawed. There’s no way around that. There are no perfect books. Are there? In the interview Andrew did with Laura van den Berg, she’s like, has any writer every told you they couldn’t continue the interview? Because having mean words about you quoted back to you is very overwhelming.
I saw this draft in my emails last night that I wrote to myself. “Write about why you hate blogging” it said. I want to write a little about why I dislike having a website. Unlike my writing, or rather, in a different way, this website makes me feel very exposed. I’ve never been a blogger who is able to churn their normal day into an entertaining blog post. If I were writing blog posts often about my life I can guarantee you I’d feel incredibly depleted. But what makes me sad/embarrassed is that now my website has turned into just a place where I promote myself. I guess that’s what author websites ARE. I started this website in 2011 and now it’s 2016 and I’ve just never found a rhythm for it. I tried Tumblr and couldn’t do it for whatever reason.
Maybe I should get one of those websites where I don’t have to post stuff on the homepage, like Chelsea Martin’s or Elisa Albert’s. I think I’d like that a lot. They get less ‘traffic’—who cares? What’s held me back about having one of those is that they cost a big chunk of $$$$. But perhaps it’s time. I’m willing to stop drinking wine for a month to get an essay made for me. Maybe.
The other confusing thing is I have no clue who my audience for this website is. At first it was a few fellow writers I know from like, The Rumpus, then there’s my aunts and my mom. But when WordPress chose my post On Picking My Brain as a WordPress Discovery or whatever and received 2400 new followers making my total 2481. Who are you people?
I suppose I could link more often to what I’m reading/other people’s work. I have no clue why I don’t do that. But I wanted you to know that the reason I don’t expose myself here is because I expose myself in my books and I don’t get paid to write on my own blog. So I keep it short and surface-y. I don’t like that people can Google me and see whatever I post on my website, especially when it’s lame and self-promote-y. But I save the things I want to say for my books and essays. I have strange logic about my books, I always feel you can hide the most exposing parts in the middle. Because people don’t actually read that part. Haha. On this website, I always either want to write too much or nothing at all and just post a photo.
In May I will probably pay the $28 or whatever it is to renew this website for another year, though I always secretly want to get rid of it.
What do you think? What do you most like reading about hear? The writing process? Books I recommend? I normally don’t have ‘what is my voice/tone’ problems but I do on this website. In fact, during the writing of this post I’ve convinced myself I want to hire someone to build me a website. Anyone reading this want to discuss? cocomonet@gmail.com.
I just read (thanks to my friend Logan) these two pieces that I enjoyed v much:
I don’t think this piece has a name but it’s by the wonderful Katie Heany and about her first book contradicting where she is at now, IRL.
The Year of Numbered Rooms by Emily St John Mandel about her scarily long book tour.
Another essay that’s so interesting is The Ambition Condition: Women, Writing, and the Problem of Success in BITCH Magazine.
Anyone who’s stepped into a literary community—readings, performances, writing workshops, mfaprograms—will testify to the disclaimers that issue regularly from the mouths of women writers in particular. “This is just something I thought I’d try,” and “I’m not really a poet, but…” are words regularly uttered even by those who made drastic life changes in order to carve out time to write. I prepared for months for a major fiction contest in college, for instance, which I entered five years in a row, claiming to others each time that I just “threw something together.” Later, I applied to a single mfa fiction program, and told no one until I got in. I just didn’t want anyone to know what I wanted most. Perhaps I was preparing for failure: If I said openly that I not only wanted to be a writer but that I worked hard at it, my ambitions could be judged against external rewards—and easily dismissed when I missed out on them.
xxoo
CC
p.s. Galleys of I’ll Tell You in Person have arrived at the Coffee House offices. Email Amelia Foster if you want one for a review or interview. I should have my own copies, today, hopefully! You can also pre-order the book on Amazon or wait and pre-order from a more independent bookstore, like Powell’s. Regardless, thanks for all of the support, readers.
April 23, 2016
indie bookstore day
The ‘bad women’ event at The Strand was rad. I was nervous as hell, not gonna pretend we all didn’t chug wine before we went on stage. If you’re interested, you can listen to it podcast style on Joyland Magazine. Sort of amazing how many people attended. It says something about something, women, and writing, but I’m not sure what.
probably talking about eileen myles or jill soloway
Isaac Fitzgerald, Emily Schultz, Anna North, me and Jenny Zhang
I’m reading in Chicago on April 30th with Chelsea Martin, Elizabeth Ellen, Juliet Escoria, Mira Gonzalez, and Amanda Goldblatt at Unabridged Bookstore the day AFTER Karl Ove Knausgaard reads there (lol) as part of Independent Bookstore Day, presented by the publisher Curbside Splendor. Sounds like there’ll be free hoppy beer.
