Melanie Surani's Blog, page 226

August 24, 2015

salesonfilm:

LOST FILMS

LOST FILMS is an initiative of...













salesonfilm:



LOST FILMS



LOST FILMS is an initiative of the Deutsche Kinemathek – Museum für Film und Fernsehen, Berlin, funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation).


Its purpose is to make visible the invisible portion of film history by acting as a collaboration platform for internet users to bring together relevant information and surviving documents concerning Lost Films.


The archive of titles currently contains over 3500 films believed or declared to be lost.


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Published on August 24, 2015 09:01

thedissolve:


thedissolve:

“In the analog world, most of the...



thedissolve:




thedissolve:



“In the analog world, most of the cost of preservation is paid when the archival print is created. But for a digitally preserved film, the cost of migration shows up every five years. Postponing it is going to be tempting, especially during buyouts, changes in management, or any of the near-constant corporate turmoil that puts huge short-term pressure on cost-cutting. Films that continue to make money are probably safe, but for bombs—whether they were genuinely terrible or interesting failures—the incentives are all wrong. Putting a significant part of our cultural heritage in a system where a five-year gap in funding means catastrophic, irrevocable loss seems to guarantee we’ll lose some of it.”



Think film preservation is a simple matter in the digital age? Matthew Dessem’s fascinating look at the perilous state of digital archiving explains why that is not the case. [Read more…]


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Published on August 24, 2015 03:00

thedissolve:


“In the analog world, most of the cost of...



thedissolve:




“In the analog world, most of the cost of preservation is paid when the archival print is created. But for a digitally preserved film, the cost of migration shows up every five years. Postponing it is going to be tempting, especially during buyouts, changes in management, or any of the near-constant corporate turmoil that puts huge short-term pressure on cost-cutting. Films that continue to make money are probably safe, but for bombs—whether they were genuinely terrible or interesting failures—the incentives are all wrong. Putting a significant part of our cultural heritage in a system where a five-year gap in funding means catastrophic, irrevocable loss seems to guarantee we’ll lose some of it.”



Think film preservation is a simple matter in the digital age? Matthew Dessem’s fascinating look at the perilous state of digital archiving explains why that is not the case. [Read more…]

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Published on August 24, 2015 03:00

August 23, 2015

Tonights’s installment of the Horror and Suspense Filmfest is...



Tonights’s installment of the Horror and Suspense Filmfest is Walled In (2009)

FOR MATURE AUDIENCES ONLY

image

Walled In (2009)

Based on Serge Broselot’s bestselling French novel “Les Emmeures,” about a demolition company rep (Mischa Barton) who supervises the razing of a mysterious building and discovers horrifying secrets and past inhabitants entombed within its walls.

Movie | Aired: 03/17/2009 | R | 1 hr. 31 min.

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Published on August 23, 2015 20:00

Photo



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Published on August 23, 2015 15:01

Look to your left. The first thing you see is what you would hoard as a dragon.

Barber chairs. I don’t wanna be a dragon.

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Published on August 23, 2015 08:41

poprewind:

Light weekend reading… #jemandtheholograms #jem...



poprewind:



Light weekend reading… #jemandtheholograms #jem #books #80s #cartoons #tv #television #reading



I want to read the cat one!

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Published on August 23, 2015 08:34

weirdvintage:

The Hobble Skirt–“What’s that?  It’s the...



weirdvintage:



The Hobble Skirt–“What’s that?  It’s the speed-limit skirt”–postcard, early 1910s (via Find My Past)


Hobble skirts were a curious and scandalous fashion for women in the early 1910s.  These skirts forced the wearer to take tiny, mincing steps.  It became popular due to the designs of Paul Poiret, who is credited with liberating women from the corsets.  He said, “I freed the bosom, shackled the legs, but gave liberty to the body.”  At the height of this fashion, public transit was even altered to accommodate the limitations of the wearer, by lowering steps to streetcars and trains.    (Source:  Mentalfloss and Survey of Historic Costume by Phyllis G. Tortora and Keith Eubank)




So if someone wanted to chase them down, pretty much tough luck.

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Published on August 23, 2015 08:12