Melanie Surani's Blog, page 202
October 5, 2015
sundancearchives:
Film safety and preservation are essential to...
Film safety and preservation are essential to ensuring independent storytelling is experienced for generations to come.
From press kits to posters, films to photos, and scripts to scores, Sundance Institute Archives & Collection preserves the history of the Institute and independent storytelling. Our Collection at UCLA is a groundbreaking partnership that exists to protect, preserve, and restore independent film.
Explore the Sundance Institute Archives & Collection
Illustrations created in collaboration with Outfest UCLA Legacy Project and UCLA Film & Television Archive
October 4, 2015
blackfairypresident:
i have no issue with atheism as a concept but if you mock people who rely on...
i have no issue with atheism as a concept but if you mock people who rely on their god to help them get through hard times, you are trash and you are not nearly as intelligent as you think you are
Thank you!
ultrafacts:
Pictures above-1. @ used to signify French “à”...
Pictures above-
1. @ used to signify French “à” (“at”) from a 1674 protocol from a Swedish court
2.
@ symbol used as the initial “a” for the “amin” (amen) formula in the Bulgarian translation of the Manasses Chronicle (c. 1345).
(Fact Source) for more facts, follow Ultrafacts
naamahdarling:
rockees:
a ferocious beast
i will reblog these...
a ferocious beast
i will reblog these everytime i see them because she is just such a precious little ball of predatory fury
rin-yoshida:
Hugh Ferriss: The Lure of The City, 1925
Many...
Hugh Ferriss: The Lure of The City, 1925
Many people seems to be mistaking the name of this drawing as “The Metropolis of Tomorrow,” but the title of the drawing is “The Lure of The City.” The Metropolis of Tomorrow is the name of a book where this drawing appears, which was published in 1929. This comment may seem trivial to certain people, but thinking of Hugh who was disappointed by works of architects in New York at that time, and decided not to work as an architect but as a renderer, it is important to know that this drawing was titled as a “lure” of the city, and not as “tomorrow” of the city or any cities.
