Ripley Entertainment Inc.'s Blog, page 173
November 17, 2020
November 16, 2020
The Cherry Sisters: Vaudeville’s Most Infamous Act
Featured in Ripley's Believe It or Not!
As a touring vaudeville act in the late 1800s and early 1900s, the Cherry Sisters sold out shows, but their success was matched only by their infamy. They sang, danced, played instruments, and recited poems and essays in over-the-top, dramatic performances, and they drew audiences who came to witness their obvious lack of talent. As the American Weekly once reported, “They began as the four worst professional actresses in the world and ended without improving one iota.”
“The thing is, people packed the theaters to go and see them,” says Darryl W. Bullock, author of The Infamous Cherry Sisters: The Worst Act in Vaudeville. “It was almost part of the entertainment for the night—to go and see how diabolically awful these girls would be.”
There are different stories out there as to why the Cherry Sisters started performing in the first place. But what is certain is that the personal lives of the five sisters were just as unfortunate as their professional lives were uncanny. At the same time, they unintentionally left behind an important legacy after suing two Iowa newspapers for libel in 1898 for a scathing performance review, resulting in a court decision that set a precedent in media law.
Now Presenting: The Cherry Sisters
Addie, Effie, Ella, Lizzie, and Jessie Cherry made their way to Marion, Iowa, with their parents in 1872. Their parents—father a painter, mother a housewife—had previously moved with them to several different states, having lost two children. As the story goes, both of their parents died by the time Jessie, the youngest, was 17 years old, and their brother Nathan ran away from home.
So, what drove the Cherry Sisters to take to the stage? Some accounts say they wanted to earn enough money for a trip to Chicago to attend the World’s Columbian Exposition. Others say they needed to make money to pay off the mortgage on their family farm.
Entertaining audiences on stage as a group was Effie’s idea. In 1893, the women, according to Bullock’s biography, decided to perform at the local Daniels Opera House—all five of them at the time—as a way to make money quickly, playing off their previous experiences in school and church productions. They made posters and eagerly posted them around their community.
Their first show started with a song from Effie, and then they all sang, danced, and played musical instruments such as the harmonica. Because the neighbors and friends in attendance politely applauded them (as to not insult them, Bullock says), the sisters thought they were simply marvelous, pocketing $100 in ticket sales and deciding that they were destined for the stage.
However, during their second performance—this one at a larger theater in Cedar Rapids, Iowa, starring only four of the five sisters—the audience didn’t hold back in expressing their true opinions, blowing tin horns and throwing various items at the sisters. In a scathing review, the Cedar Rapids Gazette wrote, “Their knowledge of the stage is worse than none at all, and they surely could not realize last night that they were making such fools of themselves.”
The sisters were incensed and demanded a retraction. According to Bullock’s biography, Addie ended up writing one herself, and the newspaper printed the “barely intelligible retraction”—full of spelling mistakes and grammatical errors. The sisters then accused the writer of making libelous claims. He was arrested, and the newspaper proposed an idea: Hold a theatrical trial at the local opera house and have the sisters perform for the jury. They did just that, and the writer was eventually found guilty and sentenced to marrying one of the sisters! Though, he didn’t actually serve his sentence.
With word of the latest incident spreading nationwide, the Cherrys began gaining attention across the country. And despite the negative press and reactions they faced, the sisters continued performing locally in front of such crowds. It’s unclear whether they took themselves seriously or were in on the joke.
“They’re developing this reputation of being comical, and they will leave [the] stage or the theater manager will pull down the curtain, close the curtain on them,” says Leo Landis, state curator for the State Historical Society of Iowa.
The women soon approached a vaudeville agent in Chicago, who recognized just how terrible (and so full of potential!) their performance was, with a strange ability to draw large crowds. The agent signed the sisters to tour through Iowa, Kansas, and Illinois. The curtain was about to open on their career, but they were becoming famous for the wrong reasons.
Harsh Reactions and Riots
While there were other vaudeville acts at the time that received negative treatment from their audiences, none of them lasted nearly as long as the Cherry Sisters, who continued selling out their shows, Bullock says. That may be because it became a tradition that wherever the Cherry Sisters performed, newspaper editors would review their show, and needless to say, their critiques weren’t positive in the slightest.
Promotional poster for The Sandow vaudeville act showing dancers, clowns, trapeze artists and dogs in costume.
The Cherry Sisters became the vaudeville act that people loved to hate. The sisters claim to have written their songs themselves, but most of their performances were based on songs that were already well known, Bullock says. When they tried to dance, they would “kind of hop around,” he adds. They performed short playlets, but they were “very overwrought, very dark, very weepy, lots of gnashing of teeth and wailing. Very, very over the top, completely ridiculous.”
“Very quickly, the Cherrys got this reputation of being so diabolically awful that people would go see them just to throw things at them, and they did,” Bullock says. “People would throw rotten fruit and vegetables; they’d throw cigarette butts, cigar butts, overshoes. … They’d take their overshoes off and throw them on the stage.”
While the Cherry Sisters always denied it, legend has it that they sometimes performed behind a screen to avoid being hit by flying objects. Of course, in today’s world, the violence they faced would be viewed as outlandish, even frightening. Yet even at the time, some condemned how audiences responded and felt the sisters deserved a chance to perform. While The Davenport Daily Times in Iowa expressed hopes that the Cherry Sisters “will not be induced to make a second professional visit” to the city, they also wrote that their lack of talent “is no excuse for the rowdyism that characterizes the audiences at their engagements.”
Their awful performances elicited such strong reactions that in some cities, riots broke out in the audience. As detailed in Bullock’s biography, during an early performance in Dubuque, Iowa, the audience came armed with rotten eggs, cabbages, and other food items, some even carrying fire extinguishers and tin horns. At one point in the performance, Jessie was sprayed in the face with a fire extinguisher and ran from the stage, her clothing soaked. A frustrated Effie then returned with a shotgun and pointed it at the audience, only to be hit by cabbages. The police and theater staff did little to stop what was happening.
Even when the show ended, men from the audience followed the Cherrys to their hotel, and policemen escorted the women inside. The chief of police felt compelled to charge the opera house manager a $14 fee for preserving order, and the Dubuque riot made national headlines. The city’s mayor declared that this was the most scandalous event the town had ever experienced.
“If the audience were annoying them, one of the girls would think nothing of brandishing a rifle and kind of pointing it at the audience and threatening them,” Bullock says. “It became riotous. And people would quite often try to break out of the audience.”
From the Midwest to New York
Word of the Cherry Sisters vaudeville act soon made its way to Oscar Hammerstein, a theater mogul who booked them at New York’s Olympia Music Hall in 1896 in an effort to save the venue from bankruptcy. “I’ve tried the best—now I’ll try the worst,” he reportedly said. When they arrived, a headline in The New York Times described them as “four freaks from Iowa” and “a spectacle more pitiable than amusing.”
Hammerstein’s Olympia Music Hall
Fortunately for the Cherry Sisters, and Hammerstein, their New York performance, lasting six weeks, brought financial success, and they earned about $500 a week. They performed an opening song written to the tune of “Ta ra ra Boom de ay,” followed by a singing solo by Jessie, a rendition of an Irish ballad by Lizzie and Addie, and a dramatic essay reading by Addie. They all then performed a skit titled “The Gypsy’s Warning.” Their lack of talent, on display to the big city, was something New Yorkers had never seen before. And, The New York Times reported, “It is sincerely to be hoped that nothing like them will ever be seen again.”
Critics went so far as to even criticize the sisters’ appearance. According to a 1979 article published in an Iowa history magazine, The New York Tribune reported upon their New York debut, “Miss Jessie narrowly escaped being pretty, but her sisters never were in any such danger.” Yet for Hammerstein, getting the Cherry Sisters to perform at the Olympia Theater paid off, as he was able to save the theater from bankruptcy. All the while, the sisters were bombarded with rotten vegetables on stage.
The Encyclopedia of Vaudeville references a 1910 description of the Cherry Sisters by Robert Grau in his The Business Man in the Amusement World, in which Grau notes, “There was, though, something approaching cruelty in the spectacle which these poor females presented, night after night, in exhibiting their crudities to howling, insulting audiences.”
Their lives seemed to parallel the title of their act through the years: “Something Good, Something Sad.”
Cherry v. Des Moines Leader and Its Legacy
Upon the sisters’ return to Iowa, Billy Hamilton, editor of The Odebolt Chronicle in Iowa, printed one of the most scathing reviews of the Cherry Sisters’ act in 1898 after attending one of their performances:
Effie is an old jade of 50 summers, Jessie a frisky filly of 40, and Addie, the flower of the family, a capering monstrosity of 35. Their long skinny arms equipped with talons at the extremities, swung mechanically, and [soon] waved frantically at the suffering audience. Their mouths opened like caverns, and sounds like the wailing of damned souls issued therefrom. They pranced around the stage with a motion that suggested a cross between the “danse du ventre” and a fox trot—strange creatures with painted faces and hideous [demeanor]. Effie is spavined, Addie is knock-kneed and stringhalt and Jessie, the only one who showed her stocking, has legs with calves as classic in their outlines as the curves of a broom handle.
Three of the Cherry Sisters: Addie, Jessie, and Effie
Negative reviews were nothing new for the Cherrys, but this one, in particular, tugged at the heartstrings. Part of it was picked up and reprinted by the Des Moines Leader, so the sisters sued the two newspapers for libel, claiming $15,000 in damages for “false and malicious” information.
“The women saw it as a step too far,” Bullock says. “The kind of things that were being said about them in the papers were very, very cruel.”
The Iowa State Supreme Court eventually ruled against the sisters. The verdict read, “If ever there was a case justifying ridicule and sarcasm, it is the one now before us. According to the record, the performance given by the plaintiffs was not only childish but ridiculous in the extreme. A dramatic critic should be allowed suitable license in such a case. The public should be informed of the character of the entertainment, and the publication should be held privileged.”
The Iowa court also wrote in its opinion that a newspaper editor has the “right to freely criticize any and every kind of public performance,” so long as the review is not driven by what is called malice, or an intentional effort to injure another party. Just because a comment is grossly exaggerated, the judge said, doesn’t mean it’s unfair.
The concept of “fair comment” that arose from Cherry v. Des Moines Leader set an important precedent, and the landmark case was cited in legal cases for decades to follow. It was a loss for the Cherry Sisters but a triumph for the nation’s free press—and it ensures the sisters will go down in history for more than just their shows.
“I think the legacy of Cherry v. Des Moines Leader is that you do see the press is being allowed to print things,” Landis says, “that, if done without malice, and that are truthful, then it’s fair criticism.”
After the Curtain Closed
When Jessie died of typhoid fever in 1903, the sisters retired, making occasional comeback performances in the years following. “As terribleness, their skit is perfection,” Variety magazine commented in 1924. None of the sisters married, and Effie ran for mayor of Cedar Rapids—twice—on a platform that advocated for a 9 p.m. curfew. She lost both races.
Bullock compares the Cherry Sisters to acts on TV shows today like The X Factor or America’s Got Talent that are ridiculed by the audience and gain notoriety for their poor performances. The sisters may have been an early example of entertainment that was “so bad it was good.”
But reflecting on their legacy, Bullock also says the Cherrys were, in some ways, ahead of their time. “They were five women who were doing their own thing, and playing to their own rules. They did what they wanted to do,” he says. “They weren’t going to let men tell them they couldn’t do it.”
Still, to this day, the true motivations of the Cherrys remain a mystery. Did they intentionally put on horrible performances simply for the money, well aware of their lack of talent? Or did they actually think they were good at what they did, and that the negative reviews were unwarranted?
“I don’t think that the Cherry Sisters would have gone to the trouble of trying to sue different people if they weren’t taking themselves seriously,” Landis says.
On the other hand, Bullock says, “I believe they absolutely knew that they were a thing; they were figures of fun and they exploited that,” pointing to the constant negative reviews in the press and the fact that their managers seemed to be completely in the know.
These are questions that, more than a century since their debut, we don’t really know how to answer. As a Des Moines Register reporter once wrote, “Either the Cherry Sisters are completely sincere and take themselves seriously, or they are the most accomplished actresses the world has ever known.”
By Jordan Friedman, contributor for Ripleys.com
EXPLORE THE ODD IN PERSON!
Discover hundreds of strange and unusual artifacts and get hands-on with unbelievable interactives when you visit a Ripley’s Odditorium!
November 15, 2020
November 14, 2020
November 13, 2020
2,000-Pound Snowbird Shark Spotted Cruising Down Miami Coast
Featured in Ripley's Believe It or Not!
[November 9-November 15, 2020] Robotic wolves, garbage beer, and a hitchhiking cat—all round-up in this week’s weird news from Ripley’s Believe It or Not!
Who’s Afraid of the Robot Wolf?
A Japanese town may have found the answer to the age-old question, “Who’s afraid of the big bad wolf?” The countryside town of Takikawa, located on the northern island of Hokkaido, has been using robotic wolves to keep away bears that have become a public nuisance.
These “Monster Wolves” not only look like wolves, but are also fully equipped with a motion-activated head, glowing eyes, and flashing lights. They even have 60 different sounds used to send the bears packing, including wolf howls.
Bear sightings in western and northern Japan are the highest they’ve been in five years, warranting an emergency government meeting to address the issue. As bears gear up for hibernation, they have been on the hunt for some tasty acorns and nuts, which haven’t been as plentiful in the wild this year. This year has seen dozens of attacks in the region, including two deaths, but the mechanical wolves seem to have done the trick, with the city citing zero bear encounters since their debut!
View this post on Instagram
A post shared by Toast Ale (@toastale)
One Man’s Trash is Another Man’s Boozy Beverage
To decrease waste from bakeries and sandwich shops, British brewer Toast Ale has created a craft beer that leaves no bread behind! They use surplus bread to craft a beer that tastes good while reducing the environmental impact of beer production. Each pint includes approximately one slice of up-cycled bread and replaces a third of the amount of barley typically found in beer.
Toast Ale has expanded its operation beyond the UK, spreading its message of combating waste in seven different countries by collaborating with 56 other breweries on up-cycled brews. According to Toast Ale’s chief operating officer, Louisa Ziane, “the food system is the biggest contributor to climate change and biodiversity loss…so by fixing an inefficacy in the food system, we have a really good opportunity to take action that will mitigate climate change.” We’ll toast to that!
View this post on Instagram
A post shared by Toast Ale (@toastale)
Washington Cat Hits the Road
After a week of searching, a Washington state couple has been reunited with their beloved house cat after it took a wrong turn and wound up at a Home Depot 2,500 miles away in Alaska!
Panda, the tuxedo cat, gave his owners, Christina and Josh Clevenger, quite the scare when he wandered away from their home in Thurston County. They immediately took to the streets and began posting online in local lost animal groups, searching for their favorite feline. Sure enough, Panda showed up on a Facebook group 10 days later, revealing his Kenai location.
It appears that during Panda’s great escape, he somehow wandered into a mail truck, which took him on a whirlwind journey to a transit center in Rochester, Washington. Panda then wandered into a shipping container heading to a Home Depot in Alaska where he was discovered by an employee and brought to a veterinarian.
Panda is back at home and recovering from his hitchhiking adventure.
Massachusetts Potholes are Joyful and Tri-bump-ant
Frustrated with the number of potholes in his Massachusetts town, Kevin Martin decided to do some decorating, filling the holes with tiny Christmas trees.
The North Attleborough resident’s final straw began on Saturday evening when he was driving to pick up dinner but ended up hitting a series of potholes that resulted in four flat tires. Having already complained to both town and state governments about the issue, Martin decided to make a statement that would force city officials to take action.
On Sunday, he went to Home Depot to stock up on planting soil and Christmas trees. On Monday, on his way to work, he paved the way for his plan. In response to the stunt, the North Attleborough Police posted on Facebook, writing, “Looks like someone is getting into the Christmas spirit early… guess that is one way to fill potholes?”
Martin can look forward to a smooth holiday season, as his antics worked, and the potholes were filled by Monday afternoon!
Image courtesy of North Attleboro Police – Facebook
2,000-Pound Snowbird Shark Spotted Cruising Down Miami Coast
After traveling 13,077 miles over 103 days down the East Coast, Unama’ki, a 2,076-pound, 15-foot great white shark, has been spotted near Miami.
Making her way to the Gulf of Mexico, Unama’ki is accompanied by two other large female white sharks and appears to be pregnant. Since her discovery in September 2019, nonprofit research organization OCEARCH has been tracking Unama’ki’s journey to discover new information about her vulnerable species. According to the OCEARCH website, the shark “has the potential to lead us to the site where she gives birth and exposes a new white shark nursery.”
Until a month ago, Unama’ki was the largest great white to have been found in the northwest Atlantic. The recent discovery of a 3,541-pound female—discovered in Nova Scotia, where Unama’ki is from—knocks her into second place.
Unama’ki’s Travel Log notes that, as of today, she is swimming off the coast of the Florida Keys.
By Meghan Yani, contributor for Ripleys.com
THE STRANGEST STORIES OF THE YEAR
Now that you’ve read the strangest stories of the week, how about the strangest stories of the year? Ripley’s all-new annual is an all-true collection of incredible facts, unexpected stories, and stunning photography!
Source: 2,000-Pound Snowbird Shark Spotted Cruising Down Miami Coast
November 12, 2020
What Is The Legacy Of Jeopardy! Host, Alex Trebek?
Featured in Ripley's Believe It or Not!
From the nightly viewers to the trivia enthusiasts, we’ve all enjoyed at least one episode of Jeopardy! in our lifetime. And, perhaps, the most iconic part of this post-news program is not the Daily Double or Final Jeopardy!, but the man who graced our television screen every evening for 36 years, Alex Trebek.
This game show legend sadly lost his battle to pancreatic cancer on November 8, 2020, but his fans, contestants, and colleagues continue to reflect on the legacy he left behind. Besides his nightly appearance on our television sets, there is so much more learn about the man who leaves us asking, “Who Was Alex Trebek?”
Since the first showing of Jeopardy! aired on September 10, 1984, Alex has hosted an incredible this number of episodes.
What is 8,174 episodes? Trebek broke The Price is Right Bob Barker’s Guinness World Record for the “Most Game Show Episodes Hosted by the Same Presenter.”
Alex Trebek was the first game show host to appear on three shows at once.
While in his third year as the host of Jeopardy!, Trebek also took on NBC’s Classic Concentration until it ended in September 1991. In February 1991, he took over as the host of NBC’s To Tell the Truth, making him the host of three simultaneous game shows until that series ended in May.
Alex Trebek has won numerous awards in recognition of his talent and demeanor.
Trebek was nominated for 34 Daytime Emmy Awards and won seven. He also received a Lifetime Achievement Award from the National Academy of Television Arts and Sciences. As the only post-1960 game show to be awarded, Trebek’s work on Jeopardy! won him a Peabody Award for “encouraging, celebrating and rewarding knowledge” in 2011.
CC: Anders Krusberg || Alex Trebek Peabody Award
Aside from being a game show host, Alex Trebek was also an “actor.”
Trebek made many guest appearances, as himself, in shows including How I Met Your Mother, Seinfeld, The X-Files, Beverly Hills, 90210, Orange is the New Black, The Golden Girls, Cheers, Arthur, the Magic School Bus, The Simpsons, and many .
These four people are the only show hosts broadcasting in both Canada and the United States.
Who are Alex Trebek, Geoff Edwards, Jim Perry, and Howie Mandel? Trebek was born and raised in Sudbury, Ontario, and joined the CBC (Canadian Broadcasting Company) in 1961. It wasn’t until 1973 when Trebek was lured to the states to host the game show, The Wizard of Odds.
Believe It or Not!, Jeopardy! has a tie to Robert Ripley’s roots.
The United States Trivia Association (USTA) was founded in 1979 by future Jeopardy! writer, Steve Tamerius, as a way to bring together the emerging world of trivia. The USTA published fanzines called Trivia Unlimited until 1983 and also started their own National Trivia Hall of Fame in Lincoln, Nebraska. Robert L. Ripley was the “overwhelming and runaway” choice as its first inductee according to Tamerius. “Ripley probably contributed more to the widespread interest in trivia, odd and unusual than any person, past or present.”
In tribute to Tamerius’ passing, the Trivia Hall of Fame inducted the class of 2012 based on the choices of the founder and his partner. Robert Ripley was the first inductee, alongside Art Fleming. Among the 14 nominees for the class of 2011 was Alex Trebek. He emerged victorious as number two in the top five list that year.
As an introduction to the Jeopardy! episode following Trebek’s passing, producer Mike Richards paid a beautiful tribute to the show’s “enormous loss.” Jeopardy! will continue to air Trebek’s final 35 episodes through Christmas Day as “that’s what he wanted,” told Richards. “On behalf of everyone here at Jeopardy!, thank you for everything, Alex.”
View this post on Instagram
A post shared by Jeopardy! (@jeopardy) on Nov 8, 2020 at 9:27am PST
By Michela Pantano, contributor for Ripleys.com
EXPLORE THE ODD IN PERSON!
Discover hundreds of strange and unusual artifacts and get hands-on with unbelievable interactives when you visit a Ripley’s Odditorium!
What Is The Legacy Of Jeopardy! Host, Alex Trebek
Featured in Ripley's Believe It or Not!
From the nightly viewers to the trivia enthusiasts, we’ve all enjoyed at least one episode of Jeopardy! in our lifetime. And, perhaps, the most iconic part of this post-news program is not the Daily Double or Final Jeopardy!, but the man who graced our television screen every evening for 36 years, Alex Trebek.
This game show legend sadly lost his battle to pancreatic cancer on November 8, 2020, but his fans, contestants, and colleagues continue to reflect on the legacy he left behind. Besides his nightly appearance on our television sets, there is so much more learn about the man Who Was Alex Trebek.
Since the first showing of Jeopardy! aired on September 10, 1984, Alex has hosted an incredible *blank* number of episodes.
What is 8,174 episodes! Trebek broke The Price is Right Bob Barker’s Guinness World Record for the “Most Game Show Episodes Hosted by the Same Presenter.”
Alex Trebek was the first game show host to appear on three shows at once.
While in his third year as the host of Jeopardy!, Trebek also took on NBC’s Classic Concentration until it ended in September 1991. In February 1991, he took over as the host of NBC’s To Tell the Truth, making him the host of three simultaneous game shows until that series ended in May.
Alex Trebek has won numerous awards in recognition of his talent and demeanor.
Trebek was nominated for 34 Daytime Emmy Awards and won seven. He also received a Lifetime Achievement Award from the National Academy of Television Arts and Sciences. As the only post-1960 game show to be awarded, Trebek’s work on Jeopardy! won him a Peabody Award for “encouraging, celebrating and rewarding knowledge” in 2011.
CC: Anders Krusberg || Alex Trebek Peabody Award
Aside from being a game show host, Alex Trebek was also an “actor.”
Trebek made many guest appearances, as himself, in shows including How I Met Your Mother, Seinfeld, The X-Files, Beverly Hills, 90210, Orange is the New Black, The Golden Girls, Cheers, Arthur, the Magic School Bus, The Simpsons, and many .
These four people are the only show hosts broadcasting in both Canada and the United States.
Who are Alex Trebek, Geoff Edwards, Jim Perry, and Howie Mandel. Trebek was born and raised in Sudbury, Ontario, and joined the CBC (Canadian Broadcasting Company) in 1961. It wasn’t until 1973 when Trebek was lured to the states to host the game show, The Wizard of Odds.
Believe It or Not!, Jeopardy! has a tie to Robert Ripley’s roots.
The United States Trivia Association (USTA) was founded in 1979 by future Jeopardy! writer, Steve Tamerius, as a way to bring together the emerging world of trivia. The USTA published fanzines called Trivia Unlimited until 1983 and also started their own National Trivia Hall of Fame in Lincoln, Nebraska. Robert L. Ripley was the “overwhelming and runaway” choice as its first inductee according to Tamerius. “Ripley probably contributed more to the widespread interest in trivia, odd and unusual than any person, past or present.”
In tribute to Tamerius’ passing, the Trivia Hall of Fame inducted the class of 2012 based on the choices of the founder and his partner. Robert Ripley was the first inductee, alongside Art Fleming. Among the 14 nominees for the class of 2011 was Alex Trebek. He emerged victorious as number two in the top five list that year.
As an introduction to the Jeopardy! episode following Trebek’s passing, producer, Mike Richards, paid a beautiful tribute to the show’s “enormous loss.” Jeopardy! will continue to air Trebek’s final 35 episodes through Christmas Day as “that’s what he wanted,” told Richards. “On behalf of everyone here at Jeopardy! thank you for everything, Alex.”
View this post on Instagram
A post shared by Jeopardy! (@jeopardy) on Nov 8, 2020 at 9:27am PST
By Michela Pantano, contributor for Ripleys.com
EXPLORE THE ODD IN PERSON!
Discover hundreds of strange and unusual artifacts and get hands-on with unbelievable interactives when you visit a Ripley’s Odditorium!
Ripley Entertainment Inc.'s Blog
- Ripley Entertainment Inc.'s profile
- 52 followers
