Nikolas P. Robinson's Blog, page 24

Fucking Scumbags Burn In Hell: Book 9 by Dani Brown

Amy is a spoiled, entitled, petty, and manipulative monster of a woman. It seems only fitting that she’d find her way into the Hoopiverse with Dani Brown’s The Scratching Post.
Arguably the worst quality Amy displays is her solipsism. Her inability to recognize other people as independent, separate beings with perspectives that aren’t her own, manifests in a sort of delusionally cynical outlook and a lack of object permanence. For Amy, other people are only ever motivated by the same things that motivate her. That viewpoint might be less pronounced if she didn’t also surround herself with vapid, terrible people who only serve to reinforce the way she sees things. Thus, if everyone is motivated by the same things, it’s altogether too easy for Amy to see others as nothing more than playthings to be used for her perverse amusement.
For years, Amy got away with being a god-awful person, catered to by her mourning parents and pandered to by her social circle, but then Hoop moves in next door. As Amy’s carefully constructed world of gaslighting and self-deception crumbles around her, there’s no way a reader won’t take pleasure in the revolting and nefariously appropriate comeuppance she experiences.
Dani Brown brings her deliciously wicked and vile imagination to the table in bringing to life what has to be one of the most disgusting miasmas a reader can imagine. You’d be hard-pressed not to smell hints of the corruption wafting from the screen as you read the descriptions she provides.
Like the other installments in the Hoopiverse, we get to witness Hooper forcing empathy onto the monstrous people he sets his sights on. While it isn’t true empathy, being subjected to the experiences of those they’ve hurt, it’s a befitting analog that serves the purpose of showing these hideous men and women the harm they’ve caused in the only way they’ll understand, when it’s hurting them. You’ve got to hit the sociopath where it hurts, and Hooper’s got the skills that pay the bills.

You can pick up The Scratching Post as well as the previous installments in the Fucking Scumbags series by going to http://www.godless.com or by downloading the Godless app to your mobile device. The first season of tales is soon to be collected in a single paperback release if you prefer to wait for a physical book to love and caress with your nasty fingertips, but I recommend picking these up in the meantime. The link is below:

The Scratching Post (Fucking Scumbags Burn in Hell: Book 9) by Dani Brown

My Christmas Story by Rayne Havok

While My Christmas Story by Rayne Havok is not a new story from her, it’s new to me, and it was a perfect tale for her to make available on Godless for the Antichristmas event this December.
Lydia’s spending her first Christmas night alone, but her husband is still there…in spirit…in a sense. We’ll go with, “in a sense.”
It was bad enough that Henry had gotten her a blender for Christmas this year, but that’s the least of his transgressions…and Lydia is not the forgiving sort.
As she decorates her tree with the ornaments Henry provided, it does seem like Lydia is finally getting into the spirit of the holidays, and we can’t help but feel happy for her. While the holiday might have started as a bit of a disappointment, she found a way to make it festive just the same.
If you’re familiar with Rayne Havok’s work, you damn well know what to expect…so I’m not going to spell it out for you here. If you’re not familiar with her writing, you’re in for an enchanting, heartwarming tale of Christmas cheer.

This title was released on http://www.godless.com as part of the Antichristmas event for December of 2021. You can pick it up for yourself by going to the website or by downloading the app to your mobile device of choice. The link is below:

My Christmas Story by Rayne Havok

Aliens: Bug Hunt Edited by Jonathan Maberry

When Jonathan Maberry assembles an anthology, a discerning reader should expect a certain degree of excellence from the final product; that is doubly so when that anthology includes material from authors like Christopher Golden, Weston Ochse, Brian Keene, Scott Sigler, and Maberry himself. Aliens: Bug Hunt is certainly no exception.
Pitched by Maberry to the decision-makers handling the literary universe that’s evolved from Ridley Scott’s Alien universe as a series of vignettes, deep-diving into the lives and experiences of the men and women of the Colonial Marines, it’s a magnificent thing to behold.
The collection is kicked off with Paul Kupperberg’s Chance Encounter. He takes us to a far-off planet where low gravity provides a lattice for massive trees to spear the sky and equally impressive jellyfish-like creatures to float amid the highest branches. Unfortunately, for the expedition on-site to collect samples, there’s another lifeform preying on those Floaters and happy to prey on any other lifeforms making themselves available. Like many of these stories, this one focuses on greed and selfishness, and the disastrous consequences when we allow those traits to guide our actions, much as James Cameron’s Aliens did.
Reaper by Dan Abnett introduces us to a world where the corporation’s attempt to grow and harvest grain awakens a swarming colony of organisms with no objective but to consume all available organic material before returning to hibernation, awaiting new growth and new food for the swarm.
Rachel Caine’s Broken introduces us to Bishop, detailing his first minutes of awakened existence and the fateful mission that ultimately brings him into the company of Apone and crew.
Reclamation introduces us to Hicks, long before the events of Aliens, as Yvonne Navarro shares the story of his marriage and his desperate struggle to understand what happened to his wife on a mission that stole her from him five years earlier.
Christopher Golden’s Blowback takes us into the life of Dietrich, quite some time before her fateful mission to LV-426. We witness first-hand the turmoil of romance within the Colonial Marines as death can come from any direction, at any time. Numerous familiar faces populate this story, from Apone and Hicks to Hudson and Vasquez.
Exterminators by Matt Forbeck provides us with another glimpse into Dietrich’s life as she and Frost make their way to a bar on an out-of-the-way colony, only to discover that R&R is not in the cards for them.
Ray Garton’s No Good Deed takes us to LV-426 before the events of Aliens, as a bounty hunter and her sarcastic android chase two escaped prisoners to a colony under siege by xenomorphs. But it may turn out that the aliens aren’t necessarily the most dangerous creatures on the planet.
A most peculiar and horrifying encounter with a different sort of alien sucks us into Zero To Hero by Weston Ochse. As a cowardly Colonial Marine discovers untapped reservoirs of heroism, he discovers that he might have been better off staying home and playing video games.
David Farland’s Dark Mother shares the final hours of Burke’s life after he failed to get Ripley and Newt impregnated as hosts during the events of Aliens.
Episode 22 by Larry Correia details the history of the M41A pulse rifle in a fictional documentary format that is strangely captivating.
Keith R. A. DeCandido provides us with a glimpse into the hazardous life of an embedded journalist in Deep Background, as a group of Colonial Marines investigates a potential attempt by Weyland-Yutani to cultivate and study the xenomorphs on another planet, with another unsuspecting group of civilians.
Brian Keene’s Empty Nest takes us to another xenomorph infestation and provides us with a glimpse of just how far a mother will go to be a mother.
Darkness Falls introduces us to a retired Colonial Marine, desperate to find peace and security in a colony where she expected never to see xenomorphs again. Heather Graham’s is the only story where we get to witness the adaptations of the xenomorph depending on the organism they’re using for a host, and it’s a horrifying outcome.
Hugs To Die For by Mike Resnick and Marina J. Lostetter showcases a fine example of corporate hubris, as a small group of Colonial Marines receives a tour of a facility where xenomorph blood is being harvested for industrial use.
Maberry’s own Deep Black returns us to the prison colony from Alien 3, long after the events from the movie. A three-man team arrives on the planet, learning that all has not been as quiet as expected.
Distressed by James A. Moore introduces us to what is the most horrifying and indescribable alien lifeform of this collection, dragging us along on a surreal, disorienting battle against something virtually impossible to fight.
Scott Sigler’s Dangerous Prey takes us into the alien minds of xenomorphs themselves, and the experience is altogether more captivating than one might expect, becoming part of the hive.
Spite by Tim Lebbon takes a squad of Colonial Marines into conflict with a species of alien with a scorched earth methodology.
The narrators for these stories were superb in almost all respects, most notably James Anderson Foster, Priya Ayyar, Suzanne Elise, Michael David Axtell, and Grover Gardner. Those were just my personal favorites of the narrators involved, but there wasn’t a single one who didn’t thoroughly immerse the listener.

Lost Words In a Dream by Lucas Milliron

Mark’s life is one of banality punctuated by terror. Living in a sparsely furnished apartment and working at a filthy cesspool of a fast-food restaurant, he thought he might have escaped the horrific events that transpired in Leesburg. But the dread and panic are always there, just beneath the surface, waiting to erupt, and some wounds never heal.
Recollection of the events from his past come through only sporadically, intruding on his daily life at unexpected moments, triggered by seemingly unpredictable stray thoughts or disturbing noises and visions. As Mark struggles to remain in the here and now, he finds himself increasingly drawn into memories that he simultaneously wishes he could forget and desperately needs to unravel.
Maybe he didn’t escape at all, and it’s all happening again.
Milliron masterfully crafted this tale of cosmic horror, utilizing the imprecision of traumatic memories to provide us with an unreliable protagonist around whom the story plays out. This story has everything one could hope for in cosmic horror. Milliron blends a perfect mixture of secretive cults hidden within small-town populations, unspeakable horrors breaching the barriers that separate our world from somewhere cold and dark, hallucinatory visuals described with frightful detail, and a stochastic narrative that leaves the reader dizzied and struggling to piece together the mystery.
Lost Words In a Dream is a story that will stick with you long after you’ve reached the conclusion, and you’ll find yourself wishing you could go back in and experience it fresh all over again.

This title was released as part of the 31 Days of Godless event at http://www.godless.com for October of 2021. You can obtain a copy for yourself by going to the website or by downloading the app to your mobile device of choice. The link is below:

Lost Words in a Dream by Lucas Milliron

A Wizard of Earthsea by Ursula K. Le Guin, Narrated by Rob Inglis

I’d never finished reading Ursula K. Le Guin’s Earthsea Cycle when I was growing up. I’d somehow just never gotten around to it. Waiting for the final novel of Patrick Rothfuss’s Kingkiller Chronicle trilogy got me in the mood to revisit this series–and hopefully finish it–as it was one of Rothfuss’s major influences when he began writing The Name of the Wind.
I’d forgotten how much I enjoyed Le Guin’s capacity to blend minimalism with exquisite prose, crafting a streamlined narrative that never bogs itself down with minutiae and long-winded deviations from the main story. In that and her sheer imaginative quality, Le Guin remains an iconoclast in the realm of fantasy literature.
We join Ged on his journey from childhood through young adulthood as he finds his place in the larger world of Earthsea. We experience his mistakes and misplaced pride as if they’re our own, and we feel both his terror and exultation as he travels to lands familiar and far distant in his quest to evade and subdue the shadow he set loose on the world.
The narration provided by Rob Inglis made the audiobook a vastly different experience from simply reading the book decades ago, and I’m pleased to see that he continues as narrator for the subsequent volumes in this epic series.

Baker’s Dozen Edited by Candace Nola

I had the immense pleasure of reading Baker’s Dozen in advance to write a blurb for the anthology. It seemed only natural that I would also be writing a review of the collection now that the release date is looming on the near horizon. Rarely has a themed anthology come together so perfectly in capturing a motif and carrying it through all of the component pieces included. There is no question that Baker’s Dozen is overall one of the best anthologies I’ll have the pleasure of reading. Paraphrasing what I said in my blurb, this is a delicious concoction, albeit neither safe nor healthy. If you’re looking for those qualities, you’re in the wrong place.
It would have been a challenge, bringing this assortment of spectacularly imaginative authors together and compiling an anthology that wasn’t worth reading; there’s no doubt that Candace Nola deserves a great deal of credit for editing this volume, though. Anthologies are only as good as the editor who brings them together, and there’s no question that this collection was in excellent hands from the beginning.
Christine Morgan kicks it all off with the period piece, Pretzels of God, spinning a tale of jealousy and bitterness, of sacred vows broken most violently and unpredictably.
Apple Pie & Diamond Eyes by Chris Miller tells the story of an aptly-named Karen being in the wrong place at the wrong time. Unfortunately, Karen has a passel of teenage girls in tow, as a trio of criminals gets their just desserts in a truly literal sense.
Ruthann Jagge’s The Piebird introduces us to Flora Corolla, so desperate to bring pride to her family’s bakery that she’ll accept guidance from the most unlikely and untrustworthy source.
Next Best Baker by Jeff Strand is perversely hilarious. A man after my own heart, I feel like he watches cooking and baking competitions the same way I do, imagining the worst conceivable surprise ingredients being tossed into the mix and laughing as he envisions it all playing out. I assure you that this is no baking competition for the faint of heart.
Aron Beauregard hits us with A Muffin In The Oven, and he hits us hard. The announcement of a friend’s pregnancy–an event that should be full of warmth and cheer–turns sour and horrific as the facts surrounding the paternity come to light.
Carver Pike’s Blueberry Hill is a tale of bullying, teenage cruelty, revenge, and witchcraft. This one is, without a doubt, the hardest story to read, in my opinion. Hillary Hightower doesn’t deserve any of the terrible things that happen to her, but when seeking retribution, one should probably be careful what they wish for. This story has the “dig two graves” adage on full display.
They Are Always Watching is equal parts sad and terrifying, and Patrick C. Harrison, III leans into both qualities heavily. A daughter struggling with her mother’s declining mental capacity is forced to face the truth of what seems like little more than her debilitated mother’s fevered mind.
My Lil’ Cupcake by Lee Franklin floats us through a dysfunctional marriage and one woman’s desire to find freedom from the domineering, cruel, and awful men in her life. The method by which Lindsey seeks her emancipation is something visceral to behold.
Kenzie Jennings provides us with the worst Florida has to offer in Just A Local Thing. A family on vacation finds themselves at the mercy of the perverse whims of a seemingly prescient baker.
Of Dough And Cinnamon brings us heartbreak and satisfying vengeance as Daniel Volpe tells the story of a widower who experiences one more loss than he can handle.
Rowland Bercy Jr. introduces us to the most unlikely cryptid in Homegrown Comeuppance. A fierce rivalry between two bakers reaches a horrific conclusion that just might spell the end for not only those involved but also the innocent residents of a Brazilian town.
Candace Nola showcases not only her editorial skills with Baker’s Dozen but her skill as a writer as well. County Contest provides us with a glimpse of a small business still struggling to recapture the success once known when Horace’s wife was still around. As a new librarian arrives in town, it seems like her sole purpose in life is to tear down everyone around her with sarcasm and bitterness. But maybe that bitterness is just what the recipe calls for when it’s time to unveil a new flavor.
Death, And A Donut by Michael Ennenbach is a most peculiar yet beautiful love story, built on a substrate of random, wanton bloodshed and disorder. A cacophony of disaster paves the way through this narrative, leading us to a surprisingly touching conclusion.
You can’t go wrong with a single piece in this collection, and I recommend dedicating some time to taking in the fantastic illustrations that accompany the text. This whole volume was painstakingly assembled with obvious love and care like the best recipes always are.

https://www.uncomfortablydark.com

In Blood by The Professor

In Blood immerses us within an epistolary horror penned by Sir Henry Irving, owner of the Lyceum Theatre, to his friend and assistant, Bram Stoker. It is a tale of murder, insidious plots, and the evolution of what would become Dracula.
It all revolves around a Masonic conspiracy surrounding the Duke of Clarence and Avondale, his part in the pregnancy of a Catholic girl of low birth, and the prostitutes murdered by Jack the Ripper. As our narrator describes it, his authentically terrified performances in Macbeth are informed and influenced by an all-too-real haunting wherein he sees the deceased ladies of the night in place of the three witches on stage with him.
From there, he finds himself driven by strange and monstrous compulsions and a need to witness unspeakable things in an appalling attempt at method acting. As his missive to Stoker continues, it becomes clear that something awful has awakened within him, leading inexorably down the path toward damnation and inhuman brutality.
The Professor’s narration of this sordid tale makes the story all the more compelling, its deranged and lunatic protagonist leaping from the page in such a way that the listener feels his frantic, unhinged need propelling the narrative forward. The strangely beautiful prose comes to life in cruel, vivid detail as the exquisitely described savagery spirals out of control.

You can obtain a copy of In Blood by going to http://www.godless.com or by downloading the Godless app to your mobile device of choice. The link is below:

In Blood by The Professor

Wishmaster: The Novelization by Christian Francis, Narrated by Sean Duregger

The novelization of Wishmaster verifies something for me that I’ve long suspected to be true. While I own it, and I’m able to enjoy it for what it is, I never cared for the 1997 movie altogether too much. It just felt all too cheesy and poorly put together, like it was building on the worst aspects of the Nightmare On Elm Street series. It wasn’t the story that was the problem–I now know for sure–because I thoroughly enjoyed this novelization based on the screenplay.
From the tumultuous devastation in ancient Persia to the symmetrical horrors of the climax at Beaumont’s party, the descriptions from the narrative–and the visions elicited in my imagination–were far superior to what was executed on the screen under Robert Kurtzman’s direction. While the casting choices for the movie weren’t bad, Andrew Divoff being a particularly fantastic choice, most of the decisions seemed to be less focused on who would be right for the role and more aimed at drawing in a preexisting audience from other intellectual properties. The absence of performers who felt shoehorned into their roles also made for a better experience through the novelization.
It was enjoyable, following along as an ancient evil was set loose in a modern city, a city unprepared for a creature of magic and malevolence like the djinn.
Sean Duregger’s narration was excellent. He especially captured the demonic tone and texture of the djinn’s voice, both in its natural form and in the guise of Nathaniel Demerest. He had some pretty impressive shoes to fill, lending his voice work to a character originally played by Andrew Divoff, but he managed to pull it off successfully. Additionally, with a movie that had been narrated by Angus Scrimm (the Tall Man himself), Duregger was biting off a lot more than most would dare…but again, he did it, and he did it justice. There’s a reason he’s steadily become one of my favorite audiobook narrators.

Wishmaster: The Novelization by Christian Francis, Narrated by Peter Atkins

The novelization of Wishmaster verifies something for me that I’ve long suspected to be true. While I own it, and I’m able to enjoy it for what it is, I never cared for the 1997 movie altogether too much. It just felt all too cheesy and poorly put together, like it was building on the worst aspects of the Nightmare On Elm Street series. It wasn’t the story that was the problem–I now know for sure–because I thoroughly enjoyed this novelization based on the screenplay.
From the tumultuous devastation in ancient Persia to the symmetrical horrors of the climax at Beaumont’s party, the descriptions from the narrative–and the visions elicited in my imagination–were far superior to what was executed on the screen under Robert Kurtzman’s direction. While the casting choices for the movie weren’t bad, Andrew Divoff being a particularly fantastic choice, most of the decisions seemed to be less focused on who would be right for the role and more aimed at drawing in a preexisting audience from other intellectual properties. The absence of performers who felt shoehorned into their roles also made for a better experience through the novelization.
It was enjoyable, following along as an ancient evil was set loose in a modern city, a city unprepared for a creature of magic and malevolence like the djinn.
Sean Duregger’s narration was excellent. He especially captured the demonic tone and texture of the djinn’s voice, both in its natural form and in the guise of Nathaniel Demerest. He had some pretty impressive shoes to fill, lending his voice work to a character originally played by Andrew Divoff, but he managed to pull it off successfully. Additionally, with a movie that had been narrated by Angus Scrimm (the Tall Man himself), Duregger was biting off a lot more than most would dare…but again, he did it, and he did it justice. There’s a reason he’s steadily become one of my favorite audiobook narrators.

Chocolateman by Jonathan Butcher

If you’ve already subjected yourself to Butcher’s coprophilic masterpiece included in Scats, Splats, and Stupid Twats, you’re already familiar with Kreb, The Chocolateman. You can think of him as something akin to Candyman, a monstrous, supernatural being who comes when you make the mistake of uttering his name. Of course, instead of bees and honey, his aesthetic is purely fecal.
This larger volume can be considered the origin story for The Chocolateman. Butcher takes this opportunity to tell us how Kreb found his way into our world and our bathrooms in search of delicious choc-choc.
James Tooth appears to be a successful man with a loving family, but he is tormented by a horrible secret that troubles him more profoundly as the 22nd anniversary of his parents’ deaths approaches. James is terrified of poop and with good reason. Throughout the story, Butcher provides readers with glimpses of James’s childhood, the horrible events of 22-years before, when he was only ten years old. As the past catches up with him, taking a terrible toll on both himself and those around him, he has no choice but to face the nightmare that’s haunted him the previous two decades, his older brother, Kreb.
Mixed up in the whole mess, James’s drug dealer, Mucklow, and his bodybuilding lover, Isabella, find themselves in the wrong place at the wrong time over and over again, leading them on a collision course with the Tooth family and The Chocolateman himself.
Amazingly enough, considering how absurdly revolting the concept of Chocolateman is, Jonathan Butcher still populates this tale with well-developed and sympathetic characters. Grotesque, gory, and visceral as much of the narrative happens to be, it’s also fantastically well-written and articulated in such a way as to never seem quite as gratuitous as it’s clearly meant to be. Chocolateman isn’t simply a collection of repulsive gags and toilet humor. At its heart, it’s a story about family, fears, and the ways we cause harm when trying to do what we believe to be the right thing.

This title was released on http://www.godless.com as part of the 31 Days of Godless event for October of 2021. You can pick it up for yourself by going to the Godless website or by downloading the Godless app to your mobile device of choice. The links for purchase are available below:

Chocolateman by Jonathan Butcher