Sharon Bidwell's Blog, page 6

Recommendations Dev 2022

FILM/TV:

Slumberland was a lovely film, visually stunning with a pleasant story. Nice to see Jason Momoa not taking himself seriously and I’m in love with the pig.

Finished watching Wednesday and liked it, but can’t say we loved it. Preferred it when it was just Wednesday and Thing as opposed to having her family around, but also felt Wednesday should have made a better sleuth and not made so many (sometimes arrogant) mistakes. Would watch another series but a little disappointed. I knew who the monster was from about the second episode in part because they dropped the biggest, most blatant hint ever for the audience that I thought, no, they can’t have just told us.

The Old Man starring Jeff Bridges and John Lithgow is one of the best series I’ve watched in a long time, which makes me interested in reading the novel.

On a sadder note, not only is Henry Cavill not appearing after season three of The Witcher because he doesn’t like the direction they’re taking the series, a decision I hate to support but do if the story becomes far removed from the books, they’re dropped him from Superman because he’s not suitable. They’re saying it’s not an origin story but they’re going backwards in Superman’s timeline so can’t use him, apparently a decision made after the announcement. Sounds like an origin story to me and frankly I’m not interested in watching that, and on principle won’t be. DC has apparently done this with a few actors, so just as we’ve become invested in them (despite less than perfect stories) they’ve gone. Seems like they’re more interested in trying to win a race against Marvel than they are in giving fans what they want.

I seldom watch BBC, but we caught up with Death in Paradise by watching the Christmas special. We had also wanted to watch Detectorists for ages, so with the Christmas special coming up, we sped through the lot and loved it. Excellent gentle comedy.

READING:
I’d Kill for That, Multiple Authors
Published in 2004, this is a multi-authored novel for charity with too many names to mention, but I picked it up because one of those authors is Jennifer Crusie. Apparently not a new idea, but this is the first time I’ve come across a published novel with a different author writing each chapter. Starting with the first and the next author carrying on the story until the last author writes the ending. A murder mystery with little romance. The novel has a lot happening, with a large and entertaining cast, and it all felt a bit of a jumble but was impressive, with many fun sections. Not sure it’s a book I would want to read twice, but it was worth checking out.

An Autumn Crush, Milly Johnson (audio), Read by Colleen Prenderghast
These aren’t the type of books I would usually read in print, but enjoy largely to Colleen Prenderghast’s excellent performance. This story is touching, funny, sad, and the author deals well with the way people get the wrong idea, and jump to conclusions. I wouldn’t usually go for books that head-hop, but part of the delight of this story is knowing immediately that two characters have got what’s happening completely wrong.

Who P-P-P-Plugged Roger Rabbit?, Gary K.Wolf
At the start of this book, I felt I would not enjoy it as much as the first, but as soon as a short relative of Jessica’s was introduced, I laughed all the way to the end. Gary has the witty patter down p-p-p-perfectly. I have such fond memories of the film, but feel as though the rabbit written here is worth loving all over again. I’m also left feeling a mite sorry for him, which only adds to the charm of these stories. Another surprise to enjoy was a whole new take of how Gone With the Wind was cast.

Pan’s Labyrinth, Guillermo Del Toro & Cornelia Funke
If you’ve watched the film, there’s no real reason to read the book, though I wanted to, and the lovely illustrations, and the stories within the story, which aren’t told on screen enhance the experience. The book’s a charming keepsake and complements the film somewhat as it’s always nice to get internalisations which almost no film provides. Also, the book is English, whereas the film is Spanish with English subtitles (not that I find subtitles a problem). Neither the book nor the film is a fairy tale for young children owing to the violence and imagery, but is a wonderful fantasy for some teens and adults alike.

Getting Rid of Bradley, Jennifer Crusie
Another fun little read by this author with a fabulous cast and snappy dialogue, plus lovely dogs and a psychotic cat. I had cause to question Lucy’s decisions, especially when her life’s in danger, but this moves the plot and gives the character plenty of room for change. Light fiction, but enjoyable.

Dragon Tears, Dean Koontz
A re-read for me. This novel’s an interesting concept, one that explains why people often label Koontz a horror writer (when I think of him as a supernatural thriller writer) — a mysterious, changing antagonist who’s seemingly impossible to escape. This is definitely supernatural, regardless of what explanation the reader imagines while speeding through the pages. I have to admit, despite my love of dogs, the author lost me a bit using a dog’s POV, though that’s pivotal to the plot. Using human descriptions like ‘policeman’ which a dog would have no concept of pulled me out of the story, but eventually, I just went along with it and enjoyed it, finding it cute it places. This feels like a book of two halves. The first when we don’t know the cause, the second after we have some inkling and have identified the baddie. Koontz has taken a well-known creation and used it in a modern setting to excellent effect. Perhaps not his best, but certainly imaginative and a reminder of why I loved early Koontz novels. Some of the social problems mentioned in the book seem almost ahead of their time, or perhaps it’s that those problems have worsened and were only beginning then; even so, the author included them, though a few of the societal issues and scenes go on too long and feel overly described. I didn’t enjoy reading the sections from the antagonist’s POV possibly because he’s a little cliched and several of the horror elements weren’t necessary for me to dislike him. Worth a read and even a re-visit many years later.

The Unfortunate Miss Fortunes, Jennifer Crusie, Eileen Dreyer, Anne Stuart
A great example of a collaboration between authors, though more degrees of emotion would have made the book better. In a sense, this is park your brain at the door romance, but there’s not necessarily anything wrong with that, and to give the characters the depth to make this something more would have required a far longer book. Three writers, three central protagonists, three love interests, and three romances with some magic, and a villain woven in. I wanted a light read over Christmas week and this was perfect for that, though with enough threads to keep the story interesting.

Update Nov 2022

 Hi Everyone!

AT HOME:
Got away to visit relatives and then broke the homeward journey with a stop in Winchester, which makes for a decent city break especially when the Christmas Market is on. This year it ran from 18th November to the 22nd December, but there was some mixup on our last night when we intended to pop back just to have some chestnuts and the like. The website distinctly says it’s open for part of the week until 8pm from Thursday, but we found it closing at 6. We weren’t the only ones caught out. One woman who arrived the same time as us exclaimed, “But the email I got this morning said 8.” We had at least been and seen it in both daylight and in the dark, but had we gone there for only one evening to find it shut, we wouldn’t have been pleased to make a wasted trip. Now I feel the information’s untrustworthy. Still, we enjoyed ourselves, walking a tottering 7.5 miles on the first day, seeing the sights and staggering up to the viewpoint.

FILM/TV:
We’re nearing the end of Star Trek Deep Space 9 at long last. I had forgotten Dax died and oddly enough, recently discovered the reason was the actress wanted less screen time, so in a fit of pique they wrote her out entirely. Can’t help feeling it harmed the series a little. Out of all the series, we’re always felt DS9 was the most consistent.

We were undecided whether to watch Netflix’s film Don’t Look Up, but while away after an exhausting day, we put our feet up and watched it. Enjoyed it much more than we thought we would. Enjoyable satire not just on politics but on modern society and social media.

Guillermo Del Toro’s Cabinet of Curiosities on Netflix garnered mixed reactions and I can see why. People expect so much from him. I enjoyed especially the Graveyard Rats episode.

WRITING:
Aside from my personal project, I’m taking a break from writing until the new year, though I’m also reading for research, so it’s all related. Next year, I plan to do better.

Stay happy and healthy!
Sharon x

Nov 2022 Reads

Ghost Story, Peter Straub

I want to love this book, but it wasn’t for me. I fully admire the author’s reputation, and this story is imaginative. But I also found this to have too much exposition, meaning the novel flew by in parts and dragged in others. No creep factor and definitely not scary, so if that’s what you’re looking for, this isn’t it. Neither is it a ghost story. I’d suggest reading a sample and other reviews before deciding to spend time with this one.

Last Days, Adam Nevill

Asked to film a documentary about a defunct cult is a job Kyle will come to regret. A bold idea exceedingly well-written. My only negative isn’t that it’s a long book but that it also felt a little overlong. Would take an experienced editor to know what to cut, though, as there’s a lot to take in, but I feel the length diminished the deliciously creepy suspense some. Not enough to affect my enjoyment, but for me the book loses a star because of it… which isn’t drastic criticism by any means. Had I not read the book, I would have missed a wild ride and much scary imagery. Extremely imaginative and well worth spending time with.

Don’t Look Down, Jennifer Crusie & Bob Mayer

A perfect blend of romance novel and action movie with a kid obsessed with Wonder Woman who’s hard not to love. Very snappy lines and thoroughly entertaining with a great cast. I can’t think of anything not to enjoy. This is the first Crusie book I’ve read where the author writes with Bob Mayer, but I will happily read the others.

The Sandman (Volume Three), Neil Gaiman and cast (audio dramatisation)

Not as riveting as the first two volumes, but I can say the same of the graphic novels from which these stories are taken. Still worth it, and expertly performed. I honestly feel I enjoyed these as much as the television series, though nothing will ever diminish the books. For one who loves all things Sandman, they’re a welcome addition.

Piranesi, Susanna Clarke.

A strange book that made me question what in the world I was reading. It’s certainly memorable. Like it or not, this story may well stay with the reader for a long time, if not forever. All the number of day in the month of the albatross in the number of hall got rather monotonous, which made me feel uncertain at first, but the more I read the more engrossed I became. The best thing about this book is the way the author reveals the mystery, and the way she builds Piranesi’s world in the mind. To my mind, this is no Strange and Norrell epic (the first book for which the author’s so well-known), but it’s still impressive, mostly in its construction. On a minor note, though a small volume, the hardback is a lovely-looking book to have on the shelves.

To the Person who left me a Comment

To the person who left me a comment saying they may look like spam but assuring me otherwise, your site looks like… well, spam. You say you’re not a publisher and yet you’re making money selling free ebooks. This is an oxymoron. If you are selling books, they’re not ‘free’. Second, you say you’re not a writer, so from where are you getting these books? Are you selling other people’s free ebooks? If you’re doing so without their permission, you violate copyright law. If you are buying ebooks and selling them on, you violate copyright law. On both counts, I advise you to read the statement re copyright on this site. If you are doing something else that I don’t understand, my apologies, but no, I will not download your report file from a site that says little. For all I know, it could be a virus. I’d advise everyone else not to do so either. This isn’t personal. I’m just being sensibly cautious. Sorry.

Look, copyright law on ebooks is simple. It prohibits the copy, distribute, resale or loan of an ebook. Saying that, most of us wouldn’t object if we heard readers have made a backup copy purely for personal use. We live in a wonderful age of technology, but technology fails us from time to time. We hear of someone selling our work and we’d like to come down on them like the proverbial tonnage. Writers and publishers are getting better at locating piracy sites and law enforcement are finally taking it seriously.

A common question is “If I can resell or loan a printed book, why can’t I, as a reader, resell or loan ebooks?” To be honest, even the reselling or lending of some printed books is a grey area. However, it tends to be overlooked because of several reasons:

Most people hate the idea of printed books being destroyed. If you’re finished with them and cannot pass them on in some way, they are only good for recycling. When a printed book is passed on, someone may find an author they like and start buying new books by that author regularly. It’s sort of free advertising and yes, perhaps this would apply to ebooks but a major difference and reason exists why this doesn’t work so read on. Many second-hand books are sold for charitable purposes. The reader gives up the physical edition of the book and will no longer own it.

Point 4 is the major one. When you give, sell, or loan a printed book, you give away the item you purchased. Even when lending it, you risk not getting it back. You are not making a ‘physical copy’ of that book to pass it on.

When you pass on an ebook (and some people do this in innocence, not piracy, but they are still in the wrong) the reader tends to keep their version and simply send the file on, making a ‘copy’. This is as illegal in both electronic and printed works.

Imagine taking one of Stephen King’s novels, dissecting it, scanning it in, printing it up either by POD, or via the printer at home, and trying to give it away, sell it, or hand to a friend. Should SK find out, do you think he wouldn’t sue? Do you think he’d be flattered?

The point is no one may make a ‘copy’ of any written work, be it printed or electronic. You may (usually) print off an electronic book to read it in that form should you not wish to read on screen, but that printed form has the same laws. You may not sell it or pass it on. If you wish to pass on an ebook, the best way is to buy an extra copy, and what’s so wrong with that? We all have people to buy presents for.

Oh… and to those who think they can file share their ebook library, has nothing I’ve stated sunk in? An individual’s collection is NOT a library and even if it could be, there is such a thing as the ‘public lending right’. This means an author can, if they wish, claim a small payment every time a library lends one of their books.

You are not a publisher, and the author has not signed a contract with you. You do not have the right to sell. You are not an official state library. You do not have the right to loan (and let’s be honest — a loan in electronic format means copy and give away). You are not friends with thousands of strangers online that you simply ‘must’ lend your books to (and we’ve already established that you are not lending but copying) and authors and publishers will not turn their back on you giving their work away.

I’m not speaking to those who are deliberately committing an act of piracy. They know they are breaking the law, damaging authors and the publishing industry, and they don’t care. The most we can do is assure them that while there will always be crooks, there will always be those willing to fight criminal activity. I’m speaking mainly to those that do this in innocence, not understanding they do anything wrong. Readers claim to love writers. They claim to love our work. We do work — hard — at this. Most of us have day jobs, families, lives just like everyone. We have to find time to write on top of all that. We often forsake sleep. Many don’t make as much money as people think and even if we did, haven’t we earned it? Readers say they love our characters, our worlds, our stories. They claim to love our work and even to love us. Why do something harmful to someone or something you love?

Recommendations Oct 2022

FILM/TV:

We watched The Woman in the House Across the Street From the Girl in the Window on Netflix and while it’s a good parody of many female detective films, it’s blighted by huge plot holes and people doing entirely nonsensical things — because it’s a spoof… yes, I realise that, but I didn’t find it funny enough to fit the category. Fun entertainment as long as you’re not looking for anything special.

I was impressed with The Midnight Club (also Netflix) based on a book by Christopher Pike in which a group of terminally ill youngsters form a storytelling club which meets at midnight in the library at the hospice they all live in. Left enough questions for a second series, if that’s their intention — if not, they can be viewed as plot holes — and I don’t know how relatable the series is to the book, but it dealt well with the subject of death, especially for the young, in a thought-provoking way.

READING:
This being October, I set myself a pile of horror related books to read once I’d finished the last book I had started in September. Didn’t get through as many as I’d hoped and I’m currently reading Ghost Story, which I’ll review next time.

Dark Dawn Over Steep House, M.R.C.Kasasian
A sad book in multiple ways yet fitting for the tone of this series. It’s difficult to say more without giving too much away. The story revolves around many types of loss and deceit. It’s one of the best books in the series. Alas, I have to mark it down slightly as this could have done with a more eagle-eyed editor, one who could pick up on awkward sentences and added a few more dialogue tags to let us know who is saying what to whom, which appears to be a habit with the author. A minor irritation that doesn’t stop me from loving this series.

The Vessel, Adam L.G.Nevill
All the way through this book, I kept thinking this book should be a film, which makes perfect sense once I got to the end and read the author’s notes. The old woman struck me as the harbinger of evil, and there didn’t have to be anything supernatural about her to make me shudder. But this is horror, so nothing is straightforward. Present tense omnipresent isn’t really a style I love, but for this book, it’s perfect. We see the action from a wide camera lens, which does a good job rocketing up tension. I wasn’t terrified, but found this satisfying creepy with a conclusion I adored. A short but entertaining read that’s a perfect example of dark fiction, which I feel has a broader connotation than horror.

The Hideaway, Dean Koontz
A re-read for me. A man resuscitated long after death awakens with a strange connection to a killer. People often criticise Koontz for too often having religious themes in his books and this is certainly one of those, though an earlier and better example. If one is to read a supernatural thriller regardless of faith, then there must be some leeway for this, although any author can use a recurring theme too often at the risk of work sounding stale. Despite rolling my eyes a time or two, especially once toward the end, I’m giving this book a high mark for its tension, and excellently conceived and solid plot. I felt the book was a little overlong, but not to the point of frustration.

A Short Stay in Hell, Steven L.Peck
How does one even describe this novella of only 100 pages? At first I found it somewhat tedious, but that only seems right considering the events in the story. Slowly, I found I couldn’t put it down. As a lover of books, I thought eternity in a library doesn’t sound like such a bad thing… until I learned the truth of those books. Then the truth of love found and lost, which seemed even greater punishment. A truer horror was the inevitability of some human natures. Though a simple idea, here, the author proves hell doesn’t have to contain hellfire to be torturous. A horror novel? No. And certainly not horrific. But insidiously horrifying.

Mexican Gothic, Silvia Moreno-Garcia
An excellent book, surprising because most books I hear a buzz about don’t enthral me as well as this one did. Reviews on the cover include a recommendation to fans of books like Rebecca and that’s accurate. This is definitely gothic rather than visceral horror, though the situation Noemi Taboada finds herself in is horrible and even horrific. One particular kiss in the book will have everyone gagging. There’s an element of women coming under abuse, sexual and otherwise, but such is the truth in fact and fiction and is perfectly authentic to the plot, of which the author perfectly laid the stepping stones. I didn’t guess the family secret because it’s such an unusual dark mystery. I liked Noemi’s rebellious and tenacity; any weaknesses she shows fits in perfectly with the setting. Well-written and atmospheric, I enjoyed this book far more than I expected to. This is the first time I’ve heard of this author, though I see she has more books published, which I may well check out.

Scarlet Widow, Graham Masterton
Not at all what I expect from this author and a story majorly spoilt by a gratuitously graphic scene. For most of the book, this read much like Young Adult owing to the non-graphic nature of the murders — we see only the aftermath, not the murders while they occur. This could have been a good title to introduce a teen to the horror or historical thriller genre, but owing to content towards the end, it’s entirely unsuitable, yet it’s not what I’d class as true horror fiction for adults either. I enjoyed this story, though it’s a bit of a slow burn showing us Beatrice’s life from childhood to a grown woman, her background important. However, I felt let down by this intelligent and often capable woman doing little to protect herself when she should have realised how much danger she was in. I would still have given this 3 out of 5, if not for that unnecessarily abusive sexual scene, which made me want to toss the book across the room. Why, in a book that’s shows no graphic occurrences, are readers with a description of an assault upon a woman? I only carried on because I was close to the end and had invested so much time reading. The assault might not have been entirely irrelevant if the intention was to turn the desire for justice to one of revenge, but I felt she had suffered enough to want vengeance by then without the need to pile on additional sorrow — it’s a fact people can feel more vengeful over what’s happened to loved ones than oneself. A simple fade to black would have been sufficient, and a woman burning for revenge would not have come up with so simple a solution. She would have been out to inflict physical pain and therefore I was expecting a more clever and vengeful conclusion. Ultimately disappointing.

A House at the Bottom of a Lake, Josh Malerman
Some books defy definition and this one. Some will love this; others loathe it. I honestly don’t know what I just read. I know I enjoyed it, but was it good, or was it bad? There are some creepy moments, in part (I feel) owing to the strange setting. The underlying sense of threat in being able to drown down in the dark is present like a character all its own, but drown in what? In water? In horror? In the hope and hopelessness of love? The book reads like an allegory of love. There is menace here, but those expecting a true horror novel may be disappointed. Those approaching the story with an open mind may be better rewarded.

Happy Halloween

When discussing all things unnerving, it occurred to me there are many things ‘scary’ about writing. One of those is the fear there will come a day when someone devours all the plot bunnies. Often the writer struggles to kick the furry little blighters back because they’re rampaging and demanding attention as much as any zombie on the march for brains. I’m sure my bunnies have nasty sharp teeth and claws — they sure enjoy nipping at my ankles — but many ask: where do they come from? So let’s concentrate on the scary ‘how’ and ‘howl’ of plots. How does one make the magic happen?

I doubt there’s a writer in existence who won’t one day be asked, “Where do you get your ideas?” There is no spell book. No magic shop one can go to. Authors wish there were, but in some ways we conjure ideas up out of thin air. A writer is someone who can connect two or more seemingly dissociated events, can play the ‘what if’ game, and perhaps add an extra twist.

Here is a brief example. I wove my short story Bitter and Intoxicating for the anthology Red Velvet and Absinthe (editor Mitzi Szereto; foreword by Kelley Armstrong) in answer to a submission call for gothic erotic romance. Although the call provided a list of example work, I had nothing written that fitted, and worse, I had no ideas. I went online and began running searches for red, velvet, and for absinthe.

Although the stories didn’t need to have anything to do with these items, I needed a place from which to start. I certainly didn’t expect to write anything on those topics. I was just searching for a spark.
I came across a painting by Albert Maignan, La Muse Verte, which seemed a good portrayal of what the effects of absinthe supposedly had on the artistic mind. Inspiration! What if a distraught painter came across a seductive woman in a bar, one with flaming red hair clad in a diaphanous green gown, and she was to take him home to try absinthe, promising that it would be the answer to all his woes?

The resulting story is part BDSM, part gothic horror, part sensuous seduction ‘painted’ with words — something fitting to read on a dark October night in front of the fire with the wind blowing outside.

From Wikimedia Commons, the free media repository

LOST the Plot?

 I never watched LOST the first time around, so recently went through all six series, and I couldn’t help viewing some of the show through a writer’s perspective.

Warning: Spoilers.

Imperfect? Perhaps. I certainly had issues with the way certain characters died. I couldn’t quite believe Charlie’s death. What? He couldn’t make it out of the room, close the door, and fastened it somehow from outside? If the door had an outside wheel lock, he had the time. Failing that, he looked small enough to swim out of the porthole once the glass exploded and the room filled up with seawater. Escaping was definitely worth a try. Likewise, Jack’s attack of John Locke/not Locke was reckless where he appeared to give the extremely obvious, present and enormous bladed weapon no consideration at all. No human half gutted with that thing would have carried on to save the island. I have an issue with shows where they have characters slice their hands open for a splash and dash of blood, wrap any old rag around the cut (infection anyone?) and carry on with a perfectly useable hand apparently in no pain at all, so knife in the gut and twisted… I never understand why the public is supposed to swallow such rot.

And though we’re shown Caleb’s origins towards the end, that never explains the mystical elements of the island. At one point, we’re shown a hidden crypt with Mayan or Egyptian type symbols, which appeared to the home of the smoke monster—so I was prepared to believe in an ancient god, but then we’re shown the pool of golden light with no clear connection between the light and the symbols. Is this an ancient worshiping ground? Worshipped by who and why? Is this the source of good and evil? If so, why did in manifest in two boys? If the island needs protection, why doesn’t God make it untraceable? One minute it’s difficult to find or get to and yet seems to be more easily reached by sub than aircraft. Alas, LOST leaves us with far more questions than answers.

The major problem for most viewers seems to be the ending, with the question of were they dead all along. I never thought so, and I have no major issue with the show’s end. Not one large enough to have spoiled the experience for me; however, I feel that an alternative timeline where something Desmond did in the pool to alter the outcome yet left them all with the memories of what happened would have felt far more satisfying.

And on that note, the writers negated the specialness of Desmond. Sure he ‘pulled the plug’ and that made not-Locke mortal, so he could die, but he was trapped on the island, anyway. And what was he? The devil? One of the devil’s minions? Pure evil? Or simply a hurt little boy inside? Desmond might have destroyed the island and says he made a mistake. After all he’d been through, that seems poor recompense.

The afterlife idea leaves too many questions. Why would Sayid end up with Shannon and not Nadia? Which woman was the love of his life? Things like this and more pop into my mind, when presented by the ‘we created this space as a way to meet up once we all died’. When did they all make this decision? Does heaven automatically bring you all together with the people you spent the most important time in your life with? What was the overall purpose of the island? For it certainly wasn’t where good and evil battled it out for all eternity to keep the world turning—not if the end is the end and the island was at last safe. What was the light? And when the water returned, why didn’t Jack turn into a smoke monster? Viewers certainly saw someone else get thrown in and changed, so why not Jack? Because he had a virtuous heart? Questions, questions, questions.

This is a great illustration of a problem all writers face. It’s often too easy to come up with a fabulous idea and then write yourself into a corner. At the end of all drafts, the writer must look to see what questions the narrative raises and whether they can answer them all…. Although sometimes the writer may not wish to answer and may leave it to the audience to speculate, but it’s a tricky thing to pull off. I like some open-ended stories, but LOST isn’t one of those, and so I would have preferred a few more answers.

But, having said all that, the storyline spaced out all my niggles, and at least the show had an end, unlike so many. It remained consistent and I love well-plotted, non-chronological story-telling. I imagine some viewers might find that kind of narrative difficult to follow, but I had no trouble following the storyline at all. It’s an action series, a mystery, and, like all the best stories, heavily character driven. I enjoyed the show despite every glitch because I invested in those characters.

In all good character stories, the people populating the work MUST go through a transformation. They must change, to emerge a different and (in most cases but not all) better person. In that I found LOST to be a captivating show, especially when one realises that it’s not a story about people being lost on an island, but a group of lost individuals who discover who they are and what they’re capable of together and when facing adversity. But that is why a different ending would have been far more satisfying. An end where they got to live new lives, yet remember what they went through and thereby complete their transformations in a way more satisfactory than meeting again after death.

When writing, try not to get lost of where you are in your work and when typing THE END weigh up whether you’ve not only answered all the questions you wish to against reader/viewer satisfaction. It’s still fine to go against the grain if you feel that strongly, but make it an active decision, not a mistake.

Update June 2022

 Hi Everyone!

AT HOME:

A mostly wet June with little happening. I’ve been painting outside furniture in the garage to protect it from the rain and local cats making a mess of the paint until dry, and local cats from the wet paint, so they didn’t end up looking like felines from Wonderland. We once again had the problem of red mites, which we suffered last summer. Harmless but they like warm surfaces and are annoying as they restrict where you can sit out, mark everything if they get squashed (and they’re so fragile it’s not always avoidable), and make us have to think twice about opening a window.

FILM/TV:

City of Ember is a pleasant film, visually stunning, and I loved Bill Murray as the Mayor. Has many negative reviews, perhaps justified, perhaps not; I don’t know the source material. A film for the little ones and adults who know no better (I mean that comment in a good way). Dual starring Karen Gillan and Aaron Paul is a hard film to rate. Though slow in places, one could easily dismiss this, yet there was much I liked about it. There’s a lot going on here, though not everyone will see it. Hearing Karen deliver lines in such a rapid monotone becomes off-putting and disturbing — exactly what the film’s going for, I imagine. I rate this science-fiction, replacement clone story as black satirical comedy that’s thought-provoking with a disturbing reflection of life.

READING:

The Midnight Library, Matt Haig

Matt Haig has never disappointed me, and The Midnight Library is no exception. One could say that the author’s telling us nothing new in this story about a young woman giving up on life; nothing we don’t already know. But Haig makes us feel this universal truth and believe, or at least want to believe, that life, a new life, potentially begins just around the corner. That everything is one decision away from changing. And for all we know, it might be.

Fourbodings: A Quartet of Uneasy Tales, edited by Peter Crowther, featuring Simon Clark, Tims Lebbon, Mark Morris, Terry Lamsley

Like one of those old films that put together a quartet of spooky tales, this book promises a dip into the same chills and thrills territory, though I’m unsure whether it fully delivers. There’s poor old Gerry who finds an apartment best left unrented; Vic, who can’t leave his friend Paul, to rest, but questions the accident that killed him on a dangerous road; Mary, who’s lived in the wilderness too long, her story leading us to question what’s most poisonous — the belladonna that grows or the man she once knew; and Bridget and Colin, who may have moved to a house with a dark secret. All leave the reader a little disorientated, questioning what is and isn’t there, but the stories also feel somewhat disjointed and incomplete, even though I imagine that’s intentional.

Trust Me On This, Jennifer Crusie

A brief introduction from the author describes this as a screwball comedy. It is, although this led me to expect a more intricate plot with lots of mistaken identities. The book, therefore, proved much lighter than my expectations, but just as enjoyable for all that. This is light summer beach reading and there’s nothing wrong with that. Perfect for lifting the spirits and setting aside stress. My favourite line comes toward the end of the book when it turns out the dog is a deal breaker for the man as much as the man is to the dog. It’s almost a throwaway couple of lines, but I thought too right. Crusie does what she always does here: create great banter.

Casino Royale, Ian Fleming (audio read by Dan Stevens)

I’ve never read a James Bond book. They’re always going to be hard to judge considering the dated attitudes. Though I don’t believe people, and certainly not literature, of the past should be judged by today’s standards, one can’t help a modern view creeping in. One has to disregard the sexism to get any enjoyment from Fleming’s most famous agent. Also, Bond’s meant to be a great secret agent and yet always appears to slip up, leaving the average person in the street shaking heads. Here he walks into a trap to save the woman, but I had to wonder to what use if caught and unwilling to talk under torture. There are good things here: the start of the Bond franchise; a glimpse of a deeper man hidden beneath the appearance of an impenetrable surface, but both Bond and Vesper also come across as emotionally weak. A physical relationship between them could easily be understood, but love? Considering what they had gone through, their relationship seems rather unhealthy. Of course, without giving away the ending, Vesper shows rather more backbone and courage, while Bond reverts to sexist weakness. Bond hurt is a man who buries any possibilities of owning his feelings and turns toward hate, emotionally erratic. Perhaps this was Fleming’s way of creating the cool, hard-shelled agent we know, but it feels cheap. It shows us a man who is not as self-assured as he believes; a man unwilling to be vulnerable, though one has to keep in mind that this story is set in a time of the British stiff-upper-lip. I could go on dissecting the work, but it simply is what it is. Dan Stevens does a superb job of reading and making the book come alive.

The Salt Path, Raynor Winn

Beautifully written with an underlying longing for hope, this book offers a journey that will drag the reader through mires of sadness, love, and optimism. If I have any criticism, it’s that a few dialog tags in places would have helped me more easily work out when it was Ray and when it was Moth talking, but that is a minor point. It also throws a light on what it is to be homeless in a way that makes the reader question the easy statistics governments throw at us. In a world where it’s now even easier for the hardworking to find themselves in a similar predicament, one should feel for Raynor and Moth and ask themselves what they would have done in a similar situation, for both of them turn out to be extremely hardworking people who slept where they slept because they had nowhere else to go. I almost let a few negative reviews put me off reading this. Judging those comments now, I can feel some don’t get the situation this couple were thrust in. They were not killing time, but trying to find a new direction, working out how to cope with devastating news, and learning and relearning so much about themselves. True, there was one small incidence of shoplifting — for food when they were desperate. Those so easy to condemn need to walk in less fortunate shoes. For those who have a love for the southwest and who have walked any stretch of the path, this will speak to them. Their diet was far from ideal, but there aren’t exactly massive supermarkets along the route, and there’s not much such person can cook on a tiny gas stove. Anyone who questions or criticises the way they ‘survived’ on the South-West Coast path, I can only imagine they’ve walked no stretch of it. It’s not something I would want to do without B&B arranged along the way, and plenty of funds to pay for food. Apparently, the couple now live in Cornwall, do charity work for the homeless, and Moth got his degree.

The Bad Place, Dean Koontz

A re-read for me, which I almost put down a time or two. I can’t claim to like this book because the bad guy is almost comically grotesque in mind, manner, and his origins and ultimately this is a terribly sad story. Also, I found the passages focusing on him and his sisters simply didn’t hold my attention, but the mystery behind Frank, the detectives he hires, and the surrounding characters kept me reading. Of course, as this was a re-read — be it after many years — I knew the outcome, but had forgotten some details. Perfectly plotted, if there’s one big negative in the book is that it feels a little overwritten and could do with tightening to make a more punchy impact. And the somewhat excessively dangerous man and his kin is questionable.

WRITING:

Much the same as last month, only I outlined a brief plot for a story I’ve been wanting to write for sometime. Though I’m a way off starting it, that takes me a step closer.

Stay happy and healthy!

Sharon x

Dragon #18

Not my best dragon by any means, and rather cheap, but I liked the colours on these guys, and had to add a set of Hear No Evil, Speak No Evil, See No Evil dragons to my collection.

Update May 2022

Hi Everyone!

AT HOME:

Late with May’s news as we’ve away on holiday, but more on that next time with maybe a photo or two.

FILM/TV:

Still re-watching Deep Space 9, and the last season of The Rookie. Film wise, we were spoilt for choice, though not had a lot of time to watch any. Here Today starring Billy Crystal turned out better than expected and not at all what we expected going in. Highly recommend this story of an unusual friendship. Ghostbusters Afterlife is wonderfully nostalgic for fans of the original movies, and a delightful tribute to Harold Ramis.

READING:

Ghostbusters (The Original Movie Novelisations Omnibus) Richard Mueller, Ed Naha, narrated by Johnny Heller (audio)

Well read, with a hint at some voices of the characters in the films. Fleshes out the character’s thoughts, though not hugely. Unnecessary if one has seen the films, but I still found them enjoyable as I could easily picture the scenes in my mind.

Big Trouble, Dave Barry

In some ways ludicrous (if airport security was ever this lax, we’re all in trouble), but it’s meant to be. I’ve seen some comments mentioning a lack of character depth, but it’s not that kind of story. I wouldn’t call it as funny as it’s marketed to be, but it made me smile and I might even read this again some day or check out more of this author’s work.

Something Wicked This Way Comes, Ray Bradbury

I thought I’d read this when young, but I remembered little of it. It’s more likely someone told me the story, because had I read this, there’s no way I would have forgotten the writing. I can’t help thinking had I ever turned in a story written in such a style, my teachers would have thrown fits, siting grammar rules until I grew dizzy. But this is the indomitable Bradbury and not only does he know how to break the rules, he does it so well. Some of my teachers would have cited that many sentences don’t make grammatical sense, and they don’t in a purist way, but what they do is conjure up sensations and emotions. Take the title alone, which at least one teacher would have told me should read Something Wicked Comes This Way… but it would never have been so memorable; would never be so visceral. Plus, there’s the multi-layers of subtext: a book about good and evil, being young, growing old, accepting these things, not harping on them, not worrying about them and not fearing them so much one forgets to live, to enjoy and feel blessed every day. It also speaks of friendship and family, of love, and of laughing in the face of despair as a way of pushing back the darkness — the sorrows of life and the eventual darkness. I’m sure others will find their own interpretations, but for me, this book covers the gamut of life and death in all its joys and woes. Chilling, full of dread, atmospheric, mesmerising, thrilling, captivating, and masterfully executed.

Operation Wildcat and Other Stores, Edited by Tim Gambrell

Not sure I should review this as it contains one of my stories, so let me just say my favourite idea in the book is Honourable Discharge by Chris Lynch, though I also liked Old Fowlkes’ Home by Martin Parker as it’s an Anne Travers story.

The Cinderella Deal, Jennifer Crusie

I started this immediately, thinking this was far from the author’s best. Still, I wanted to love this book, though I dithered between liking it and loving it… until I finished. On the one hand, the story’s contrived, but stranger things have happened in life. And there’s something endearing about these opposites attract tale, where people aren’t all they seem despite their bluster. Think of it as an outrageous rom-com and sit back and enjoy getting the most from this story of a marriage of convenience that’s anything but. I eventually came thoroughly to enjoy this story of falling in love… after the marriage. No big surprises there; this is a romance, after all. What surprises the most are the characters of the protagonists and the way they help each other change in rewarding ways.

Cemetery Dance, J.T.Wilson

This book turned out to be an interesting look at life and death in a style reminiscent of Douglas Adams or a favourite stand-up comic. Amusing more than laugh out loud, but entertaining and well-written. A good choice for anyone who likes to see the character of Death personified.

A Spring Affair, Milly Johnson (audio read by Colleen Penderghast)

Not usually my sort of read; however, I really like the narrator, so gave Milly Johnson’s work a go. The author’s done exceptionally well, creating the ultimate in manipulative people, and people who too often allow themselves to be manipulated. The story begins with the main character giving her home a spring clean, bravely chucking out all the detritus in her life when the reader knows she has one major piece of rubbish she most definitely needs to get rid of.

WRITING

Alas, I grew tired of the story I’ve been working on. Instead of continuing to torture myself, I shelved it. Maybe one day I’ll pick it up again and be delighted and maybe I won’t and be disappointed. Right now, I want to work on my Dark Fiction novel, and maybe stretch my short story skills, which I’ve not done for some time.

Stay happy and healthy!

Sharon x