Timothy Scott Bennett's Blog: Everything is Research: Life, Asperger's, and the Written Word, page 7

March 1, 2016

Every Little Thing She Does – Part 1

If you’re like me, the title of this blog post caused a needle to set down on the turntable in your head, and already The Police are singing and playing in your mind. If that’s not the case, you can get a jump start here:



So here’s the thing: the title (and the song) is a set up. Now that you’re expecting the word “magic,” and probably a sweet, love-story tribute to the other half of my brain, I can swoop down in my bemused, ironic superhero costume and pull the rug out from under your expectations. Though Sally has “magic” in great quantities, that’s not what this post is about. What I really want to talk about is how every little thing she does is wrong.


A more honest title might be this: The Unbearable Wrongness of Sally.


Now, when I say wrong, I mean this: wrong. Demonstrably wrong. Logically wrong. Rationally wrong. Wrong,wrong, wrong. The way she does dishes? Wrong. The way she cooks? Wrong. The way she knits? Wrong. The way she makes coffee? Wrong. The way she cleans house? Wrong. The way she leaves lights on? The way she listens to podcasts? The way she talks on the phone? The way she does laundry? The way she paints walls? The way she drives? The way she gets ready for bed? Wrong, wrong, wrong, wrong, wrong, wrong, wrong.


Wrong. Wrong like inefficient wrong. Wrong like illogical. Wrong like irrational. Wrong like breaking the rules. Wrong like everybody knows she is wrong. Wrong like I can prove it wrong. Faulty. Inaccurate. Misguided. Mistaken. Askew. Fallacious. Amiss. Erroneous. Inexact. Miscalculated. Untrue. False.


You know… wrong.


How wrong is she? She’s this wrong:



Now, any of you with hackles raised on the nape of your neck, take a moment and breathe. I know many of you love Sally, and may feel like you need to step in at this point and defend her from the tall, smart, white American male.


But to do so would be premature, I think (not to mention futile, since she’s so obviously wrong) and would demonstrate, to my mind, that you do not know the whole of me, and are not deeply grokking what I am saying. That would be completely understandable, of course, since I haven’t really said it yet. And how could you know the whole of me?


But I can’t say everything at once, and I need to take things in smaller chunks, if I am to have any hope of teasing them apart. We have to traverse some peaks and valleys, it seems, if we wish to reach Rumi’s famous field. And this is a rich and surprising landscape. I’m continuing to unravel my Aspie experience, after all. I need to go slowly. And I need to start with the feeling.


So sit tight, wait for it, and trust that, in the end, this will turn out to be a love-story after all, and that the magic will appear in its own due time. For now, you just need to get this: Sally is wrong. As wrong as Howard Johnson is right. To paraphrase the immortal Charles Dickens:


Sally was wrong: to begin with.  This must be distinctly understood, or nothing wonderful can come of the story I am going to relate.


(Part 2 Coming Soon)

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Published on March 01, 2016 03:39

February 29, 2016

Little Help!

Working today on an animated logo for my “artisanal publishing company,” Blue Hag Books, and a trailer for my first book, All of the Above. I could use your eyes on them both, if you’d like to help. Yes, the website looks horrible and is in need of a makeover. I’ll get to it.


Here’s the animated logo, below. Take a look. Sally and I have been trying to word-craft the tag line. What do you think of “New Stories for the Next Paradigm”? Sally’s unsure about the words “stories” and “paradigm.” She’s worried about jargon, and suggests words like “myth” and “narrative” and “archetype” to use in their place. But then I’m not sold on those. They could also be seen as “jargon,” to my mind, and I don’t like the poetry of them quite so much.


Got suggestions?



Here’s the book trailer. How’s the timing? The readability? The spelling? Check it out, and let me know what you see.


Thanks, all. More writing tomorrow.  Take care out there!  Pax-T





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Published on February 29, 2016 13:30

Little Help!

Working today on an animated logo for my “artisanal publishing company,” Blue Hag Books, and a trailer for my first book, All of the Above. I could use your eyes on them both, if you’d like to help. Yes, the website looks horrible and is in need of a makeover. I’ll get to it.


Here’s the animated logo, below. Take a look. Sally and I have been trying to word-craft the tag line. What do you think of “New Stories for the Next Paradigm”? Sally’s unsure about the words “stories” and “paradigm.” She’s worried about jargon, and suggests words like “myth” and “narrative” and “archetype” to use in their place. But then I’m not sold on those. They could also be seen as “jargon,” to my mind, and I don’t like the poetry of them quite so much.


Got suggestions?



Here’s the book trailer. How’s the timing? The readability? The spelling? Check it out, and let me know what you see.


Thanks, all. More writing tomorrow.  Take care out there!  Pax-T

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Published on February 29, 2016 08:30

February 28, 2016

Side-by-Side and Face-to-Face

I like things side-by-side. Sally likes things face-to-face.


I like talking side-by-side on long walks. Sally likes talking face-to-face on the sofa, or at restaurants, or in her therapist’s office.


I like hanging out side-by-side watching movies or series on Netflix. Sally likes hanging out face-to-face, conversing with others in small groups about the things that matter to them.


I like working side-by-side in our mutual office, each of us following our individual pursuits in the presence of the other. Sally likes working face-to-face on the same project, collaborating and discussing and deciding and enacting together as a team.


I like editing my books side-by-side, each of us reading and tweaking and sharing things over email. Sally likes editing face-to-face, meeting and discussing and chewing things over.


I like side-to-side because it’s not so overwhelming. Without the constant pressure of the face-to-face, I can more easily get in touch with who I am, what I think, what I want, and how I feel.


Sally likes face-to-face because… well, I’m not sure I really understand why Sally likes things face-to-face. She’ll probably tell us in a comment.


Maybe she’s crazy.





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Published on February 28, 2016 09:21

Side-by-Side and Face-to-Face

I like things side-by-side. Sally likes things face-to-face.


I like talking side-by-side on long walks. Sally likes talking face-to-face on the sofa, or at restaurants, or in her therapist’s office.


I like hanging out side-by-side watching movies or series on Netflix. Sally likes hanging out face-to-face, conversing with others in small groups about the things that matter to them.


I like working side-by-side in our mutual office, each of us following our individual pursuits in the presence of the other. Sally likes working face-to-face on the same project, collaborating and discussing and deciding and enacting together as a team.


I like editing my books side-by-side, each of us reading and tweaking and sharing things over email. Sally likes editing face-to-face, meeting and discussing and chewing things over.


I like side-to-side because it’s not so overwhelming. Without the constant pressure of the face-to-face, I can more easily get in touch with who I am, what I think, what I want, and how I feel.


Sally likes face-to-face because… well, I’m not sure I really understand why Sally likes things face-to-face. She’ll probably tell us in a comment.


Maybe she’s crazy.

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Published on February 28, 2016 04:21

February 26, 2016

The Protocols: Acceptance

In Rumi’s Field, the upcoming sequel to All of the Above, the character Mary Hayes decides to travel into the Astral Realm:


It surprised Mary, lying alone in her bed, how easily the protocols came back to her. The strict procedures, ingrained into her during her training, were all right there when she needed them, a full operator’s manual she could open with her mind’s eye. Even so, the process was difficult. Excessive emotionality had always been a source of distraction for those attempting to step away from the body and travel up to another level. Emotions, in fact, were a large part of what the Protocols were designed to counter. But Mary was all emotion these days, with her feelings always at the surface. And after her experience at the hospital, she felt like a wreck. Setting aside her feelings felt impossible.


I know those feelings. I may not be trying to “travel” in the “Astral Realm,” exactly, but like Mary, I regularly try to extend my consciousness beyond the limits of my skull, remotely viewing my characters as they play out their stories. And, like Mary, my “excessive,” agitated neurology can act as a great “source of distraction.” Sensations, feelings, emotions, thoughts, obsessions, worries, ideas, arguments, fascinations, justifications, needs, desires, alarm bells, and Elephant Talk… they’re all more at the surface of my being now than ever before. As Madge says, I’m soaking in them. And any of these divertissements can take me away from my characters and my story.


Some days it does feel impossible. Some days, I do feel like a wreck. So, like Mary, I need protocols to follow, my own set of strict procedures, my own personal operator’s manual filled with the tweaks, hacks, and workarounds I need to step beyond my neurology and into that other realm, a place where I can not only discover my stories, but where I can create my own life.


Luckily, and somewhat surprisingly, it turns out that I already have such a manual. It’s a rather slim volume at this point, to be sure. Many of the pages are still blank, and others are smudged, torn, missing, or incomplete. But there are also a number of useful chapters already written. All in all, it’s a good start, and I’m glad to realize that I have it.


After years of “working on myself” – with Sally in “the nest,” with my guru, Dr B, with my reading and study, in Landmark Seminars and Dialogue Circles and the “rock tumbler” of intentional community – I see now that I’ve already discovered, catalogued, and even put into practice a fair number of protocols. One of my intentions with this blog is to write them down, because it’s often only in writing something that I can begin to truly know it for myself. In so writing, that “slim volume” will grow thicker and more complete.


The protocol that comes to mind today is this: I have to start with acceptance. My wiring works the way it works. My limbic system is almost always on alert. My brilliant mind is constantly questing, acquiring, seeking, speaking, thinking, wondering, worrying, and watching. I’m a rabbit in an open glade, a swimmer in shark-infested waters, an alien anthropologist walking the streets of humankind. I keep forty tabs open at a time. I have a constant stream of music flowing through me, either coming into my ears or playing on the turntables of my mind. I hear every little sound, notice every stray light, and judge everything I encounter as good or bad, should be or shouldn’t be, in place or out of place, useful or unimportant. Anxieties, unspecific and untethered, move through my body like murmurations of starlings. Pains and discomforts go unnoticed until they cry out loudly enough that I can no longer ignore them. And this off-the-rack body I chose on my way into the physical can chafe like a wet wool sweater, the kind with those scratchy tags at the neck and sleeves that are just too damned tight in the armpits.


Are you kidding me!? It’s a wonder I can get any writing done at all! Not to mention a testament to my own personal power, and the firm, loving force of my Muse, and the sweet, insistent, undeniable call of my characters, whose stories must be told. I should be a mess. There are days when I am a mess. And yet I am so much more. I’ve crafted, with Sally, an amazing relationship of fascination, collaboration, and allowing. I’ve stayed the course to self-knowing and self-loving, the sine quo non of any other work I have done or might do. I’ve completed major works and released them into the world. I’ve followed the process through to the end with this current book: Rumi’s Field is on it’s final, smoothing edit. And all of it despite the scratchy tags at my neck and the distracting tweets of starlings.


I have to start with acceptance. I carry the gifts and burdens I’ve been given to carry. It’s what’s so, and relating to what’s so as what’s so feels, to me, like the cornerstone of sanity. To the extent that I’ve tried to ignore, deny, or fight either the gifts or the burdens, it has only stopped me, or slowed me down, and it has cost me a great deal of time and energy in the process. My first protocol must be acceptance of what’s so. All other protocols will follow from that.


Mary followed the protocols once again. Still they did not quite work. She wiggled around, cleared her mind, and then reached toward the wok’s ceiling to stretch her shoulders. She gasped. There in the darkness was a tiny, clawed, leathery hand reaching back down toward her. The hand grabbed hers and jerked her upwards and she was away.


photo credit: So, that’s how it works! via photopin (license)

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Published on February 26, 2016 05:14

February 25, 2016

A Perfect Record #4 – Things Aren’t Right

Music has always been my salvation. Some recordings strike me as “perfect” from beginning to end. Even were I to go deaf, I would still be able to listen to these on the turntable of my mind, so ingrained into my consciousness are these albums. In this ongoing series, I’ll take a quick peek at some of the perfect records that have shaped my life.


Wazmo Nariz – Things Arent’ Right

Not all of my “perfect records” are well known. This one, in fact, is pretty obscure. I don’t remember exactly where I got it. The story I tell myself is that it was one of a dozen “remaindered” LPs I got 3-for-a-dollar at Meijer Thrifty Acres in my childhood home town of Ionia Michigan (right in the middle of the palm), sometime in the early to mid-70s (a major score that put another “perfect record” into my hands, about which I’ll write at another time.) Looking at Wazmo’s brief mention on Wikipedia, (real name Larry Grennan) however, I see that Things Aren’t Right didn’t come out until 1979 or so, at which point I was a student at Michigan State University. So probably I picked it up used at Flat, Black, and Circular. (Amazingly, that store is still around!)


The provenance feels important to me. Where was I, and what was I doing, when the gods put this little gift into my hands? Why did it hit me like it did? And why, when I put it on to listen yesterday, in anticipation of writing this, was I moved to play the entire LP three times in a row? The short answer is this: Things Aren’t Right sounds like what it feels like to be me.


From the urgent, plucky opening base line of The Mind is Willing to the Flesh is Weak, kept in loose time by that wobbling, wandering tom beat and those tickling keys, to the frantic, nervous hiccoughed vocals of Checking Out the Checkout Girl and the epic bounce of Al’s Radiator, this music, and the larger New Wave of which is was a part, spoke strongly to me, claiming my heart, if not my head, in no uncertain terms. It was odd. It was fun. It was nervous and urgent and anxious. It was new and exciting and out at the edge. It told me straight out what I already knew: that things aren’t right. And it wanted very much to dance, no matter how it looked. Though I’m rooted in Psychedelic and Bluegrass and Classic Rock, though my branches reach into the soaring skies of Prog, the lightning bolts of Metal and Industrial, and the rolling thunderous grooves of Rap, though I can listen, these days, to almost anything, and appreciate it for what it is, it’s the Punk/ Post-Punk/ New Wave/ Goth/ Synthpop sound that most resonants within the thick, stable trunk of my musical soul. This music was me, and I was it.


And it still is, and I still am.


You can’t buy a copy of Things Aren’t Right now, except for the rare used LP. There’s no CD on Amazon. No digital downloads, save for a single of Checking Out the Checkout Girl in the iTunes store. You can’t even get it in boxes of Breeze. But you can hear it on YouTube, where I’ve collected the various cuts together into a playlist.


Go now, listen, see if it moves you as well. Perhaps you’ll find yourself wanting to dance. Even if things aren’t right.

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Published on February 25, 2016 06:27

February 24, 2016

Living Out Loud

“Is it too much?” I asked Sally. We were walking along the beach, heavy surf pounding and strong wind making it a bit difficult to talk.


“Is what too much?”


“The blog,” I said. “Is it too much?”


“Too much how?” asked Sally.


“I don’t know,” I said, shaking my head. “Too much. Too Aspie. Too emotional. Too revealing. Too scary. Too off-putting.” I sighed. “You know. Too much for people.”


Now it was time for Sally to shake her head. “I don’t think so, no,” she said. “Not judging from the comments you’ve been receiving. I think people need you to write how you do and say what you say. Natalie Goldberg says to ‘go for the jugular.’ I think people need you to do that. Maybe you could even turn it up a notch. Really let it out. Say the things that feel even scarier to say.”


The metaphor was appropriate, I thought. I wrote a post in my previous blog called “Blood on the Sidewalk,” about my tendency to expose my emotional life online.


“It’s how you live out loud,” Sally continued. “Just like the characters you love in movies and television: the ones who live out loud. They expose their inner lives. So you can understand them and relax a bit in their presence. There are other people who need that just like you need it.”


I thought about that. I don’t really want to write a blog that’s trying to achieve something. That has an aim to persuade or teach or convince or create change. I’m having fun writing a blog for the first time in my life, and it’s largely because I’m not trying to convince anybody of anything.


But maybe I can achieve apart from convincing and persuading. Maybe sharing my experience will just… help somehow. The thought of that frightens me for some reason. I do not know why.


I nodded. “It’s scary,” I said.


“Yeah,” said Sally. She squeezed my hand.


We kept walking.


The surf kept pounding.


The wind kept blowing.

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Published on February 24, 2016 11:24

February 23, 2016

More Hank Than Max: Asperger’s, Diagnosis, and Disclosure

(A one-page edit of a five-part series, for those of you who like things tidy.)


The Challenge to Identity

Recognition. Resonance. Assessment. Diagnosis. Disclosure. These, it seems, are steps many Aspies, if not most, take on their journeys of discovery. I know I’ve taken, and am still taking, every one of them. And for myself, taking these steps has meant rewriting large chunks of my identity and self-perception. That has been challenging, to say the least.


But then when have I ever just said the least?


If identity is an onion (and of course it is), then I’d like to peel away a few layers and see what I find within. The first layer is the one you see when you look at the onion from the outside.


As I’ve contemplated “coming out,” I’ve wondered about how the “news” would be received. Would I be believed? Accepted? Ridiculed? After all, I thought, I don’t “look” Aspie, which is to say that, from what I could see, I wasn’t a strong match for the common cultural perceptions or stereotypes associated with Asperger’s Syndrome. From my point of view, I just look like I’ve always looked, like “a regular Joe,” like “one of us.” To some, perhaps, my claiming to be Aspie might seem as foolish as claiming to be Lithuanian, or short, or a gerbil. (And no, I don’t hold there to be anything wrong with either Lithuanians, short people, or gerbils. I do, however, have some rather unkind thoughts about hamsters. But then, who doesn’t?)


For those who’ve watched the NBC series Parenthood, I’m way more Hank than Max. That’s how it seems. Max, who we watched grow from child to adolescent as the series progressed, was the more obvious, stereotypical television Aspie: unable to hold eye contact, fairly obsessive in his special interests, at times rude™ or even cold™ (some might say), and prone to “acting out.” Hank, on the other hand, was a middle-aged adult with an ex-wife and a teenage daughter. He was quiet, socially awkward, and somewhat flat in terms of affect, but mostly lacked Max’s more obvious traits. He was quirky, you might say. A bit odd. Rather lost in the realm of human relationship. But not obvious. Just a regular Joe.


And that’s me. Hank was me. A bit odd? Sure, I’ll accept that. Socially inept? Check. Distant? Aloof? Difficult to know? Prone to anxiety? Eccentric in my interests and beliefs? All that. But I’m no more obvious than Hank was, am I? I mean, I’ve passed for “regular Joe” my entire life, haven’t I? What the heck could I be talking about with this Aspie thing?


That’s what I could imagine people saying. That’s what I said to myself. I’m just me. The same me I’ve always been. How could I expect others to accept something even I had doubts about?


But the relief I felt, from both recognition and resonance, was strong and real. The assessments all pointed in the same direction. The books, the blogs, and Sally – who has always seen me more fully than any other living soul – all argued the case. And diagnosis by professionals confirmed it: the story of Asperger’s was a fair and accurate tale to tell about myself.


And here’s why: It turns out that I’m only really Hank on the outside. Inside, I’m way more Max than even I ever realized, and way more Max than I ever let most people see.


Do I Look Aspie to You?

Now, Sally has argued that I actually exhibit many more Aspie traits than I think I do. She is, as you may know, a professional observer of human beings, having spent most of her adult life as a talented and skilled therapist, so it has made sense to me to listen to her about this. And I will admit that, in the past two years, now that I’ve been looking, I have begun to notice for myself (and actually feel) the evidence for her argument, not only in my daily habits and current interactions with others, but in remembered moments from my past, as I’ve leafed through the pages of my own life story in search of myself.


Small bits of evidence are as immediate as this last weekend, when we took a short trip. I butted into a conversation between people I do not know because I overheard them talking and had a corrective piece of information I thought they needed to have. (No, I’m sorry, you’re wrong. Tim Curry is not dead. He just signed on as the Criminologist in the Rocky Horror remake!) I had to turn away and look mostly at Sally during much of the meeting we’d traveled to attend, because I found the eye contact with the man with whom we were meeting to be discomfiting and confusing. Before heading home, I said goodbye to Sally’s children with little more than a perfunctory, from a distance, remembered-at-the-last-second wave of the hand instead of the more appropriate and traditional hugs and handshakes. And it was only later, thinking upon these things, that I realized than any or all of these actions might have seemed rather odd, or worse, to the people with whom I was interacting.


And then there’s the fact that I’m largely estranged from my family of origin, including my own children. And there’s the way I acted out my unspeakable frustrations, for years, in that family system. And my predilection for researching, talking about, and writing about such “off the normal curve” special interests™ as the collapse of civilization, lost ancient societies, UFOs and aliens, paradoxes and paradigms, mind-challenging philosophies and deeply entrenched conspiracies. (And I suppose we can now add Asperger’s itself to that list.) And the fact that, on that rare occasion that I do attend some sort of social gathering (usually at Sally’s strong suggestion or invitation), unless I know the people well, (and there are only a few of them), I either say very little, find some place to hide, or speak mostly to the dogs and cats that live there. And the fact that, apart from Sally, I have almost no “close friends.”


But other than that, no, I don’t “look Aspie” at all.


Which is to say, perhaps, that, given the insanities of the world in which we live, and the current state of human beings living in the dim light cast by the last glowing embers of the Age of Exuberance, and the fact that I simply feel like “me,” and that “me” feels “right” and “normal,” none of these “outward signs,” in and of themselves, were enough to convince me.


Which is probably why the trail up the slope of Recognition and Resonance to the high ridge of Assessment and the peak of Diagnosis (from the Greek, meaning to know as apart from, to discern) took as long to traverse as it did. That and the fact that, until 1992, there was no such thing as an “Asperger’s Diagnosis” at all. And the fact that Asperger’s is a syndrome which lies on a spectrum, which means that “how it looks” will vary wildly from person to person, bringing the lie to any and all attempts to stereotype it.


Yet the stereotypes are out there, obscuring the subtleties and variations of truth and experience. Being “More Hank Than Max,” the truth of my own experience was more difficult for me to discern. And frankly, that difficulty was what I’d been trying to achieve. Though I was not aware of it at the time, in a very real way “Hank” was exactly who I’d created myself to be.


The Hidden Syndrome

I’ve seen Asperger’s referred to as hidden: the hidden disability, the hidden autism, the hidden syndrome. The word “hidden” is used because many so-called “high functioning Aspies/Autistics” (HFA’s) have the seeming superpower of being able to fit so easily into “neurotypical” society as to go unseen, like leopards in the jungle, say, or “aliens among us.” So “normal” do some HFA’s appear to be to the people around them that, upon their decision to disclose their diagnosis, they are greeted with disbelief, denial, and derision.


Which sounds like fun, right? I mean, who doesn’t like having their reality denied by others? Especially when it feels like a great risk to share that reality in the first place.


We can, of course, blame this denial on the Asperger’s stereotypes in operation. If the stereotype says that Asperger’s looks like Max, and I don’t look like Max, then I don’t have Asperger’s. It’s a simple equation. An easy matter of Venn diagrams. And the human mind likes things easy, as was so beautifully explicated in Daniel Kahneman’s Thinking, Fast and Slow. The stereotypes operate for a reason, I think, so we need not wonder that they exist. If the diagnosis of Asperger’s or Autism is a claim to differences, then it only makes sense that people will highlight the most obvious, observable differences and turn them into a “type,” something that they can wrap their minds around. But since the type doesn’t do justice to the full reality, those who seek the truth will need to see beyond it, and it can take a great deal of time, energy, and education to displace such easy beliefs with more nuanced reality.


But it’s more than just a matter of falling outside the stereotypes, I think. At least for me. Truth be told, I worked hard to hide. I embraced my outer Hank and turned my back on my inner Max. I chose to fit in as best I could, and painted my fur with leopard spots to blend in with the sun-dappled foliage of neurotypical culture. I kept myself hidden, even from myself.


Until I failed, that is. Until I stopped.


That my “inner Max” went into hiding is completely understandable, of course. “Sticking out” can be painful and frightening. “Fitting in” can feel safe and comes with rewards. Ask The Ugly Duckling. Ask Jonathan Livingston Seagull. Even the birds know this.


I don’t really remember how it started, but there is a telling piece of archaeological evidence that has helped me, along with other bits of data, to connect together the skeleton of a story. In the late 90s, while putting together a scrapbook of my life for a Landmark Education program, I uncovered an ancient relic: my kindergarten report card. Written on the back was a note from my teacher, explaining that while Timmy was a joy to have in class, he was extremely sensitive. She was working to correct this, she said, as I would be much happier were I not so easily affected.


Looking back over my life now, I can imagine that extremely sensitive Timmy, and the pressures on him to hide. And from this current high vantage point on my life’s trail, I can see how successful he was at it. He was extremely smart, a skilled and talented observer gifted at pattern recognition. And he had two older brothers modeling possible paths for him to take – the “good boy” and “the rebel.” He was no dummy, and could see which side of that particular piece of bread was getting buttered. He followed the good boy.


He also had the good fortune of growing up in a rather idyllic situation. He spent his formative years in the rural Michigan countryside, surrounded by fields and woodlands and streams and farm animals on the one hand, and by a large extended farming family on the other. And he attended a one-room schoolhouse of maybe twenty students total, where his tiny cohort of four or five advanced together from grade to grade with the same teacher. When he needed solitude, there were places to go to get away. When he needed help or understanding, there were many relatives from whom he could choose. If he had quirks or oddities or sensitivities, they were such old news that they scarcely registered.


He found a way to be okay, this lost little alien walking amongst them. He took on understanding the ways of human beings as an anthropological research project, and learned to mimic their gestures, speak their languages, and participate in their rites and celebrations. The Max part of him hid away as best he could, sitting so silently under the staircase that even he didn’t know he was there. The Hank part of him he showed to the world. Because he lacked, or had learned to hide, some of the more obvious outward traits of an Aspie, he fit in quite well, rarely raising suspicions.


And all it cost him was that he had to almost totally shut himself off from his true nature for most of his life.


My Asperger’s

Beneath the outer layers of “how I look” is a hidden layer, and it’s easy enough to understand the reasons for why I concealed it. But what is that layer, exactly? What is it that stays mostly hidden? What is my Asperger’s?


Sometimes I think of Asperger’s as a story I tell about myself, a story that explains and brings meaning and provides both relief and guidance. The story came to me over two years ago, a “gift from the gods” which descended upon me in the utter darkness of winter, at a time when my own internal season aligned with the bleak, dim, muddy, icy outer world through which I walked. The story of Asperger’s shed light and warmth on my soul, and helped me to understand why my life had gone as it had, why it was going how it was going, and why so much of it felt as difficult and challenging and confusing as it did.


It helped me to notice my actual experience in the world. I was now allowed to notice it. And noticing myself inside of the story of Asperger’s allowed me to allow myself, to let me be who I was, to embrace myself, to cherish myself, just as Sally had always allowed and embraced and cherished who I was.


I noticed how my days went, how I followed my many rituals and routines with almost panicked urgency, lest they be interrupted or thwarted, so desperately did I need their magic.


I noticed how much time I spent “on high alert,” and the energy it took to maintain my outer cordon of emotional and psychological fencing and razor wire, and how spent I felt at day’s end.


I noticed the many sensory stimuli that poked me, scraped me, slimed me, pricked me, blinded me, pushed me, pestered me, revolted me, and teased me to the point of exhaustion; the stray lights at the corners of my eye, the cacophony of restaurants, the irritations of fabric, the confinements of lotions and oils, the screaming wrongness of mouth sounds.


I noticed how thoroughly I discount the world of “others,” how completely the world is “all about me,” how much I miss, how much I disregard, how much I fail to comprehend, how poorly I listen, how much I presume.


I noticed how fierce anxiety and chronic worry wash across my being like ocean waves, how they fill me, dampen me, chill me, burden me, depositing me drained and limp on the shoreline of my life.


I noticed.


Suddenly it all made sense. My social terror and awkwardness. My abject fear of the telephone. My uncommon fascinations and lifelong preoccupations. My random squeamishness. My constant assessment of right and wrong. My flapping hands and twitching face and tapping feet. My stilted affect and truncated feelings. My controlling nature. My love of sameness and my fear of change. My lack of close friends. My inability to grok such human words as “love” and “proud” and “missing you” and “friendship” and “connection” in the way that others seemed to be using them.


I could look back over my life and begin to understand the what and why of who and how I had been. How rude I had sometimes acted. How thoughtless. How careless. How bored I had often felt. How trapped. How lost. How distant I may have seemed to those around me. How aloof. How taciturn. How difficult to understand. How I had needs for quiet and solitude and stimulation and connection that were not the same as for others around me. How much pain that caused me. And how unable I was to even know what those needs were, let alone communicate them to the people around me in such a way that the needs might be met.


I began to understand.


And in understanding, warmed by the glow of insight from the story of Asperger’s, I began to allow.


That little Timmy, that little Max, that sensitive little alien who had hidden himself under the stairs in order to keep from being hurt, completed a huge portion of the journey back to himself, a journey that he’d begun many years before. The story of Asperger’s threw fresh sunlight across his path, and brought meaning and explanation and compassion and a sense of almost epic accomplishment to his journey. Under the light of a fresh dawning, he was able to climb to the next high peak.


And here he is.


And here I am.


And the view here is marvelous.


Hi there.


To riff off the great John Lennon, I am Max, and Hank is me, and we are we, and we are all together.


And we very much like ourselves now.


Because, now, we are allowed to.


Integration

I’d been wearing the story of Asperger’s for a couple of years when I finally decided, prompted by the work of Michael John Carley, to seek a formal diagnosis. I’d been working with my wonderful guru, who is wise in the ways of the autism spectrum. I’d been reading and thinking and writing. And daily, I’d been processing it with Sally, the other half of my brain.


Yet when the formal diagnosis came. When the pdf arrived in the email. When I finally opened it, and forced myself to read it. When it hit me. It really hit me. A gut punch. A heavy club. A speeding truck. And I sobbed and railed, so stunned was I to see it all put together in one place, and to view it through the eyes of an outsider, a professional with her many assessment tools and more objective viewpoint. I cried. For that young Timmy, the rabbit in the open field. For that lost inner Max, who hid under the stairs. For that outer Hank, who strove so valiantly to hold it all together. I cried, doubled over, curled up. I sobbed.


And then I stopped. Because that’s the nature of truth, I think. It can slap you upside the head, but it can also set you free. And much of the time, it does both at the same time. With two years of processing under my belt, and now a formal confirmation, I could step fully into the relief of explanation and the light of insight. I began to feel, surprisingly enough, credentialed. With a Diagnosis for a Diploma, I could more fully join the ranks of those who take themselves seriously. Taking myself seriously, I could begin to speak.


Again: here I am.


But the journey is far from finished. Don’t get me wrong: insight and understanding are great. Explanatory stories and self love are wonderful. But none of these will make Asperger’s go away. It’s neurology, after all. It’s wiring. It’s being. It’s a thing of different needs, different abilities, and different limitations. It doesn’t just disappear in a puff of logic when a light is shined upon it.


Over and over, in the darkest days of my struggling, I would ask Sally, “Why am I not getting better?” All the emotional work I’d been doing. All the psychological sophistication I’d gained through study and observation and training. All the allowing that Sally had shined upon me. But still I’d get lost, stumble, and fall. Still I failed to meet her on the plain of empathy. Still I remained on alert, marinating in anxiety, awkwardness, and overwhelm. Still I could find only stray bits of “happy.”


How fascinating, to finally learn how much of my struggle was a matter of accepting and providing for different needs, rather than the healing of old wounds and the correction of broken reactions. I have trauma and reactivity a-plenty, of course. But those reactions can be teased apart from the suite of more fundamental characteristics with which I was born. It’s in accounting for those different needs, I think, that my new freedom will most fully blossom.


I remain on the human spectrum first and foremost. My “differences,” exposed to the light of day and examined honestly, are really differences of intensity or degree, matters of quantity rather than quality. And truth be told, I’m glad to have them. They make me who I am, and I’m very happy, to be who I am, pains and challenges and all. No one else gets to observe the Cosmos from my particular vantage point. Only I get to do that. It’s a fascinating view from here. And quite the responsibility, working, as I do, for the great Mind at Large.


And, truth be told, I’m envious of the television Max. His different way of being, more “extreme” or “atypical” than my own, gave him no choice but to express his true self in the world. Whereas I, seasoned with a lighter “dash of autism,” could hide my inner Max and present a more “acceptable” version of myself to the world. But it has cost me dearly, this denial of self. And I wonder sometimes, how it might feel, to let my inner Max show in the presence of other people, to reveal, in all its awkward, stilted, confused, needy glory, the truth of my inner experience.


That would be a difficult step to take. I’ve spent years training those around me to know me in a certain way: as “one of us,” as a “regular Joe,” as somebody not all that different from them. How can I change that now? What would happen, were I to acknowledge the costs I sometimes feel when I consciously maintain eye contact, and just look away as much as I wish I could? What would happen if I gave more social, face-to-face voice to the constant stream of thoughts, obsessions, worries, judgments, and confusions that now only Sally hears? What would people think, should I more openly demand my need for rituals and routines, or ask that they make adjustments to ease my sensory stresses, or share with them the full outlier truth of my emotional experience?


What would happen were I to let myself melt down on the outside in a way that truly reflects the meltdown going on inside?


What would happen, were I to finally become one person, Tim and Timmy and Max and Hank, all integrated together and alive in the world, capable and intelligent and limited and vulnerable and different, all at the same time?


The answer is: I don’t really know.


But I suspect that, as times moves forward, and as I take my hesitant, rabbity, yet needful steps out from under the staircase, I’m going to find out.

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Published on February 23, 2016 11:45

More Hank Than Max – Part 5: Integration

I’d been wearing the story of Asperger’s for a couple of years when I finally decided, prompted by the work of Michael John Carley, to seek a formal diagnosis. I’d been working with my wonderful guru, who is wise in the ways of the autism spectrum. I’d been reading and thinking and writing. And daily, I’d been processing it with Sally, the other half of my brain.


Yet when the formal diagnosis came. When the pdf arrived in the email. When I finally opened it, and forced myself to read it. When it hit me. It really hit me. A gut punch. A heavy club. A speeding truck. And I sobbed and railed, so stunned was I to see it all put together in one place, and to view it through the eyes of an outsider, a professional with her many assessment tools and more objective viewpoint. I cried. For that young Timmy, the rabbit in the open field. For that lost inner Max, who hid under the stairs. For that outer Hank, who strove so valiantly to hold it all together. I cried, doubled over, curled up. I sobbed.


And then I stopped. Because that’s the nature of truth, I think. It can slap you upside the head, but it can also set you free. And much of the time, it does both at the same time. With two years of processing under my belt, and now a formal confirmation, I could step fully into the relief of explanation and the light of insight. I began to feel, surprisingly enough, credentialed. With a Diagnosis for a Diploma, I could more fully join the ranks of those who take themselves seriously. Taking myself seriously, I could begin to speak.


Again: here I am.


But the journey is far from finished. Don’t get me wrong: insight and understanding are great. Explanatory stories and self love are wonderful. But none of these will make Asperger’s go away. It’s neurology, after all. It’s wiring. It’s being. It’s a thing of different needs, different abilities, and different limitations. It doesn’t just disappear in a puff of logic when a light is shined upon it.


Over and over, in the darkest days of my struggling, I would ask Sally, “Why am I not getting better?” All the emotional work I’d been doing. All the psychological sophistication I’d gained through study and observation and training. All the allowing that Sally had shined upon me. But still I’d get lost, stumble, and fall. Still I failed to meet her on the plain of empathy. Still I remained on alert, marinating in anxiety, awkwardness, and overwhelm. Still I could find only stray bits of “happy.”


How fascinating, to finally learn how much of my struggle was a matter of accepting and providing for different needs, rather than the healing of old wounds and the correction of broken reactions. I have trauma and reactivity a-plenty, of course. But those reactions can be teased apart from the suite of more fundamental characteristics with which I was born. It’s in accounting for those different needs, I think, that my new freedom will most fully blossom.


I remain on the human spectrum first and foremost. My “differences,” exposed to the light of day and examined honestly, are really differences of intensity or degree, matters of quantity rather than quality. And truth be told, I’m glad to have them. They make me who I am, and I’m very happy, to be who I am, pains and challenges and all. No one else gets to observe the Cosmos from my particular vantage point. Only I get to do that. It’s a fascinating view from here. And quite the responsibility, working, as I do, for the great Mind at Large.


And, truth be told, I’m envious of the television Max. His different way of being, more “extreme” or “atypical” than my own, gave him no choice but to express his true self in the world. Whereas I, seasoned with a lighter “dash of autism,” could hide my inner Max and present a more “acceptable” version of myself to the world. But it has cost me dearly, this denial of self. And I wonder sometimes, how it might feel, to let my inner Max show in the presence of other people, to reveal, in all its awkward, stilted, confused, needy glory, the truth of my inner experience.


That would be a difficult step to take. I’ve spent years training those around me to know me in a certain way: as “one of us,” as a “regular Joe,” as somebody not all that different from them. How can I change that now? What would happen, were I to acknowledge the costs I sometimes feel when I consciously maintain eye contact, and just look away as much as I wish I could? What would happen if I gave more social, face-to-face voice to the constant stream of thoughts, obsessions, worries, judgments, and confusions that now only Sally hears? What would people think, should I more openly demand my need for rituals and routines, or ask that they make adjustments to ease my sensory stresses, or share with them the full outlier truth of my emotional experience?


What would happen were I to let myself melt down on the outside in a way that truly reflects the meltdown going on inside?


What would happen, were I to finally become one person, Tim and Timmy and Max and Hank, all integrated together and alive in the world, capable and intelligent and limited and vulnerable and different, all at the same time?


The answer is: I don’t really know.


But I suspect that, as times moves forward, and as I take my hesitant, rabbity, yet needful steps out from under the staircase, I’m going to find out.


(Last Part of the Series. Read as One Page Coming Soon!)


(Read Part 1 Here)

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Published on February 23, 2016 05:55

Everything is Research: Life, Asperger's, and the Written Word

Timothy Scott Bennett
Writer/filmmaker Timothy Scott Bennett's new blog. Find it all at http://everythingisresearch.com/ . ...more
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