Lily Brett's Blog, page 8

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tah

Saturday night I went to the opening of our daughter-in law's exhibition at the Marian Goodman Gallery. Looking at the mostly large paintings is like looking at an archeology of culture and perception. My favorite painting, Beloved (Cairo) is based on Tahrir Square. A series of concentric circles radiates and emits an energy that is pierced by accents in a balance and dance of anchor and release.