Martin Cid's Blog: Martin Cid Magazine, page 39

Behind the Curtain: Stranger Things The First Shadow: A Stranger Things Stage Premiere Documentary

Netflix is releasing a documentary that chronicles the premiere of the Stranger Things stage play in London. Could the thriller/horror genre translate to the stage? It was a significant challenge, and in 2023, with the fifth season of the series still pending, this bold adaptation premiered at the Phoenix Theatre in London’s West End.

Behind the Curtain: Stranger Things The First Shadow offers an unprecedented look at the intricate process of bringing the world of Hawkins, Indiana, to the stage. The documentary meticulously follows the play’s journey, from its initial concept and scriptwriting to its highly anticipated debut in London’s prestigious West End. Viewers will get exclusive, never-before-seen video footage, along with intimate interviews with the cast and the visionary creative team that worked tirelessly to bring this prequel to life. Director Jon Halperin, known for his work on A Trip to Infinity, guides this behind-the-scenes exploration. The documentary is produced by Angus Wall, Kent Kubena, and Terry Leonard, with Matt Bell serving as executive producer.

The documentary’s emphasis on the West End production, even with the play’s subsequent Broadway opening, highlights the initial London production’s significant impact and critical acclaim. As we’ll see, it was a resounding success in London, evidenced by its three Olivier Awards.

The Origin of the Play

The play stemmed from a fascinating idea conceived by the creators of the beloved Netflix series, Matt and Ross Duffer, in collaboration with Jack Thorne and Kate Trefry. Kate Trefry, who also serves as a writer and co-executive producer for the Stranger Things series, penned the intricate script. The narrative unfolds in the familiar, yet earlier setting of Hawkins, Indiana, specifically in 1959, long before the adventures of Mike, Eleven, and their friends that audiences have come to know. At its core, the play delves into the story of the Creel family’s arrival in Hawkins, focusing especially on the formative years of Henry Creel, the character who would eventually become the terrifying villain known as Vecna in the main series. According to the Duffer brothers, this theatrical production serves as a crucial origin story for the entire Stranger Things saga, including the beginnings of the mysterious and menacing Upside Down. The involvement of the original creators, along with accomplished writers like Jack Thorne, known for his work on Harry Potter and the Cursed Child, and Kate Trefry, demonstrates a concerted effort to ensure that the prequel aligns seamlessly with the established Stranger Things mythology, while also introducing new theatrical elements. This combination of television and theater expertise likely played a significant role in the play’s success.

Behind the Curtain Stranger Things The First Shadow – Netflix

From Script to Stage

The theatrical production is brought to life under the direction of three-time Tony Award winner Stephen Daldry, with Justin Martin as co-director. The creative team responsible for the stage’s visual and auditory landscape includes set designer Miriam Buether, costume designer Brigitte Reiffenstuel, lighting designer Jon Clark, sound designer Paul Arditti, and original music composer D.J. Walde.

The cast features Louis McCartney in the pivotal role of young Henry Creel in both the West End and Broadway productions. Other notable cast members portray younger versions of beloved characters, such as Burke Swanson as James Hopper Jr., Alison Jaye as Joyce Maldonado, and Juan Carlos as Bob Newby. The play is characterized by its elaborate sets, dazzling visual effects, and meticulously choreographed scenes, all of which contribute to an immersive theatrical experience. The involvement of a director of Stephen Daldry’s caliber underscores the play’s high artistic aspirations. His extensive experience in both theater and film likely provided a unique lens for merging the cinematic qualities of Stranger Things with the distinct demands of live performance. This level of directing expertise adds significant weight to the production’s credibility and heightens anticipation for both the play and the documentary.

About the Documentary

Behind the Curtain: Stranger Things The First Shadow is a captivating look for theater enthusiasts, whether or not they are fans of the original series. The documentary aims to reveal the behind-the-scenes details of creating a play, from the production stage and the script, to the first readings, initial rehearsals, rehearsals with an audience, and the incorporation of special effects.

In this case, it was even more complicated, because it dealt with a genre not often seen represented in theater: can terror be effectively produced on a stage? That was the challenge faced by these professionals, who gave their all to produce a theatrical success that would resonate with audiences.

If you’ve attended a play in the West End, you already know: today’s productions are spectacular, full of light, effects, and pace, attractive, and a complete experience for the viewer. The Stranger Things play competed with the spectacle of so many other productions and, at the same time, had to satisfy the series’ fans.

A prequel in the form of a stage play that was launched in 2023 and now arrives in the form of a documentary about how it came to life.

Enjoy!

Where to Watch “Behind the Curtain: Stranger Things The First Shadow”

Netflix

The Glass Dome: Camilla Läckberg’s New Series for Netflix

Not too long ago, before AI took over, Nordic mystery, thriller, and murder novels were all the rage. This popular genre, propelled to international fame by Stieg Larsson, became known as Scandi noir or Nordic noir.

“The Glass Dome” is a series penned by acclaimed author Camilla Läckberg, immersing viewers in a dark and suspenseful story set in a seemingly tranquil small town. It’s a tale filled with flashbacks, mystery, and traumatic memories.

“The Glass Dome” is one of those series about small towns and hidden pasts, where the apparent peace and normalcy of the residents mask a mystery waiting to be unraveled, revealing the darkness of the human soul.

The Plot

The story of “The Glass Dome” unfolds in a Swedish town grappling with the inevitable clash between its traditional roots and the encroaching forces of modernization. Amidst this social tension, Lejla, a seasoned criminologist, returns. Her past is inextricably linked to this place, as she was once the victim of a harrowing crime: abduction and captivity in a glass dome by an unknown individual. This chilling detail forms the core of Lejla’s personal connection to the unfolding events. The town’s tranquility is shattered when Alicia, the young daughter of Lejla’s friend Louise, vanishes without a trace. The circumstances of Alicia’s disappearance bear an unsettling resemblance to Lejla’s childhood trauma, immediately suggesting a possible connection between the past and the present.

The Cast

Leading the series is Léonie Vincent, the actress who portrays Lejla, the criminologist grappling with her disturbing past. Her haunting presence enhances the role, and she delivers a compelling performance. Vincent skillfully navigates the series’ tone, creating a complex and mysterious protagonist.

Joining Vincent in the main cast are Johan Hedenberg, who plays Valter, Lejla’s experienced former police partner, and Johan Rheborg, who portrays Tomas, a local law enforcement officer whose intensity hints at underlying complexities. The cast also includes Farzad Farzaneh, Ia Langhammer, Cecilia Nilsson, and Emil Almén.

The Author: Camilla Läckberg

The narrative comes from the mind of Camilla Läckberg, the celebrated Swedish author of crime novels, often critically acclaimed. Läckberg not only created the story but also serves as an executive producer on the series. Her established reputation in the crime fiction genre, with many of her novels adapted for television, brings a significant level of anticipation to this project.

Direction and Artistic Team

Directorial duties are shared by Henrik Björn and Lisa Farzaneh, while the main writer is Lisa Linnertorp, with Amanda Högberg and Axel Stjärne contributing as writers, credited with the “intelligent scripts.” Agnes Blåsjö takes on the role of producer. The series’ visual aesthetic is shaped by cinematographer Gustav Danielsson, with editing by Bjorn Kessler, production design by Linnéa Pettersson, and costume design by Cilla Rörby. The atmospheric tension is heightened by the musical compositions of Edvin Nahlin and Joel Danell, and the makeup artistry of Lotta Fischer.

About the Series

“The Glass Dome” delivers on expectations, meeting the standards set by its author, Camilla Läckberg, a true star of the genre. Läckberg skillfully captures the sordid, raw, and mysterious tone of the environment, translating it effectively into the script. It’s worth noting that “The Glass Dome” is not based on any of her previously published novels.

The series opens with a strong pace, featuring the suicide of one of Lejla’s friends and the disappearance of the young girl. There’s barely time to process these events before the mystery fully takes hold, though it gradually slows down in subsequent episodes. It doesn’t follow a typical Hollywood rhythm, and the author clearly enjoys exploring the psychological reality of the characters, delving into the collective psyche of this Swedish community.

The series is full of surprises. The author is an expert in crafting a macabre mystery script, creating a compelling atmosphere, and, above all, generating intrigue around the main character. It also benefits from strong direction and artistic design, effectively portraying the contrast between the cold landscape and the cruelty of the human soul.

“The Glass Dome” is not the definitive work, nor the best of the Nordic novel adaptations. Instead, it’s a somewhat generic dark thriller that doesn’t reinvent the genre, but it is a solid contribution.

The performance of the lead actress, Léonie Vincent, stands out. With a face full of beauty and mystery, she brings complexity and a touch of ambiguity to the character.

This series is ideal for viewers who enjoy mystery series and small-town stories filled with secrets. It’s not groundbreaking or innovative, but it delivers exactly what the audience expects, with a good dose of surprises as the plot unfolds and the kidnapper’s profile is revealed.

Enjoy the show!

Where to Watch “The Glass Dome”

Netflix

Jason Statham is Back in Action with ‘A Working Man’

Looking for that classic, hard-hitting Jason Statham action flick? Well, look no further. “A Working Man” delivers exactly what you’d expect: an action-packed thrill ride featuring a good-hearted, tough-as-nails veteran who spends most of his time punching and shooting his way through trouble.

The action genre welcomes another entry with “A Working Man,” a 2025 American action thriller starring the ever-reliable Jason Statham. The film marks a reunion between Statham and director David Ayer, following their successful collaboration on “The Beekeeper.” Adding to the action pedigree, the project features action cinema icon Sylvester Stallone, who co-wrote the screenplay with Ayer. This collaboration hints at a continuation of their prior successful formula, promising audiences a heavy dose of Statham’s signature action prowess. The story centers on a former elite operative attempting to live a quiet life as a working man, but who is inevitably drawn back into the dangerous world he left behind.

Plot Summary: A Glimpse into the Action

Jason Statham plays Levon Cade, a man with a past shrouded in the shadows of elite military service or covert operations. Having seemingly traded a life of danger for the relative calm of a construction job, Levon is also dedicated to being a good father to his daughter. However, his attempt at a normal life is shattered when Jenny Garcia, the teenage daughter of his boss, becomes the victim of a kidnapping by human traffickers, often linked to the Russian mafia (the Bratva). Driven by a sense of duty, and perhaps a personal connection (having reportedly promised Jenny he would always have her back), Levon makes the decisive choice to return to his old life. Using his highly specialized and lethal skills, he embarks on a perilous hunt to locate the kidnappers. This pursuit leads him into the depths of a dangerous criminal conspiracy, potentially involving not only organized crime but also corrupt government officials, threatening the fragile peace he has sought to build for himself and his daughter.

The Creative Team: Statham, Ayer, and Stallone Unite

“A Working Man” is directed by David Ayer, known for his gritty and intense action films. His previous collaboration with Jason Statham on “The Beekeeper” established a successful working relationship within the action genre. The screenplay for “A Working Man” was penned by the duo of Sylvester Stallone and David Ayer, basing their narrative on the novel “Levon’s Trade” by Chuck Dixon. Dixon is well-regarded for his work in the comic book world, having contributed to action-heavy titles like “The Punisher” and “Batman.” Notably, Sylvester Stallone previously wrote for Jason Statham in the 2013 film “Homefront.” The film was produced by a team that includes Chris Long, Jason Statham himself, John Friedberg, David Ayer, Sylvester Stallone, Bill Block, and Kevin King Templeton.

The cast is led by Jason Statham as the protagonist, Levon Cade. He is joined by a supporting cast that includes Jason Flemyng as Wolo Kolisnyk, Michael Peña as Joe Garcia, and David Harbour as Gunny Lefferty. The role of the kidnapped daughter, Jenny Garcia, is played by Arianna Rivas, with Noemi Gonzalez as Carla Garcia and Maximilian Osinski as Dimi Kolisnyk. Rounding out the main cast are Merab Ninidze as Yuri, Isla Gie as Levon’s daughter Merry Cade, and David Harbour as Gunny Lefferty, a blind arms dealer.

Statham’s Performance

In “A Working Man,” Jason Statham delivers a performance that largely aligns with his well-established action hero persona. He embodies the tough and stoic protagonist with a mysterious and lethal past, efficiently dispatching his adversaries with his signature style. His physicality and presence in the action sequences remain compelling. There are moments in the film where Statham’s performance hints at a vulnerability, particularly in scenes involving his character’s daughter or allusions to his past, adding a touch of humanity to his otherwise unwavering action hero image.

Behind the Camera: Production Details and Interesting Facts

“A Working Man” was filmed in London, England. The film had an estimated budget of $40 million. Production companies involved include Black Bear, Cedar Park Entertainment, Punch Palace Productions, and Sylvester Stallone’s Balboa Productions.

This marks the second time a film written by Sylvester Stallone has featured Jason Statham in the lead role, the first being “Homefront” in 2013. It’s also worth noting that Sylvester Stallone initially conceived of adapting Chuck Dixon’s “Levon’s Trade” as a television series before it ultimately became a feature film starring Jason Statham.

Our Verdict

“A Working Man” is precisely the movie we’ve all come to expect: a film marked by the kind of role that Jason Statham has played time and time again, a role that has deservedly catapulted him into the position of Bruce Willis’s heir apparent. It’s packed with action, kicks, and gunfights, featuring that familiar character of a good-hearted, tough veteran.

Are there any surprises? Absolutely none. But it delivers exactly what Statham’s fans are looking for. Nothing more, nothing less.

A Working Man

Saatchi Gallery Unveils “Three Coverings” at Chelsea Flower Show

The Saatchi Gallery is set to present its 2025 RHS Chelsea Flower Show garden, titled Three Coverings, featuring the work of multi-disciplinary artist Darcey Fleming and garden designer Naomi Ferrett-Cohen.

Fleming’s large-scale, abstract sculptures, crafted from discarded baling twine sourced from local farmers in Oxfordshire and Berkshire, will be a central feature of the garden. Her artistic process involves a repetitive “building” technique, where she stretches and unravels the twine to create substantial material forms. Fleming describes her practice as driven by “a need to continually make, to fill time,” resulting in a visually and sensorially rich experience.

Three Coverings will showcase a range of Fleming’s creations, including an immersive wall hanging, a chair sculpture, and a conical freestanding structure adorned with a large woven sculptural form. A winding gravel path will guide visitors through the garden, with the main sculpture evoking traditional land-based celebrations. Fleming’s works are intended to act as “conversational tools,” accessible objects designed for enjoyment.

Fleming collaborated closely with garden designer Naomi Ferrett-Cohen to create a setting that complements her sculptures. The organic nature of her medium and her commitment to sourcing materials locally and sustainably are reflected in the garden’s design. The sculptures will be surrounded by a landscape of wildflowers and soft grasses, enclosed by hazel wood fencing and climbing ivy.

The garden’s planting scheme echoes the color, texture, and volume of Fleming’s sculptures, incorporating repeated patterns of plants. The theme of duality is also prominent. For example, Digitalis purpurea (common foxgloves), like the recycled plastic twine used by Fleming, are both beautiful and poisonous. Lamium orvala (balm-leaved red deadnettle) represents nettles, known for their sting but also associated with protection in folklore. These elements highlight Fleming’s ability to transform potentially harmful materials into something unexpected and “playful.”

HSBC UK supports the garden. This marks the Saatchi Gallery’s fifth year participating in the RHS Chelsea Flower Show. The show is an important part of the Gallery’s summer program, providing a platform for emerging artists to reach new audiences and explore diverse materials and formats. Flowers are a key theme in the Gallery’s 40th-anniversary year, with its major exhibition, FLOWERS – Flora in Contemporary Art & Culture, featuring over 500 works and installations inspired by flora across various disciplines, including art, photography, sculpture, fashion, film, music, and science.

The RHS Chelsea Flower Show is scheduled to take place from May 20-24, 2025.

Mario Vargas Llosa, Literary Giant, Dies at 89

The literary world has suffered a great loss. Mario Vargas Llosa, one of the most important writers of our time, died on April 13, 2025, in Lima. The sad news was announced by his son, Álvaro Vargas Llosa, who reported that his father passed away peacefully, surrounded by his closest family. The family also announced that, in accordance with the deceased’s wishes, there will be no public funeral service, and his body will be cremated. The news of the Peruvian Nobel laureate’s death has saddened his family, friends, and the countless readers around the world who cherished his rich body of work and his commitment to important social issues.

Jorge Mario Pedro Vargas Llosa was born on March 28, 1936, in Arequipa, the second-largest city in Peru. He spent his early years in Cochabamba, Bolivia, where his maternal grandfather served as Peru’s honorary consul, and later in Piura, a city in northern Peru. During his childhood, Vargas Llosa believed that his father was deceased. The truth about his parents’ separation was hidden from him by his mother and her family. It was not until the age of ten, after moving to Lima, that he met his father. Upon his return to Peru, in Lima, he attended the Colegio La Salle Catholic high school, and then, against the wishes of his father, who wanted to instill discipline in him through a military education, he enrolled in the Leoncio Prado Military Academy. However, his literary ambitions proved stronger. Even before graduating from the academy, at the age of sixteen, he began working as a journalist for local newspapers. He ultimately abandoned the military academy and completed his studies in Piura, where he worked for the local newspaper “La Industria” and had the opportunity to see his first play, “La huida del Inca,” staged. In 1953, he began studying law and literature at the National University of San Marcos in Lima. After graduating in 1958, he received a scholarship to the Complutense University of Madrid. Two years later, he moved to Paris, where he initially struggled financially, but it was there that he began his intensive writing career. He was married twice in his lifetime, first to Julia Urquidi, and later to Patricia Llosa, with whom he had three children: Álvaro, Gonzalo, and Morgana.

Mario Vargas Llosa’s literary output is remarkably rich and diverse. His most important works include novels such as “The Time of the Hero” (“La ciudad y los perros”), which brought him international acclaim and is considered one of the first modern Latin American novels. Other significant titles include “The Green House” (“La casa verde”), “Conversation in the Cathedral” (“Conversación en La Catedral”), a novel inspired by the period of dictatorship in Peru; “Captain Pantoja and the Special Service” (“Pantaleón y las visitadoras”), “Aunt Julia and the Scriptwriter” (“La tía Julia y el escribidor”), based on his first marriage; the epic “The War of the End of the World” (“La guerra del fin del mundo”), “The Feast of the Goat” (“La fiesta del Chivo”), which deals with the Trujillo dictatorship in the Dominican Republic, and “The Bad Girl” (“Travesuras de la niña mala”). His last work is the novel “Le dedico mi silencio” (translated as “That’s For You, My Silence”), published in 2024. Vargas Llosa’s work is characterized by a rich language and a variety of forms, including autobiographical and historical novels, and even thrillers. In his works, he often addressed themes of power, corruption, social injustice, and the complex human condition, setting them in a Peruvian and, more broadly, Latin American context. His early novels uncompromisingly portrayed a Peruvian world full of militarism, the decadence of the elites, and the contrast between modern poverty and traditional communities.

For his outstanding literary achievements, Mario Vargas Llosa was honored with many prestigious awards. The most important of these is the Nobel Prize in Literature, which he received in 2010 for his “cartography of structures of power and his trenchant images of the individual’s resistance, revolt, and defeat.” He was also a recipient of the Cervantes Prize, considered the most important literary award in the Spanish-speaking world. His extensive list of awards also includes the Prince of Asturias Award, the Rómulo Gallegos Prize, and the Planeta Prize. His significance in the world of literature is further confirmed by the fact that he was a member of the Royal Spanish Academy and one of the “immortals” of the French Academy, a remarkable distinction for a writer who worked primarily in Spanish.

Mario Vargas Llosa played a key role in the so-called “boom” of Latin American literature, a literary phenomenon that shook the world in the 1960s and 1970s. His novel “The Time of the Hero” is often cited as one of the works that launched this movement and contributed to the international popularity of literature from Latin America. Considered one of the most important contemporary novelists, he had a significant influence on world literature. His work combined literary mastery with compelling plots, addressing universal themes, which earned his books translations into many languages and readers around the world. His political engagement and his bold portrayal of Latin American history in his works contributed to his global recognition as an intellectual and writer. His work remains a lasting symbol of the struggle for freedom, truth, and individual dignity, representing a priceless contribution of Latin American culture to the world’s literary heritage. In his prose, Vargas Llosa was able to combine sensuality with deep political reflection. His essays and columns published in “El País” demonstrated his constant intellectual curiosity and his desire to actively participate in the most important social and political debates.

Mario Vargas Llosa died peacefully surrounded by his family in Lima. His son shared the news of his peaceful passing. The exact cause of the writer’s death has not been released to the public. In accordance with his wishes and the family’s decision, there will be no official funeral ceremonies, and his body will be cremated.

Mario Vargas Llosa was undoubtedly a giant of world literature, and his rich and diverse body of work, as well as his commitment to important social and political issues, have left an indelible mark on the history of literature. His novels, essays, and journalistic writings inspired and provoked thought in millions of readers around the world. His literary legacy will live on through his numerous works, which will remain an important point of reference for future generations of writers and readers.

The Top Japanese Horror Movies of All Time

Japanese horror, often referred to as J-horror, has captivated and terrified audiences worldwide with its distinct approach to the genre. Unlike its Western counterparts, which frequently rely on overt violence and jump scares, J-horror typically excels in creating a pervasive atmosphere of dread, tapping into deep-seated psychological fears, and exploring the unsettling realm of the supernatural. This unique sensibility has earned Japanese horror films global recognition and significant influence, particularly during the late 20th and early 21st centuries. This article aims to delve into the pantheon of Japanese horror cinema, identifying the most consistently acclaimed films, examining their key features and cultural significance, and exploring their enduring legacy on the international stage.

Defining the Apex of Fear: Identifying the Top Japanese Horror Films

Determining the definitive “best” Japanese horror movies of all time is a subjective endeavor, yet a consensus emerges when examining numerous reputable sources, including film review websites, publications, and expert lists. While countless films have contributed to the rich tapestry of Japanese horror, certain titles consistently appear at the top, signifying their critical acclaim, audience impact, and historical importance within the genre. Based on a comprehensive review of these sources, the following films represent the core of all-time Japanese horror masterpieces: Ring (1998), Audition (1999), Ju-On: The Grudge (2002), Cure (1997), Kwaidan (1964), House (1977), Dark Water (2002), Onibaba (1964), Pulse (2001), Tetsuo: The Iron Man (1989), One Cut of the Dead (2017), and Godzilla (1954). While other films certainly warrant recognition, this selection provides a comprehensive overview of the most consistently top-ranked and influential works for an English-speaking audience. The frequent appearance of these specific films across diverse expert opinions, ranging from professional critics to genre enthusiasts, underscores their foundational or highly influential status within the history of Japanese horror. This consistent recognition suggests a broad agreement on their quality and impact, making them essential viewing for anyone seeking to understand the genre’s key developments and enduring appeal.

Unmasking the Masterpieces: In-depth Exploration of Top Films

The following sections provide a detailed exploration of each of the identified top Japanese horror films, delving into their plot, production details, and critical reception.

Ring (1998)

Ring (Japanese title: Ringu), released in 1998, directed by Hideo Nakata, stars Nanako Matsushima, Hiroyuki Sanada, Miki Nakatani, and Yuko Takeuchi. The film centers on a cursed videotape that mysteriously kills viewers seven days after watching it. Reporter Reiko Asakawa investigates the deaths of her niece and her friends, leading her to uncover the chilling legend of Sadako Yamamura, a young woman with psychic abilities who was murdered and thrown into a well. Ring garnered significant critical acclaim, holding a 98% Tomatometer rating on Rotten Tomatoes. Critics lauded its ability to blend supernatural horror with anxieties surrounding modern technology, creating a truly frightening and unnerving experience. The film’s success was pivotal, igniting the J-horror boom that swept across the globe. The film’s effectiveness in merging traditional Japanese ghost stories, featuring the iconic yūrei (vengeful spirit), with contemporary fears about technology resonated deeply with audiences worldwide. The slow-building tension and the unforgettable image of Sadako crawling out of a television set have cemented its place as a landmark film in the horror genre.

Audition (1999)

Released in 1999 and directed by Takashi Miike, Audition (Japanese title: Ōdishon) features Ryo Ishibashi, Eihi Shiina, Jun Kunimura, and Miyuki Matsuda in its main roles. The narrative follows Aoyama, a widower who, encouraged by his son, stages fake film auditions to find a new wife. He becomes infatuated with Asami Yamazaki, a seemingly reserved woman who harbors a dark and terrifying secret. Audition received generally positive reviews, earning an 83% Tomatometer rating on Rotten Tomatoes. It was described by critics as an audacious and unsettling film that effectively blends grisly shocks with psychological drama. The film is known for its deliberate slow-burn pacing, which gradually escalates into scenes of extreme and disturbing terror, showcasing Miike’s signature style. The shocking tonal shift from a melancholic romance to graphic body horror and intense psychological terror makes Audition a highly impactful and often debated film within the genre.

Ju-On: The Grudge (2002)

Directed by Takashi Shimizu and released in 2002 (though some sources indicate 2003), Ju-On: The Grudge (Japanese title: Juon) stars Megumi Okina, Misaki Ito, Misa Uehara, and Yui Ichikawa. The film unfolds through a non-linear series of vignettes, detailing the horrific curse that emanates from a family home in suburban Tokyo where a brutal murder occurred. This curse latches onto anyone who enters the house, leading to their gruesome demise. While critical reception was initially mixed, Ju-On: The Grudge achieved significant global impact and became a major influence on horror cinema, spawning numerous sequels and an American remake. The unsettling atmosphere, fragmented narrative, and the iconic, terrifying figures of Kayako and her son Toshio have made it a staple of modern horror. The concept of a cursed location that actively seeks out and destroys its victims through a malevolent force is a central element of its enduring fear.

Cure (1997)

Kiyoshi Kurosawa directed Cure (Japanese title: Kyua), released in 1997, featuring Kôji Yakusho, Tsuyoshi Ujiki, Anna Nakagawa, and Masato Hagiwara. The film presents a detective, Takabe, investigating a series of seemingly random murders where the victims are killed in the same peculiar way, with an “X” carved into their necks. The perpetrators, when apprehended, have no recollection of their crimes. Takabe’s investigation leads him to a mysterious amnesiac named Mamiya, who appears to have a disturbing influence on those he encounters, subtly manipulating them into committing the acts. Cure was highly praised by critics, earning a 94% Tomatometer rating on Rotten Tomatoes. It has been lauded as mesmerizing and psychologically intriguing, representing a high point in J-horror. The film masterfully builds a sense of unease and dread through its exploration of suggestion, identity, and the unsettling depths of the human psyche, leaving a lasting impression through its slow-burn tension and the detective’s gradual mental unraveling.

Kwaidan (1964)

Masaki Kobayashi directed the visually stunning anthology film Kwaidan (Japanese title: Kaidan), released in 1964, starring Rentarô Mikuni, Michiyo Aratama, Tetsurô Tanba, and Katsuo Nakamura. The film adapts four distinct Japanese folk tales with supernatural themes, each presented with meticulous artistry. Kwaidan received significant critical acclaim, holding a 91% Tomatometer rating on Rotten Tomatoes. Critics described it as exquisitely designed and a meditative tribute to Japanese folklore rather than a purely frightening horror experience. It is recognized as a masterclass in anthology filmmaking, showcasing the rich tradition of Japanese ghost stories with elegant visuals and a focus on atmosphere and cultural heritage rather than overt scares. Its artistic merit and exploration of traditional folklore have made it an influential work in the genre.

House (1977)

Released in 1977 and directed by Nobuhiko Ôbayashi, House (Japanese title: Hausu) features Kimiko Ikegami, Ai Matsubara, Miki Jinbo, and Eriko Tanaka. The film tells the bizarre and gleefully demented story of a schoolgirl named Gorgeous who visits her ailing aunt’s countryside home with six of her classmates. Upon arrival, the girls discover that the house is haunted and possessed by a malevolent spirit that devours them one by one in increasingly surreal and outlandish ways. House holds a 91% Tomatometer rating on Rotten Tomatoes, with the critics’ consensus describing it as a gleefully demented collage of grand guignol guffaws and bizarre sequences. This psychedelic horror-comedy has garnered a cult following for its sheer absurdity, experimental style, and unconventional narrative, making it a truly singular entry in the horror genre.

Dark Water Dark Water (2002)

Hideo Nakata returned to the director’s chair for Dark Water (Japanese title: Honogurai Mizu no Soko kara), released in 2002, starring Hitomi Kuroki, Rio Kanno, Mirei Oguchi, and Asami Mizukawa. The film follows Yoshimi Matsubara, a newly single mother going through a difficult divorce, as she moves into a dilapidated apartment building with her young daughter, Ikuko. They soon encounter a persistent leak in their ceiling and other strange occurrences, leading Yoshimi to uncover the tragic story of a young girl named Mitsuko who disappeared from the building years prior. Dark Water received generally positive reviews, holding an 84% Tomatometer rating on Rotten Tomatoes. It is described as a slow-burn ghost story with a damp, chilling atmosphere, effectively blending supernatural horror with psychological drama and tapping into common anxieties of renters. The film’s melancholic tone and focus on maternal anxieties contribute to its unsettling and poignant narrative.

Onibaba (1964)

Onibaba, released in 1964 and directed by Kaneto Shindô, features Nobuko Otowa, Jitsuko Yoshimura, and Kei Satô in its main roles. Set in 14th-century Japan during a civil war, the film tells the story of an older woman and her daughter-in-law who survive by ambushing and killing stray samurai, selling their belongings for sustenance. Their precarious existence is disrupted by the return of a neighbor who deserted the war and the appearance of a mysterious samurai wearing a bizarre mask, leading to psychological torment and primal fear. Onibaba holds a high IMDb rating and is considered one of the first major Japanese horror films of the post-war era. The film starkly blends folk horror, psychological thriller elements, and social commentary within its historical setting, exploring themes of survival, desire, and the brutal consequences of violence through its striking imagery of masks and the vast susuki grass fields.

Pulse (2001)

Kiyoshi Kurosawa directed another influential horror film, Pulse (Japanese title: Kairo), released in 2001, starring Haruhiko Katô, Kumiko Asô, and Koyuki. The film presents two parallel narratives in Tokyo where groups of people discover that spirits are invading the human world through the internet. Exploring themes of loneliness and urban isolation in the digital age, Pulse received generally favorable reviews, earning a Metascore of 68 on IMDb. It is recognized as a creepy and original addition to the J-horror genre, tapping into the then-emerging anxieties surrounding the internet and its potential to disconnect individuals even as it connects them. The film’s unsettling atmosphere and exploration of technological dread have made it a significant work in the techno-horror subgenre.

Tetsuo: The Iron Man (1989)

Shin’ya Tsukamoto’s groundbreaking cyberpunk body horror film, Tetsuo: The Iron Man (Japanese title: Tetsuo), was released in 1989, featuring Tomorô Taguchi, Kei Fujiwara, and Nobu Kanaoka. The film depicts the bizarre and disturbing transformation of a businessman into a grotesque hybrid of flesh and metal after a seemingly accidental encounter with a metal fetishist. Tetsuo: The Iron Man has achieved cult status for its avant-garde style, intense imagery, and exploration of themes related to industrialization, body modification, and the increasingly blurred lines between humanity and technology. Its visceral and surreal depiction of physical transformation has made it a landmark film in the body horror subgenre.

One Cut of the Dead (2017)

Shinichiro Ueda’s One Cut of the Dead (Japanese title: Kamera o Tomeru na!), released in 2017, stars Takayuki Hamatsu, Yuzuki Akiyama, Harumi Shuhama, and Kazuaki Nagaya. Initially appearing as a low-budget zombie film about a director and crew attacked by real zombies while shooting in an abandoned water purification plant, the movie quickly reveals itself to be a clever and heartwarming meta-narrative about the struggles and joys of independent filmmaking. One Cut of the Dead received overwhelming critical acclaim, boasting a perfect 100% Tomatometer rating on Rotten Tomatoes. Critics praised its brainy and bloody nature, its refreshing and satirical take on the zombie genre, and its surprising blend of horror and comedy. Its unique structure and infectious enthusiasm have made it a modern horror-comedy masterpiece.

Godzilla (1954)

Ishirô Honda’s seminal Godzilla (Japanese title: Gojira), released in 1954, features Takashi Shimura, Momoko Kochi, Akira Takarada, and Akihiko Hirata. The film depicts a colossal, fire-breathing monster that emerges from the sea to terrorize Japan, awakened by atomic bomb testing. While often categorized as a science fiction monster movie, the original Godzilla is deeply rooted in the anxieties of post-war Japan, serving as a potent metaphor for the destructive power of nuclear weapons and humanity’s vulnerability in the face of such forces. Godzilla holds a 94% Tomatometer rating on Rotten Tomatoes, with critics highlighting its significant post-war commentary. It is considered one of the most influential kaiju (giant monster) movies ever made, launching a long-running franchise and impacting popular culture worldwide.

The Fabric of Fear: Common Themes and Stylistic Signatures of Japanese Horror

Several recurring themes weave through the tapestry of Japanese horror cinema, creating a distinct and unsettling viewing experience. A primary characteristic is the emphasis on psychological horror and suspense, where dread and unease are meticulously built through atmosphere and suggestion, often eschewing jump scares and excessive gore. The pervasive presence of the supernatural, particularly ghosts (yūrei) and other spectral entities (yōkai), forms the core of many narratives, driving the fear and exploring the boundaries between the living and the dead. The deep influence of Japanese folklore is undeniable, with traditional ghost stories, myths, and legends serving as rich source material, tapping into deeply ingrained cultural fears and superstitions. The iconic image of the yūrei, often depicted as a woman with long, black hair obscuring her face, and specific folktales like that of Okiku inspiring Ring and the vengeful spirits in Ju-On exemplify this connection.

Another significant theme is technological anxiety, with modern technology like videos, phones, and the internet frequently acting as conduits for the supernatural or amplifying existing malevolence. Contemporary J-horror often explores the breakdown of family and societal isolation, featuring haunted houses and dysfunctional families as reflections of anxieties surrounding changing social structures and individual alienation. Finally, themes of revenge and unresolved trauma are prevalent, with vengeful spirits seeking to right past wrongs serving as a common and potent motif.

Stylistically, Japanese horror is characterized by a strong emphasis on atmosphere and mood, prioritizing the creation of a pervasive sense of dread and unease through subtle cues rather than relying on sudden shocks. Sound design plays a crucial role, with eerie whispers, unsettling noises, and the strategic use of silence to build tension and create scares. Recurring visual cues, such as long dark hair obscuring faces, pale and contorted figures, and the use of shadows and limited color palettes, further enhance the unsettling atmosphere that defines the genre. These thematic and stylistic elements often intertwine to produce a uniquely unsettling viewing experience, where the fear lingers long after the credits roll, tapping into fundamental anxieties and cultural beliefs.

A Genre Forged in History: Cultural Influences and the Evolution of Japanese Horror Cinema

The history of Japanese horror cinema is deeply intertwined with the nation’s cultural heritage and societal shifts. The genre’s origins can be traced back to the kaidan tales, the traditional ghost stories of the Edo and Meiji periods, and the dramatic influence of Kabuki and Noh theater, which frequently depicted tales of revenge and supernatural occurrences. The post-World War II era witnessed the rise of kaiju films like Godzilla, a direct reflection of the national trauma and anxieties surrounding nuclear devastation. The 1960s and 1970s saw the emergence of key films such as Onibaba and Kwaidan that further solidified the genre’s foundations, alongside more experimental works like House.

The late 20th century marked a significant turning point with the emergence of J-horror in the late 1990s and early 2000s. Films like Ring, Ju-On, and Pulse garnered international acclaim, often incorporating themes of technological anxiety and the pervasive sense of urban isolation. Contemporary Japanese horror continues to evolve, adapting to new societal anxieties and technological advancements.

Societal changes and cultural anxieties have profoundly shaped the genre’s trajectory. The post-war trauma and fear of nuclear weapons directly led to the creation of Godzilla as a powerful symbol of destruction. The rapid advancements in technology and the increasing reliance on digital communication fueled anxieties about social isolation, which found expression in films like Ring and Pulse, where technology becomes a conduit for supernatural threats. Shifts in family structures and evolving gender roles are often reflected in the recurring themes of haunted houses and vengeful female spirits that permeate many J-horror narratives. Some scholars also suggest that the genre’s focus on lingering spirits and unresolved suffering may subtly reflect a repressed war guilt and the cultural trauma of Japanese imperialism. The evolution of Japanese horror cinema reveals its deep connection to the nation’s cultural landscape, consistently reflecting and engaging with its historical traumas, evolving social dynamics, and emerging anxieties.

Horror Without Borders: The Global Reach and Influence of Japanese Cinema

The top Japanese horror movies have exerted a significant and lasting influence on global cinema. The J-horror boom of the late 20th and early 21st centuries, spearheaded by films like Ring, sparked a worldwide fascination with Japanese horror, leading to a wave of Hollywood remakes such as The Ring (2002), The Grudge (2004), and Dark Water (2005), which achieved considerable success and further cemented the genre’s global presence. Beyond direct remakes, the themes, stylistic elements, and iconic imagery of J-horror have served as inspiration for countless other horror films across the globe, influencing a new generation of filmmakers and shaping the landscape of contemporary horror. This global exchange also involved a reciprocal influence, with Japanese filmmakers drawing inspiration from Western horror traditions, leading to a fascinating cultural hybridity within the genre. The emphasis on atmosphere, psychological dread, and unique supernatural elements offered a refreshing alternative to the more overtly violent Western horror films of the time, leaving an indelible mark on international cinema.

Voices from the Shadows: Expert Perspectives on the Significance of Japanese Horror

Experts consistently highlight the unique and impactful nature of Japanese horror cinema. Jane Goldman notes the serious and often melancholy tone of these films, emphasizing their strong emotional core while remaining profoundly terrifying. Critics have lauded the atmospheric tension and suspense crafted in films like Ring, which many consider a game-changer for the genre. The deep cultural aspects and social commentary embedded within J-horror are also frequently acknowledged, with some suggesting that these films tap into deeper psychological fears compared to their Western counterparts. The distinctive sound design, characterized by eerie whispers and unsettling silences, and the recurring visual motifs, such as long dark hair and pale figures, are recognized as key elements contributing to the genre’s effectiveness. Furthermore, the tendency of J-horror films to leave the evil unresolved, often with a nihilistic ending, distinguishes them from many Western horror narratives, creating a more lasting sense of dread. These expert perspectives underscore the significant artistic and cultural contributions of Japanese horror cinema to the global landscape of fear.

A Lasting Legacy of Dread

The top Japanese horror movies represent a unique and compelling force within the horror genre. Their enduring power lies in their ability to seamlessly blend traditional cultural elements, such as folklore and the concept of yūrei, with contemporary anxieties surrounding technology and societal shifts. This distinctive approach has not only captivated audiences in Japan but has also left an indelible mark on the global horror landscape, inspiring countless filmmakers and redefining the nature of cinematic fear. The films explored in this article, from the groundbreaking Ring to the surreal House and the thought-provoking Cure, stand as testaments to the enduring legacy of Japanese horror and its continued ability to captivate and terrify audiences worldwide. Exploring these masterpieces offers a profound understanding of a cinematic tradition that has masterfully tapped into the deepest recesses of human fear.

PSYCHOMANIA: Alex Becerra’s Exploration of the Human Condition

Wilding Cran Gallery is currently showcasing PSYCHOMANIA, an exhibition of recent oil paintings by Los Angeles-based artist Alex Becerra. This collection of works reflects on Becerra’s travels to the Yucatan Peninsula, presenting a fantastical landscape that delves into the complexities and curiosities of the human condition.

The exhibition features three large-scale canvases, each a terrain inspired by the artist’s emotional experience of the Yucatan’s vibrant scenery, heritage, and folklore. Becerra invites the viewer into a vivid world of contrasting pigments and rich textures.

Becerra’s artistic approach is maximalist, engaging in an improvisational dialogue with his materials. He utilizes a variety of techniques, from traditional brushwork to using his fingers, a palette knife, and even the last remnants squeezed from paint tubes, to cover every inch of his canvases.

One featured painting, Chiccharon (Happy Pretty), depicts a scene overflowing with dense jungle greenery. Striking reds and oranges cut through layers of lush greens, blues, and yellows, creating moments of unexpected intensity. The work balances abstract and representational elements, resulting in a controlled chaos that offers entry points and moments of clarity for the viewer.

The spontaneous brushstrokes and vibrant colors in Becerra’s canvases reflect his investigations into the ecstasy and catharsis of creation, exploring both raw freedom and vulnerability. In Bathers (After a lot of other Painters in the history of Art), Becerra references art historical depictions of nature as a setting for solace and renewal. Amidst deep purples and bright oranges, the outlines of four female figures in neon green allow the jungle backdrop to permeate their forms, intertwining them with their surroundings. Inspired by Yucatan folklore, this painting evokes a spiritual connection to the land, capturing both the tranquility of the jungle and the internal conflicts it can stir.

Throughout the gallery space, the jungle of PSYCHOMANIA mirrors the emotional landscape of creation – a realm where joy and frustration, curiosity and anxiety, are deeply intertwined. Through his exploration of both his internal world and his travel experiences, Becerra invites viewers to discover the stories within each painted gesture, encouraging them to lose themselves in a labyrinth of consciousness.

Alex Becerra (born in Piru, California) lives and works in Los Angeles. His work spans painting, drawing, and sculpture, exploring modern perspectives.

Rooted in the history of Modern European painting, and specifically influenced by German Neo-Expressionism, Becerra demonstrates a unique ability in his handling of oil paint. He applies it in thick, sweeping lines of impasto, often raised inches off the canvas. His compositions incorporate classical painting subjects, including self-portraiture, the female nude, still life, and genre scenes, often punctuated with recurring, context-specific objects like beer bottles and car rims.

These seemingly ordinary symbols carry personal significance, relating to Becerra’s upbringing in Southern California and his subsequent entry into the international art world. Becerra’s highly referential work possesses a distinct aesthetic and energetic vibrancy.

Becerra has had solo exhibitions at Galerie Timonier, New York, NY; Shane Campbell Gallery, Chicago, IL; Karma International, Beverly Hills, CA and Zürich, Switzerland; Weiss Berlin, Germany, and One Trick Pony, Los Angeles, CA. His work has also been featured in numerous group exhibitions, including those at VETA by Fer Francés, Madrid, Spain; Jeffrey Deitch Gallery, Los Angeles, CA; Kunstraum Potsdam, Germany; Wilding Cran Gallery, Los Angeles, CA; The Journal Gallery, New York, NY; Richard Telles Gallery, Los Angeles, CA; The Green Gallery, Milwaukee, WI; M+B Gallery, Los Angeles, CA; Journal Gallery, Brooklyn, NY; and Ben Maltz Gallery, Westchester, CA.

PSYCHOMANIA is Alex Becerra’s first solo exhibition with Wilding Cran Gallery.

Resident Playbook: A Korean Medical Student Spin-off on Netflix and tvN

Today marks the Netflix premiere of “Resident Playbook,” a spin-off of “Hospital Playlist.” While “Hospital Playlist” chronicled the lives of seasoned medical professors, “Resident Playbook” dives into the vibrant and often challenging world of first-year Obstetrics and Gynecology residents at the Jongno branch of the esteemed Yulje Medical Center.

The first season is set to have twelve episodes, with only the first currently available. The series airs in South Korea on the tvN channel and is available internationally on Netflix, with new episodes dropping on Saturdays and Sundays.

The Premise

“Resident Playbook” follows the daily lives and evolving friendships of these first-year OB/GYN residents as they embark on the demanding journey to become fully qualified medical professionals.

The show is set within the Yulje Medical Center universe, specifically at its Jongno branch. The drama focuses on the Obstetrics and Gynecology department, a medical field facing its own unique set of circumstances, particularly in South Korea, where a declining birth rate presents both professional and societal challenges.

The Creators

The team behind “Resident Playbook” has a proven track record of success. The series is created by the renowned duo of Shin Won-ho and Lee Woo-jung. Their previous collaborations on the “Reply” series, “Prison Playbook,” and, most notably, “Hospital Playlist,” have solidified their reputation for delivering high-quality, deeply resonant dramas, setting high expectations for this new venture. Kim Song-hee, who brings a familiar touch to the series, having previously served as an assistant writer on both “Hospital Playlist” and “Reply 1988,” is penning the script.

Lee Min-soo, known for his work on “Heartbeat,” is at the helm of directing. While Shin Won-ho directed “Hospital Playlist,” his continued involvement as creator of “Resident Playbook” implies a guiding vision, especially in maintaining the thematic essence of the “Wise Life” series.

The creators have expressed their goal to weave together comedic moments with deeply felt emotional narratives, building upon the foundation established by “Hospital Playlist.” A key aspect of their vision is the deliberate focus on the early growth and development of the residents, contrasting with the established expertise and wisdom of the professors who were the central figures in the original series. This shift allows the spin-off to explore different facets of the medical profession, highlighting the learning curves and personal evolution that define the early stages of a doctor’s career.

Resident Playbook – Netflix

The Cast

Go Youn-jung stars as Oh Yi-young, a first-year OB/GYN resident who, despite an initially cold and stoic demeanor, possesses a deeply passionate and dedicated nature once she commits to something, whether it be work or personal relationships.

Shin Si-ah plays Pyo Nam-kyung, another first-year resident who shares a high school connection with Oh Yi-young and is characterized by her polished appearance and seemingly relaxed demeanor.

Kang You-seok takes on the role of Um Jae-il, a first-year resident with a unique past as a former idol, who brings an energetic and humorous approach to his new profession.

Han Ye-ji portrays Kim Sa-bi, a character known for her intelligence and academic achievements, who soon discovers that the practical world of residency extends far beyond textbook knowledge.

Finally, Jung Joon-won plays Koo Do-won, an OB/GYN resident whose connection with Oh Yi-young extends beyond the hospital walls, as they share a surprising political relationship.

About the Series

“Resident Playbook” takes the classic medical drama and infuses it with a strong sense of humor. The series is filled with jokes and gags, very much in the style of the Korean series that Netflix has been offering on Saturdays: lots of humor and a heightened sense of the absurd, this time applied to a medical narrative.

It’s a blend of humor and drama, with a significant touch of sentimentality.

“Resident Playbook” aims to surprise with its mix of somewhat absurd humor and the stark reality of a medical center, always with dramatic undertones.

If you’re a fan of medical dramas, you can catch the first two episodes of “Resident Playbook” this weekend.

Enjoy the show!

Where to Watch “Resident Playbook”

Netflix

Viola Davis Goes Full Bruce Willis in Prime Video’s High-Stakes Action Flick, “G20”

Looking for a truly original movie with a plot that keeps you guessing? Well, you won’t find it in Prime Video’s new release, “G20.” However, if you’re in the mood for a fun, predictable action movie—the kind you can watch without having to think too hard—”G20″ delivers guaranteed entertainment. It’s one of those movies that, precisely because it’s predictable, remains enjoyable, and its formula continues to be used time and time again.

Starring the acclaimed Viola Davis as U.S. President Danielle Sutton, the film throws the audience headfirst into a crisis that threatens to destabilize the global order. Set against the backdrop of the G20 summit in Cape Town, South Africa, “G20” weaves a narrative of terrorism, betrayal, and the unwavering determination of a leader resolved to protect her family and the world.

The Plot: A Summit Under Siege

U.S. President Danielle Sutton, a decorated war veteran turned politician, embarks on a crucial trip to the G20 summit in Cape Town. Her main goal is to secure support for her ambitious plan to eradicate world hunger by implementing a digital currency initiative designed to empower struggling farmers in Sub-Saharan Africa. Accompanying her on this vital diplomatic mission is her family: her husband Derek, played by Anthony Anderson, her teenage daughter Serena, played by Marsai Martin, and her son Demetrius, played by Christopher Farrar. What begins as a critical gathering of the world’s most powerful leaders soon descends into chaos when the heavily fortified hotel hosting the summit is violently seized by a group of mercenaries. The attack is orchestrated by Edward Rutledge, played by Antony Starr, a former Australian Special Forces corporal with a profound disillusionment with global leadership and a sophisticated plan to exploit global financial markets. Rutledge’s scheme involves creating deepfake videos of world leaders, aiming to sow chaos and steer investments into cryptocurrencies, thus enriching himself. Amidst the turmoil, President Sutton, drawing on her military training and leadership skills, manages to evade capture, along with her dedicated Secret Service agent Manny Ruiz, played by Ramón Rodríguez, and a small contingent of other dignitaries. As President Sutton navigates the besieged hotel, her daughter Serena’s tech expertise becomes a vital asset in countering Rutledge’s digital manipulation tactics.

G20 – Prime Video

Behind the Camera and On Screen: The Talent Behind the Thrills

“G20” is the result of the collaborative efforts of a talented team both behind and in front of the camera. The film was brought to life under the direction of Patricia Riggen, a director known for her varied filmography, including the drama “The 33,” which chronicles the true story of the Chilean mining disaster, and the Disney Channel musical “Lemonade Mouth.” The screenplay for “G20” was written by a team of writers that includes Caitlin Parrish, known for her work on the television series “Supergirl,” Erica Weiss, and the brother duo Logan Miller and Noah Miller, who previously wrote the crime drama “White Boy Rick.”

Leading the cast is the formidable Viola Davis, who plays the role of President Danielle Sutton. Davis, an EGOT winner, is celebrated for her powerful performances. Her previous forays into action with “The Woman King” and “Widows” have already showcased her ability to take on physically demanding roles.

Joining Davis is Antony Starr, who plays the menacing antagonist Rutledge. Starr is widely recognized for his chilling portrayal of Homelander in the Prime Video series “The Boys,” a role that has solidified his talent for playing complex and morally ambiguous characters. The film also features a reunion of “Black-ish” stars Anthony Anderson, who plays President Sutton’s husband, Derek, and Marsai Martin, who plays their daughter Serena.

The supporting cast includes Ramón Rodríguez as the steadfast Secret Service agent Manny Ruiz, Douglas Hodge as British Prime Minister Oliver Everett, Elizabeth Marvel as the deceptive Secretary of the Treasury Joanna Worth, Sabrina Impacciatore as Elena Romano, and Clark Gregg as Vice President Harold Mosely.

Our Verdict

Who doesn’t love a good Bruce Willis flick, like “Die Hard”? You might not be action fans; maybe you’re into 1950s and 60s neorealism. Well, “G20” has absolutely nothing to do with neorealism. Instead, it gives the audience what it wants: a plot absurd enough not to take seriously, so you can focus on what really matters: entertainment. The action scenes, combined with cutting-edge technology, will delight viewers looking for an entertaining movie with no greater ambition than that.

It has some good ideas, though, and the writers have done a solid job with the “deepfake” aspect, which is coherent and genuinely scary in terms of what can be done with AI.

“G20” is a generic movie of the kind we’ve seen a thousand times, and that, apparently, we never get tired of seeing repeated over and over again.

Or so Prime Video thinks.

Enjoy the show.

Where to Watch “G20”

Prime Video

Moonrise on Netflix: A Cosmic Collision on the Horizon

Have you ever imagined an AI-governed world, free from conflicts arising from human ambition? The series “Moonrise” seems to have done just that. From this idea, and a lunar rebellion, the series unfolds into a truly captivating science fiction world that is sure to please fans of the genre.

“Moonrise” is a Netflix original animation that plunges us into a large-scale conflict set in a divided future, where the destinies of Earth and its lunar neighbor collide. Produced by the acclaimed Wit Studio, known for its visually stunning and narratively compelling works, “Moonrise” has generated considerable buzz due to the collaboration of renowned creators, including the director of “Attack on Titan” and the character designer of “Fullmetal Alchemist.” All 18 episodes of the series are now available on Netflix.

A Roster of Anime Heavyweights

Behind the creation of this ambitious series is a team of incredibly talented individuals. Directing “Moonrise” is Masashi Koizuka, a name familiar to many for his work as director on seasons 2 and 3 of the popular series “Attack on Titan.” His experience in directing large-scale, action-packed narratives makes him the perfect choice for a science fiction series centered on a major conflict. Koizuka’s directorial skills are further highlighted by his involvement in the upcoming remake of “One Piece,” indicating his aptitude for adapting and reimagining beloved stories.

The writing of “Moonrise” is led by Tow Ubukata, who not only created the original novel on which the series is based but is also responsible for writing the anime’s scripts. Ubukata is a celebrated science fiction writer, known for his contributions to acclaimed series like “Psycho-Pass” and “Ghost in the Shell: Arise.”

The animation of “Moonrise” is being crafted by Wit Studio, a powerhouse in the anime industry recognized for its exceptional work on series such as “Attack on Titan,” “Spy x Family,” and “Vinland Saga.” The studio’s reputation for high production values and captivating animation promises a visually stunning experience for viewers.

Adding to this creative ensemble are the character concepts designed by Hiromu Arakawa, the iconic manga artist behind “Fullmetal Alchemist.” Ayumi Yamada, who also worked on “Attack on Titan,” is adapting Arakawa’s concepts for the animation, ensuring a consistent visual style.

The music of “Moonrise,” crucial for setting the tone and enhancing the emotional impact, is composed by Ryou Kawasaki, known for his work on series like “Yu-Gi-Oh! Sevens” and “Fate/Grand Order Absolute Demonic Front: Babylonia.”

This convergence of talent, each with a proven track record in creating successful and critically acclaimed anime, points to a high level of expertise and a shared commitment to producing a quality series in “Moonrise.”

Moonrise – Netflix

The Plot

The world of “Moonrise” unfolds in the not-too-distant future, where humanity has established a global presence, with settlements on both Earth and the Moon. On Earth, a seemingly peaceful existence is maintained under the watchful eye of an international artificial intelligence network known as Sapientia. This AI governs the world, making rational decisions aimed at ensuring harmony among its inhabitants. However, this peace comes at a price for those living on the Moon. Treated as a penal colony and a dumping ground for Earth’s pollutants, the Moon has become a place of inequality and poverty. This unequal treatment has ignited a fierce desire for independence among the lunar residents, setting the stage for a potential war with Earth. At the heart of this brewing conflict is Jacob “Jack” Shadow, a young man from Earth whose life is irrevocably changed when his family falls victim to a terrorist attack orchestrated by the Moon’s rebel army. Driven by an unyielding thirst for revenge, Jack enlists in Earth’s army as a scout, vowing to make those responsible pay for his loss. His mission takes him to the Moon, the very place where he seeks vengeance. However, his time on the lunar surface leads him to an unexpected discovery: the leader of the resistance forces is none other than his former best friend, Phil Ashe. This revelation adds a deeply personal dimension to the conflict, forcing Jack to confront not only his desire for revenge but also the complex realities of war and the motivations behind his friend’s rebellion. The role of the AI Sapientia in this world, while seemingly maintaining order on Earth, appears to be a central catalyst for the conflict, raising questions about the true nature of its control and the definition of peace it imposes.

The narrative of “Moonrise” centers on the intertwined destinies of Jacob “Jack” Shadow and Phil Ashe. Voiced by Chiaki Kobayashi in Japanese and Alan Lee in English, Jack begins as an Earth soldier driven by personal tragedy and a quest for revenge. His journey to the Moon forces him to confront his past and question his loyalties when he comes face-to-face with the rebellion’s leader. Phil Ashe, voiced by Yūto Uemura in Japanese and Ryan Colt Levy in English, is the charismatic leader of the Moon’s fight for independence. Once a close friend of Jack, Phil’s experiences on the Moon have shaped his convictions and ambitions, leading him down the path of resistance against Earth’s dominance. The supporting cast of “Moonrise” further enriches the narrative landscape. Aina The End lends her voice to the character of Mary, while Kōsuke Takaguchi voices Osma, and Satoshi Yamaguchi portrays Duan. These and other characters, such as Rhys Rochelle, voiced by Misaki Yamada, and Georg Landry, voiced by Katsunori Okai, contribute to the intricate web of relationships and conflicts that define the series. The dynamic between Jack and Phil, former comrades now on opposing sides of a war, forms a crucial emotional core for the series. Their contrasting motivations and the evolution of their relationship will likely drive much of the story’s tension and thematic exploration. The diverse range of supporting characters hints at a multifaceted world with various perspectives on the central conflict, suggesting a narrative that goes beyond a simple good-versus-evil dichotomy.

Our Opinion

“Moonrise” has everything to please anime fans: action, characters with history, impressive animation, and, more importantly, plenty of fantasy and coherence in the script. From its opening moments (humming “Moon River,” the celebrated song popularized by Audrey Hepburn), it’s clear that this is a series that has been carefully crafted in all aspects and that was born with ambition, a lot of ambition: futuristic fantasy everywhere, well-drawn characters, and a whole new and exciting universe recreated in a well-constructed, coherent, and imaginative and intelligent fiction.

A series not to be missed? We would say yes, because the series has ambition to spare. It’s up to the fans to decide, but we can say that we loved “Moonrise.”

Where to Watch “Moonrise”

Netflix