Adam Yamey's Blog: YAMEY, page 124

Rudyard Kipling, Hampstead, and Cambridgeshire

WIMPOLE HALL IN Cambridgeshire is according to the architectural historian Nikolaus Pevsner:

“Without doubt the most spectacular country mansion in Cambridgeshire…”

Chapel at Wimpole Hall, Cambridgeshire

Much of the mainly red brick building dates from the 17th century, although more was built in the 1740s. It contains many splendid rooms including a large library; a chapel decorated in 1724 by the painter James Thornhill (c1675-1734), who decorated the Painted Hall in Greenwich; and a large ‘salon’ created by Sir John Soane. These are a few of the wonders that can be viewed within the house, now maintained by the National Trust. The grounds of Wimpole are also superb and include a magnificent walled garden and a ‘Gothick’ folly.

Despite the visual attractions of Wimpole Hall, I was fascinated by its last owners: George and Elsie Bambridge. George Louis St Clair Bambridge (1892-1943) was a British diplomat and a soldier. In October 1924, he married Elsie Kipling (1896-1976), the second daughter of the famous writer Rudyard Kipling (1865-1936).

After living in several places outside the UK, George and Elsie came to London. Between 1933 and 1937, they lived in Hampstead. Their home in that lovely district of north London was the elegant Burgh House, which was built in 1704. In an epilogue to a biography of her father by Charles Carrington, Elsie wrote of Burgh House:

“In 1933 we returned to England, and our life in the delightful old house which we rented in Hampstead was a source of happiness to him to the end of his life.”

The person to which she was referring (i.e,, “him”) was her father, Rudyard Kipling.  

On the 12th of January 1936, Rudyard and his wife (Carrie) visited George Bambridge, who was in bed at Burgh House, suffering from bronchitis. It was to be Rudyard’s last outing because on the following day he was admitted to Middlesex Hospital where he underwent hazardous surgery for a haemorrhage. He died in hospital on the 18th of January.

The Bambridges moved from Hampstead to Cambridgeshire in 1937. They rented Wimpole Hall between 1937 and 1942, when they purchased to property. George died in 1943, and his widow, Elsie, continued living in Wimpole Hall until her death. When they moved in, the place was empty of contents. They bought pictures and furniture, much of which can be seen today. After her husband’s death, Elsie used the substantial royalties from her father’s books to refurbish the house. On her death, she bequeathed the house and its vast estate to the National Trust. It is well worth visiting if you are anywhere near Royston or Cambridge and it is no more than one hour’s drive from central London.

A charming chapel preserved

WHEN RUDYARD KIPLING (1865-1936) died in London’s Middlesex Hospital, his body was placed in the hospital’s chapel before being taken to be cremated at the Golders Green Crematorium, Charles Carrington wrote in his biography of Kipling that just as his coffin, draped with the Union Jack flag, arrived at the crematorium:

“… the followers of Saklatvala, the Indian Communist who had been cremated just before Rudyard Kipling, were singing the Red Flag.”

Kipling was not a sympathiser of Communist ideas and ideals.

Middlesex Hospital in the Fitzrovia area of London, where Kipling breathed his last, no longer exists. Founded in 1746, it provided medical care on a square plot of land bounded one one side by Mortimer Street between 1757 and 2005. In 2008, almost all of the hospital was demolished. The only part of the complex, which was preserved, is the Fitzrovia Chapel, in which Kipling’s body reposed briefly. Between 2012 and 2016, a new development, Fitzroy Place, consisting of flats and offices, was constructed on the hospital’s site.

The small Fizrovia Chapel, beautifully restored, stands in a small garden in the middle of the new development, dwarfed by the buildings around it. This gem of a Victorian ecclesiastical construction was designed by the Gothic Revival architect John Loughborough Pearson (1817-1897) and was ready for use by 1892 (although the interior decoration was not fully completed until 1929). The chapel’s spectacular colourful interior must be seen to be believed. Its magnificent appearance is the result of skilful use of mosaic, marbles of different types and colours, and amazing decorative motifs inspired by early Italian, Byzantine, and Moorish architecture. Some of the metal lampshades that hang from the decorative ceiling seemed to have been influenced by the types of lamps typical of Turkish tradition.

The chapel is maintained by The Fitzrovia Chapel Foundation. It is open on most Wednesdays for public viewing as well as during the occasional exhibitions and concerts that are held within it. This charming place is also available for hire for weddings, fashion shoots, book launches, and other events.

Until we attended an exhibition in the Fitzrovia Chapel in late May 2022, we had no idea that this small architectural gem existed. Along with nearby All Saints in nearby Margaret Street, the Fitrovia, a treasure chest with its sparkling golden ceiling, should not be missed by lovers of Victorian architecture and/or fine mosaic work  (as well as masterful use of inlaid stonework).

Mosaics and Greeks in Moscow Road

THE SYNAGOGUE IN Bayswater’s St Petersburg Place, a gothic revival edifice, looks no more exotic or out of place than the Victorian gothic Church of St Matthew built 1881-82 on the same street. In fact, it is another building to the north of these two that is unashamedly exotic in appearance: Aghia Sofia (Saint Sophia), the Greek Orthodox cathedral on Moscow Road. This domed building constructed for a community of prosperous Greek merchants was designed by John Oldrid Scott (1841-1913 and completed in 1877.

The first Greeks began arriving in London at the end of the 17th century. By the late 19th century (according to the website http://www.stsophia.org.uk), members of the Greek community in London:

“… were distinguished for their industry and their business acumen, and … soon became for the most part financially independent. They now wished to enjoy a more comfortable life, both for themselves and their families. They kept their offices in the City, but took up their private residences in other parts of London. The favourite districts were Lancaster Gate and Bayswater. These districts, which today are almost in the centre of the unending metropolis, were then only on its fringe, and to go from the City to Hyde Park, for instance, was considered a long excursion, which was undertaken, normally, only on holidays, as a relaxation and in order to enjoy the fresh country air.

After three decades had passed from the founding of the Church of Our Saviour [in the City near London Wall], no one any longer had his private residence in the City; and whereas previously all had lived within a very short distance of the Church, now five whole miles divided the Church from the residential district of the faithful.

For the men, in particular, who had every day to make the journey to the City, a tiring one with the means of transport then available, it was hard to undergo the same fatigue on Sundays also, when they were supposed not only to perform their religious duties, but also to rest from the labours of the week. Moreover, the number of the Greeks had greatly increased, and there was scarcely room for them all in the Church then existing. These various difficulties made it imperatively necessary to build a new larger Church, situated closer to the residences of the Brothers.”

Just as the Jewish people, who had also settled in Bayswater, far from the older synagogues in the City and established a new one near their new homes, the Greeks did the same. Moscow Road’s St Sophia’s church interior is filled with icons and other religious paintings is colourful and attractive. Instead of frescos on the walls, which were believed to be at risk of damage from London’s damp climate, the church’s interior is lined with mosaics. Some of the earliest of these were designed by Arthur George Walker (1861-1939). In 1926, the Russian born mosaic artist Boris Vasilyevich Anrep (1883-1969) created some more mosaics for the cathedral. The marble floor of the edifice is also attractive.

Just in case they attack

AFTER WW2 MANY thousands of concrete bunkers were built all over Albania because the country’s paranoid and brutal dictator Enver Hoxha, who ruled between 1944 and 1985, was concerned that the country would be invaded by its neighbours or others further afield. The invasion never happened. Likewise, the much-feared invasion of the UK during WW2 never occurred (except for the Channel Islands). However, in anticipation of a feared German invasion of the UK, the country, like Albania, was covered with concrete fortifications in many shapes and sizes. During a recent visit to Sidmouth in Devon, I spotted one of these, a small concrete ‘pill box’.

Located high on a cliff (overlooking Jacob’s Ladder Beach) next to Sidmouth’s Connaught Gardens, this small bunker was probably constructed as part of a coastal defence system in  1940-41. Later in WW2 when the risk of a German invasion was getting smaller, it was used during the training exercises that were performed prior to the Allied invasion of Normandy in early June 1940. It was from the south Devon coast that the invasion force set out for France.

Designed to resist destruction, bunkers such as the small one I saw in Sidmouth (and the multitude of mostly hemispherical bunkers I have seen in Albania), they are both difficult and expensive to remove when they are no longer needed. Interestingly, these concrete defences are no guarantee against successful invasion, as can be seen from the ineffectiveness of the Maginot Line in eastern France and the huge structures built by the Germans on the Atlantic coast of that country.  

Next to London Bridge

THE PRESENT FISHMONGERS Hall at the northern end of London Bridge was constructed in 1827, following the completion of the London Bridge, which now stands in Lake Havasu City in Arizona (USA). Built in a neo-classical style, the Hall, which faces the Thames and King William Street, was designed by Henry Roberts (1803-1876), assisted by a young architect who would later be known as Sir George Gilbert-Scott (1811-1878).

Recently, the Hall was associated with a horrific act perpetrated by a terrorist Usman Khan (1991-2019). Khan, whom it was believed to have been reformed and rehabilitated from his terrorist leanings, was attending a conference on prisoner rehabilitation arranged by the University of Cambridge at Fishmonger’s Hall on the 29th of November 2019. During the conference, he put on what turned out to be a fake suicide vest. He threatened to blow up the Hall. He did not do that, but instead fatally stabbed two of the other conference delegates (both in their twenties): Saskia Jones and Jack Merrett. The latter had studied at the University of Cambridge. As Khan fled across London Bridge, he was tackled by members of the public before being shot dead by a policeman. What had been intended to be a well-intentioned project, ended up as a national tragedy. It illustrated that although a person’s mind can be programmed to become a fanatic, undoing this programming is far more difficult than most people, even experts, imagine.

A poet in Highgate and Cornwall

IN 1916, A FAMOUS poet, TS Eliot (1888-1965) taught at Highgate School in north London. I was a pupil at this establishment much later, between the year when Eliot died and 1970. One of Eliot’s pupils during his short spell at Highgate was to become one of Britain’s Poet Laureates: John Betjeman (1906-1984). Betjeman wrote (quoted in https://bradbirzer.com/2015/07/06/john-betjeman-remembers-t-s-eliot-as-teacher/):

“In 1914-15 I spent two unsuccessful terms at Highgate Junior School. Mr Eliot was a tall, quiet usher there whom we called ‘The American Master.’ Some of the cleverer boys from Muswell Hill (I was from Highgate) knew he was a poet. How? I have often wondered, for I cannot imagine him telling them or anyone that he was a poet, and I did not know that he had published any poems in England as early as that.”

Betjeman’s association with Highgate where he lived as a child briefly and was educated for less than one year was much shorter than his association with the county of Cornwall.

Betjeman’s family had a house in Trebetherick, near Polzeath in Cornwall, where many holidays were spent. In later life, the poet resided there. The small church of St Enodoc is about 930 yards south of Trebetherick. In the middle of a golf course overlooking the sea, the church dates from the 13th century. Much of it was built by the 16th century. Over the centuries, St Enodoc has often been submerged by drifting sands from the nearby beaches. Between the 16th century and the mid-19th century, the church was completely submerged. In 1863-64, the church was freed from the sand and restored under the supervision of James Piers St Aubyn (1815-1895).

When staying or living at Trebetherick, Betjeman visited St Enodoc regularly. In 1945, he published a poem “Sunday Afternoon Service in St Enodoc Court, Cornwall”, in which he describes his impressions of the church affectionately. Author of much poetry and several books about Cornwall, Betjeman died in his home at Trebetherick. He was buried in the small graveyard that surrounds St Enodoc, a building that still appears to be partially buried in the hillside. His grave is marked by simple stone with a beautifully carved inscription. Born in Lissenden Gardens, now in the Borough of Camden, Betjeman lived briefly in Highgate’s North Road in a house opposite Highgate School. However, it is with Cornwall rather than Highgate that most people connect with the former Poet Laureate. As a former pupil at Highgate School, I was pleased to pay my respects at Betjeman’s grave in Cornwall.

By the creek

Near Salcombe in Devon

Facing the water

The dark mouth of a cavern

Once used to make lime

Up and down Molesworth Street

YOU CAN BYPASS the small town of Wadebridge in Cornwall by speeding along the A39 road, which extends from Bath in Somerset to Falmouth in Cornwall, but that would be a pity because it is a charming town. Wadebridge thrives because of its fine bridge across the River Camel. The great writer Daniel Defoe (c1660-1731) wrote about the town and nearby Padstow in his “A Tour Through the Whole Island of Great Britain”, published 1724-26, as follows:

“Padstow is a large town, and stands on a very good harbour for such shipping as use that coast, that is to say, for the Irish trade. The harbour is the mouth of the river Camel or Camal, which rising at Camelford, runs down by Bodmyn to Wodbridge or Wardbridge [sic], a large stone bridge of eight arches, or thereabouts, built by the general goodwill of the country gentlemen; the passage of the river there, before, being very dangerous, and having been the loss of some lives, as well as goods…”

Defoe noted that the passage from Wadebridge to Ireland via Padstow could be achieved in 24 hours. Thus, Wadebridge and its river crossing, now much widened since Defoe’s time, was an important stage for vehicles carrying passengers and goods between England and Ireland. The route for this transport would have been to first cross over the Camel on the bridge and then to proceed north westwards up the slope of Wadebridge’s then main thoroughfare, Molesworth Street. During daylight hours, most of this road is closed to motorised vehicles and provides a pleasant pedestrian precinct.

Molesworth Street is lined with shops, eateries, and some pubs. The Molesworth Arms, a former coaching inn, has existed since the 16th century. It was previously known by other names including The Fox, The King’s Arms and The Fountain. It got its present name in 1817. Nearer the bridge, there is The Swan Hotel near the old bridge, originally named ‘The Commercial’, is much newer than the Molesworth Arms. It was constructed the late 19th century.

I cannot explain why, but spending time on Molesworth Street always satisfies me. The recently opened (late 2021) Dollies café provides good coffee and exceptionally wonderful English breakfast items; everything is prepared freshly after ordering. Up the hill, stands Churchill Bars. Housed in the premises of the still functioning Wadebridge Conservative Club, it comprises a bar and a small restaurant named Winston’s. Popular with locals, this eatery serves generous helpings of lovingly prepared, tasty food. Its speciality, which is well worth trying, is roast belly pork served with roast potatoes, gravy, and vegetables (not overcooked). Unlike so many other places serving food in Cornwall, this place is good value and not pretentious.

Apart from several charity shops, a good newsagent, two butcher’s shops, a hardware store, banks, and so on, there is a small bookshop on Molesworth Street. This independent bookstore stocks a superb range of Cornwall-related books, both fiction and non-fiction. In a backroom, there is a large selection of second-hand books. Small booksellers such as this one on Molesworth Street make a welcome change from the countrywide bookshops such as Daunt’s, Waterstone’s, and WH Smiith’s.

Not as ‘trendy. as places such as Fowey, Falmouth, St Ives, and Padstow, Wadebridge seems a more ‘normal’ or ‘real’ kind of place, not wholly dependent on tourism. It is well placed to make excursions to places all over the county of Cornwall.

Two similar churches, one in Kensington and the other in Wiltshire

ENNISMORE GARDENS MEWS IS about 380 yards west of Exhibition Road near South Kensington. It is the site of a church with an Italianate façade, now the Russian Orthodox Cathedral of the Dormition of the Mother of God and All Saints. A tall bell tower stands to the right of the façade as you look at it from the street. Pevsner described the style of the façade as “Lombardic Romanesque”. He noted:

“The Early Christian/Italian-Romanesque style was a speciality of the 1840s…”

Russian Orthodox church in Kensington, London

Although many of the fittings in the church are typical of Russian Orthodox places of worship (e.g., iconostasis and icons), the interior is not typical of edifices built specifically for the Orthodox church. The coloured panels above the arches (supported by iron pillars) lining the nave are not typical of the kinds of images usually associated with the Orthodox Church. They have captions in both English and Latin, but not in Cyrillic. The church was designed as the Anglican Church of All Saints in 1848-1849 by Lewis Vulliamy (1791-1871). The tower was constructed in 1871. Most of the decoration within the building is in the late 19th century Arts and Crafts style.

The Anglican parish, which was based in the former All Saints, merged with another in 1955. Then the church was let to the Russian Orthodox faith and its name changed to its present one. In 1978, the Sourozh Diocese purchased the edifice. The Sourozh is under the control of the Patriarchate of Moscow. The church in Ennismore Gardens Mews has a multi-national Orthodox congregation.  I asked a bearded priest how the cathedral differed from the Russian church in Harvard Road, Chiswick. He replied:

“We are the Orthodox Church based in Moscow, but the other one in Chiswick is the Orthodox Church based outside Russia … it is very complicated.”

Wilton in Wiltshire is almost 80 miles southwest of the Russian church in Ennismore Gardens Mews. Famed for its fine carpet manufacturing, the town has a church, St Mary and St Nicholas, whose façade looks not too different from that of South Kensington’s Russian Orthodox Cathedral. The Wilton church has a similar bell tower, but it placed on the left side of the façade. The church was commissioned by Sidney Herbert, 1st Baron Herbert of Lea (1810-1861), a close ally and supporter of Florence Nightingale of Crimean War fame. Sidney was a son of George Herbert, 11th Earl of Pembroke and his Russian spouse Catherine (née Yekaterina Semyonovna Vorontsova). The church, completed in 1845, was designed by Thomas Henry Wyatt (1807-1880) and his assistant David Brandon (1813-1897).

With many features borrowed from Italian Romanesque architecture, and some from Byzantine designs, the edifice at Wilton, despite being an Anglican parish church, felt to me slightly more like an Orthodox church than the converted ex-Anglican, now Orthodox, church in Ennismore Gardens Mews. However, the interior fittings in the church in Wilton borrow from what can be found in traditional Italian churches rather than in typical eastern Orthodox churches. But, the mosaic covered cupola over the chancel in Wilton’s Anglican church, with its depiction of Christ with two saints resembling what is often found in Byzantine churches, contrasts with the undecorated cupola over the chancel in what has now become the Russian Orthodox Cathedral in Kensington.

Placed side by side, many differences could be discerned between the church in south Kensington and that in Wilton. But it is the similarities between two churches designed by different architects that are remarkable.

On the wall

IT IS ODD how seeing a mundane object can stimulate less than mundane thoughts. Embedded into a wall in Salcombe (Devon), I saw an official post box for depositing mail. At first, I took little notice of it. Then, when I saw it a second time, I noticed that its red-painted front bears the letters “GR”. This refers to a King George. Because the first letter boxes were installed in the reign of Queen Victoria, the GR on the letter box in Salcombe must refer either to George V (reigned 1910-1936) or George VI (reigned 1936-1952) because the other King Georges all preceded Victoria.

Possibly the GR on the box in Salcombe refers to George V because he was the first George to follow Victoria, in whose reign the boxes bore the letters “VR” (Victoria Regina). Even though Edward VII was the first monarch to follow Victoria, boxes installed in his reign include the Roman numeral VII. Likewise, in the case of other monarchs who followed Victoria, their initials on post boxes include numerals identifying which king or queen they denoted (i.e., E VII R, G VI R and E II R). Not having ever looked out for it before, I am not sure whether any post boxes installed during the reign of George V bear the logo G V R or, as I saw in Salcombe, simply GR. A rapid search of the Internet revealed that most George V post boxes illustrated on websites dealing with post boxes bear the letters GR, as was the case with the example I noticed in Salcombe.

I suppose that when Charles or his son William come to the throne, letter boxes, if they still exist in the age of electronic mail, will bear the logos “C III R” and “W V R” respectively, rather than “CR” and “WR”. Why the V (meaning ‘5’) was not included on the post boxes issued during the reign of George V but the VII (meaning ‘7’) appears on those installed during his predecessor’s reign is not clear to me.