Luis Soares's Blog, page 288

March 23, 2017

I Have Been To The Mountain

Kevin Morby - "I Have Been To The Mountain" from Singing Saw out April 15, 2016 on Dead Oceans

 

Producer: Rob Healy & Phillip R Lopez
Director: Phillip R Lopez
Starring/Choreography: Nathan Mitchell
DP: Peter Mosiman
Styling: Kelly Walker & Austin Macedo.
HMU: Fernando Navarro

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Published on March 23, 2017 18:57

Ostsee bei Kronsgaard

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Klaus Fussmann (b. 1938) Untitled (Ostsee bei Kronsgaard), 1997

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Published on March 23, 2017 10:38

Moon In Your Mouth

Moon In Your Mouth is taken from Goldfrapp's brand new seventh studio album 'Silver Eye', released 31st March 2017 on Mute.

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Published on March 23, 2017 07:35

Kickinit Alone

Title track from keyboardist & beat-maker Kiefer Shackelford's debut LP.

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Published on March 23, 2017 04:42

Mervyn Peake - The vastest things are those we may not learn

The vastest things are those we may not learn.
We are not taught to die, nor to be born,
Nor how to burn
With love.
How pitiful is our enforced return
To those small things we are the masters of.

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Published on March 23, 2017 02:16

March 22, 2017

Come To Me Now

Kevin Morby - “Come To Me Now“ from City Music out June 16, 2017 on Dead Oceans. // Director: Nathan David Smith

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Published on March 22, 2017 14:21

Salt and Fire

Title: Salt and Fire // Cast: Michael Shannon, Anita Briem, Gael García Bernal, Werner Herzog, Veronica Ferres

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Published on March 22, 2017 07:40

Michael Robbins - Not Fade Away

Half of the Beatles have fallen

and half are yet to fall.

Keith Moon has set. Hank Williams

hasn’t answered yet.

 

Children sing for Alex Chilton.

Whitney Houston’s left the Hilton.

Hendrix, Guru, Bonham, Janis.

They have a tendency to vanish.

 

Bolan, Bell, and Boon by car.

How I wonder where they are.

Hell is now Jeff Hanneman’s.

Adam Yauch and three Ramones.

 

[This space held in reserve

for Zimmerman and Osterberg,

for Bruce and Neil and Keith,

that sere and yellow leaf.]

 

Johnny Cash an...

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Published on March 22, 2017 05:00

Lizzo

If you've only heard Lizzo's hit "Good As Hell" — and if you haven't, listen now, I'll wait — you might think the Twin Cities singer is a funny and ingratiating but fairly straightforward purveyor of self-affirmation and charismatic confidence. But as her joyful and explosive live show unfolded, complete with the arrival of the ecstatic backup dancers she calls "The Big Girls," it became clear that Lizzo has something more powerful going on.

Presiding over what she called "an all-female crew...

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Published on March 22, 2017 02:59