Luis Soares's Blog, page 186

May 11, 2018

Pay No Mind

Beach House - Pay No Mind

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Published on May 11, 2018 07:38

Mano a Mano

Letra: Maria do Rosário Pedreira
Música: Júlio Resende

 

Salvador Sobral - Voz
Júlio Resende - Piano
André Rosinha - Contrabaixo
Bruno Pedroso - Bateria

 

Ficha Técnica

Produção Musical: Joel Silva
Gravação: João Mendes e Pedro Vidal no Estúdio de Vale de Lobos
Mistura e Masterização: Nelson Carvalho nos Estúdios Valentim de Carvalho

Vídeo

Realização: Daniel Mota

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Published on May 11, 2018 03:31

Nobody Gets What They Want Anymore

Marlon Williams — Nobody Gets What They Want Anymore (with Aldous Harding)

 

Director - Ben Kitnick
Cinematographer - Jon Jenkins
Waiter - Marlon Williams
Chef - Yairms
Colorist - Saxon Richardson

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Published on May 11, 2018 01:55

May 10, 2018

Gladly

Tirzah - "Gladly" from 'Devotion', out 10th August 2018 on Domino Record Co.

Directed by Hannah Perry - http://hannahperry.com/

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Published on May 10, 2018 10:18

Ted Kooser - Look For Me

Look for me under the hood
of that old Chevrolet settled in weeds
at the end of the pasture.

 

I'm the radiator that spent its years
bolted in front of an engine
shoving me forward into the wind.

 

Whatever was in me in those days
has mostly leaked away,
but my cap's still screwed on tight

 

and I know the names of all these
tattered moths and broken grasshoppers
the rest of you've forgotten.

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Published on May 10, 2018 05:19

Worlds of Ursula K. Le Guin

Worlds of Ursula K. Le Guin is the first feature documentary film about Ursula K. Le Guin, a singular writer who defiantly held her ground on the frontier of American letters until the sheer excellence of her work, at long last, forced the mainstream to embrace fantastic literature.

 

Viewers will accompany Le Guin on an intimate journey of self-discovery as she comes into her own as a major feminist author, inspiring generations of women and other marginalized writers along the way. To tell...

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Published on May 10, 2018 02:57

May 9, 2018

Robert Frost - The Road Not Taken

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;

 

Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,

 

And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how...

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Published on May 09, 2018 09:17

Tarsila do Amaral. Operários (Workers). 1933

Workers (Operários).jpg

Join us for an in-depth conversation with legendary performer, writer, and political activist Caetano Veloso about the legacy of Tarsila do Amaral. An internationally renowned Brazilian pop singer, Veloso was a leading figure of Tropicália, a movement that contributed to the rediscovery of do Amaral’s work in the 1970s. The discussion is moderated by Luis Pérez-Oramas, curator of the MoMA exhibition "Tarsila do Amaral: Inventing Modern Art in Brazil."

"Tarsila do Amaral: Inventing Modern Art...

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Published on May 09, 2018 05:13

Labirinto da Saudade

P2 - O BRASIL por Gregário Duvivier - "Labirinto da Saudade" - 24 de Maio nos Cinemas from JumpCut on Vimeo.

24 de Maio nos Cinemas

Produção_ LongShot
Realização_ Miguel Gonçalves Mendes
Montagem_ António Tainha
Fotografia_ Lee Fuseta
Música_ NOISERV

Sinopse Oficial:

Miguel Gonçalves Mendes (José e Pilar) adapta ao cinema uma das obras mais lúcidas da cultura portuguesa - “O Labirinto da Saudade” de Eduardo Lourenço - numa viagem única pelo interior de uma mente brilhante. Aos 94 anos,...

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Published on May 09, 2018 02:21

May 8, 2018

Untravel

Taken from the new Rival Consoles' album 'Persona'.

Directed and filmed by Misha Shyukin

"The Untravel video was greatly inspired by the music itself and Ryans idea behind it. We were exploring ways of visualising the feeling of being lost and ennui, experimenting with various techniques of distorting the footage in order to intensify the experience of a disoriented feeling in a strange and unknown landscape, yet maintaining a constant forward motion while examining the desolate world."

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Published on May 08, 2018 06:08