Christian Cawley's Blog, page 20

Reaktion Round-Up: What You Thought of Face the Raven

David Power is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

Quoth the Quantum Shade, “Caaaw.”

First and foremost I’d like to file a formal complaint that the voting poll for this episode had no “I’m raven about it!” option, and publicly distance myself from this horrific oversight. So, moving on, we’ve got another Who newbie on our hands this season in the shape of Sarah Dollard, whose previous writing history includes some work with Who oldie Toby Whithouse. What did this fresh face bring to the table in Face the Raven?

Utterly captivating 51.61%  (208 votes) 

Another solid Who! 31.51%  (127 votes) 

Average, really 6.95%  (28 votes) 

Good cliffhanger – shame about the rest 3.47%  (14 votes) 

Terrible! 6.45%  (26 votes)

Well you lot seem pretty much in agreement that Sarah Dollard knocked it out of the park with this episode. Managing to write for four returning characters (the Doctor, Clara, Me, and Rigsy), all of which she had never written for before; managing to capture their voice and suggest progression from when we last saw them was by no means a small feat, and I for one am already hoping we see a return for Sarah in Series 10.

I realised after I had seen Face the Raven, that even if that finale hadn’t happened (I’ll get there, give me a second), I still would’ve really enjoyed that episode. A trap street refugee camp was a wonderful concept for a Who setting, and it was very well realised by the production team. Seeing Judoon, Ood, and Cybermen alike scattered around the town really contributed to the believability of this idea in the Who universe.

Now, that ending. I was never a fan of Clara. She slowly grew on me over the years, even though I felt she had stayed too long, and I never formed an attachment to her in the way I had to other companions, but wow, what a stellar ending for the character. Incorporating the idea of a companion staying longer than they should have into the shows narrative was a brilliant idea. Given how her last attempt at a normal life ended up with the death of her love Danny Pink; showing the affects of too much TARDIS travel on Clara was a fascinating view on how destructive the Doctor’s life is to other people. The final dialogue between Clara and the Doctor was poignant and underplayed, really emphasising how long these two characters have actually been together. The whole scene was also accompanied by stirring score from Murray Gold, shying away from his usual bombast of tragic farewells. Oh how nice it was to have Doctor Who really stir my emotions again, for the first time in quite awhile.

Ratings had quite a boost this week. The overnights rose from 4.00m to 4.42m, and the overalls also rose from 5.61m for Sleep No More to 6.05m for Face the Raven. This solid jump was accompanied by quite a leap for the Appreciation Index score, increasing from Sleep No More‘s 78 to 84, putting Raven on the same Season 9 tier as The Magician’s Apprentice, Under the Lake, and The Zygon Inversion.

So, what did you birdbrains think?

 

So starting next episode we’re into a period we haven’t seen the Doctor in since 2012’s The Snowmen: companionless.

How will this Doctor fare alone? Will we see the Oncoming Storm? The Predator? Will Capaldi have his Time Lord Victorious moment? Will I make it to the end of these Reaktion Round-Ups? Tune in next time!

The post Reaktion Round-Up: What You Thought of Face the Raven appeared first on Kasterborous Doctor Who News and Reviews.

How Doctor Who Has Charted Our Fear of Technology

Simon Mills is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

If there’s one thing that Doctor Who has always done well (except when it hasn’t) it is to give voice to our fears – particularly of new technology. And if there’s one thing we here at Kasterborous Towers do, it’s to write about Doctor Who wherever and whenever we can! So, here we have our very own Philip Bates writing a piece for makeusof.com about How Doctor Who Has Charted Our Fear of New Technology – and what a splendiferous article it is, too. And I’m not talking about Phil (although he is quite marvellous!)

In the 60s we had massive computers trying to take over the world in The War Machines and humans being replaced bit-by-bit with artificial parts in The Tenth Planet and The Moonbase respectively – this sort of body horror, in the same vein as Shelley’s Frankenstein, was also explored rather spectacularly later in the 70s story, The Brain of Morbius.

Proper robots also come under scrutiny, most notably in the 70s – the friendly, the unfriendly and the friendly-but-exploited. You can probably work out examples of all of those, but why think when Phil has already done that and can regale you with his expert analysis?

Over there in the 80s, we see the show turn it’s eye on to television itself with Vengeance on Varos and The Happiness Patrol. This theme continued in the revived show with The Long Game, which also touched on body horror with various bits of body augmentation.

I won’t go into much more detail about the article otherwise there wouldn’t be much point in reading it and I would therefore be in trouble with the boss! Not BOSS from The Green Death, I hasten to add, who was one of those megalomaniac computers trying to take over the world! I mean the real “boss” here at K Towers – the one who signs our expenses claims for those frothy coffees we like… and losing my coffee privileges would never do!

Are there any examples of technophobia you can think of that aren’t covered in the article? Let us know!

The post How Doctor Who Has Charted Our Fear of Technology appeared first on Kasterborous Doctor Who News and Reviews.

Automatons! The Visual History of Robots and a Raspberry Pi Powered K-9!

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

We all love a good robot (some of us love them too much) be it K-9, K-1 or even the robot writing this article (oh no, I’ve said too much) – across the whole of Sci-Fi and beyond, they serve as a barometer for both what we needed as a society and, more importantly, what we feared.

So settle in, get your robo-butler to pour you a drink and watch this fascinating journey through the history of Sci-fi through its most iconic automatons courtesy of illustrator Scott Park.

There are some noticeable absences (no Robby the Robot, no original T-1800, not even K-1 from Robot! ), a lack of definition between a robot and a cyborg, the wrong Marvin the Paranoid Android design for the TV series, ditto the Cylons, some of the dates are a little off and I’m pretty sure Agent Smith isn’t a robot but if you can accept a few gremlins in the system (Oh no, the robots have turned against their masters! Run! Run for your lives!) then it’s an interesting visual trip through Sci-Fi lore.

Oh, and the song? Kraftwerk. Who else?

Speaking of robots and masters, English IT architect Richard Hopkins has built his very own K-9 –  complete with wagging tail, flashing eyes, flapping radar ears, nodding head, moving body, head-mounted camera AND soon-to-be revealed speech recognition – using a Raspberry Pi, a credit card-sized computer made in the UK to try and help kids to code.

You can read the full ambitious story of how K-9 came to be and the sheer scope of Hopkins undertaking over at the great man’s blog.

The post Automatons! The Visual History of Robots and a Raspberry Pi Powered K-9! appeared first on Kasterborous Doctor Who News and Reviews.

LEGO Dimensions: How to Unlock all The Doctors

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

Playing LEGO Dimensions? Are you fed up of Batman, WyldStyle and the Scooby Gang? Do you want to unlock all the Doctors? Well, help is at hand from this handy how to video – courtesy of GameUnboxingReviews –  which breaks down the secret to unveiling all the Doctors.

And what is the secret?

Death.

Yes, cold unfeeling Doctorcide. Murder your way to all the Doctors and be rewarded with ‘squee!’ worth TARDIS interiors, some well-chosen goosebump inducing voice samples, some keenly observed character aminations and, of course, and entire menu worth of Doctors – from William Hartnell’s First Doctor via Tom Baker’s Forth and even the War Doctor himself John Hurt – to pick and choose from.

So that’s all 13 incarnations dead.

YOU. WOULD. MAKE. A. GOOD. DALEK!

The post LEGO Dimensions: How to Unlock all The Doctors appeared first on Kasterborous Doctor Who News and Reviews.

Review: The Legends of Ashildr

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

Cast your mind back to Series 8 and its modus operandi: ‘Am I a good man?’ – the show that year went to great lengths to give us an incarnation of the Doctor with the veil lifted – no pretence, no hiding behind an adopted personality – here was a Doctor with every raw nerve visible; a Doctor that questioned everything he stood for.

Naturally, some of that worked, some of it didn’t – the biggest criticism being it always felt too didactic: the argument never quite stuck because, deep down, we were being asked to reject everything we had seen before without being given enough compelling evidence to do so.

Anyway, come the end of Death in Heaven and the show again managed to make peace with the adopted personality of the Doctor – he was back to being a madman in a blue box and we all breathed a huge sigh of relief.

Then there was Ashildr.

In her first appearance in The Girl Who Died, there wasn’t much beyond the surface – the Doctor may have been playing the fool to deflect attention from impending doom but he wasn’t doom laden enough for it to feel as though he had truly opened something hitherto unseen.

No, what we got instead is an honest Doctor. He didn’t rationalise his rage at Ashildr’s passing; he acted on it in a way that felt emotionally honest – it’s a quality throughout that episode that makes it stand out – along with a nice line in subverting clichés (the Vikings being genuinely rubbish at fighting, the Doctor being rubbish with a yoyo…).

It also addresses one of the common complaints that often, when the Doctor has to rationalise why he can’t interfere when it comes to saving/condemning a species, the reasons are distant and always Doctor-centric.

By saying ‘angst from the Time War’ every time he sidesteps an issue; it doesn’t really give the actor much room to express themselves but it totally relies upon them to sell something that’s quite esoteric.

No, the reasoning here is entirely practical – he can’t declare war on species because it would ultimately put Earth in jeopardy; which itself is governed by his interaction with Ashildr – he doesn’t have a plan but he can’t bring himself to leave the largely useless, defenceless village.  Ashildr is just a kind-hearted girl who the Doctor can’t bear to lose – and it takes her death to remind him that he chose that face for a reason – to save people even if the personal cost might be great.

Here, in her first appearance in Doctor Who, Maisie Williams does a fine job of giving her character a sense of time and place – she’s relatable but not to the point where she feels out of context

If all this feels a little far reaching for a spin-off book; indulge me – everything great from that episode comes from some sort of interaction with Ashildr – she is a far more interesting character in the Doctor’s presence.

Fast forward to The Woman Who Lived, and even though we’ve been in the presence of immortals before, we’ve never really had one who’s only power is that she lives forever.

Captain Jack was a smooth-talking time agent and River Song is part human/part Time Lord… but Ashildr/Me is just a regular person cursed to walk the slow path. And she feels every single step it takes to keep going.

What’s great about this two-parter is that while we get the same performer, we don’t get the same character – gone is any shade of the girl from the village; she’s been forgotten by years of loss and pain.

Perhaps the best thing about the episode that isn’t directly addressed is that, despite hundreds of years of misery and pain, she remembers the Doctor and Clara – she could easily have forgotten him or let him slide into mythical obscurity – the man that cursed her – but she has near perfect recall of exactly who he is and has rationalised him as both her ‘hero’ and her ‘jailer’.

While the journals deal explicitly with certain memories or people she wants to keep, the underlying tension, the things that she can’t control but still retains, are something that the episode doesn’t really address.

These contradictions would be difficult to convey for any actress but Williams does a fine job of conveying a very idiosyncratic emotional state – the initial bravado which greets the Doctor, the ‘what took you so long old man?’ from the trailer, hides a simmering resentment towards the continued Hell that is her existence (her initial reaction to the Doctor calling her Ashildr could easily have been overplayed but she lives in that moment, despite the obvious personal pain that brings).

If you are familiar with any of these emotional beats, then there’s nothing new within The Legends of Ashildr – in fact, you might be wondering, outside of financial gain, why the title exists and why Ashildr and no spin-off tales from, say, Captain Jack? (It’s interesting to note that The Legends of River Song will be released later this year).

Well, the short answer for this is contained within that subtle difference between immortals outlined above – the book might not live as long in the memory as Ashildr but it does underline what makes her a character worth exploring.

The four ‘Legends’ in question are divided by perspective –  the first two, The Arabian Nightmare by James Goss and The Fortunate Isles by David Llewellyn, are third person perspective and are the weaker of the four stories.

The first is reworking of Arabian Nights, hence the punning title, and while told effectively with a neat turn of phrase, underlines just how bland the character can be without the Doctor: that while she may have stumbled upon fantastic adventures, she isn’t perhaps the most gregarious of lead characters. Even when she adopts multiple personas and against her better judgement falls for someone, she’s still very much an enigma in this context.

To use a rather crass metaphor, it’s like playing a wonderfully designed video game with a bland place-holder lead character. We’re given none of the fascinating detail of the episodes because we’re at a distance from her – a distance that doesn’t give us enough motivation to really explore beyond merely understanding that survival dictates keeping personal interaction cold.

The Fortunate Isle by David Llewellyn gives us a neat little puzzle box that could only really exist in Doctor Who lore – complete with a twist that is literally out of this world.

It’s nothing particularly ground breaking but there’s an interesting moment where she attempts to do good by using her immortality to save someone; only for it to backfire because, unlike the Doctor, no one expects remarkable things from her and those whose company she keeps aren’t really prepared for such selflessness.

It’s a well worked commentary on the Doctor’s own persona – Ashildr is doing what the Doctor expects her to do – we know when he last checked in on her before the events of The Woman Who Lived, he merely noted that she was working for a leaper colony and assumed she was well (note the subtle difference; the Doctor needs to see you doing good to convince himself you are doing well; not if you are personally doing well; the Doctor is always at a distance and wants you to lead by example) but here, amongst liars and thieves – the company she keeps because she has to remain distant – it simply leads to more suffering as she allowed herself to believe that she could save someone.

The next two tales switch to first person storytelling and the move proves to be successful. The third tale, The Triple Knife by Jenny T. Colgan, is told in diary extracts and concerns perhaps the most divisive moment of her long life – the death of her children.

In and amongst the plague ridden streets of London; we get a sense of The Girl Who Died’s contemporary, relatable character – she’s a concerned mother but one that ultimately can take you down with a single blow – and, when salvation comes from beyond the stars, we get a sense of her selective memory and sense of otherness; though she may dress herself in the trappings of the day, she ultimately knows that life exists beyond this solar system, that she is pretending to fail here on Earth.

When she approaches the ramp of a spaceship, she smells the difference between the clean, inviting world of space and time travel and the musty, dirt-ridden stench of death that hangs over the streets of London – and she understands her place in the world; one where she’s ultimately trapped.

It’s here that she learns to be ‘light’ to drift through the world unblemished by the countless lives that have passed her by – in other words, to adopt the morality of the Doctor.

The best tale of the bunch, it makes you wonder why the whole book wasn’t presented as The Diary of Ashildr, rather than the ‘Legends’.

The final tale, The Ghosts of Branscombe Wood by Justin Richards, builds upon the idea of her selective memory by making her confront ghosts from her past – although, this being within the Doctor Who universe, it isn’t that straight forward.

It’s entirely predictable and a little inconsequential but for the brief moment where she is confronted by the ghost of Odin – pulling apart her perfectly maintained distance and reminding us that some beliefs outlast even several life times.

The front cover of The Legends of Ashildr poses a question: Would you want to live forever? And if your immediate answer isn’t ‘not on your life’ then you might get something more out of this collection of well told but ultimately slight tales.

You can’t quite escape the feeling that we’re covering familiar ground and that Ashlidr, for all the interesting questions an immortal, normal person raises, she is less of a character away from the Doctor.

The post Review: The Legends of Ashildr appeared first on Kasterborous Doctor Who News and Reviews.

Karaoke Mind Palace: Herlock – The All-Female Sherlock Parody

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

We’ve had a female Dr John Watson in Elementary but what if both Sherlock and his erstwhile friend were both female? That’s the premise of Herlock – the gender-flipping parody of Steven Moffat and Mark Gatiss’ Sherlock.

Created by production company Grumble Pack, the parody presents Sherlock as relatively the same – she’s still difficult to live with, has zero social skills and is still a genius – only now, she gets into her ‘mind palace’ by doing karaoke to Sixpence None the Richer.

As for Dr Watson, well, Jane is a little more self-aware than John – there’s a perfect back and forth with Sherlock over her need to sign off her texts ‘SH’ in a sly dig at the on-screen graphics heavy early days of Sherlock, and there’s a little more on the practicalities of living with Sherlock; namely, grocery shopping for indecisive roommates.

If there is one thing that makes it all difficult to accept, it isn’t the gender switch – no, the American accents just seem weird. Not even Elementary went that far! Sherlock Holmes, be he male or female, should always be British! It’s just wrong!

That and it kind of let’s Sherlock off the hook a little – I mean, there’s so many affectionate little digs you could take with the recent ‘Mansplaining feminism’ Abominable Bride controversy but, and Moffat’s general perception amongst critics but it’s understandable why you wouldn’t want to tackle that in something designed primarily to be a love letter to the show.

And tie your her back Sherlock! Your getting hair in all those samples!

Still, Herlock is worth it alone for the moment ‘Kiss Me’ turns into something far more sinister.

The post Karaoke Mind Palace: Herlock – The All-Female Sherlock Parody appeared first on Kasterborous Doctor Who News and Reviews.

Watch Series Nine Writers Play a Game of Truth or Consequences

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

Give a Doctor Who writer a pen and some paper and watch the magic unfold – unless of course they’re asked to write a one sentence story featuring the Time Lord without seeing what the other writers have written before them; then things just get bizarre.

That’s the task quite literally handed to Steven Moffat, Sarah Dollard, Mark Gatiss, Jamie Mathieson, Peter Harness, Toby Whithouse and Catherine Tregenna via clipboard by the BBC powers that be and you can watch the story unfold via the Doctor Who Facebook page – and then add your own one sentence gem to the unfolding madness in the comments section.

Of course, you’ll be able to follow the story a lot better than Moffat and Co who were only give the previous sentence and a pen for salvation – dare you add to the story of the soupy bellybutton?

Doctor Who series 9 writers – Truth or ConsequencesWatch the writing team of Series 9 play a game of Truth or Consequences and continue the story in the comments – over to you!

Posted by Doctor Who on Wednesday, 13 January 2016

The post Watch Series Nine Writers Play a Game of Truth or Consequences appeared first on Kasterborous Doctor Who News and Reviews.

Sherlock – Rupert Graves ‘Lestrade has got the Hots For Molly!’

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

The Abominable Bride left us near enough where we were – we’ll at least we’ve gotten off the plane now – so as far as Season 4 of Sherlock goes, the direction of the new series is still open for debate.

One man who isn’t shy entering into such debates is Lestrade himself, Rupert Graves, who, while promoting ABC’s upcoming drama The Family – a political drama centring around the return of a Mayor’s son after he disappeared ten years ago; the pilot episode was directed by Sherlock alum Paul McGuigan – said that, while he hasn’t seen any scripts yet, he does have one development in mind for the good inspector.

“I think definitely Lestrade has got the hots for Molly,” he said. “So maybe they’ll develop that. We don’t know what happens until we see the scripts, and that could literally be a couple of weeks before you film.”

Lestrade and Molly, sitting in a morgue…erh…something, something Luxembourg? Yeah, it needs work but while there’s nothing on paper (two weeks seems to be cutting it fine too) to say that Lestrade and Molly, played by Louise Brealey, will ever go beyond the ‘hots’ stage, it’s interesting to ponder quite what the future holds for Lestrade as he seemingly becomes more dependent on Sherlock than, you know, his actual skills as a detective.

Although Sir Arthur Conan Doyle conceived him as the best of a bad lot (Conan Doyle gave him the rather unflattering look of “a little sallow rat-faced, dark-eyed fellow” but Sherlock admired his energetic, quick personality), he’s a key character in the sense that he knows when to indulge Sherlock and when to shut him down – something that makes him easy to warm to in Sherlock.

But as weaknesses go, his dependence upon Sherlock is for the greater good. It’s a question that Collider put to the actor who in The Family, again, has to deal with cops of the twisted and complicated The Family.

“He would be on the telephone to Sherlock right away. He can’t operate that well without Holmes…he’s not on the same level as Sherlock, but he’s the best of that lot, and I sort of approach him like that.”

Sherlock Season 4 is set to start filming later this year.

 

The post Sherlock – Rupert Graves ‘Lestrade has got the Hots For Molly!’ appeared first on Kasterborous Doctor Who News and Reviews.

Out Now: The Eighth Doctor #3 & The Four Doctors Graphic Novel

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

It’s that wonderful time of the week again where, comic vendors the length and breadth of this fair land, unveil this week’s bounty – and for Doctor Who fans there’s two releases from Titan Comics that in total feature not one, not two but five Doctors (and maybe more *wink).

Released this Wednesday – Doctor Who: The Eighth Doctor #3 – sees the Eighth Doctor and Josie get wrapped up in a magical mystery involving disappearing audiences, doppelgangers, and mirror dimensions.

It’s Edinburgh, 1850. The Doctor and Josie Day visit a mysterious magic show, one which is replacing audience members with ‘Silvered’ duplicates, mirror dimension reflections who jealously watch their real-world counterparts! With the deadly doppelgangers causing chaos, can the Doctor and Josie escape the magician’s grasp and avoid being Silvered themselves?

Written by George Mann with Art by Emma Vieceli, the Titan Comic also comes with alternate covers by Rachael Stott & Hi-FI with a photo cover by Will Brooks.

Today also sees the release of the collected trade paperback of the universe shattering cross-over event, The Four Doctors.

Don’t miss this unforgettable first meeting between the Tenth, Eleventh and Twelfth Doctors, with guest cameos from past incarnations, and an astonishing mystery at its heart!

Written with style by Paul Cornell, Hugo Award-winning author of Doctor Who episodes Father’s Day and Human Nature/The Family of Blood, and drawn by superstar Neil Edwards (Iron Man, Amazing Spider-Man, Legion of Superheroes), this five-part crossover adventure, collected for the first time, will take you from the Time War to 1920s Paris, and on to the ends of the universe!

Under attack by the Reapers, antibodies of the universe! A photo that should never have been taken, that spells doom for reality! A breathless chase through three TARDISes! A hidden enemy lurking outside of known time! Three Doctors, three companions… and a whole host of heated discussions, flailing arms, and perfectly-phrased insults between immortal Time Lords who really should know better!

What’s more to celebrate the release of The Four Doctors, the pair will be signing copies of the book today at the Forbidden Planet London Megastore, Shaftesbury Avenue.

Both The Four Doctors and Doctor Who: The Eighth Doctor #3 are available from all good stockists.

 

 

The post Out Now: The Eighth Doctor #3 & The Four Doctors Graphic Novel appeared first on Kasterborous Doctor Who News and Reviews.

Make Room in Your TARDIS for Doctor Who Funko Pop Wave 2 Figures

Andrew Reynolds is a writer at Kasterborous Doctor Who News and Reviews - All the latest Doctor Who news and reviews with our weekly podKast, features and interviews, and a long-running forum.

Funko Pop – those giant of head, cute of face figures that currently crowd your shelves – have announced a second set of vinyl figures that resemble some of Doctor Who’s finest.

Joining the likenesses of Fourth, Tenth, Eleventh, and Twelfth Doctor to name a few, will be Christopher Eccleston’s Ninth Doctor – complete with his signature leather jacket and Sonic Screwdriver, Rose Tyler – dressed in her signature Union Jack T-shirt, River Song – wearing her original brown dress, leggings and boots.

Other characters included in the set are fellow time traveller Captain Jack Harkness – who’s clad in his signature military jacket with some outstanding hair (seriously, it’s better than mine. I envy a Funko Pop figures hair. That’s not a sentence I thought I’d ever say…again), and, heading further back in the shows history, we’re also getting Sarah Jane Smith figure in her funky striped overalls, an adorable K-9 figure (who’s an adorable K-9 figure! Is it you? Is it you? Yes!) which is a GameSpot exclusive.

You can also pick up The Silence, a shadowy sect who upon being seen make the viewer instantly forget they saw them – so good luck doing a stock take.

The entire range, apart from K-9, is available first from Hot Topic in the US.

While Funko hasn’t yet said when these toys will be released, it’s supposed to be soon. Check back on the company’s website and Facebook page for the latest information.

The post Make Room in Your TARDIS for Doctor Who Funko Pop Wave 2 Figures appeared first on Kasterborous Doctor Who News and Reviews.