S.Q. Eries's Blog, page 30
April 10, 2018
Manga Review: Everyone’s Getting Married Vol. 7
Most romances in Viz Media’s Shojo Beat line are targeted toward a high school audience, but Everyone’s Getting Married is actually aimed toward older readers. It’s twenty-something angst instead of teen angst, and you can read on for the review of Volume 7. (For the reviews of previous volumes, click here.)
Back Cover Blurb
Successful career woman Asuka Takanashi has an old-fashioned dream of getting married and becoming a housewife, but popular TV newscaster Ryu Nanami would rather die than ever get married. Asuka and Ryu just moved in together, but at work Ryu is being considered for a transfer to Washington, D.C. Will Ryu accept the offer?
The Review
Ryu and Asuka’s new living situation has Kamiya practically on their doorstep, which might lead to anticipation of fiercer competition between the two rivals. However, the plot takes a different turn. Instead of facing off against Kamiya, Ryu leaves the fight when a promotion sends him to America.
The assignment is supposedly for several years. Asuka immediately offers to quit her job to go with him, and indeed it seems the obvious thing to do considering her dream is to be a full-time homemaker. However, even though Ryu tells her “being with you is my life now,” he insists that she stay in Japan. And Asuka… acquiesces without argument.
Thus we have three chapters of Ryu and Asuka making the most of the time that they have left before Ryu moves. Asuka shoves aside doubt to offer absolute support for Ryu’s decision, which is somewhat unbelievable. Her relationship with Ryu is getting further and further from the marriage she dreams of. She’s already in her mid-20s, and her previous relationship lasted five years and ultimately went nowhere. With a separation of several years looming, it seems improbable that she wouldn’t consider the consequences if she invests all that time into Ryu and things do not work out.
As for Ryu, he’s not so dense to think that Asuka doesn’t need assurance, but the way he goes about it falls flat. The nuances of Japanese engagements went over my head when Ryu takes Asuka to his parents’ home, but when he offhandedly says, “It should be fine if it’s just in spirit,” it sounds like he’s just tossing Asuka a bone. Add to that the cocky way he informs Kamiya about the transfer and declares,” I won’t make her cry,” and I’m really thinking Asuka should dump him.
Thus, career demands once more separate our couple. But not only is Ryu physically away, Asuka’s work promotion causes her to seek advice from Kamiya. Then little brother Kaneda comes over for winter break and starts voicing his disapproval at the situation. Everything’s getting set up for Kamiya to make a grab for Asuka, and unless Ryu drastically changes his time, I’m rooting for Team Kamiya.
Extras include author’s afterword.
In Summary
Work once again separates Ryu and Asuka, this time in the form of a long term assignment in Washington DC. The obvious solution is for Asuka to go with Ryu, but he vetoes that option in favor of a long-distance relationship neither wants. We have the usual date/bedroom moments to illustrate how badly they want to stay together, but Ryu’s minimal concessions to assure Asuka of his commitment paint him as a selfish jerk.
First published at The Fandom Post.
April 3, 2018
Manga Review: Spice and Wolf Vol. #14
Spice and Wolf is a wildly popular light novel series that has spawned off an anime, an Internet radio show, and a manga series. While its European medieval setting is typical of high fantasy, this series has a unique bent to it. Rather than swordfights and magic, the plot focuses on economics, trade, and peddling in a way that skillfully blends adventure and romance.
Yen Press has released Volume 14 of the Spice and Wolf manga, and you can read on for the review. (For my reviews of previous Spice and Wolf releases, click here.)
Back Cover Blurb
Previously, Lawrence and Holo traveled to the town of Svernel in order to meet with the Myuri Mercenary Company and find out more about Holo’s past companions and her home. But now Lawrence has gotten completely caught up in the political strife of the Debau Trading Company.
It all surrounds the Debau Company’s desire to issue a new currency, with which they have apparent plans to unite the surrounding northern region. For their aim, the Debau Company needs to acquire raw ore and materials but this has caused their opponents to increase their own efforts to foil this plan. In the middle of all this, Lawrence is trusted with delivering a forbidden text detailing the necessary mining techniques to the trading company’s executive, Hilde Schnau but will it really go so smoothly?
The Review
At the end of Volume 13, merchant and wolf looked bound for a happy ending, and as Volume 14 opens, that tidy conclusion seems a done deal when Lawrence figures out the motivation behind the Debau Company’s actions. The company’s plans to create an empire in the Northlands through the power of trade are far and beyond anything a small-time merchant like Lawrence imagined possible. However, he recognizes the opportunity approaching and positions himself to have the store of his dreams and live happily ever after with Holo.
But just when everything seems perfect, a new character arrives to throw Lawrence’s plans into disarray. Hilde Schnau, the Treasurer of the Debau Company, makes his first appearance, but just as Lawrence and Holo have been observing the Debau Company’s activities, Hilde has been observing theirs. And he knows more about them than most because he is a being similar to Holo. Similar… but not alike. Watching Hilde interact with Holo and Lawrence keeps bringing to mind a certain scene from Monty Python’s Holy Grail. Because despite his cute appearance, he wields considerable power.
While it is a bit strange to watch a rabbit manipulate a wolf to do his bidding, it effectively drags the two travelers into an internal battle within the Debau Company. Thus the story zooms out from Holo and Lawrence’s intimate plans to the factions struggling within an economic giant. As it turns out, the forbidden book of mining techniques is key, but not in the way Holo and Lawrence thought. Once more, our heroes get swept into an affair much larger than themselves, and Holo especially must consider the future ramifications of the choices before her. And while mercenaries take arms and Holo makes use of her true form, Hilde does a wonderful job showing how well-placed words and pieces of paper can shape the outcome of a regional conflict.
Extras include title illustration in color and afterword.
In Summary
Just when the series looks about to conclude happily for Lawrence and Holo, a new character appears to throw everything into chaos. Wolf and merchant once more wind up entangled in a scheme—one that not only involves trade but armies of mercenaries and the fate of the entire Northlands. While the plots and counterplots within the Debau Company are a bit complicated, the interplay of economics, military, and supernatural might makes for a gripping narrative.
First published at the Fandom Post.
March 27, 2018
Manga Review: Spice and Wolf Vol. #13
Spice and Wolf is a wildly popular light novel series that has spawned off an anime, an Internet radio show, and a manga series. While its European medieval setting is typical of high fantasy, this series has a unique bent to it. Rather than swordfights and magic, the plot focuses on economics, trade, and peddling in a way that skillfully blends adventure and romance.
Yen Press has released Volume 13 of the Spice and Wolf manga, and you can read on for the review. (For my reviews of previous Spice and Wolf releases, click here.)
Back Cover Blurb
Lawrence and Holo continue to head for the Wise Wolf’s homeland of Yoitsu. Even their long, long journey begins to approach its end. On their way, they hear of a mercenary band that carries the name of Holo’s old friend, Myuri. As they investigate the group’s whereabouts in Lesko, they’re astonished by the town’s prosperity they find. But what could be the secret hidden beneath the veneer of success?
The Review
Two major themes have followed our merchant and wisewolf throughout their journey together. One is Holo’s desire to return home. The other is Lawrence’s ambition to succeed in business that he might open his own shop. In this volume, our travelers realize only one of these wishes will be fulfilled, with interesting results.
Having heard of a mercenary company bearing the name of Holo’s packmate Myuri, Holo and Lawrence travel to the Northlands town of Lesko. What they find is not her old companion but a young mercenary leader and a message passed down his family for generations. It’s a major turning point for Holo when she realizes she can never return to the world she once knew, and the creators do a terrific job of portraying her grief and the astonishment of the mercenary captain, who never thought anyone would actually show up to receive Myuri’s message.
Holo rarely displays such emotion and vulnerability, and Lawrence does his best to give her a shoulder to cry on. However, in his efforts to cheer her up, he quickly gets distracted by how unusual Lesko is. They came to the place expecting a city on the brink of war, but the mood of Lesko is relaxed and peaceful, and the Myuri mercenaries assure Lawrence that there’s no chance of conflict. In addition, Lesko, unlike the other cities they’ve traveled through, has no walls, no guilds, and no tariffs. So when Lawrence sees a certain piece of property for sale, Lesko looks like the perfect place to set up shop. There just one troublesome thing: the Debau Company, which controls the town, is offering an outrageous exchange rate for gold coin, and until Lawrence can figure out what they’re up to, he doesn’t dare make a move.
Thus, we have the economics arc to the story. But interspersed with Lawrence’s efforts to unravel the company’s machinations are deeply personal, intimate moments as he imagines the business he’s dreamed of with the person he longs to share it with. For those who’ve been hankering for more sweetness in Spice and Wolf, you’ll get it as Holo lets go of the past and sets her sights on the future Lawrence holds out to her.
Extras include the title illustration in color and afterword.
In Summary
As the cover illustration insinuates, the bond of affection is growing between wisewolf and merchant. Holo’s mood has generally alternated between amused and annoyed, but in this installment, she goes through the emotional wringer in a way we haven’t seen before. At the same time, Lawrence discovers in Lesko the chance to realize a long-cherished dream. But instead of these experiences pulling them apart, the pair winds up closer, and amid a mystery of gathering mercenaries and cheap gold, romance blooms between merchant and wisewolf.
First published at the Fandom Post.
March 20, 2018
Manga Review: The Royal Tutor Vol. 5
Rich, handsome young men, each with his own distinct personality…this type of bishounen cast is a staple in shojo manga. And if you like yours with a generous helping of chibi humor, you should definitely check out Higasa Akai’s The Royal Tutor. Read on for my review of Volume 5. (For my reviews of other volumes, click here.)
Back Cover Blurb
Prince Licht’s fascination with coffee should come as no surprise given his affinity for his part-time job at the cafe, but when Leonhard suggests the bitter drink should be banned from the kingdom, can Lichie help him develop an appreciation?
The Review
After Bruno’s internal angst regarding his chances for the throne, Akai-sensei opens Volume 5 with lighter fare, a coffee-themed interlude between Heine, Licht, and Leonhard. Leonhard, as usual, plays the part of the immature prince, but this time his childish tastes pose a challenge for Licht, not Heine. Their confrontation has the feel of a comedy duo, and with Heine mostly observing rather than getting directly involved, it’s a nice change of pace from Heine’s usual schooling.
Comedy also comes in the cute variety in the standalone chapter “Adele’s Friend.” The little princess returns to demand a visit to the zoo, and of course, her brothers (plus Heine) accompany her. It has a very similar feel to the group art class of Volume 4, except this time the unique points of the princes’ personalities get highlighted in the context of animals, which range from cute to ferocious to troublesome.
The rest of the volume is devoted to a past incident involving Bruno and Kai with the focus mainly on Kai. While the story has a 19th-century setting, our characters often display modern sensitivities, and the princes’ normal garb look a lot like Japanese school uniforms. In keeping with this bridging of past and present, Akai-sensei delivers a situation at a military academy that looks a lot like modern high school bullying. Because this arc centers on Kai, much is made about the contrast between his scary looks and his actual gentle nature, but on top of that, we get to see the circumstances that actually would push Kai to violence.
Unfortunately, Heine gets turned into a deus ex machina for the arc’s resolution. While the conclusion is a bit too tidy for belief, it does increase the aura of mystery surrounding the diminutive tutor. It also drives Count Rosenberg, the steward of the eldest prince, to confront Heine, and I anticipate an increasing amount of court intrigue to come.
Extras include bonus manga printed on the inside of the cover; six-page bonus story; and first page printed in color.
In Summary
Kai fans will have a lot to enjoy in this installment. Not only do we get a glimpse into his brief stint in a military academy, we also see how Heine’s influence has shaped him and Kai’s particular take on conflict resolution. And though the eldest prince has yet to show his face, his meddling in his brothers’ affairs is becoming increasingly apparent, and I look forward to him finally making an appearance.
First published at The Fandom Post.
March 13, 2018
Manga Review: The Royal Tutor Vol. 4
Rich, handsome young men, each with his own distinct personality…this type of bishounen cast is a staple in shojo manga. And if you like yours with a generous helping of chibi humor, you should definitely check out Higasa Akai’s The Royal Tutor. Read on for my review of Volume 4. (For reviews of other volumes, click here.)
Back Cover Blurb
Heine’s efforts to shape the princelings into worthy successors to the throne continue, but it seems that Bruno in particular is struggling with a bit of a crisis of conscience when it comes to his future. Can he live up to Heine’s standards to remain his “apprentice”? More importantly, does he have the courage to carve out his own path?
The Review
As with Volume 3, half the material in Volume 4 was not incorporated into the TV series. Most of the non-animated chapters are at the beginning of the book and comprise, for the most part, humorous fluff that poke fun at the princes’ quirks. The volume opens with a group art lesson in which the princes must paint a portrait of little sister Adele. What results is a cute, light-hearted chapter that displays our cast’s idiosyncrasies on canvas.
The remainder of the book has Heine dealing with the princes in ones and twos as it often does. Chapter 20 “A Troubled Prince!?” is a brief Leonhard-centric arc which, like most chapters about the fourth prince, is a display of his dismal academics. Unfortunately, this iteration doesn’t vary much from previous ones so I found the gags stale. However, the next chapter, which features Licht, is much more intriguing. Cafe fans will get to enjoy the youngest prince in his waiter uniform while he attempts to pry into Heine’s private life.
As we enter the material included in the anime, the narrative takes a more serious tone. Heine’s job is to groom the princes as worthy candidates for the throne, but we’ve never seen the brothers treat each other as rivals. This changes with Chapter 22. Although the set up is somewhat different than the TV series, it similarly introduces Bruno’s hidden insecurities and sets the stage well for the two Bruno-centric chapters that follow. Thus far, Bruno has alternated between a rigid academic and a gushing Heine fanboy. In this arc, we see the circumstances that led to his strict lifestyle as well as a glimpse of his sense of self-worth. Of all the princes, Bruno is the one most firmly grounded in reality, and to watch him agonize over the options for his future goes a long way in fleshing out his character.
Extras include “Character Profiles” printed on the inside of the cover; one page “intermission” manga; first page printed in color; and translation notes.
In Summary
Volume 4 delivers a nice balance of comedy and drama. We first get three fun standalone chapters that feature the brothers’ affection toward their cute sister, Leonhard’s stupidity, and Licht’s acute sense of perception. The focus then shifts to the line of succession, and more specifically, the person Prince Bruno considers his chief rival for the throne. Not only do these chapters shape Bruno into a more well-rounded character, they also heighten the sense that someone is out to sabotage the four brothers’ chances to become king.
First published at The Fandom Post.
February 13, 2018
Anime Review: Princess Mononoke Anime DVD/BD Review
Most of Hayao Miyazaki’s films are not set in his native Japan, and only Princess Mononoke has a Japanese feudal era setting. While this makes it distinctly different than his other films, it also makes it my favorite of his works. I had the opportunity to review the Blu-Ray/DVD set for the film, and you can read on for the review.
Cover Blurb
Inflicted with a deadly curse, the young warrior Ashitaka heads west in search of a cure. There, he stumbles into a bitter conflict between Lady Eboshi and the proud people of Iron Town, and the enigmatic Princess Mononoke, a young girl raised by wolves, who will stop at nothing to prevent the humans from destroying her home, and the forest spirits and animal gods who live there.
The Review
Don’t let the GKIDS logo on the case fool you. Princess Mononoke is an excellent animated film but not the type of movie you’d let a five-year-old watch alone. Battles take place between animal gods and people as well as between competing human factions, and images of corpses and body parts getting shot off are frequent and extremely graphic.
On top of the gory parts, the narrative is a complex one. Set in the chaotic Muromachi period, it features members of an exiled ethnic group, rival warlords, and minions of a distant emperor in addition to the forest spirits unique to this film. If you’re not familiar with the Japanese feudal era, the subtleties of the social setting and certain character motivations might be lost on even adult audiences. Ergo, the PG-13 rating.
For those mature enough to take in the film’s violent aspects, however, it is a magnificent tale. And even if it’s unclear why certain people are attacking others in the backdrop, the main conflict—that between the forest and the ironworkers—needs no explanation.
The story begins when a demon—a boar god driven mad by an iron lump that’s penetrated its body—attacks a remote Emishi village. The young warrior Ashitaka kills the demon but not before it afflicts him with a deadly curse. Ashitaka then travels west to learn the source of the demon’s malice and discovers Iron Town. An ironworks at the edge of a primeval forest, it is locked in bitter conflict with the forest’s guardian gods and San, a young girl raised by wolves.
As far as heroes go, Ashitaka is very appealing and rather pure. He doesn’t get conscience-stricken over the samurai who die at his cursed hand, but he is selfless enough to sacrifice his well-being for his village. When he encounters the Iron Town/forest conflict, he is very careful not to get caught up in it. Rather, he wants to help both sides, a stance that leaves both the forest dwellers and the ironworkers bewildered and suspicious. However, he’s not all idealistic positivity. When the great god of the forest does not heal him of his curse, he’s clearly crushed.
San is also pure but in a different way. Abandoned by her family, she feels no connection with people. Her loyalty is to the wolf tribe that adopted her and the forest that’s their home. More than any other human on the cast, she understands and mourns what’s being lost in the face of human expansion, thus her actions wind up those of a feudal-era environmental extremist.
Environmental themes have appeared in other Ghibli films, and it would have been easy to cast the inhabitants of Iron Town and their leader Lady Ebisu as the bad guys wantonly destroying their natural heritage. However, Miyazaki makes the situation much more complex. True, Lady Ebisu sees the forest as a resource to be conquered and exploited, but she’s also a person of tremendous compassion. Many ironworkers are lepers and former prostitutes whom Lady Ebisu rescued, and they are eternally grateful for the new lives she gave them in Iron Town. So although the forest is being destroyed on account of the ironworks, that same ironworks benefits the most downtrodden members of society. As such, there is no black and white in the strife swirling around Iron Town; rather there are many factions colored in various shades of gray, which is a much more realistic portrayal of conflict in the world.
In contrast, the thread of romance that runs between San and Ashitaka is simplistic. He falls in love with her at first sight despite the fact that she’s hostile and splattered with blood. Princess Mononoke is an epic action/adventure so it’s not like San and Ashitaka’s relationship is the primary driver for the narrative, but it would’ve been nice for it to have a more substantial foundation than ”You’re beautiful.”
Extras include exclusive booklet, feature-length storyboards (on Blu-Ray disc only), behind the microphone, Princess Mononoke in USA (on Blu-Ray disc only), TV spots, and the original English-, French- and Japanese-language theatrical trailers.
In Summary
A thrilling epic with sweeping landscapes and a compelling hero’s journey. At times, the socio-political forces at work are difficult to understand, and the romance between San and Ashitaka doesn’t seem to be founded on much at all. However, the mystical quality of the primeval forest and its inhabitants is marvelous, and the animation for the battle scenes are still inspire awe and excitement despite being twenty years old.
First published at The Fandom Post.
February 6, 2018
Anime Review: My Neighbor Totoro Anime DVD/BD Review
Totoro is an icon. Decades after My Neighbor Totoro’s release, Totoro goods are still popular, and he even made an appearance in Toy Story 3 (although I wish he had a speaking role). I had the opportunity to review the Blu-Ray/DVD set for the film, and you can read on for the review.
Cover Blurb
When Satsuki and her sister Mei move with their father to a new home in the countryside, they find country life is not as simple as it seems. They soon discover that the house and nearby woods are full of strange and delightful creatures, including a gigantic but gentle forest spirit called Totoro, who can only be seen by children. Totoro and his friends introduce the girls to a series of adventures, including a ride aboard the extraordinary Cat Bus, in this all-ages animated masterpiece featuring the voices of Tim Daly, Lea Salonga, and real-life sisters Dakota and Elle Fanning, in one of their earliest roles.
The Review
Last month I had a holiday gathering with some old classmates. Their elementary school age kids came with them and started running riot in my non-childproofed house. In desperation, I grabbed my review copy of My Neighbor Totoro and put it in the DVD player. Within moments the kids settled down, and for the next 90 minutes, we adults were able to converse in peace.
So even after thirty years, My Neighbor Totoro hasn’t lost its ability to enchant children.
Unlike many American animated children’s films, My Neighbor Totoro has no flashy musical numbers, no talking sidekick animals, and no ridiculously goofy characters. The pace is slow, and commonplace rural scenes and activities take up much of the screen time. Yet the film sings with the beauty of nature, and it’s through the awesomeness of Japan’s forests and waters that Director Miyazaki channels the mysterious, magical quality of the totoros.
The main characters are sisters Satsuki (11) and Mei (4). They’ve moved with their father to a rickety old house in the countryside while their mother recuperates in a hospital some distance away. The two girls are thrilled with their new home, but as they explore it and the surrounding woods they soon discover the extraordinary but shy totoros, gentle forest spirits that can only be seen by children.
When a film includes magic or fantastical elements, often those elements overwhelm the narrative (think Sailor Moon or Harry Potter). However, My Neighbor Totoro has no glittery magical girls or flashy spells. The sisters encounter the totoros in the backyard and bus stop—ordinary, familiar places—and though each meeting stirs a sense of awe for their forest surroundings and its mysterious inhabitants, the children don’t become agents of that wonder themselves, nor do the totoros hijack their lives. For the most part, girls are living a normal life, adjusting to a new place where every now and then they brush up against something special.
And the encounters are quite fun. There’s a lot of child squealing/screaming, which kids probably appreciate. The furry totoros look like cute plushies (probably why totoro toys are popular even today), and their expressions are quite engaging. One of my favorite scenes is when Satsuki loans the big totoro an umbrella and he goes from baffled to absolutely thrilled with it.
The movie also has its share of drama with the uncertain health of the girls’ mother. Although it’s not the stuff of epics, any child can understand the fear of losing a parent. And when Mei gets lost trying to visit their mother’s hospital, audiences will definitely relate to Satsuki’s desperation to find her. While the totoros play their part in the drama’s resolution, it’s the human concerns and emotions that give the film its “heart” and make My Neighbor Totoro a compelling story even decades after its release.
Extras include exclusive booklet, feature-length storyboards, behind the microphone, creating My Neighbor Totoro, creating the characters, the “Totoro” experience, Producer’s Perspective: Creating Ghibli, the locations of My Neighbor Totoro, textless credits, and the original theatrical trailers. Several of these extras are subtitled excerpts of Japanese documentaries, and if you are a big Miyazaki or Ghibli Studio fan, you might want to pick up the Blu-ray/DVD set for this bonus material alone.
In Summary
My Neighbor Totoro is widely regarded a classic and rightfully so. Yes, it’s not exactly a fate-of the-world-depends-on-it roller coaster ride, but it has its own unexpected and charming surprises. Plus, the totoros—in addition to being adorably cute—brim with personality even though they can’t really talk.
First published at The Fandom Post.
January 30, 2018
Novel Review: Nyxia
The success of The Hunger Games has spawned a surge of YA titles where teens get thrown in to fight each other. Now Scott Reintger adds his version Nyxia, where the battle takes place in space.
Back Cover Blurb
Emmett Atwater isn’t just leaving Detroit; he’s leaving Earth. Why the Babel Corporation recruited him is a mystery, but the number of zeroes on their contract has him boarding their lightship and hoping to return to Earth with enough money to take care of his family.
Forever.
Before long, Emmett discovers that he is one of ten recruits, all of whom have troubled pasts and are a long way from home. Now each recruit must earn the right to travel down to the planet of Eden—a planet that Babel has kept hidden—where they will mine a substance called Nyxia that has quietly become the most valuable material in the universe.
But Babel’s ship is full of secrets. And Emmett will face the ultimate choice: win the fortune at any cost, or find a way to fight that won’t forever compromise what it means to be human.
The Review
The teaser on the Nyxia dustcover is misleading. It reads: “The ultimate weapon. The ultimate prize. Winner takes all.” Actually, it would be more accurate to say: “The top eight out of ten win.”
As such, the stakes aren’t nearly as dire for Nyxia’s lead character Emmett Atwater as they were for The Hunger Games‘ Katniss. However, a number of the competitive aspects of Nyxia make it feel a whole lot like Hunger Games training sessions in space. As for the prize everyone is after? The right to go to planet Eden on behalf of Babel Communications to mine nyxia, a miracle substance that can be manipulated by thought.
Due to certain circumstances, the Adamites, Eden’s native humanoids, have forbidden adult Earthlings from visiting the planet. Babel works around this rule by handpicking ten teens to retrieve the nyxia for them. Because Babel has more power and resources than most countries, the compensation they offer is staggering, and for Emmett, this is his chance to get his mom the kidney transplant she needs.
There is, however, a catch. En route to Eden, a range of training sessions and competitions take place in their spacecraft. The recruits’ efforts are ranked, and only the top eight get to go to Eden. As such, even though the setting is space, there’s precious little about the space travel experience or the planet they are going to. It’s all about the teenagers’ rivalries and contests which mostly take place in simulation modules. As in The Hunger Games, there is a ridiculous amount of tech so the kids are able to operate massive mining equipment with minimal instruction and their boating training site might as well be an actual river. And of course, there is hand to hand combat with nifty nyxia weapons. So fans of competition narratives where ranks are constantly shifting on the scoreboard potentially have a lot to like.
The cast, on the other hand, leaves much to be desired. To ensure their recruits are sufficiently motivated, Babel chose poor kids, several of whom have an additional need that only Babel can provide. However, for some reason, Babel recruited kids not just from one place but all over the Earth. As such, Nyxia has an international cast, able to communicate thanks to nyxia translator masks. Unfortunately, the international quality doesn’t ring true for me. For instance, a Brazilian girl receives a Spanish-language contract (Portuguese is Brazil’s national language). In another scene, the translator masks are unable to convey the slang meaning of “cool” to a Palestinian, but a page later, a character who only speaks Japanese makes a pun that only works in English. Honesty, it feels as if the author began with a white bread cast and later diversified it to add appeal but didn’t bother to account for the nuances of different cultural outlooks and values.
The story might have worked better if the kids were Americans with different ethnic backgrounds, but other shortfalls remain. Emmett is a poor black kid from Detroit, and the book spends a couple pages laying out how no one in his family has ever truly been free. However, in a later scene, Emmett gets psychoanalyzed after accidentally injuring another recruit in their first hand-to-hand matchup. The doctor, a white man, strongly insinuates that Emmett had no empathy for the boy he injured because “it didn’t show on his face.” As far as I’m concerned, that remark should trigger some kind of frustration or indignation over racial bias, especially since Emmett is the only black male in the competition, he had been following instructions when the accident occurred, and he actually does feel bad about hurting to other kid. But there’s nothing, not even in Emmett’s internal thoughts. Perhaps several decades into the future, racial prejudices and social injustice no longer exist, but that portrayal of the world doesn’t work when Detroit is still characterized as a place where urban African-Americans can’t break the cycle of poverty.
In Summary
Ten kids get sent on an expedition to another planet, but rather than learning about how to interact with the planet’s native humanoid population, they spend their time and effort focusing on how to beat other humans. If you like reading about competitions where points get tallied on a scoreboard, Nyxia may have appeal for you. However, the basis of the competition is farfetched, and the international cast is international in name only.
First published at The Fandom Post.
January 23, 2018
Manga Review: Barakamon Vol. 14
The contrast between city and rural life has been a source of entertainment since the time of Aesop’s fables. It remains a popular subject in manga and anime today, and joining the ranks of Silver Nina, Non Non Biyori, and Silver Spoon is Yen Press’ series Barakamon. Read on for my review of Volume 14! (For my reviews of previous volumes, click here.)
Back Cover Blurb
Reality is tough, but…surely, the future must be bright. Handa-sensei has returned from Tokyo with a new declaration–he’s going to start his own calligraphy school! But will he find any students!? But when an unusually cold winter brings rare snow to the island, is Handa prepared to hibernate the time away?
The Review
Handa’s returned to the island! However, he is a (somewhat) changed man with a new dream. Before he was an artist striving to find inspiration and his own unique means of expression. Now Handa’s quitting contests and commissioned work to open his very own calligraphy school!
It’s a well-established fact that Handa has no practical skills to speak of and that the Kawafujis have always handled the business end of his calligraphy. That combined with Handa’s unrealistic expectations regarding his new endeavor now gives readers the beginnings of an extended arc with a lot of potential. But before Handa can attempt to recruit Gotou students for his ¥20,000 per month (approximately $200 per month) lessons, he has two obstacles to contend with: the daikon bet and Kanzaki.
The daikon bet was struck a couple volumes back between Farmer Mush and Handa and further complicated by Kanzaki’s thoughtlessness. With Handa certain that Mush will ask for the rights to his house if the daikon are not up to snuff, Yoshino-sensei packs quite a bit of tension into the daikon picking. However, the ultimate outcome culminates in a hilarious illustration that took me completely by surprise. Chapter 103 mixes up the fallout from the bet with the village children’s tag game, which, though not quite as funny as Chapter 102, still incorporates a lot of entertaining action.
As for Kanzaki, he can’t bear to see the artist he idolized leave the calligraphy world. And unfortunately for Handa, a blizzard snows them in so he’s stuck having to listen to Kanzaki’s protests. While it’s funny watching two hapless city boys trying to cope when the water pipes freeze, Kanzaki’s whining comes off as annoying and shrill rather than comical, so it’s a relief when he finally flies back to Tokyo.
Extras include bonus manga on the inside of the cover flaps, translation notes (which are for some reason placed between Chapters 106 and 107), and another installment of “Barakamon News.”
In Summary
A new dream for Handa means a new arc for Barakamon! Opening a calligraphy school out in the sticks poses a whole different set of challenges for our displaced Tokyoite, starting with securing his teaching space from Farmer Mush and defending his decision against Kanzaki’s protests. While the daikon showdown is quite a bit more fun than I expected, Kanzaki’s whining gets irritating fast, and it’s a relief when he finally leaves the island at the end of the volume.
First published at The Fandom Post.
January 16, 2018
Manga Review: Master Keaton Vol. #12
I became an instant fan of Naoki Urasawa in 2004 when I saw the Monster anime. Psychological thrillers are definitely NOT my cup of tea, but he had me hooked with his combination of realistic artwork and gripping plot. As such, I was thrilled when Viz Media decided to release a translation of an earlier Urasawa action/adventure: Master Keaton. Read on for the review of Volume 12. (For my reviews of previous volumes, click here.)
Back Cover Blurb
“If you have the willingness to learn, you can learn anywhere.” With this message from his old teacher in his heart, Taichi Hiraga Keaton finally lands in Romania, where ruins of the Danube civilization lie. Yet, what awaits Keaton is a major horrifying event that shocks the entire nation!
The Review
The vast majority of this series has focused on Keaton’s external challenges, and most stories have been brief, unrelated arcs. However, for the finale of Master Keaton, the creators pull out all the stops to present a volume-long arc centered around Keaton’s dream of excavating the Danube.
Keaton has mentioned his theory of a yet-to-be-discovered Danube civilization on occasion, but in Volume 12, he has his theories formally written into a paper and is trying to gain the academic backing necessary to launch an archaeological excavation. His previous attempts at a faculty position were like a long-running joke, but this time there’s real pathos as Keaton struggles to choose between his aspirations and the restrictions of a conservative university department.
His ultimate decision drives all the subsequent action in the volume. Although that action includes everything from tracking down a lost 20-carat ring to defending a Romanian village from mortar fire, his single-minded determination toward his goal not only holds the wide-ranging narrative together, it allows readers to connect with Keaton on a deeper level. He solves mysteries and clashes with Mafia and former Secret Police like usual, but now that Keaton has something truly personal at stake, he and the story are much more engaging than when he was fixing other people’s problems. Indeed, other people band to help Keaton out of his scrapes, including childhood pal Charlie Chapman and retired Detective Hudson.
The arc’s one minor plot flaw is the ease by which the characters communicate. Keaton’s adventures take him to a remote Romanian village, and while his skills set is eclectic enough to include fluency in Romanian, I doubt Chapman and Hudson can claim the same. Otherwise, it’s a seamless wild ride as Keaton’s search for an artifact’s origins gets him tangled in a more sinister hunt for a former dictator’s hidden fortune. While there are several layers to the political intrigue, the creators’ artful storytelling keep the reader well abreast of the complex plot.
For those familiar with Urasawa’s subsequent work Monster, Master Keaton’s final chapters contain several elements also found in Monster—a post-Cold War Eastern European setting, corrupt government officials, underworld bosses, prostitutes, and a boy that latches onto the main character. So if you liked Monster, you’ll probably enjoy this last installment of Master Keaton, and vice versa.
In Summary
It’s the final installment of Master Keaton, and the creators do an excellent job weaving all its myriad aspects into a thrilling volume-long arc. So whether you’ve enjoyed the series for its action, sleuthing, political intrigue, or archeological treasure hunting, you’ll find something to like as Keaton strives to make his archeological dreams a reality.
First published at the Fandom Post.