Rory Miller's Blog, page 35
November 23, 2011
Sea Change
The martial arts world is changing, and the change is fast and the changes are big. It's coming from a lot of different sources.
The obvious:There is more information accessible than ever before. You want to argue endlessly about the lineage of some obscure family system, go right ahead. But if you keep doing it, the argument is the point, because we know someone who knows someone who has a cell phone who is right in the freaking village. If the founders's actual physical grandson thinks the argument is pointless...Anyway, the combination of cell phones and "six degrees of separation"... which is actually closer to 4.7 degrees.
That's not even counting the internet, which has immeasurably increased the possibility of like-minded people getting together. Guess how many people who comment here are cops (or former) and martial artists of long standing with an introspective streak and a desire to understand and explain. Think there are more than a handful of those in any given area? And that's just one obscure blog. It cuts both ways, of course. People looking for new information and to be challenged can find that. People who want their personal flavor of koolaid praised and defended can find that as well.
The prevalence of video. You can actually see how bad stuff happens. No more excuses when you practice defenses against attacks that don't happen.
The rise of MMA. I don't think it's reality fighting or even a good laboratory for what I'm interested in. At some point, two guys of the same size planning to meet with several months notice at an appointed place and time without weapons and voluntarily using the same range of techniques became the benchmark for "reality fighting." That's a big WTF, as far as applicability to self-defense goes. But MMA and particularly the early UFC had a huge impact. It both made people think and question, which was valuable. And it made it unacceptable to hide behind tradition or received wisdom. Put up or shut up. Which was invaluable.
The RBSD...fad? Hard to tell if it is a fad. There is at least as much fantasy in the RBSD world as in the traditional. There are little battles about how real reality is. Is a bouncer's reality real? "I don't hide behind no badge." Is a cop's reality real? "We arrived on the scene..."
Does a RBSD system derived from military arts (designed around young men in peak physical condition and with ROE not related to self-defense law) automatically transfer to the needs of an undersized drunk college girl who badly misread the character of a guy she just met?
But just like MMA, RBSD is getting people thinking.
Teaching methodology, everything from adult learning models to Olympic coaching methods are changing the martial world. There may be a few dojo still practicing exercises known to destroy knees, but they are dying out.
But the biggest change, I think, is in the practitioners. Kris Wilder has been digging into body mechanics that I can only describe as Okinawan internal arts. That would be impressive enough and thirty years ago it would have been (hell, it was) a closely guarded secret. It's impressive that he is studying and teaching it. More impressive is that it isn't enough, not for Kris. He reasons that if the body mechanics are that good, they are universal...and he tests and refines them in judo competition.
When Jake Steinmann heard conflicting information from two sources he respected, he didn't feel a need to choose a side and get defensive. He felt a responsibility not to get his students killed and went to bang it out.
Teja Van Wicklen was a rough, tough martial artist... and then she found, eight months into a rough pregnancy, that none of her twenty years of training applied when she was truly and completely vulnerable. Another instructor might have ignored the truth or drunk some more koolaid or done something to feel better about the situation. Teja realized she needed to rethink the entire process from the ground up.
Jeff Burger... damn. Train with him if you can. Too long a story to go into here.
Testing. Challenging. Looking at real problems. Most importantly, I think, for the first time in martial arts (and this will ruffle a few feathers) we have a significant percentage of serious practitioners who are thinking for themselves. Not taking the word of a 'master'. Not pretending that techniques that failed worked. Noticing that sometimes, "We've always done it this way" has a direct correlation to "Every senior practitioner has had knee surgery."
It's not always cool. Along with the people who are hammering out the new things I hear a lot from people who are quitting. One who put his life on hold to train in Japan for a decade and a half doesn't want to deal with the politics, with the tribal vitriol of people who have never been and done and feel threatened by one who has. One talented instructor hit his funk, "I don't think what I'm teaching is what I think it is. I thought it was self-defense. I thought I was teaching fighting..."
Good people are considering walking away from something they love. That means they can see something big, so big that it frightens them. The rest of us... I don't think we see it as big. We see problems we can change and fix and as we talk and connect, it gathers momentum.
I don't think the martial arts of 2030 will look anything like the arts of 1990. The change we are looking at is big. Deep water stuff.
November 18, 2011
Offensive, Defensive, Active and Reactive
It's always puzzled me that attacks are telegraphed and defenses aren't, even when they are the exact same motion. See something coming at your eyes and you swat it away. The motion may look like a palm strike or a push block. No telegraph. Just a flinch. Decide to make the exact same motion as an attack to the ear or the jaw hinge and, boom. The telegraph is there.
That's bothered me for a while. Offenses are telegraphed, defenses aren't. Even when they are the exact same motion. I wondered if that could be harnessed, if the motions of attack could be instilled to follow whatever neural pathways made defenses so instantaneous and explosive.
There was some personal evidence. I used to have a paradigm for beginners learning to hit. They would start with the form and learn to hit. Then they would decide to hit harder and put more effort into it (and that never really works, the physics for a shot put are the physics of a push, not a strike.) Then most learn to 'throw' the strike, letting it go out loose and fast instead of forcing it to go out in a way that feels strong but is too tight.
And then, for some, the strike would just teleport. The fist would be out and then back at guard instantly, with no conscious thought. No telegraph, with that level. It just happened and usually it was sort of a surprise. It would be a good hit, and it would land before I even consciously saw the opening.
Talking this out with my daughter I realized I was dividing the techniques incorrectly. It wasn't that offenses are telegraphed and defenses aren't, it was that action is telegraphed and reaction is not.
You don't decide to avoid getting hit in the face. It's one of those things that would have really hampered species survival if it took too much thinking. It wouldn't be fast enough. And it's not just instinctive or basic things. Rookies in a war zone don't always hit the dirt when they hear incoming... but once the sound is associated with the result, it becomes an instantaneous, faster-than-conscious thought reaction. No telegraph. Once when I was about sixteen I heard the buzz of a rattlesnake much too close. When I looked down, the .38 revolver was in my hand. No memory, no thought and pure reaction (with very little training or practice in drawing, by the way, but that's another mystery.)
But choosing to draw a weapon, or punch or close or engage or do the dishes... all of those involve a thought process, and act of will, the conscious brain making the unconscious brain (you know, one subset of which is the one that fires particular neurons to nerves to particular muscles that the conscious mind can't even identify) make stuff happen. There are layers in it.
And it can be taught. Rather, it can be conditioned. The teleportation level of striking comes after lots of hard work in live training (and thus too many of the people who get this good have also ingrained pulling.) The brutal speed and effectiveness of the counter-assault/counter-ambush techniques are conditioned response. Clearly offensive in nature, but we teach them as reactive (flinch-based) and protective.
Just one of the mysteries, maybe solved. Maybe I should start a list of all the things I haven't figured out yet.
November 15, 2011
Speaking For The Dead
Four major writing projects I want to finish this month. The hardest is Tim Bown's manuscript.It's frustrating, and sometimes I feel the anger-- and always the responsibility.
Tim was an extraordinary man. I don't use the word lightly. He was a traditional karateka with a big, popular, successful dojo. All the hallmarks of a McDojo. But it wasn't. He loved teaching and he loved karate and he even loved teaching kids. And he was good at it. Then he could go to the Animal List barbecue and earn the respect and the friendship of cops and thugs, traditionalists and non-traditionalists. He could hang with any of the groups without needing to become what and who we were. He was just Tim, and that was cool enough.
I had hopes and plans for Tim. He was a Bulletman, one of the instructors certified under Bill Kipp. The first time we met was for my second seminar in Seattle. He showed up with his armor. He helped coach and safety and played the bad guy. He was an excellent instructor, a good fighter, as egoless as you need to be to wear the suit. He also could act, no mean feat when your face is covered and you are wearing padded armor. Lastly, he understood the problems at the level I was trying to teach and was perfectly comfortable with the layers of violence dynamics and criminal personalities and force law and tactical and strategic judgment.
I had plans for Tim. I think he would have taken civilian scenario training to the next level.
Then he up and died. 32 or 33 years old. Three-year-old daughter. Just decided to go where the rubber meets the road and had begun his job with the Canadian Border Service. Dropped dead. Turns out his body was eaten up with cancer. Maybe for years he had been shrugging off tiredness and pain that might have crippled someone else as "maybe a little overtraining." None of us caught it. Didn't notice anything.
Turns out he wrote a book before he died and had been hoping to get it published. I volunteered to edit it.
It's hard. The book, "Leading the Way: Maximizing Your Potential as a Martial Arts Instructor" is many things. It's a book. It's a message in a bottle from a time and person who has passed. It's a memorial probably more than anything. And it's good.
But it's also a first book and written by a friend. I catch myself wanting to call Tim up. Places I disagree, places I think he said too much or too little. Places where he wrote about the writing, a beginner thing. But he's not here to fix or clarify or even argue. And I'm here to preserve his voice.
Most of the hard stuff is done. Changed very little. Need to do some fact checking, make sure everything is formatted consistently. Put in links and set it up for SmashWords. Add some testimonials... the only hard thing left is writing the foreword.

November 4, 2011
More on Peace
Josh wrote:"Do you think though that there are states of affairs -- call it "peace" or what you will -- that are stable situations worth working towards? If there are, what are some of the more important elements?"
My gut reaction is "No." I don't think stability is healthy. I also don't think it is sustainable or occurs in nature. Evolution doesn't stop; and societies continue to change. If change could be stopped and a society or group could be held in stasis, the best outcome I see is an entropy death and the total annihilation of art and creativity, because creativity will always threaten and eventually destroy the status quo. Not talking just art, either. Creativity in science and technology and commerce and agriculture have all far more profoundly improved the lives of average people than any changes in painting or music or literature.
Because people, like all organisms, seek homeostasis this natural change in life is profoundly threatening. That constant tug of war between a changing world and a desire for stability drives a lot of things. Including movements that purport to be about 'making a better world' but appear to concentrate efforts on stopping some of the forces that are directly responsible for the leaps in life expectancy and comfort that we have experienced since the industrial age.
And the last part, with any sort of stability, call it peace or whatever... I don't think you can create an unnatural state without coercion. I think any effective peace movement must, by it's nature, become totalitarian. It can't embrace diversity, since diversity would mean tolerating people who enjoy harming others or see force as an easy means to an end... so in order to get everyone to live in peace, you must first eradicate all the people who don't share that ideal.
But people are creative, and once the majority of people have forgotten the power of force the first person to figure it out will be, effectively, superhuman
I called Anon1 on the difficulty of defining peace except as an absence of conflict.He wrote:OK - Peace is the context in which the growth of relationship, culture, and civilization can occur. That definition isn't static, and it goes back as far as Thucydides...I don't recall Thucydides ever saying that... but for what it's worth, I'm okay with non-static definitions to an extent, as long as it's not a fudge factor built into the definition. But this definition doesn't hold up at all. I've seen too many relationships, good and bad, forged in open conflict; read too many poems written by soldiers; have a pretty good idea that the laptop I am writing on would never have been invented without the double influences of the Cold War and an essentially adversarial free market.
I'm trying to think of an era of peace. Tokugawa shogunate, maybe? Enforced caste systems with a ruthless totalitarian information system to enforce it? Graveyards are peaceful.
More:...peace isn't the *absence* of war; it's something *other* than war.Does this mean (sincere question, not a debating trick) that peace can exist within a war? That this other-than-war peace can exist in a firefight? If you are talking about an internal feeling... maybe. But it is something that could be given to everyone who wants it chemically* while everyone else could play merry hell with violence and I'm pretty sure that's not what anyone else means when they say 'peace.'
More, and this gets close, IMO, to the meat of the disagreement here:...violence wasn't the only real thing. It was one of the tools you used to achieve a "real" thing.
Part of what disturbs me about your notion that peace is simply the absence of violence ... is that it means that violence is the *only* "real" thing. That not only is violence/peace binary, but that violence is the #1, and peace the #0.
Why? Why not the other way round? Even if things are binary (and I don't think they are), couldn't violence as logically be the void when peace is absent? Why is violence primary?
The world is full of real things. Goals are real things, but so are tools. So in Clausewitz's definition, war and politics are both real. Violence is far from the only real thing. And there are lots of intangible things that I consider real, like love and compassion. But a sociopath's lack of compassion is really hard to define without accepting compassion as a baseline. Vacuum is it's own thing, but only as long as matter exists. Remove all matter and there is nothing but nothing.
Violence is the primary because it is the active force. I can show you videos of violence. I can show you videos of compassion and generosity and kindness and a thousand other active and real things. To show you a video of peace, would I show you an empty piece of space? Or a graveyard? Not a plant growing, those little devils are constantly strangling and shading each other to starvation...So, not:I suspect you'd say because you know violence is "real." You've experienced it. And love and a bunch of other things... but the thing that marked the peaceful moments was a lack of conflict.
It's light and darkness (not in the metaphorical or value sense). Light is photons hitting things; dark is photons not hitting things. We can talk into we're blue in the face and convince ourselves that 'dark' is its own, real, separate thing; that darkness is a thing totally separate from light and photons or argue (and even decide to agree) that the absence of photons is the primary state. And photons are the zero.
But I wouldn't buy it.
So I'm still not seeing any definition of peace other than as an absence of conflict.
I also want to apologize. Nature of the medium is that Anon1 and Josh and I couldn't get together and talk before I wrote, which means that this is unfairly one-sided. So don't take it as a debate. Some smart people got me thinking. This is what I thought. Nothing more.
*When I went in for knee surgery I wanted to watch, so we did an epidural. Just before the surgeon started the nurse injected something into the port in my IV line saying, "This will take the edge off." No idea what it was, but even when blood splattered over the TV screen and the surgeon said, "Shit! We measured it wrong!" I didn't care. Sure felt peaceful. Wouldn't want to live that way.
November 1, 2011
Older
And now we are doing it. Growing old. Not just older.
She has always been graceful, and she is aging with the same grace as she moves, serene in herself the way that she calms others with her presence. Her hair has been silver for a long time, the premature gray I would expect from living with me. She has never tried to color or hide it, seemed unaware at the ethereal beauty that another woman might attempt to mask.
She is so unafraid.
Last night, for the first time, I noticed the translucent skin that I see as a sign of aging. Very fine webs of lines around her eyes and mouth and neck almost under the skin. And I found it beautiful and fascinating. One more thing about this beautiful woman that takes my breath away.
I never thought to grow old, never dreamed to be lucky enough to do so as a pair. Amazing.
And I know, Steve and George, we aren't that old. But I'm close enough to taste it and with K it doesn't seem the slightest bit bleak.
October 30, 2011
Peace and Rehabilitation
Peace is an interesting ideal, depending on how you define it. Like a lot of ideals, it's squishy enough that you can have other ideals directly opposed to your stated ends and throw enough words into the justification to miss the point.
The thing that gets me about peace activists is that peace is not a thing. It is the absence of another thing. Depending on how you define it, the absence of war or violence or conflict. Depending on how you define those, 'peace' ranges from a difficult improbability to an absurd impossibility. In any case where you are looking at an absence, you must look at the thing you want to remove.
You can't effectively work for peace without taking a good hard look at war or violence or conflict (or all three, depending on your definition). And not a knee-jerk, disapproving look, either. A good hard look at why, if something is so bad, it is so prevalent. Why, if something must be fixed, it is so endemic in the natural world.
It is exactly like any other group attempting to censor or ban any other thing. Prohibition was an ideal, largely put forward by self-righteous teetotalers. People talk about violence, it seems to me, the way that they talked about sex in the fifties. They don't. Most talk around it. If you have anything to say from experience, you are marginalized.
It kills dialogue. More to the point, it kills progress. Medicine advances as we learn more about disease. We solve problems by studying problems, not by meditating on an imaginary, problem-free end state. I guess, in a way, that is the defining difference between a peace-maker and a peace activist.
Couple of caveats. We all do this. If you consider yourself on any side of a line: conservative/liberal; atheist/christian/pagan; Cougars/Huskies; RBSD/traditional... and you cannot explain, with compassion and understanding ,why the other side may very well be right; if you've always been sure; if you've never felt that sinking feeling in the pit of your stomach that you could be entirely wrong... then you are doing this. You are holding a belief (and rationalizing and reinforcing it) not because you are right, but because of a tribal identity. You are doing the same thing that you denigrate people on the other side for doing.
Also, this is not about peace or peace activists. I actually want to talk about criminals and rehabilitation. Not really about crime, but that may come up. That was all just a long preamble.
So let's get crime out of the way first. Not enough people look at it right. Crime fighting is an ideal, just like peace. And we won't make progress until we take a good hard look at why crime is prevalent. Which means acknowledging that it works. It satisfies needs. It's not just that there is little opportunity for honest employment in certain areas. There are damn few jobs, much less entry-level jobs, where you can make thousands of dollars a week, get automatic deference and an instant family.
Crime fighting is an attempt, instead of lowering the rewards of the criminal lifestyle, to raise the risks. Catch 'em, book 'em, hard time. You have to take a look, a hard look at whether that is a risk or even a punishment in this subculture... or just the way rugby players think about the occasional injury. I don't think surveys will help... but I recall the young man about to be transported to prison for the first time at the tender age of eighteen. He was excited. In his family, doing time in prison was the rite of passage to manhood. Jail didn't count.
And this is where we get to criminals. We look at them from our point of view and our world. Most of the things that make a career criminal would be and are profoundly dysfunctional in polite society. So we look at our world and us and the criminal and try to 'fix' what is 'broken'.
There is nothing broken. For the most part (possible mental illness and stuff aside) the serious criminal is not incomplete. There is no pathology. He is perfectly adapted for his world. The things that we think of as normal and good, the things we try to instill when we rehabilitate, might be profoundly dangerous behaviors when he goes back to his old haunts and sees his old friends.
We pretend we are fixing a person, but in reality we are trying to reshape him into a person that makes us more comfortable. Altering a human for our purposes, not his. In the process making him more likely to die in his natural environment and he damn well knows it.
The few people I know who have truly rehabilitated themselves, started by deciding they wanted to live in the non-criminal world. That's rare. If you become an adult in almost any environment, that becomes your comfort zone. That world makes sense. You know the rules. The eighteen-year-old mentioned above knew the rules for prison far better than he would ever know the rules for college.
Despite the fact the stakes are higher in the criminal culture than in college, he felt safer (we all do) in the place where he knew the rules. Where he could blend in and knew how to behave.
Same as if someone insisted on teaching you the proper way to dine and converse based on diplomatic functions. It's not going to help you and will hurt you at your bowling league's nacho feed.
There is another factor in rehabilitating successful criminals that is hard to get over. They know they were raised in a dangerous environment. They believe, with justification, that many of the people trying to fix them would have died in that environment.
Tell me truly, have you ever changed anyone who already thought that he was smarter and better than you?
Raised in an environment where reading and manipulating people are far more valuable skills than getting along, the average criminal is better at reading and manipulating the people trying to 'help' or 'fix' than all but the best therapists. When you have consistently conned PhDs and psychiatrists, the best that civilized training can produce, it's natural to feel superior.
And this ties back to violence and peace-- it is hard to convince someone who sees violence as a tool that the peaceful way is better when he knows that he can have you, the product of a peaceful (and in his eyes weak) world on your knees begging to give him what he wants. He can't help but see that as the weak trying to make everyone else weak to feel safer. Rabbits trying to talk coyotes into giving up their teeth.
There are definite drawbacks to the criminal life. Many die young. Those that don't have no one to care for them as they age, except the prison system. There are profound drawbacks to the lifestyle. The criminal just doesn't look at the drawbacks-- in the exact same way that none of us look at ours.
October 24, 2011
In Search of Clarity
Is this description of a figure-four leg lock and seal position handcuffing clear?
The figure-four leg lock is also useful. Any technique used on the knee joint, especially if it relies on pain, will have a risk of injury. To apply the technique you place the threat's left ankle directly in the hollow of his right knee (if I have to tell you the directions can be reversed, you probably aren't bright enough to be literate anyway). The right knee is then flexed (bent) which both traps the left ankle and puts pressure on the knee such that it can be snapped.
The farther towards the toes you apply pressure, the better leverage you have. Many threat will be able to simply kick you off if you don't apply good leverage. Almost all will be able to kick you off if you try to cross the legs at the ankles instead of putting the ankle directly in the knee joint.
You do not need to control this hold with your hands. In the example above (right knee locked, left ankle trapped) I kneel with my left knee outside of the threat's butt, the threats right foot in the crease of my thigh and my right ankle hooked behind the threat's trapped left ankle.
I learned the hook trick because the only person I've ever had escape from the figure four was a very small, wiry and quite dangerous mentally ill female who had a thing for stabbing people. She just did what looked like a military low crawl and pulled herself out of the lock.
This is an excellent unhandcuffing technique and a very good hands-free control hold. If the threat will not give up the hands for cuffing, if they 'turtle,' you can reach under their face (fingers flat to prevent biting, just like feeding a horse) and use the pressure point under the nose at the base of the bone to extend the spine. They will put their hands on the ground to support their own weight and you can simply yank one of the support hands back for cuffing.
After experiencing this, most NTs will voluntarily give up the remaining hand. You may have to do it twice for EDPs.
'NT' in the above paragraph means 'neurotypical' short hand for not an EDP. It's explained elsewhere in the handbook.
Clear enough to do?
October 22, 2011
Never Seen Florida
Red-eye flight. Meet Rick Brumby, who is a thoroughly cool guy. Check into the hotel. Explore the grounds. Shower. Try to nap. Get up, go to the local police academy to teach Conflict Communications. Nargilah and late dinner with Dan G. Back to the hotel. Try to sleep. Up too early. Go to the business center to make copies. Meet Rick in the lobby. Return to the training center. Teach an introduction to violence. Teach part two of ConCom. Dinner. Hotel.
Too tired to write, but I don't want to sleep just yet.
Anyway, been in Florida for two days, haven't seen anything yet. Maybe tomorrow, or maybe I'll find a quiet place and write and drink coffee.
Working on the "Crisis Communication with the Mentally Ill" book. It will be too short for print, so expect an e-book fairly soon (finally). This one's disjointed, more a series of tactics than a coherent strategy. That's okay, I guess. Can't see all patterns at all times for all things. But it should help a lot of people.
The hotel has over three acres under glass with an a alligator lagoon and a small schooner. There is an artificial thunderstorm playing above my head right now. They tried to make the atrium like wild Florida, but air-conditioned and without mosquitos.
Good mix of martial artists today. Most had extensive experience. Lot's of sweat. Well, a little anyway. George Mattson showed up, and I did give him grief about his pink polo shirt... but he is one of the Old Dragons and it is an honor just to be in his presence. I also got to meet Phil Peplinskis, who founded the original "Come Get You Some" website. He also really doesn't mind tangling it up and going for eyes. I'm not really sure what a cockle is, but it warmed the cockles of my heart.
The class ran long and just blended it in with the 'Violence' module of ConCom, and that worked pretty well. The information is pretty seamless. That feels good, it means that there is a skeleton underlying the words. It also means that there is a curriculum in here somewhere.
Have been getting pressure to set up a curriculum and create an instructor's class for this. Looking at a two-year date. I have quibbles and hesitations. The essence is teaching to think for yourself. The second that becomes dogmatic you have failed catastrophically. It is also teaching people to stand up, alone, in fear... something I feel is countert-intuitive to a world of Instructors and Senior Instructors and certifications...
But you know, being afraid of failure is one crappy excuse. It's also about facing fears, so that's something I just have to do. More later.
October 19, 2011
Pockets
"Pocket structure" has been coming up a lot. A little preamble:
1) You only get to use your killer self-defense skills when you are losing. If you are winning at the outset, you're probably the bad guy.
2) 'Losing' generally means that you are already hurt or injured, your structure is likely compromised, you may not be able to see, and the threat is in a position of his choice.
3) Threats aren't stupid (at least about this.) If he had any inkling that you might turn things around, he would have picked someone else. So expect him to be bigger and stronger. And it probably won't be his first rodeo.
4) None of the above applies to Monkey Dancing.
It's obvious that you need to work this scenario. You need to learn to hit hard from compromised structure and to deliver power to things that would normally be dead zones. Last post mentioned in passing a way to throw a good elbow to your rear flank.
Part of this is pocket structure. I think most martial artists have an idea of what structure is. It is the bone-to-bone connection between target and the ground. It doesn't generate power, but the better the structure, the less power is lost. Almost anyone can hit hard enough to do damage, but when you see the 240 pound power lifter who can't hit as hard as the 160 pound woman who has a little boxing training, structure is at least part of the reason.
Pocket structure practice is just putting yourself in bad structural position, like bent over with the threat pressing your head down and one side against a wall, and finding where you can align joints to still deliver power. This is one of the esoteric parts, hard to put into words: you find the arches instead of the lines that most people rely on with good range and you also tendon-hook to the back of the joints (that's what it feels like to me) instead of lining up the bones. That's pocket structure.
There are also pockets for power generation. You can use the Dempsey hip-twitch while lying flat on your back, mounted, and get almost your full power into a hook punch. It's just a matter of lifting your off hip an inch or two and then snapping it into the ground with your punch. It's creating a pocket of space so that you can generate power.
Pockets for mobility as well. I'm not nearly as flexible as I used to be, so it sucks when I try to demonstrate this, but Dave Sumner, my jujutsu sensei, had a full power high kick that he could use from the clinch without losing eye contact. It was a lead leg rear kick, so it hit like a mule. The key was clearing the off hip back and away to leave room for the chamber. A mobility pocket.
This, of course, got me thinking about pockets of time. One of the huge keys to defeating bigger and stronger people is to use time and information better than they do. Information first, since it doesn't directly (as far as I see right now) relate to pockets:
If you are outmatched physically, you must be significantly better at reading the situation than the other guy. If you are being blitzed, one of your few chances is to be able to read exactly what is really happening and how to use it. Someone grabs you from behind to slam your face into the pipe above the urinal you must be able to read where every bone in his body is and his current momentum and any shift in center of gravity that presages momentum change. You must be able to do this instantly. You have to know where every corner and hard object and reflective surface and slippery place you can use is located. All instantly.
You see why I consider blindfolded fighting to be a fundamental skill.
Back to pockets. You also need to be able to find or create pockets of time that you can use. Threat smashes your head into the pipe and pulls back to do it again... that instant, from contact through pull-back to centering to forward slam, is a tiny pocket of time where you are not taking damage and if you have the nerve and the skill, you can use it all.
Maybe. And this hits the essence of the teaching problem. I know this is possible. This is how I've done it and others have done it. When the math looks bad (Ralph jumped by an ambush artist, 20 years younger, stronger, faster) the ability to create and exploit time, to know what is really happening is the difference between walking away and not.
But can it be trained? I can show all the pieces. Let people play with and see how it works. Develop the skills and attributes. But when the shit hits the fan, it seems some people act and some don't. Most act with experience, but is that learning or just natural selection of a sort? Those that don't act either get injured or find another line of work.
If you are smarter, cooler, more aware and more efficient it makes up for a lot of size and strength. Those are the attributes you need to utilize most of the pocket concepts. But how many people can stay cool under assault? Or can you train it such that it is just a natural and obvious way to think and move?
---------------------Leaving for Florida tomorrow. Hope to meet some of you in person there.http://chirontraining.com/Site/OCT-Florida.html
October 14, 2011
Drop-Step
Read this first, if you haven't already. It's the basics of how I teach power generation. The drop-step falls under the category of power stealing. It is very simple. It is also counter-intuitive and violates a lot of what martial artists are taught from day one.
The drop-step is as simple as falling. Ernie described it pretty well in the comments of the last post, but I glitched on some of the words, so here's my take.
Stand with your feet a little over shoulder-width apart. Lift one of your feet. You will fall. You will fall quick and hard with absolutely no telegraph. Most of you, especially trained martial artists, won't be able to do it.
We've all been taught from our first class to never, ever lose our balance. And so before we 'fall' we subtly shift our weight to one side before lifting the foot on the other side. That creates a telegraph and, because the Center of Gravity is now just barely out of the base, changes a violent fall to a slow topple.
If you can just lift the foot, nothing else, trusting to get it back under you before you land on your face, you will move with great speed, power, and no telegraph. That's freaking useful.
My training trick (because I'd been taught to always keep balance too) was to try to touch my left knee with my right foot as quick as I could. Or reverse the left/right. All same.
It's not a step. It's not a leap or a lunge. The effect you want is of a table that suddenly has two legs removed. Just fall.
You can add lunge dynamics to it, and that is one of the reason that fencers are so freaking fast. But the lunging leg adds after the fall. Other than the natural bend in the knees, you don't load the lunging leg. That's the telegraph and it slows you down. That lunging leg can also steer you a little.
Steering might be important because the natural direction of the drop-step is along your strong line, the line you get if you draw a line between your feet. You want that strong line pointing in a useful direction (towards the threat for impact damage, obliquely towards the threat for damage + position.)
You can also, for the record, go straight down by lifting both of your legs. There are times where that is very useful. The stupid-looking move of drawing fists to hips and dropping into horse stance is one of the few motions that can generate a lot of power (concentrated on an elbow thrust) to the rear flank dead zone.
All of your normal power generation, hip action or hip twitch, whip action, dead hand, ballistic, structured ballistic... whatever you do, can usually be stacked with a drop step for a big increase in power. When you hit, though (and this is another thing that contradicts some training) you want your attacking weapon to hit the bad guy just before your foot catches you. If the foot hits first or at the same time, that's a certain amount of kinetic energy going into the floor instead of the bad guy. In efficient. I think the emphasis on simultaneous impact of foot and hand is a side-effect of the influence of fencing. Pointy swords require very little kinetic energy to do damage.
Ernie's drill is good and I use it as well. Take a stance perpendicular (hips, feet and shoulders square) to a training partner. Have him throw linear strikes at your face. Fall out of the way. Gradually speed up. Once you are consistently falling out of the way, change the angle so that you are falling 45 degrees towards the threat, but still getting off line before the punch lands. Add a mirror block for insurance but do not rely on the block.
And if your training partner starts tracking your fall, have him target and shut his eyes before he punches.
Rory Miller's Blog
- Rory Miller's profile
- 130 followers
