Richard Thompson's Blog, page 25

Creating Character

 IN HEROIC MODE, ANDRE STRIKES KIRBY-ESQUE POSES.

Character is a mystery. Someone said that the shallowest human being is infinitely more complex than even the best-written creation, so what's the use? I always scared myself off trying a comic strip because it seemed too difficult and incomprehensible. How could I build a water-tight character that'd walk off the page and respond in ways that'd surprise me? Then I'd see Walt Kelly do it with ease, and I'd want to punch him.
I think part of the trick is to start small and to work with opposites; Alice & Petey worked as foils because they were total opposites. I called them the Irresistible Force and the Immovable Object. Also, they liked each other, or at least tolerated each other; early on, they were more argumentative and it wasn't funny. Stand outside your own work when it seems to get too thick and it clogs up, y'know?
Petey Otterloop may have been my Magnum Opus in character design, as some would say, but he's really  a list of opposites with enough of me thrown in to make him hold together. He's the anti-Bart Simpson, the mirror image of cool. I even chose the name Petey because it 's got a finger-snappin', G-droppin' quality that's so alien... What can I say? irony's good for a laff.. 

No, where I think I got it right is in Petey's cohorts from Cartoon Camp; Loris Slothrop & especially Andre Chang (the connection to Andre the Giant didn't occur to me). Loris is kinda one-joke: she's fast and full of energy. But Andre has depth. They were designed out of necessity; Petey needed a milieu, he was surrounded by nothing but little kids and he needed somebody his own size to pick on him. I had to think-what would a friend of Petey's look like or be like? The same but the opposite. Large where Petey is small and loud where Petey'd be quiet.

I am absurdly proud of Andre. 

HEROESCON 2014

I drew this logo for the blog in 2008, a simpler time, before economic malaise, before newspapers were being sold to internet jackanapes, before my kids heard of X-box 360s, before Deep Brain Stimulation, before Cherrydale Rehab Facility, before Parkinson,s or before anything bad had even been thought of,  and logos could proudly flaunt their black-and-whiteness because the designer was lazy.

So here's to Heroescon 2014, and all the heroes gathered in Charlotte this weekend. Wish I were there.

 

Illustration Art

David Apatoff is a confusing guy;  one moment he's dressed like an undertaker and analyzing whether the accounting practices of a multinational organization satisfied the control requirements of the Foreign Corrupt Practices Act,  then suddenly he's posting some silly cartoon thing on his blog, Illustration Art.

for the Class of 2014

I've never been to a college graduation, but I've been to lots of high school graduations. This is one of my favorite old Almanacs and it's now up on GoComics. I thought of the BC joke first, although Galactus' mortarboard  makes me laugh harder.

That Wyeth Guy

They're having a show at the National Gallery of some of Andrew Wyeth's calendar-ready brown paintings, so I went down for a quick spin through it with some friends. The gift shop was very tasteful. My friend Nick likes Wyeth a lot, and one of the visiting firemen with us was okay with him, though he preferred Jamie, the cute one. I've always had problems with most Wyeths, except N.C. So I drew this, but didn't know what to do with it, about 20 years ago. I still like it.

The Tenth Pie

Phil Nel, bon vivant, globe-trotter, author, visionary topiarist, comics fan, writes about Cul de Sac in his blog, Nine Kinds of Pie.

Did Somebody Ask for This?

I thought someone wanted one. Well, here it is anyway, the
Silly Cosmology MugExclusive to the Otterloop StoreOnly $14.95!

YOU ASKED FOR IT!

Well, Mike Peterson asked for it, anyway. It's the

PINHEAD MUG


Available only at the OTTERLOOP STOREfor only $14.95!
"Helps me remember why I drink coffee."

Otterloopiana

These are two pages of caracter drawings I did for Universal Press (I'm stuck on the old name) for the strip's sales kit in 2007. Syndicate salesman send these brochures, with samples, descriptions, etc., to propspective newspapers. The cover of the first book, This Exit, is from the cover of the sales kit.

I was real happy with the way these characters turned out, especially Ms. Otterloop, who I always had trouble drawing, as she's rather formless. I even fooled myself into thinking I'd figured out how to draw them.

The Pinhead Ballet

From about 1980-1990 there were several portfolio pieces I worked and reworked, as I was 1. anxious to show my best possible stuff to the fantastical and somewhat imaginary audience of art directors, all of whom were hypercritical geniuses, and 2. put it off as long as I could. Among the pieces, which also include a cartoon slapstick version of Debussy's Afternoon of a Faun (don't ask) and illustrations for Voltaire's Candide, was a thing I called the Pinhead Ballet.

It began as most tthings do- a random little sketch, on a page of the same.

I recognized the sketch's potential and imagined it as one in a series, probably the last one. It was even titled "the Tragic Outcome" or something.. The trouble was none of the other sketches were as nasty as the first.
That one went through all kinds of stylistic permutations. Finally, in about 1990 I tried it as a painting, 

A really ugly painting, like you'd find in an elderly relative's scary basement; painted by unknown hands and it hasn't aged well either. When it was finished I put a 2-step varnish on that would give it a fake  cracquelleur (fun stuff), put it in a frame and hung it on the wall.  Then Caitlin Mcgurk took it off the wall, out of the frame and put it in a case in Columbus, Ohio.