Eden Royce's Blog, page 9

February 16, 2016

Misconceptions About Southern Conjure Magic

Including conjure magic in your story? Take a look here first.


horroraddicts.net


                           Misconceptions About Southern Conjure Magic



         by Eden Royce



        Conjure magic is a catchall term for folk magic. Those of you who, like me, played Dungeons and Dragons, may be familiar with the term “hedge magic”. Popular culture, movies and certain books, would have you believe that this type of magic is evil, and that you should flee at any cost. I’m reminded of a horror writer Facebook group I was in where a person shared an idea for a novel:

        Police officers kill a young black guy and the cop gets off for the crime. Then his grandfather does hoodoo voodoo on the cops for revenge. It gets really bloody by the end. Several people commented on what a great idea this was. Um.

One: It’s been done.

Two: Hoodoo is not voodoo.

Three: Murder is not the…

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Published on February 16, 2016 00:14

February 7, 2016

Women in Horror Month 2016 – Featured Author: Eden Royce @EdenRoyce #WiHM7

Thanks for featuring me, Nina! It was a pleasure.


Spreading the Writer's Word


Eden Royce



Bio: Eden Royce is descended from women who practiced root, a type of conjure magic in her native Charleston, South Carolina. She now lives in Kent, The Garden of England, and writes Gothic horror and dark fantasy tales based on her childhood (and a few weird dreams). Featured in her work are the language and traditions of the Gullah-Geechees, descendants of the first slaves brought to the sea islands off the coast of South Carolina and Georgia.



EdenRoyce_SevenMagpies



Eden is one of the writers for The 7 Magpies project, a first of its kind: a short horror film anthology written and directed entirely by black women. She is also the horror submissions editor for Mocha Memoirs Press where she conceived and edited The Grotesquerie, an anthology of twenty-one horror short stories written by women. She also writes a regular feature for Graveyard Shift Sisters, a site dedicated to purging the black female horror fan from the margins, where she…


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Published on February 07, 2016 10:03

February 3, 2016

February Events Are Here

I know, it’s been here for a few days. I’m behind on my posting. No surprise there.


But there is a surprise in the festivities. February is Black History Month and Women in Horror Month. So I’ll share a quote from a ground-breaking American author, feminist and social activist.


“No black woman writer in this culture can write ‘too much.’ Indeed, no woman writer can write ‘too much.’ -Bell Hooks


For me, the quote above is true. That’s why I’ll be sharing post on my Facebook and Twitter pages–in addition to this blog, of course–with articles about African-Americans and women horror writers. Spider Road Press has asked me to write a few articles and I’m also writing one for Horror Addicts.


In addition to that, I have two novellas to complete.


As I expected, February is a busy month, but I’m going to do my best to share all the festivities with you, so that you can share and support the great work being done on all fronts.


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Oh! And if you’d like a Women in Horror Month banner like the nifty one I have on my Twitter page and in this post, go here to get yours!


 


 


 


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Published on February 03, 2016 06:14

January 31, 2016

Banshee Books -A Co-op of Women Writers

Banshee Books


Self-publishing can be a challenge. Okay, it’s hard. To not only write the book, but get it edited, obtain the right cover, the right formatting–for print, for Kindle, for Smashwords, they’re all different– all without breaking the bank. So sometimes you need support.


I’m proud to be a part of Banshee Books, a co-operative of female, female identifying, and queer writers founded by British horror author Carmilla Voiez. Writers will self-publish their works, but this group offers support, guidance and promotion throughout the process.


In addition, members will read and review one women-friendly and/or trans-friendly book per month. This time around, we’re reading Lilith’s Brood by Octavia E. Butler. (Re-reading for me.)


Interested in joining? To be accepted all works must have an intersectional feminist theme. New members will be agreed by a majority vote of existing members, but all members agree to support and help promote each other’s work.


 



Stop by the Banshee Books website to learn more.



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Published on January 31, 2016 06:39

January 26, 2016

Graveyard Shift Sister: Tonya Liburd

The Graveyard Shift Sister feature is back for 2016!


First up this year in this interview series is Tonya Liburd.


Tonya is an editor, author, and champion of people of color as fiction creators. I spoke with her about people of color behind the scenes in fiction and publishing, creating from a place of pain, and using your heritage and history in your writing.


As I’m sure several people who read this feature are creators themselves, I also asked her what publishers are tired of seeing. (There’s also a link to where you can submit your uber creative story as well!)


Loretta_Devine_004

The phenomenal Loretta Devine in Urban Legend.


Read the entire review and interview on the Graveyard Shift Sisters website.


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Published on January 26, 2016 05:47

January 20, 2016

Flypaper: A Review

I picked up a copy of Book One of this series by C.K. Vile when it was free on Kindle.


Synopsis from Amazon:


Raised in a nightmare-like existence he now recreates in his books, Nick Dawkins wants nothing more than to be left alone. Podunk USA should be far enough away, but for his most passionate fans, the end of the earth is still too close. 


Danielle, a fan who manages to find him, shows up and his writer’s block vanishes. He’s inspired. Dreams he didn’t know he had are on the brink of coming true.


He should know better. He’s the teller of terror. There’s no room in his life for fairytales.


FlyPaper1


I was on Twitter yesterday and I saw a tweet from author Sam Sykes that asked if people could get away from using “well-written” in reviews and instead tell exactly what was great about the book. Incidentally, I met Sam Sykes at Dragon*Con one year and he said I was the most polite person he’d ever signed a book for. (Random comment, I know, but I wanted this review to be a bit longer.)


While I agree with him, I’ve done it myself. ‘Well-written’ is a catch all phrase to describe well, just about anything the author’s done. So in this review, I said I would not use that term. So here it goes:


Flypaper is well-written disturbingly descriptive. It starts out similarly to several Stephen King storylines: a popular writer goes to a remote location to escape his oppressive fan base.


In this case Nick is frustrated with the attention from his popularity and it is starting to show when he makes public appearances. He retreats to a small town to write, but continues to be uninspired. And the attitude of the townspeople is less than welcoming. Much less.


Then he meets Danielle and his muse returns, even though she says she is unfamiliar with his work. But Danielle has ulterior motivations, and as her mental state declines, her lies come to light.


Unfortunately for Nick, obsessions can get…sticky.


C.K. Vile does a great job describing the reactions of Small Town USA and the mob mentality of some Internet message boards.


Where I had trouble was Nick’s reaction to Danielle once she started showing signs of…well, not being stable. There were several times where I thought, “Why doesn’t this guy just put his house alarm on and ignore his phone?” But I suppose being ‘that into’ someone makes you do—or not do—some strange things.


But as a thriller, it’s an enjoyable read. I did find myself wanting to finish it and as it is a short book, that isn’t a challenge.


Check out the book trailer here. And get your copy on Amazon.


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Published on January 20, 2016 04:27

January 8, 2016

Loot Crate: A Review

I was lucky enough to receive a free Loot Crate offer from The Melting Potcast, a writing variety show featuring a little of Everything from Everyone, Everywhere. The show features flash fiction submissions written to the podcast’s writing prompts–short works, intended to present different writers’ interpretations of the same ideas.


In addition, there are author interviews, recorded panels from conventions, book reviews, and much more for writers and listeners alike.


Now on to the Loot!


 The Loot Crate box. It come just like this. No wrapping or anything. Everyone will know your geeky awesomeness.Loot Crate cover

The Loot Crate box. It come just like this. No wrapping or anything. Everyone will know your geeky awesomeness.


November box pictures below. Theme: Combat


Nov loot open

Please excuse the kitten’s interest in the Loot Crate. He enjoys investigating all mail I receive.


Nov contents


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Contents:


Exclusive Cute But Deadly Magnet Set and Figurine


Exclusive Fallout 4 Vault Boy Bobble Head


TMNT Shredder Sunglasses


The Hunger Games Mockingjay Part 2 pin


Exclusive Street Fighter Hyper Looting comic


Loot Crate button


Nov statues

Close up of the two figurines. I had a little cold when the crate arrived, so there’s a little pack of tissues in  the background.


I had to sign up for a subscription to get my free crate. I have to admit that I was a mite disappointed in the November box. I’d heard great things about Loot Crate, so since it was the holiday season, I decided to get the December crate as well, to see if the previous box was a fluke. Here’s a glimpse of that box.


December box pictures below.


Dec crate open


 


metal Halo crate

Awesome Halo metal tin is awesome.


 


Dec contents

The kitten was super happy about the December contents and I was too!


Contents:


Exclusive Star Wars Han Solo Bobble Head (with grey temples)


Exclusive Ugly Holiday Sweater T-shirt


Exclusive Galaxy Quest Authentic Prop Replica Patch


Exclusive Halo 5 Ammo Tin Box


Loot Crate Button


Halo 5: Guardians Req Pack (This has a code that I can’t use so I’ll be giving it away on my Facebook page later.)


 


All in all, I’m happy about my crates. And I’m thankful for The Melting Potcast for the free Loot Crate. From what I’ve heard from Head Chef A.F. Grappin, they will be doing more of these types of giveaways, so go onto Facebook and Twitter to show some love for the Potcast.


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Published on January 08, 2016 01:52

January 3, 2016

May We Be Forgiven – A Review

May We Be Forgiven by A.M. Homes is a book I picked up without it being recommended to me by anyone I knew and without my reading anything about the book. I was in a supermarket and I had a load of points on my loyalty card at the end of the year and I always spend them on books.


I read the back cover copy and thought the premise was interesting and I added it to my pile.


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The aforementioned book pile. I won’t promise to read these in order.


The book opens at Thanksgiving, a time intended to celebrate with family, but in many cases it can be a time of frustration when family tensions arise. Here is where we find Harry, the only one not participating in the current “discussion” at the table. Frustrated, he leaves the table, beginning to clear away the remnants of the meal, which he takes to the kitchen where is bother’s wife, Jane, is washing dishes. There, Jane kisses Harry.


This kiss is the catalyst for a firestorm of occurrences that left me stunned in places, incredulous in others. Strangely enough, Harry lets these occurrences happen all around him without truly seeming to be a participant in his own life. It was a bit—okay, more than a bit—frustrating to read about a protagonist who was so passive and unwilling or unable to make decisions that could impact his life.


My goal in reviews is to not give spoilers, so I’ll do my best to avoid that. But it’s challenging to do so with Homes’ book. Each character is so broken, so removed from the realities of life, that their actions to me felt surreal. Even so, it was like reading a nighttime soap opera in which you wondered, “What could possibly happen next?”


Harry’s brother George is a quintessential bully, who deals out cutting comments and lashes out with his fists instead of being able to communicate in any reasonable way. Sadly, the majority of men in this book fell into a similar category. (Except Harry, that is.) Their ways of thinking and doing were uncomfortable for me to read, only able to show jealousy and anger and violence, was so off putting.


Even when George commits a heinous crime, Harry is the one who seems to receive much of the hatred that should be directed at George. Harry bears the weight of all of this anger passively for the most part, but even when he expresses his frustration, he isn’t heard and doesn’t get the satisfaction of having his feeling acknowledged. To my horror, George gets off relatively lightly in this book and several people seem to want to help him return to normalcy.


Harry delves into online sex as an escape, meeting strangers for encounters. One thing I did appreciate in this book was that women were portrayed as having control of their sexuality and being active, willing participants in sex without any stigmas attached to it. Even so, I couldn’t relate to most of the women in the book because they all seemed to make decisions I found mystifying. I mean, who would let their recently orphaned nephew be taken to another state by a stranger?


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Harry, a historian, also has a fascination with Richard Nixon, a seemingly unusual hero for such a passive person. Harry’s obsession with him was to me a way of showing Harry as loving and admiring the “traditional male” and continually justifying it, even though he was being told it was history no one wanted to remember. Finally, Harry seems to grow into a more active character when he takes on the role of caregiver, first for his niece and nephew, then for a local orphan, then for an aging couple. I found it interesting that Harry finds his happiness not in adopting the role of traditional male, but in taking on a role traditionally viewed as a female one.


The only characters in the book who seemed to be reasonable at all were the three children, who even though they all experience tragedy, are able to be resilient and rebuild their world in a way that not only suits them, but makes me feel like the world may be in good hands in the future.


Although it may not seem like it, I enjoyed the book. I wanted to know the fate of these characters. It read like a head on collision and I felt like a roadside observer once the paramedics have arrived. I can’t do anything but watch.


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Published on January 03, 2016 02:54

December 28, 2015

Cinched – A Release

It’s been a busy year for me, full of amazing experiences. I managed to get my short story collection Spook Lights: Southern Gothic Horror out this year, but I wasn’t sure I’d be able to get anything else out.


But I have!


I’m happy to announce that my short horror story “Basque of the Red Death” is in the multi-genre anthology Cinched: Imagination Unbound available now from Falstaff Books. (And it’s the first story in the antho!)


Cinched book cover

Contains my short story “Basque of the Red Death”. Yeah, you read that right.


 


This collection runs the gamut from steampunk to horror, from steamy romance to weird western, from victorian thriller to contemporary bondage. But they all feature the corset in some way.


My story was inspired by Poe’s classic short story “Masque of the Red Death”, but I’ve set the tale in the South and given it a few additional horrors. If you haven’t read Poe’s original tale, read it for free here.


Then check out Cinched: Imagination Unbound on Amazon for some twisted tales.


Featuring stories by:

John G. Hartness

Gail Z. Martin & Larry N. Martin

Misty Massey

Emily Lavin Leverett

Kimberly Richardson

Sarah Joy Adams

MB Weston

Herika Raymer

Dave Harlequin

RD Stevens

Andrea Judy

Nico Serene

Eden Royce


 


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Published on December 28, 2015 01:24

December 11, 2015

Guest Post: Richard Schiver

Today on the blog, horror author Richard Schiver is guest posting. His latest release, All Roads Lead to Terror, tells a story where the horrors of the past meet the brutality of the present.


Four boys taking their first hesitant steps into adulthood, will be tested at every step as they travel through a blasted land where the only hope is for a swift death followed by an endless sleep. Survival lay in the firepower they carried, coupled with their willingness to use it, and their ability to trust each other with their own lives.


arlttfinalkindlemd


Creating the Cover by Richard Schiver


As an independent author with limited resources, what I’m able to save to put into my writing is used to have my work edited before it is released. As such I’m unable to afford the covers I would like to see on my work so for the past couple of years I’ve been designing my own, while teaching myself how to use Photoshop to create covers.


I’m pretty damned proud of what I came up with for All Roads Lead to Terror. I wanted to touch the potential reader on an emotional level while at the same time showing that the story within the covers was about leaving your childhood behind as one stepped into adulthood. Of course what better way of showing innocence lost than with an abandoned teddy bear. I tried several different routes, all with little success, until I staged the photo myself.


I picked up the stuffed bear from Goodwill for a couple of bucks. When I carried him out of the store he was in pretty good shape. Once I got him home it got a little interesting, even though I look like a grumpy old man, I can be rather emotional at times. I believe a writer has to be very much in touch with their emotions in order to properly convey the feelings of their characters on the page. It was this familiarity with my own emotions that stopped me at first from doing what I knew I had to do. It’s just a stuffed bear, I kept telling myself. That might have been but before he went to live at the Goodwill it was obvious a child had taken good care of him.


In the end I quickly removed his left leg and ear. A bit of black paint and some hard rubbing gave me the look I wanted for with his fur, a matted, unwashed appearance. Adding the sling was a final touch to show that though he had been abandoned at one time he’d been cherished by a child that shared its sorrow for a world turned upside down.


He has no name, yet. But his sacrifice has earned him a place of honor in my office, he sits on the top shelf of my bookcase, watching over my shoulder as I work, occasionally he will sit in my lap as I write, to help me connect with the emotions that I strive to bring to the page. He will also appear on every subsequent cover in the series.


He serves as a constant reminder of what I hope to achieve with The Dreadland Chronicles that will focus not on the brutality of the world in which they live, but the undying hope of the young as they struggle to rebuild a shattered world that has been left to them, and make a better place for those who will follow.


Buy Links:


Amazon US  Amazon UK  Barnes & Noble 


Itunes  Kobo  Smashwords 


rschiverauthorphoto


Bio:


Richard was born in Frostburg, Maryland, in the winter of ’58’ and currently lives eight miles away. A five-year stint with the military allowed him to see what he wanted of the world. Married with four grown children and eight grandchildren, he and his wife provide a home to four pets that are spoiled beyond rotten.


In addition to writing daily he works a full time job in retail, and piddles around in his wood-shop making one mess after another when time permits. Richard can be found online at:


Facebook  Twitter  Written In Blood


He can also be contacted directly at rschiver@gmail.com and would be delighted to hear from you. Sign up to be notified of publishing updates and new releases as they become available. He promises to never share your contact info, nor will he swamp your inbox with unnecessary crap. He’ll also toss in a free copy of White Walker when you sign up.


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Published on December 11, 2015 03:41