Pavel Florensky

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Pavel Florensky


Born
January 21, 1882

Died
December 01, 1937

Genre


Pavel Alexandrovich Florensky (also P.A. Florenskiĭ, Florenskii, Florenskij, Russian: Па́вел Алекса́ндрович Флоре́нский) was a Russian Orthodox theologian, philosopher, mathematician, electrical engineer, inventor and Neomartyr, sometimes compared by his followers to Leonardo da Vinci.

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Average rating: 4.28 · 694 ratings · 63 reviews · 49 distinct worksSimilar authors
Iconostasis

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4.26 avg rating — 211 ratings — published 1922 — 27 editions
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Tersten Perspektif

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4.12 avg rating — 137 ratings — published 1919 — 8 editions
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The Pillar and Ground of th...

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4.55 avg rating — 84 ratings — published 1914 — 17 editions
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Salt of the Earth

4.46 avg rating — 41 ratings — published 1909 — 9 editions
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Beyond Vision: Essays on th...

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4.53 avg rating — 30 ratings — published 2003 — 5 editions
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Non dimenticatemi. Le lette...

4.26 avg rating — 31 ratings7 editions
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The Meaning of Idealism: Th...

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4.36 avg rating — 25 ratings — published 2012 — 6 editions
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At the Crossroads of Scienc...

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4.18 avg rating — 22 ratings — published 2014 — 4 editions
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Ai miei figli. Memorie di g...

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4.31 avg rating — 13 ratings — published 2009 — 9 editions
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L'infinito nella conoscenza

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really liked it 4.00 avg rating — 10 ratings2 editions
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More books by Pavel Florensky…
Quotes by Pavel Florensky  (?)
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“Everything passes, but everything remains. This is a cherished thought for me, that nothing goes away for ever, nothing is lost, but somehow, somewhere, stays. Its worth remains, although we cease to perceive it. And our labors, even if everyone forgot about them, remain and somehow give their fruits. And for this reason, although I regret the past, there is a living sense of its eternity. I did not part with them eternally, but only in time. And it seems to me that all people, whatever they might think, feel the same in the depth of their souls. Without this, life would become senseless and empty.”
Pavel Florensky, Letters from the Gulag

“The Egyptian world-view and Egyptian art were not tied to a single point of view or to a particular moment of time. Individuality in applied art does not equal truthfulness of being. Anaxagoras and Democritus were the first to clarify the laws of perspective and scenography (Vitruvius), explaining how rays of light must be transmitted in order to pass from a picture onto the retina as from a phenomenon. Thus, perspective was known in early antiquity. But it was not used because the task of painting was not to duplicate reality but to provide a more profound understanding of it.”
Pavel Florensky, At the Crossroads of Science & Mysticism: On the Cultural-Historical Place and Premises of the Christian World-Understanding

“Ибо художество есть оплотневшее сновидение.”
Pavel Florensky, Iconostasis