Chris Hardwick's Blog, page 2330

The Differences Between DEADPOOL and DEATHSTROKE, as Explained by Rob Liefeld

It’s an age-old debate, as famous as the chicken vs. the egg, dogs vs. cats, pizza vs… well pizza beats everything. Nonetheless, comic book fans have been arguing about Deathstroke and Deadpool since the characters made their debuts in the ’90s. Some have made the outrageous claim that Deadpool, a.k.a. Wade Wilson, is nothing but a cheap knockoff of Deathstroke, a.k.a. Slade Wilson. Preposterous! Now, Deadpool fans finally have an advocate in Rob Liefeld, the character’s co-creator, who discusses the differences between the two characters in this new Nerdy Pop video, found on CBR.

The differences mentioned are mostly visual, such as Deathstroke’s… pirate costume? Yet there are many key distinctions not mentioned. For one, Deadpool just had the most successful R-rated film of all time, and Deathstroke has yet to appear in a feature film and probably won’t for quite a…oh.

https://t.co/0NsNzCtGip

— Ben Affleck (@BenAffleck) August 29, 2016

Okay then, Ben Affleck.

Well, the main difference is that Deadpool is a fourth-wall breaking, super-cancer having, Merc With A Mouth–while Deathstroke is a much more serious character. Both are incredibly popular characters, but Deadpool has experienced a meteoric rise in popularity in the past few years, with Marvel Comics pushing the character heavily. Perhaps, if Deathstroke truly will appear in a future Batman or Justice League film, he will experience a similar resurgence. Though he has appeared on TV in both Teen Titans and Arrow, the big screen is another level.

A self-proclaimed fan of the character, Rob Liefeld would likely appreciate Deathstroke’s success, especially if it means a little healthy competition with Deadpool.

What do you think? How different are Deathstroke and Deadpool? Be sure to leave your thoughts in the comments below.

Image: Nerdy Pop

And since we’re talking about Deathstroke…

ALIEN, PREDATOR, and BOBA FETT Toys Battle in Amazing Stop-Motion Short

Counter656 has done it again with their awesome stop motion short films. This time, they take on the classic war between Alien and Predator. We’ve seen these two creatures fight it out in both comic books and movies, but what is the ingredient needed to take this saga to the next level? Counter656 found the answer: Star Wars!

Counter656 created a classic war between Predator and Xenomorph, with the galaxy’s greatest bounty hunter Boba Fett and a Sandtrooper caught in the middle. After a facehugger infects a Predator and gives birth to a Xenomorph, we are taken to the two characters from a galaxy far, far, away as they are taking a leisurely drive in…the 1966 Batmobile?

Our two “heroes” are then bombarded by an army of Xenomorphs and proceed into a fight scene that is CLEARLY fan fiction because the Sandtrooper is actually hitting his targets. As the battle rages on, we finally get to see a classic showdown between Sigourney Weaver and Arnold Schwarzenegger’s mortal enemies. Well, sort of classic. Let’s just say there are some twists and turns involving the car above that everyone will most certainly enjoy.

Counter656 used the cute, caricature-styled Herocross figures to make the film, so not only was it awesome, but adorable as well. The time and effort that were put into this = nothing short of amazing.

You can check out more of Counter656’s videos on their YouTube channel here.

So what do you think? Is this how you thought a battle between these characters would end up? Did you think it would be even half as cute? Let me know on Twitter or sound off in the comments below.

Images: Counter656 Productions

3D Printed “Marshmallow Man” Can’t Stay Puft’ed Under a Blowtorch

Remember when Groundskeeper Willie cautiously called Bart’s power the “Shin-ning” in that Simpsons “Treehouse of Horror” episode, all because he didn’t want to get sued? Well that’s all we can think about watching this video of a very familiar looking “marshmallow man,” replete with a sailor’s hat, blue collar, and red tie, being melted with a blow torch.

This video, titled “3D Printed Marshmallow Man Turns to a Puddle,” was posted by the YouTube channel MatterHackers. In it, a plastic figure that looks awfully similar to the Ray Stantz-chosen form of destruction from Gozer, the Stay Puft Marshmallow Man, gets turned into a pool of white nothingness, just like in the original Ghostbusters movie. Only they didn’t say that. Better safe than in litigation, we suppose.

But hey, we didn’t make this, we’re just watching it, and it has us thinking about Ghostbusters, and proton packs, and giant globs of marshmallow raining down on New York City, and there’s nothing wrong with making observations, so we’re good.

I mean, even without the clothing, what else would you pictureof when hearing the phrase “marshmallow man?” There’s definitely one and only one thing anyone can think of in that case, and it’s the remarkably easy-to-destroy giant, evil marshmallow-based eater of worlds.

And all you need to bring him down is a significant heat source, without even crossing the streams. Though we don’t recommend eating the leftover of this version.

What other famous movie character would make for a fitting blow torch end? Light up our comments section below with your best suggestions.

Images: MatterHackers

Ghostbusters Image: Columbia Pictures

Learn How to Slide Across the Hood of Your Car Like a Professional

No Olympian can make it to the medal stand without lots of practice and good coaching, so why would anyone imagine they can slide across the hood of their car all super-cool just like they do in the movies and on TV, without knowing the proper technique? Arrogance, that’s why.

Fortunately, you don’t suffer from such hubris, and you want to know how to do things the right way–nay, the professional way–which is why this step-by-step breakdown from the folks over at Gear Patrol is just what you need to go from being a sliding dud to a sliding stud.

Before any sliding commences though, make sure you have plenty of physical space to safely do it, you use your own car (or that of someone who is okay with you doing this) with a flat hood, and nothing on you can scratch the car. Then, and only then, can you start pretending to be a cop engaged in a totally awesome foot pursuit.

Here’s the video breakdown:

Oh, okay, that wasn’t as hard as we made it sound. It’s really just 1) run fast, 2) put your hand down, 3) lift your legs, and 4) look cool.

But oh it does look so cool when you do it right. I mean, this  like an Olympic hurdler showing off after a few drinks.

They must teach this at all police academies right? It would explain why T.J. Hooker was so good at it, and also why it was such an integral part of one of the greatest music videos of all time, courtesy of the Beastie Boys.

So remember, if you want to slide across the hood of your car like a pro, it requires confidence, not arrogance. And also don’t do it when anyone is watching in case you fall.

What’s the best “sliding across the hood” scene in pop culture? Slide into our comments section and tell us yours.

Image: Gear Patrol

Scream at a Wall: WOLVES&WOLVES&WOLVES&WOLVES! NEUROSIS! DANGERS! More!

Wipe the blood from your teeth and get in the pit: it’s time for a recap of this week’s best hardcore, metal, and punk rock. We dug through the record crates to find the new tunes we think you need to spin and rage to. Looking for some new death metal to bring into your three-day weekend? Got you covered. Need some grindcore to get your Labor Day BBQ off on the right foot? Say no more. Strap in kiddies, it’s time to rock.

 

 

Let’s get the ball rolling with an exclusive premiere! We already told you the new album from Wolves&Wolves&Wolves&Wolves is awesome. It’s called The Cross And The Switchblade and it’s one of the year’s best, without a doubt. As proof, check out “Bad Name” below. Like the rest of the album, this song is punk rock magic, gruff and melodic, like old school Against Me!, Iron Chic, or Hot Water Music. It’s aching for you to sing along and pump your fist. We can’t help but fall in love with Wolves&Wolves&Wolves&Wolves; they sound how rock n’ roll should sound. Honest, raw, and mean. This band is going to be huge, so get on this train now. You can preorder the LP right here.

The new Neurosis is almost upon us. It’s so close we can almost taste it. When news of the new album broke, the band promised that they would be releasing no singles for the album, which was not surprising. Neurosis is a band you experience one album at a time, not one song at a time. Their sound is so encompassing and huge, you have to digest the whole thing at once. That said, we lost our minds a little when this bootleg video of the new song “Broken Ground” surfaced. If you are like us and you’re going crazy waiting for this album to come out, you can cheat and glimpse behind the curtain below. “Broken Ground” is a damn fine Neurosis song filled with riffs, atmosphere, intensity, and edges so rough you could sand an Oaf tree into a toothpick with them. Fires Within Fires will be available everywhere on September 23rd and we simply could not be more excited.

Ayahuasca (don’t ask us how you pronounce that) are a hard band to lock down. They’re a bit of Mutoid Man, a bit of ’90s Pacific Northwest, and a bit of something else we can’t even decipher. They take a lot of great elements and mix them all together to create something new and pretty damn exciting. Take, for instance, “Mountain of Snakes,” a song that ranges from ripping guitar riffs to straightforward garage rock into a vicious and frantic breakdown. There’s a lot going on here, but Ayahuasca manages to never make it feel overdone. It’s just good, any way you cut it. Check these guys out, as there’s nobody else who sounds quite like them and that’s something they should be proud of.

(Decibel)

We once called Knife Hits “our new favorite band” and that’s a statement we still stand by. Their album Eris is going to melt everyone’s faces off when it is unleashed in a few weeks. It’s got a No Heroes era Converge feel, a crunchy monster of an album that hits you hard and leaves you gasping for air. Take a listen to the latest single, “Map Territory Relation” and prepare to have your knees broken. It’s a heavy jam that slowly and brutally pummels you brains out of your head. The guitars sound like a freaking dinosaur, roaring and stomping their way through the songs three plus minutes. The whole album sounds this great, and we should know: we’ve heard it. You’re going to want to buy Eris, trust us.

(Impose)

Speaking of  beastly albums, Dethbed’s debut – the gloriously titled Dungeon Scum – is shaping up to be a really demogorgon of a record. The title track was just revealed and it’s punk-infused-Black-Sabbath-meets-Dillinger-Escape-Plan number. It’s part metal, part punk, with a dash of hardcore making a mixture that creates a tasty concoction or hard rock that can’t be ignored. We are really, really digging this band. We love their name, we love their album title, we love their sound, and we love the DIY-looking artwork.

(Decibel)

Venom Prison just released a video for “Celestial Patricide” and it’s some classic nightmare stuff. The song is another track from their upcoming album Animus. If you like your black metal mean and fast, you’ll like Venom Prison. The video–which you can watch below–looks like a lost seen from Francis Ford Coppola’s Dracula movie. It’s lots of overlays and bizarre visuals: the sort of stuff that bands in the ’60s and ’70s would do to make something look extra trippy and weird. Venom Prison are a lot of things, but trippy and weird are not words anybody would use to describe them, we’re sure of that. Still, the imagery of the video somehow gels perfectly with the intensity of the song. Animus is shaping up to be a hell of an album.

Another week, another awesome hardcore band returns. This time, we found out that Dangers are still kicking and they are releasing new music. Their last album–the spectacular Messy, Isn’t It?–landed in 2010, so it’s been a long stretch of silence from these dudes. The good news is that from the sound of the track below, Dangers have not lost a step. It’s exactly what we love about this band. They’ve got a new album called The Bend in the Break coming in October, and you better believe we’re buying that bad boy. This stuff is on fire: it’s got enough energy coursing through it to power your DeLorean’s time machine and send you back in time to flirt with your mom. Killer stuff, without a doubt. Glad you’re back, Dangers. Don’t ever leave us again.

(Noisey)

Hey, that’s it for us this week. What are you spinning lately? Got a heavy playlist you need the world to hear? Sound off in the comments below.

Image: Wiretap Records

Benjamin Bailey writes for the Nerdist and can be found on Twitter talking about Godzilla, comic books, and hardcore music.

Marvel at 116 Years of Stop-Motion Animation in Three Minutes

From Clash of the Titans to Terminator to Nightmare Before Christmas, stop-motion animation has been popular since the beginning of cinema. In honor of the latest offering in the genre, Kubo and the Two Strings, Vugar Efendi has posted a video on Vimeo showing the history of stop-motion animation, combining 119 years of work into three minutes. To refresh your memory on the technique, it’s a physical object moved or replaced in increments and filmed to suggest movement, and Laika Studios (who did Kubo and the Two Strings) has been doing some pretty crazy work in the field, from Coraline to The Boxtrolls. A couple years ago, I got to travel to the studios for the later film and check out the absolutely insane amount of work that goes into one of those films, demonstrating that modern stop-motion animation often takes as much work as it did back in the early days, if not more. For instance, one character may have to have 50 facial expressions sculpted before the film starts, and you’re often taking fabric movement into consideration, like they did in the party scene, where dozens of ladies were dancing in flowing dresses.

The video is a gorgeous reminder of exactly how long this has been done, showing early examples of a baker seeing a stop-motion rat running out of his bakery in 1902, and a giant King Kong on top of the Empire State Building in the 1933 film. Remember letting the Wookie win in the Dejarik game in Star Wars Episode IV: A New Hope? And again in The Force Awakens? A certain lovable creeper’s weird head movements and monsters in Beetlejuice? All of these were examples of stop-motion animation.

You can check out the list of movies below from the video notes and marvel at the amount of work something like this takes. Do you have a favorite stop-motion film or moment in a film? I’m going to go with pretty much all of Nightmare Before Christmas (but especially Zero and Oogie Boogie), the Dejarik game(s) and the AT-ATs, regardless of how you pronounce it. Tweet me/us @JennaBusch/@Nerdist with your picks!

The films included are:

– The Enchanted Drawing (1900)

–Fun at the Bakery Shop (1902)

–El Hotel Electrico (1905)

–Humorous Phases of Funny Faces (1906)

–The Cameraman’s Revenge (1912)

–The Night before Christmas (1913)

–Häxan (1922)

–The Lost World (1925)

–The Tale of Fox (1930 version)

–King Kong (1933)

–The New Gulliver (1935)

–The Beast from 20,000 Fathoms (1953)

–It Came Beneath The Sea (1955)

–Earth vs Flying Saucers (1956)

–The Seventh Voyage of Sinbad (1958)

–Jason and the Argonauts (1963)

–Closed Mondays (1975)

–Star Wars Episode IV: A New Hope (1977)

–Star Wars Episode V: Empire Strikes Back (1980)

–Clash of the Titans (1981)

–The Terminator (1984)

–Robocop (1987)

–Beetlejuice (1988)

–Wallace and Gromit: A Grand Day out (1990)

–The Secret Adventures of Tom Thumb (1993)

–The Nightmare Before Christmas (1993)

–James and the Giant Peach (1996)

–Chicken Run (2000)

–Corpse Bride (2005)

–Coraline (2009)

–Mary and Max (2009)

–Fantastic Mr.Fox (2009)

–The Pirates! In an Adventure with Scientists! (2012)

–Paranorman (2012)

–Frankenweenie (2012)

–Star Wars Episode VII: The Force Awakens (2015)

–The Little Prince (2015)

–Anomalisa (2015)

–Kubo and the Two Strings (2016)

Image credit: Focus Features

Beautiful Gene Wilder Supercut Shows He Was Much More Than Wonka

When a celebrity passes away, there’s a strange and beautiful collective eulogy some of us take part in on social media. Expressing our sadness and broadcasting our condolences out into the ether of the internet, we hope someone will find comfort or catharsis in them. We also take the time to share our favorite things that they gave to the world. If we’re lucky, some bittersweet joy can be gleaned from those contributions, and in the case of comedy legend Gene Wilder, there sure is a lot to share. A lot to remember. A lot to love.

The supercut maestros over at Burger Fiction recently arranged this Gene Wilder compilation, and we have to admit that it’s one of the best we’ve seen and one of the best they’ve done. Where some of their super cuts can be on the sillier side, or focus on an abstract concept, the few minutes of Wilder’s best roles is presented beautifully with the respect we all know he deserves. Titled “Gene Wilder: Dreamer of Dreams,” it hits the high notes of his career that we all know and love but doesn’t forget the lesser known (or rather, lesser remembered) films that may have fallen away from our immediate go-to Wilder film playlist. It’s supercuts like this one that help to reignite the spark inside us, resulting in a rather wonderful byproduct of our grief. The sadness we feel when we lose someone special, even though we may not actually know them, is made easier to bear when we’re able to celebrate them.

If you’re anything like us, you have Gene Wilder movie marathons already on the books so that we can mourn, remember, and ultimately celebrate the immense talent that he was. Burger Fiction‘s video description may say it best with a simple “We will miss you.”

We sure do.

What are your favorite Gene Wilder moments? Let’s discuss in the comments below!

Image: Warner Bros.

Marvel’s MU is MONSTERS UNLEASHED, Plus More Comic News!

Happy Friday, and welcome back to Comics Relief! And really, is there any Friday happier than the beginning of a holiday weekend?

To get you through Labor Day, we’ve got a recap of the latest comic news including the revelation of Marvel’s MU, another Inhumans and X-Men event book, a double dose of the Suicide Squad, a few new series by Titan Comics, and the first covers from the crossover that TV never gave us: Wonder Woman ‘77 Meets The Bionic Woman!

MARVEL’S MU ISN’T WHAT WE EXPECTED

Until yesterday, Marvel’s MU was rumored to be everything from the return of the Fantastic Four to the resurrection of Wolverine. Instead, it’s a revival of Monsters Unleashed as revealed at Marvel’s part of the annual comic retailers summit in Baltimore. There’s no word yet on which monsters will be used, but Marvel has no shortage of things that go bump in the night. We’re hoping to see classic Dracula break away from the pale skin and ponytail he’s been stuck with since Curse of the Mutants, alongside some of our favorites: Man-Thing, Werewolf by Night, and the Midnight Sons.

Cullen Bunn is writing Monsters Unleashed, and he’ll be joined by a stellar lineup of artists including Steve McNiven, Leinil Yu, Adam Kubert, Greg Land, and Salvador Larroca. [Bleeding Cool]

DON’T COUNT THE X-MEN OUT YET

There are some fans who really believe that Marvel is gonna completely do away with its X-Men titles after the Death of X and Inhumans vs. X-Men events. But not so fast! Also out of Baltimore is word that a third project will bring the clashing superpowered humans together: Inhumans/X-Men: Resurrxion.

Does anyone else see that name and think Terminator Genisys? Obviously, the name implies a resurrection. But who’s coming back to life? Marvel’s recently deceased Wolverine and Cyclops? Adult Jean Grey? The entire freakin’ Mutant race? Hopefully we’ll learn more at Baltimore Comic-Con. [Bleeding Cool]

DC’S BIG GUNS GO HEAD-TO-HEAD

Since the New 52, the Justice League and the Suicide Squad haven’t really run into each other. That’s changing in a big way in December as both the Suicide Squad and Justice League ongoing series will tie into Justice League vs. Suicide Squad, a six-issue miniseries by Joshua Williamson with art by Jason Fabok and Tony S. Daniels. Tim Seeley will write the tie-in issues for Justice League, while Williamson will do the same for Suicide Squad.

Not much is known about the story except that both teams will be at each other’s’ throats before a common threat brings them together. And check out that cover image for a truly bizarre Batman and Harley Quinn team-up. [Nerdist]

JOHN OSTRANDER STARTS AN INTERNATIONAL INCIDENT

Speaking of the Suicide Squad, the co-creator of the modern team from the ‘80s, John Ostrander recently returned to write a one-off adventure with the new team as they get sucked into dealing with the kidnapping of an American official by a European superteam who places him on trial for war crimes. Our very own Scott Beggs got to talk to Ostrander about Suicide Squad: War Crimes, and you can read his interview here. [Nerdist]

TITAN MOVES INTO THE SUPER MANSION WITH QUARRY AND ROBOTECH

Titan Comics is making a few more bold moves, and we quite like what we’re seeing! Titan is now the new home for Robotech comics, and they’re bringing Max Allan Collins’ Quarry (which is also an upcoming Cinemax live-action series) and Super Mansion to comics. We’re very excited about this. [Bleeding Cool]

THE BEST TV CROSSOVER THAT NEVER HAPPENED…UNTIL NOW

We’ll bet that Eric Diaz will like this one: DC and Dynamite have revealed the covers for Wonder Woman ’77 Meets The Bionic Woman #1. And who better to go first with this pairing than Alex Ross?

You can also see the cover by Cat Staggs and the ‘70s style coloring book cover in our gallery below. Writer Andy Mangels and artist Judit Tondor will be the creative team on this miniseries, which hits December 7.

That’s a wrap for this week’s Comics Relief. We’ll see you on the other side of Labor Day!

What do you think about today’s stories? Let us know in the comment section below!

Images: Marvel, DC, Titan Comics, Dynamite

THE 9TH LIFE OF LOUIS DRAX Is Not the Fable It Could Be (Review)

Director Alexandre Aja made a name for himself with horror films so wall-to-wall bloody that they looked like the cinematic equivalent of infected wounds: films like his The Hills Have Eyes remake and Mirrors gave their freshly opened cuts and injuries a very tactile feel that induced wincing in a way few equivalent gore flicks do. Now, however, he seems to be adapting the tactics of a politician. Having thrown red meat to the base to gain their approval, he’s trying to pivot towards the general audience, not by abandoning horror completely, but keeping some of its elements in the service of new genre exploration. The model for this sort of thing is obviously Guillermo del Toro, who went from horror to fairy-tale/fable, and then to all-out sci-fi in Pacific Rim (Aja’s next project after this one, incidentally, is entitled Space Adventure Cobra).

So following 2013’s Horns, which played a demonically endowed Daniel Radcliffe for twisted laughs, Aja’s moving toward the fairytale/fable, and The 9th Life of Louis Drax feels very much like his shot at a Pan’s Labyrinth. Unfortunately it only earns this comparison in effort, rather than execution.

Before the movie gets to its del Toro-like content, however, there’s a beginning straight out of Jean-Pierre Jeunet, in which young Louis (Aiden Longworth, who played young Rip Hunter on Legends of Tomorrow) whimsically recounts all the times he has nearly died due to unlucky accidents and brushes with food poisoning. It’s the latest brush with the reaper that has gotten us to where things begin now, as he’s taken a long fall off a short cliff into deep water, and wound up in a coma. In this state—which sometimes keeps him in dreams, and others allows him to see everything that’s going on as if astrally projected outside his body—he tells his life story to a monstrous, demonic-sounding voice, the source of which is one of the film’s big reveals (which I won’t spoil here).

Based on a novel by Liz Jensen (one set, ironically, in France, though French director Aja has reset it in America), Louis Drax employs a device that probably plays better on the page than it does here: a split-perspective between two main characters, the other being Jamie Dornan‘s Dr. Pascal, who treats the miraculously still-alive-yet-unconscious boy. Movies tend to fare better when they’re clearly one character’s story (you can find exceptions, but they are usually the work of master filmmakers), and alternating the stories is especially jarring when they’re so stylistically different. Louis narrates his scenes, which are photographed with clarity and detail, while Dr. Pascal’s bits are presented more straightforwardly, but with a dreamlike, glowing sheen on every light-reflecting surface. It’s nice that Aja put the thought in to make them visually distinct, but in a movie, having narration come and go isn’t so clearly read as a change in perspectives. If Pascal had an inner monologue too, or Louis had none, the shifts would likely be easier for the viewer to make. Aja’s role model for this should maybe have been Terrence Malick rather than Guillermo del Toro.

Aaron Paul is a highlight of the movie as Louis’ well-meaning, poorly executing father, while Dornan also looks like he’s trying to pivot by playing the opposite of Christian Grey—passively falling into an accidental affair with Louis’ mom (played by Sarah Gadon as a potential femme fatale) while timidly investigating the strangeness of the boy’s condition. Longworth’s fine as the kid; this is one role where the usual precociousness of child stars really matches the character well.

In the end, though, The 9th Life of Louis Drax doesn’t quite cut it as a fable, with a finale that’s too literal and undermines the possibility of multiple interpretations. I admire Aja for trying to stretch beyond his comfort zone, but that admiration does not extend to my telling you to buy a ticket.

Rating: 2 out of 5 burritos.

Featured Image: Summit Entertainment

Luke Y. Thompson is a movie critic/Nerdist’s weekend editor, and is 98% certain his own comas would be poetic. Follow him @LYTrules.

THE AVENGERS Are One Big Happy Family With FULL HOUSE Style Opening Credits

Whatever happened to predictability?

The milkman, the paperboy, the lack of supernatural beings from other worlds constantly attacking earth, requiring a team of superheroes to save the planet from destruction?

If you thought it was extremely weird but wholly wonderful when someone gave Rogue One a Friends style trailer then you are definitely going to love this Full House inspired opening sequence for The Avengers. That’s right, instead of Danny, Joey, and Uncle Jesse, this big lovable group is led by Iron Man, Thor, and Captain America. And the superhero team (which in many ways is a super family when you really think about it) even has their own Olsen to make things extra legit.

This was put today by YouTube user Zach Ace, using footage from the Marvel movies and their behind-the-scenes gag reels, and before you start complaining that you don’t know half of the lyrics in the song, that’s because he used the full, original version of ‘Everywhere You Look” that Full House had in season one before cutting it in half.

If you didn’t know that version existed we apologize for ruining your day and making you question everything you thought you knew about the world.

This unusual crossover reminds of us that great Full House episode though, the one where D.J. and Stephanie went to war over Kimmy Gibbler. Wait, no, that never happened, that was Captain America: Civil War. We have no idea why this exists. But who cares? These weird, seemingly illogical mash-ups are great and we love them. Now we just need someone to make a Doctor Strange trailer set to the Fresh Prince of Bel Air theme song.

Which Avenger would you fill each Full House role with? Give us your crossover casting in the comments below.

Image: Marvel