Chris Hardwick's Blog, page 2280

TIMELESS: “Party at Castle Varlar” Invited The Real James Bond (Recap)

This recap contains spoilers for tonight’s Timeless. So if you want to avoid them make sure to check out the episode before reading, because once you do you can’t go back in time and change it.

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It was inevitable that Timeless would eventually head to Nazi Germany–considering Flynn is trying to destroy America during vulnerable moments in its history, that time period offers too many obvious opportunities for him not to go there–but it did feel like going there this early in the series, in only its fourth episode, was a potential misstep, as though the writers weren’t challenging themselves. Last week’s episode in Las Vegas was good because it focused on a minor historical figure during a non-obvious time period. However, just like the second episode about Lincoln’s assassination, it worked anyway, though for very different reasons.

That episode was genuinely heartbreaking, as Lucy (Abigail Spencer) had to watch her idol murdered at Ford’s Theater, whereas this episode was a lot of fun, because instead of focusing on Hitler and the moral quandary of not trying to stop him, it used James Bond creator and real life spy, Ian Fleming, as its historical root to create a mini spy-drama.

While everyone knows a lot about James Bond, I imagine that some of you, like me, didn’t know as  much about the man who created him, so the show didn’t have to worry as much about our preconceived notions. Guest star Sean Maguire was the right amount of Bond cool while still feeling like genuine enough to make Fleming a real person. (If you missed it, our own Sydney Bucksbaum interviewed Maguire about what it was like to bring Fleming to life, so make sure to check that out.)

In terms of plot the episode was loose and exciting, but like every week so far, it still managed to take time to address bigger questions that time travel raises, mostly the questions of justice and responsibility. Lucy knew how important Wernher von Braun was to America’s coming superiority in the Cold War and Space Race, but Wyatt also knew that it meant he would never receive justice for his crimes. Not that he viewed them as crimes, as von Braun’s conversation with Rufus at the end showed. Where does the responsibility of a scientist begin and end? And how much does the greater good outweigh those crimes? As usual the answers weren’t clear, because the truth is there are no answers, but asking them gives the show an emotional core that prevents it from just being a mindless reverse Quantum Leap.

There were some issues though, like the scene between Lucy and Wyatt at Fleming’s house, where she told him about surviving a car crash. It felt like a lot of exposition that didn’t need to be crammed into such a short scene. Spencer was doing a good enough job showing us that Lucy was barely holding together without having to tell us why. Same goes for Wyatt, who has proven to be a soldier that can’t be shaken by what is happening. We didn’t need all of that there, and as a result it felt forced.

Also, we don’t need the exact same scene between Rufus and Mason, where they argue over Rufus secretly taping his time traveling companions, every week. We get it. Rufus is torn and dealing with his own secrets, as is Mason.

Which brings us to the biggest disappointment of the episode, our first appearance from the ever ominous Rittenhouse. Flynn, in his weekly meetings with Lucy (talk about another type of scene we don’t have to have every week), let us know yet again that he isn’t the bad guy, it’s that shadow organization that is the real threat.

Turns out they are exactly like every other evil shadow organization–ever. They were represented by an old white guy with a smile, spitting out facts as veiled threats, with scary powers, like turning a car on and off. I know this is a show about time travel, but did our first look at the potential real villain have to be straight out of the 1950s?

If the show was looking for a way to introduce Rittenhouse, maybe they could have modeled it after one of Ian Fleming’s more interesting villains.

What did you think of this week’s episode? Don’t keep it a secret, tell us in the comments below.

Images: NBC

Mondo is Releasing Classic Horror Film Scores on Vinyl For Halloween

The Stranger Things score is coming out on vinyl in just a matter of days, and while that’ll make for a terrific Halloween soundtrack, part of the reason it’s so great is because of the classic horror film music it’s based upon. Thankfully, Mondo has taken the liberty of releasing a slew of classic, synth-laden horror film scores, as well as those of some newer but decidedly influenced by ’80s Halloween-ready movies, and we can’t wait to hear them.

Well, we can already hear the older ones, since they’ve been available for years, but new life has been breathed into them with some wonderful original artwork, such as Randy Ortiz’s illustration for the cover of Jay Chattaway’s Maniac – Original Motion Picture Soundtrack. The low-budget 1980 horror film follows a… maniac… serial killer who scalps his targets and it became a cult classic despite lukewarm reviews in its day. If it sound familiar, perhaps you’re aware of the 2012 remake starring Elijah Wood.

Then there’s the Bruce Broughton soundtrack for the 1987 horror comedy The Monster Squad, which is far more chilling than the family-friendly movie that it scores. The film features six kids forced to go toe-to-toe with some of the scariest and most recognized monsters in horror history: The Mummy, The Wolfman, The Gillman, and Dracula. This is another one of those films only hailed long after its release, because despite its shortcomings, it’s good, campy fun.

Lastly, Mondo is also dropping two more contemporary soundtracks: DEATHGASM – Original Motion Picture Soundtrack, and Rats – Original Motion Picture Soundtrack, which contains the music from Morgan Spurlock’s upcoming Discovery Channel documentary and will only be available digitally.

These releases will become available on Wednesday at Noon CST, so head here at the appropriate time and round out your vinyl collection with some spooky records.

Images: Mondo

The LOGAN Trailer Gets Recreated With X-MEN: THE ANIMATED SERIES Clips

Last week, the first trailer for Hugh Jackman‘s final Wolverine movie, Logan was released, and we were blown away by it’s presentation and the appropriately used cover of “Hurt” by Johnny Cash. But just because Logan doesn’t look like any superhero film we’ve seen before doesn’t mean it can’t be a bit more animated!

A YouTube user by the name of Philysteak has recreated the Logan trailer using footage from X-Men: The Animated Series and X-Men: Evolution mixed with the audio from Jackman’s Wolverine and Patrick Stewart‘s Professor X. In keeping with the plot of Logan, only out of costume shots of Wolverine were used and none of the other X-Men appeared in this clip. But the video did get a nice moment from the graveyard of the X-Men scene; which was part of the Days of Future Past adaptation in the first X-Men animated series in the ’90s.

There’s very little footage from X-Men: Evolution here, but it was necessary to include because that was the show that introduced us to Laura, a.k.a. X-23; Wolverine’s younger, female clone. It’s also fitting, because Logan will mark the first time that X-23 has appeared in live-action, and she had one of the most emotional sequences in the trailer. Even that scene made it into this recreation.

Philysteak has previously released similar animated X-Men mash up trailers, including a few for X-Men: Apocalypse, which we previously covered.

What did you think about the Logan animated trailer? Pop your claws in the comment section below!

Don’t miss our breakdown of the actual Logan trailer on Nerdist News:
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Image: Marvel/Disney

GOTHAM Recap: ‘Mad City: Follow the White Rabbit’

Warning: this recap contains major spoilers from Monday’s episode of Gotham, “Mad City: Follow the White Rabbit.” This is, after all, a recap! Don’t say we didn’t warn you …

Holy wow, Gotham is actually doing it, you guys! After weeks upon weeks and months upon months of internet speculation and fan fic, Penguin finally confessed that he had feelings for Ed Nygma. As in, real, romantic feelings. We still don’t know how Ed feels in return, since Penguin didn’t get the chance to tell his BFF how he felt, but still. This is a step in the right direction!

I never thought the show would actually commit to this kind of storyline after all the teases it had been dropping, but right out of the gate in this week’s episode, “Mad City: Follow the White Rabbit,” Penguin told his maid that the time had come to confess his feelings to Ed, since love is no good when it’s one sided. He repeated a quote his mother always told him about how “life only gives you one true love,” so we are absolutely talking real, romantic love, not a friendship kind of love, just in case you were still doubting it. But now the big question is: does Ed feel the same? Let’s recap this game-changing turn of events!

Mayor Cobblepot’s Chief of Staff Ed had been keeping busy organizing all of Penguin’s mayoral duties as well as his duties as kingpin of the underworld, but the one thing he couldn’t do was find where Butch disappeared to after betraying them both. And when Penguin almost confessed his feelings right then to try and cheer up Ed to distract him from his feelings of self-pity, he ended up chickening out and kept silent. After a day of agonizing over his unrequited love, Penguin finally decided to just bite the bullet and do it. He invited Ed to a private dinner at his mansion to finally open up about his feelings.

But when Ed was picking out a bottle of wine to bring to their dinner, he ran into … wait, is that Kristen Kringle? As in, Ed’s first girlfriend who he brutally murdered then buried her body deep in the woods so no one would ever find her? As in, the murder that got Ed locked up in Arkham before Penguin managed to get him out? Of course not!(?) Nope, it’s actually a Kringle lookalike, (allegedly) named Isabella, who also loves inserting riddles into everyday conversations. Suspicious … There’s no way it’s not like another Indian Hill clone or something, right? But Ed fell for her charm and smile and riddle-loving brain right away. This can’t be leading somewhere good, especially since it’s getting in the way of Penguin and Ed’s love story! I’m officially not a fan.

But this week’s episode wasn’t all about Penguin and Nygma’s love story. Jim Gordon’s love life was also becoming more complicated than he ever wanted or expected it to, since after agreeing to help his new flame Valerie Vale with her journalistic investigation into Alice Tetch’s blood and her serial killer brother Jervis, Valerie told him she needed a sit down interview with Lee, the person in charge of the case. That’s going to be one awkward meeting for sure, and Gordon knew it. But apart from that, Gordon and Valerie’s new relationship seems to be in a good place … unlike Gordon’s professional life, as his new gig as a P.I. hadn’t turned up any wins just yet.

But when Jervis decided to set up a big Alice In Wonderland-themed game for Gordon to play at the expense of innocent lives, his day took a turn for the worse. Jervis still wanted revenge on Gordon because he believed Gordon was the reason that Alice died even though it was clearly Jervis’ own fault. But hey, that’s what you get from a psychopath! Turns out he wanted to teach Gordon a lesson that he can’t save everyone, so he made Gordon choose between saving the lives of a newlywed couple or a little boy, and Gordon saved the kid, only to have to watch the couple plunge to their deaths. Jervis then led Gordon to an empty apartment where he phoned in to talk with Gordon, but Gordon decided to play some games of his own and kept hanging up on him. I think he’s finally getting his sense of humor back!

Gordon’s laughs dried up real quick however, when Jervis kidnapped both Valerie and Lee, meaning Valerie ended up getting her sit down with Lee after all, just in much more dangerous and dire circumstances. Before playing with Gordon’s love life, however, Jervis tried to make Gordon choose between the lives of another journalist and another doctor, and right as Bullock, Barnes (who was starting to show symptoms of his blood poisoning with super strength and super anger) and the rest of the GCPD showed up to help, Jervis fried both of the innocent men’s brains since Gordon wouldn’t choose between them.

When Gordon finally figured out Jervis was keeping Valerie and Lee at Lee’s apartment, he shockingly enough partnered up with Mario, Lee’s fiancé, to save them. Too bad Jervis predicted that (but seriously, how?! Even I didn’t see that unlikely pairing coming) and switched the magazine out of Mario’s hidden gun for an empty one, foiling that plan. So Jervis then made Gordon choose which woman he would kill, and Gordon actually chose. He told Jervis to kill Lee, which, for a second, made Valerie extremely relieved that both her life and her relationship were safe.

But we’re dealing with the Mad Hatter here, people! Of course, Jervis did exactly the opposite and shot Valerie in the stomach instead of Lee. We all saw that coming, though, right? Jervis had told Gordon he would end up killing Gordon’s love today, so of course the woman Gordon wanted to save was the one he loved most. But did Gordon choose Valerie because he loved her more than Lee, or because he was trying to move on from her and this was the most permanent solution? Or did he know what Jervis was going to do and outsmarted him, making him think he loved Valerie more when he really truly wanted to save Lee more? My brain hurts!

The episode ended on quite the cliffhanger as Gordon and Lee rushed Valerie to the hospital where her life was now in Mario’s hands. Although, let’s be real, Mario shouldn’t be allowed to operate on her, right? That’s a total conflict of interest. But this is Gotham, so ¯\_(ツ)_/¯.

What did you think of tonight’s Gotham? Are you as happy and relieved as I am that the show is actually going there with Penguin and Ed? What do you think is up with the Kringle lookalike? Tweet me your thoughts at @SydneyBucksbaum!

Gotham airs Mondays at 8 p.m. on Fox.

Images: Fox

There’s One Coin in SUPER MARIO 64 That No One Has Ever Won

To the attentive reader who keeps up with their Super Mario 64 news, this headline might seem a bit dated: In 2002, it was discovered that in the course called Tiny-Huge Island, there is a coin that was literally impossible to get because it’s under the ground of the stage, an area inaccessible by normal means. However, in 2014, one player took advantage of a one-frame window in which you can jump while exiting water from the side to clip through the stage’s normal boundaries and get the coin.

Mystery solved, right? That mystery, yes, but despite the fact that Super Mario 64 came out 20 years ago, there’s apparently still more to discover about the classic game, as it turns out there’s yet another “impossible coin,” and it’s a real doozy.

Oddly enough, this coin is also in Tiny-Huge Island, and Scott “pannenkoek2012″ Buchanan explains the mechanics of this one in his latest video (above). There are only so many arrangements that coins can spawn in, such as a ring of eight or a line of five. However, Tiny-Huge Island features a line of four coins, not one of the possible configurations, and that’s because the fifth coin is under the ground. The trouble with that, from the programming side of things, is that it leaves the coin in an invalid position, so it despawns, leaving just the line of four.

Still, the coin exists, albeit very briefly. It spawns when Mario is a certain distance away from it, but once the game goes though the aforementioned despawning process, about a single frame of gameplay has occurred. This coin does truly seem impossible to collect, but then again, that’s what they thought about the original impossible coin, so who knows?

Watch the video explaining this newly discovered coin below, and if you have 18 years to kill, maybe you can figure out how to be the one to nab this one!

 

Featured image: Nintendo

Peter Jackson Lines Up the MORTAL ENGINES Adaptation

Peter Jackson has lined up his first movie after The Hobbit trilogy, and it may lead to another literary franchise! But this time, Jackson won’t be sitting in the director’s chair.

According to Variety, Jackson, his wife, Fran Walsh, and their frequent collaborator, Philippa Boyens will co-write the adaptation of Philip Reeve’s Mortal Engines, with Christian Rivers slated to direct it.  This will be Rivers’ first time in the director’s chair for a major theatrical project after spending most of his career working with Jackson as a story board artist, a visual effects supervisor and a unit director on The Hobbit. More recently, Rivers was a second unit director on Disney’s remake of Pete’s Dragon.

Mortal Engines is a steampunk adventure that was first published in 2001. The story takes place in an alternate future in which traditional cities have given way to “Traction Cities,” which travel the world and attack other cities as they vie for dwindling food and water supplies. The lead character of Mortal Engines is Tom Natsworthy, a 15-year old orphan who encounters an enigmatic young woman named Hester Shaw, before embarking on a life-changing journey.

Reeve wrote three sequels to Mortal Engines: Predator’s Gold, Infernal Devices, and A Darkling Plain. Considering that Jackson has held the cinematic rights to the series for several years, it seems likely that all four books could be made into a new theatrical franchise. And perhaps Jackson could even direct one of the film’s sequels, if they materialize.

Universal Pictures has already signed on to distribute and co-finance Mortal Engines, which may begin filming in New Zealand as soon as spring 2017.

Are you eager to see what Jackson and his collaborators have in store for us in Mortal Engines? Let’s discuss in the comment section below!

Image: Scholastic

How to DIY a Halloween Costume of SNL’s David S. Pumpkins

When you’re putting together your Halloween costume this year you’re probably going to want to go for the scariest, most frighteningly terrifying thing you can imagine. Something that will scare people after a mere glimpse of your outfit, and leave them unraveled by nightmares. I’m talking about David S. Pumpkins!

Nine-time Saturday Night Live host Tom Hanks’ freaky Halloween character was the talk of the internet this weekend after making his debut as the star of the most recent episode’s “Haunted Elevator” sketch. Viewers couldn’t get enough of the super scary, pumpkin-suit wearing boogieman… and when I say “boogie,” I’m referring to his stunning dance moves.

The character’s pumpkin suit is sure to be the hit of any Halloween party. Luckily, we’ve found the exact adult pumpkin party suit to trick yourself out and treat yourself to a rockin’ good time. Who’s to say this Jack-o’-lantern-patterned outfit has to be worn on Halloween? I’m sure your office wouldn’t mind seeing this ensemble each and every day.

David Pumpkins may be his own thang, but the skeletons are part of it! To put together those trusty sidekick outfits all you need is a skeleton suit, a fright wig, and makeup. The purchasable costume is labeled as a Karate Kid skeleton suit, which makes me want to deep dive and find out if David Pumpkins’ backstory has something to do with the Cobra Kai.

Below you’ll find the supply list for you and two friends to complete your David S. Pumpkins-and-skeleton-backup-dancers ensemble. Any questions?

Supplies:

–Pumpkin Suit from spirithalloween.com

–Skeleton Suit from halloweencostumes.com

–White Wig from spirithalloween.com

–Skeleton Makeup from halloweencostumes.com

Will you be dressing like David Pumpkins for Halloween? Let us know in the comments and tag @nerdist and @justjennrecipes on instagram to show us your dance moves!

Images: SNL

Artist Paints Gigantic David Bowie Mural on the Bottom of a Swimming Pool

It’s still hard to wrap our heads around the fact that David Bowie passed away. It’s been almost an entire year since the world became substantially less cool without him in it. Thankfully, there are still Bowie fans out there doing fantastic things to celebrate the one-of-a-kind artist, including this incredibly unique swimming pool mural.

The mural, created by artist Ten Hundred, that makes this the most insanely cool swimming pool in all of existence, resides on Vashon Island, southwest of Seattle, WA. According to his website, Ten Hundred (otherwise known as Peter Robinson) specializes in bright, colorful, imaginative character work and is inspired by cartoons, anime, street art, graffiti, childlike imagination, comics, world cultures, religions, and folklore.

In the video above, from Robinson’s YouTube Channel, we see what had to be a painstakingly long process to create Bowie as Major Tom from his 1969 song “Space Oddity” with the added flair of some Ziggy Stardust face paint. The time-lapse is absolutely mesmerizing as we see Ten Hundred place gargantuan stencils down, outline details, and make his way to a finished mural and a final, well deserved, signature.

There’s no doubt in our minds that whoever owns this home has become the most popular person in their circle of friends. If any one of our friends had this in their backyard, we’d make it very clear that every party, barbecue, work function, or even wake were held somewhere in the vicinity.

Take a look at Ten Hundred’s other work on his website, where you can grab yourself a t-shirts with the Bowie portrait and watch more time-lapse videos of other murals he’s created.

What’s your favorite piece of Bowie fan art? Let’s discuss in the comments below!

Images: Ten Hundred

Channel Your Inner Wookiee With These Roaring Chewbacca Slippers

What a time to be a Star Wars fan, right? With the popularity of Star Wars being more mainstream than ever, we continually marvel at the creative ways fans get to express their fandom and at the forefront of that is ThinkGeek.com. Now, at last, you can stomp around like everyone’s favorite Wookiee with Chewbacca foot-shaped slippers that actually roar. They’re particularly useful when you lose a chess game.

Should you decide to adorn these Ka-Chic (see what I did there?) slippers, prepare yourself to hear alternating Wookiee roars. ThinkGeek even went as far as typing them out in what might be the most accurate way we’ve seen in a while with “RRRAARRWHHGWWR” and “WAAAAAAAAARGH.”

Now, some might feel it a bit insensitive to be wearing the feet of such a noble race of warriors, but there’s nothing to worry about since no Wookiees were harmed in the making of these slippers. Made of 100% polyester, each slipper has a battery pack that takes 2 AA batteries for proper roaring power and, as Think Geek says, “One size fits lots of adult humans.” Created as a Think Geek exclusive, these co-pilot feet will run you $29.99, which is a small price to pay for such intergalactic comfort. Combine these with some of the other Chewbacca products Think Geek has on-hand like robes, bags, rugs, and drink koozies, and you’ll be prepared for whatever journeys Han may have planned. We’ll just call you Wookiee of the Year.

What are your favorite Star Wars-related products out there? Let’s discuss all the Wookiee ones there are in the comments below!

Images: Lucasfilm/Disney/Think Geek

THE WALKING DEAD Recap: Rick Faces “The Day Will Come When You Won’t Be”

Editor’s note: This post contains spoilers for the season premiere of The Walking Dead! Proceed with caution, survivors. For reals, if you haven’t yet watched tonight’s episode, “The Day Will Come When You Won’t Be,” we highly suggest you do so before proceeding. Okay? We good? Let’s go.

Well, that was certainly an emotionally draining hour of commercial television.

The season 7 premiere of The Walking Dead had a lot riding on it, more so than perhaps any of the show’s season premieres to date. Sure, the series was recently renewed for an eighth season, and its future was never in doubt. But the goodwill it had built up with its audience took two major hits in season 6. The first was the infamous Dumpstergate storyline, in which we were told Glenn was dead, only to be told several weeks later he was not. The second, even more problematic moment was season 6’s finale, which was built almost entirely around the suspense of finding out who Jeffrey Dean Morgan’s Negan would kill in his first appearance on screen. That we did not find out, and that the finale simply faded to black after keeping us on the edge of our seats for so long violated the kind of contract that The Walking Dead, or any series for that matter, makes with its audience.

“The Day Will Come When You Won’t Be” addresses both of these narrative violations. More importantly, it renews that contract.

Since the day Robert Kirkman’s comic book began its run, The Walking Dead has had a great relationship with its fans. And as the first successful weekly drama set within the zombie genre, it’s made damn sure to keep the folks it holds most responsible for its success as happy as possible. So in hindsight it’s perhaps unsurprising that the season premiere takes such careful steps to restore the goodwill of its audience. What is surprising is the way in which it so gruesomely and quite cannily does so.

We begin the moment we left Rick and co., on their knees before Negan and his men, one of their own beaten to death by his barbed-wire-wrapped baseball bat Lucille. Rick then shows the first bit of honest, relatable backbone we’ve seen him exhibit in forever, when he tells Negan he will kill him one day. This prompts Negan to drag him off in his camper to teach him a lesson in obedience, during which Rick recalls Negan’s murder of his friends–both of them.

I had suspicions that Abraham wasn’t long for this world when he found happiness with Sasha. It completed the emotional journey he’d been on since we first met him. He was at peace, and the absolute worst thing for any character on The Walking Dead is peace. That didn’t make his death any easier, for us or for Sasha. I’m glad he went out with a “Suck my nuts” to Negan, though the profanity restrictions under which the show is placed by AMC did have me wishing for something a little stronger from the battle-hardened warrior.

Glenn’s death, however, is a complete surprise, which is a big credit to the show’s writers as well as to director Greg Nicotero. (The makeup-effects-maestro-turned-producer’s storytelling has never been better than it is in the scene where Rick’s memories of his friends flash through his mind as he frantically searches through a blue walker-filled fog for Negan’s axe.) Of course, Glenn’s death shouldn’t be a surprise to comic book fans, since he was indeed killed by Negan in the first issue of The Walking Dead in which the villain appeared. And there’s a part of me that wonders if his death would have more impact if we hadn’t, in a sense, already experienced it last season, but the devastation in both his and a pregnant Maggie’s eyes as she witnesses it firsthand makes it as tragic as can be.

When Rick finally does retrieve Negan’s axe and is taken back to his friends, I can imagine the episode starts to lose some viewers–as the leather-jacketed sadist almost forces Rick to cut his son’s arm off. (Carl, to his credit, is the member of the group who’s least afraid of the madman.) But by that point, we’ve been so emotionally drained that The Walking Dead has earned once more the right to torture us.

Similarly, “The Day Will Come When You Won’t Be” finds the show breaking its characters down in order to, we hope, rebuild them into something that can survive many seasons of horror to come. As for whether or not the show itself will continue to make good on the restoration of its storytelling, that remains to be seen. This season’s premiere is such a raw, caustic bolt of passion and fury that it’s impossible to imagine every episode maintaining its level of intensity. But damned if I’m not once more curious as all hell to see if The Walking Dead tries.

Undead Afterthoughts

— Jeffrey Dean Morgan really delivers a Heath Ledger-Joker level portrait of villainy. He gets into Rick’s head just as much as he does his emotions, and makes us hate him and ourselves for seeing a twisted logic in his actions.

— “Dawn is breaking. It’s a brand new day, Rick.”

— Kudos to the show for acknowledging what Abraham meant to Rosita as well as Sasha.

— Maggie at this point is the successor to Rick, should anything happen to him. She’s lost everyone she’s every loved, and she’s on the verge of losing her first child, yet she’s the first to stand and commit to fighting. Damn straight she’s a leader!

Next week: Here’s hoping we finally get to see Carol and Morgan again. I’m missing my favorite dysfunctional couple.

What did you think of this week’s episode? Let me know in the comments below or on Twitter (@JMaCabre).

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Image Credit: AMC