John R. Fultz's Blog, page 61
October 4, 2013
CONAN: “Caveman Battle Doom”
CONAN’s “Monnos” (2012)
One of my favorite bands to come along in the last few years is CONAN.
This U.K.-based power trio gives a whole new meaning to the word heavy, but without “Cookie Monster” vocals or the demonic noise-worship that often plagues today’s heaviest acts.
CONAN have even coined their own genre, calling themselves “caveman battle doom.” For hardcore fans, this is simply a new sub-category of the “Doom Rock” scene. For the rest of us, it’s an amusingly accurate description of CONAN’s unique sound. As the band’s own bio puts it: “CONAN are as heavy as interplanetary thunder amplified through the roaring black hole anus of Azathoth.” TheObelisk.net christened them “Europe’s heaviest battle-sloths…” It doesn’t get much cooler than that.
CONAN’s “Horseback Battle Hammer” (2010)
After releasing an indie debut EP in 2010 entitled “Horseback Battle Hammer,” the trio signed to Burning World Records and released their critically acclaimed magnum opus “Monnos.”
Both albums are perfect for headbanging, slow-grooving, couch-tripping, or simply cranking up loud enough to vibrate the walls of your apartment. And your skull. They are super sludgy brilliance in the vein of early BLACK SABBATH, KYUSS, MELVINS, and TOOL. Call it “stoner rock” if you will, but absolutely no drugs are necessary.
Cover to the “CONAN vs. Slomatics” split release (2011)
Fantasy and sword-and-sorcery themes are essential to CONAN’s lyrical cosmology, which makes perfect sense for a band named after Robert E. Howard’s famous barbarian.
Songs like “Golden Axe,” “Battle in the Swamp,” “Grim Tormentor,” “Krull,” “Dying Giant,” and “Invincible Throne” not only sound like chapters from epic fantasy novels, they FEEL epic when you blast them through your rumbling speakers. Every song lumbers like a reptilian colossus moving through a tar-pit. They rise like titans from a burning primeval sea. They tread the jeweled kingdoms of the earth under monolithic iron heels.
I wanna party with these guys….
Paradoxically, CONAN are so heavy they’re almost mellow. This band doesn’t bother playing fast; they only have two speeds: Slow and Mid-Tempo. Their trademark sound is the deep roar of the celestial abyss, the wailing of lost souls rising from the battlefield into the golden halls of Valhalla, the battle cry of a Cimmerian plunging his blade deep into the skull of a nameless horror.
Guitarist/Vocalist Jon Davis wails from a storm-wracked mountaintop, and his voice echoes through valleys of volcanic rock and flame. Walls of distortion rise dark and glimmering into the sky, while drummer Paul O’Neil chips away at the earth’s foundations with his steady, driving beats. Bassist Phil Coumbe syncs a molten layer of sonic sludge to Davis’ booming power chords, driving the band’s sound deep into the heart of creation and out the other side.
CONAN isn’t just heavy for the sake of being heavy. They are genuinely trippy, as psychedelic as they are metallic. Their newest track, “Beheaded,” is a 17-minute aural odyssey that appears only on a double split release with Chicago’s BONGRIPPER. They also have tracks on “CONAN vs. Slomatics” an earlier split release with Irish doom-rockers SLOMATICS, including the songs “Retaliator”, “Obsidian Sword,” and “Older Than Earth.”
Cover to CONAN’s live album “Mount Wrath: Live at Roadburn” (2012)
All the artwork for CONAN’s past and present releases is by the super-talented Anthony Roberts. Sometimes an artist’s style fits perfectly with a band’s sound, and this is definitely one of those instances. Roberts’ illustrations are joyously old-school, like images from mid-century pulp fantasy novels or Advanced Dungeons & Dragons manuals with a dose of 1970s Heavy Metal.
Expanded view of Anthony Roberts’ “Monnos” artwork
There are only a handful of rock bands I can listen to while I’m writing: Black Sabbath, KYUSS, The Sword, Elder, Danzig, Black Sleep of Kali. A few others. Now I’ve gleefully added CONAN to that list.
“Monnos” and “Horseback Battle Hammer” are inspiring masterworks of sonic-powered high-concept doom rock.
Maybe CONAN’s sound appeals to the ancient warrior in me just dying to get out and swing a battle axe. Or (more likely) the Eternal Storyteller forever in search of the next Great Tale. Here is inspiration loud as thunder and deep as oceans.
Can’t wait to see these guys play live…
_____________________________________
UPDATE: In mid-2013 CONAN signed with Napalm Records’ Spinning Goblin sub-label, joining legendary acts such as MONSTER MAGNET and THE SWORD, among others. Their next release promises to be their biggest disc yet.
October 2, 2013
2 months ’til SEVEN SORCERERS
Only 2 more months…
September 22, 2013
THE REVELATIONS OF ZANG Softcover
My first short-story collection, THE REVELATIONS OF ZANG: Twelve Tales of the Continent, is finally available in a softcover print edition from Fantastic Books.
The e-book version (from 01 Publishing) has been out for several months, but now readers have their choice of an electronic or good ol’ paper-and-ink book.
Both versions are now on sale at Amazon.com.
For more info on the collection, see my previous post HERE.
REVELATIONS OF ZANG: Now in print
My first short-story collection, THE REVELATIONS OF ZANG: Twelve Tales of the Continent, is finally available in a softcover print edition from Fantastic Books.
The e-book version (from 01 Publishing) has been out for several months, but now readers have their choice of an electronic or good ol’ paper-and-ink book.
Both versions are now on sale at Amazon.com.
For more info on the collection, see my previous post HERE.
See My Shadow Changing…
THIS is probably the coolest thing on the Internet right now:
A group of (extremely) talented kids covering TOOL’s metal masterpiece
“46 and 2″. Props to their music teacher Aaron O’Keefe for restoring my faith in the musicians of tomorrow. Now crank it UP.
September 19, 2013
The Heart of Everything
“A single unified conscious energy field
generates, organizes, and delivers the universe.”
–Chopra
September 1, 2013
3 months ’til SEVEN SORCERERS
Only 3 months…
August 18, 2013
An Epiphany
Art by Stephen E. Fabian http://www.stephenfabian.com
The artist (i.e. writer) must please himself/herself first and foremost. His creation must meet his own personal aesthetic values because they are what defines him. If an artist’s work does not enjoy universal acclaim, it’s not because he has failed in some way. It’s because his own sense of artistic value diverges (often greatly) from what the bulk of the public accepts.
Those artists who have never been drawn to what is “popular” or “acclaimed” by the masses will likely never produce something that meets the expectations of the masses.
Those works of art that do achieve mass acceptance or acclaim are seized by a force that is far beyond the artist’s ability to control.
An artist’s first and foremost duty is to himself. There is nothing more important than following your own vision and bringing it to life as accurately and faithfully as you can. Nothing.
August 11, 2013
DEEPEST, DARKEST EDEN arrives…
DEEPEST, DARKEST EDEN: New Tales of Hyperborea is finally available.
I’ve already written much about this terrific anthology in a previous post. Now I’m pleased to announce that Amazon is selling copies of the book, which makes its official premiere at the upcoming NecronomiCon in Rhode Island.
Get your copy right here.
DEEPEST, DARKEST EDEN has arrived…
DEEPEST, DARKEST EDEN: New Tales of Hyperborea is finally available.
I’ve already written much about this terrific anthology in a previous post. Now I’m pleased to announce that Amazon is selling copies of the book, which makes its official premiere at the upcoming NecronomiCon in Rhode Island.
Get your copy right here.
